Mobility and Transnational Iceland
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Before the Forties
Before The Forties director title genre year major cast USA Browning, Tod Freaks HORROR 1932 Wallace Ford Capra, Frank Lady for a day DRAMA 1933 May Robson, Warren William Capra, Frank Mr. Smith Goes to Washington DRAMA 1939 James Stewart Chaplin, Charlie Modern Times (the tramp) COMEDY 1936 Charlie Chaplin Chaplin, Charlie City Lights (the tramp) DRAMA 1931 Charlie Chaplin Chaplin, Charlie Gold Rush( the tramp ) COMEDY 1925 Charlie Chaplin Dwann, Alan Heidi FAMILY 1937 Shirley Temple Fleming, Victor The Wizard of Oz MUSICAL 1939 Judy Garland Fleming, Victor Gone With the Wind EPIC 1939 Clark Gable, Vivien Leigh Ford, John Stagecoach WESTERN 1939 John Wayne Griffith, D.W. Intolerance DRAMA 1916 Mae Marsh Griffith, D.W. Birth of a Nation DRAMA 1915 Lillian Gish Hathaway, Henry Peter Ibbetson DRAMA 1935 Gary Cooper Hawks, Howard Bringing Up Baby COMEDY 1938 Katharine Hepburn, Cary Grant Lloyd, Frank Mutiny on the Bounty ADVENTURE 1935 Charles Laughton, Clark Gable Lubitsch, Ernst Ninotchka COMEDY 1935 Greta Garbo, Melvin Douglas Mamoulian, Rouben Queen Christina HISTORICAL DRAMA 1933 Greta Garbo, John Gilbert McCarey, Leo Duck Soup COMEDY 1939 Marx Brothers Newmeyer, Fred Safety Last COMEDY 1923 Buster Keaton Shoedsack, Ernest The Most Dangerous Game ADVENTURE 1933 Leslie Banks, Fay Wray Shoedsack, Ernest King Kong ADVENTURE 1933 Fay Wray Stahl, John M. Imitation of Life DRAMA 1933 Claudette Colbert, Warren Williams Van Dyke, W.S. Tarzan, the Ape Man ADVENTURE 1923 Johnny Weissmuller, Maureen O'Sullivan Wood, Sam A Night at the Opera COMEDY -
Breaking Definitional Boundaries – Museums in Iceland Policy Cultural Heritage, Cultural
zarządzanie w Kulturze 2017, 18, z. 1, s. 61–74 61 doi:10.4467/20843976ZK.17.005.6288 www.ejournals.eu/Zarzadzanie-w-Kulturze Weronika Pokojska BREAKING DEFINITIONAL BOUNDARIES – MUSEUMS IN ICELAND POLICY CULTURAL HERITAGE, CULTURAL Abstract The article presents the results of a research on Icelandic museums and their specifics. The analysis is based on the traditional concept of ‘land, nation and language,’ which form the core of the Icelan- dic culture and national identity. The first section of the paper describes the definitional problems which occurred during the research. Then the methodology is explained, also taking into consider- ation the difficulties in examining Icelandic museums using standard tools and guidelines. The last section is devoted to the results of the research, presenting a few examples of different Icelandic museums and their approach to heritage through the prism of the abovementioned trinity. SŁOWA KLUCZE: dziedzictwo niematerialne, koncepcje muzeów, kultura Islandii, zarządzanie dziedzictwem KEY WORDS: intangible heritage, museum concepts, culture of Iceland, heritage management Introduction The aim of the article is to present some thoughts resulting from an on-site ob- servation on Icelandic museums proceeded during a research project named “Icelan- dic Museums: Between Tradition and Today,” conducted at Háskóllinn á Bifröst. The research was about the specifics of Icelandic museums and similar activities. I exam- ined how the image of the country is created through its approach to heritage and ex- hibiting -
School Nixes Leasing Agreement with Township
25C The Lowell Volume IS, Issue 2 Serving Lowell Area Readers Since 1893 Wednesday, November 21, 1990 earns The Lowell Ledger's "First Buck Contest" turnout was a.m., bagged the buck at 7:45 a.m. better than voter turnout on election day. On Saturday, Vezino bagged a four-point buck with a Well, not quite, but 10 area hunters did walk through the bow. Ledger d(X)r between 7:30 a.m. and 12:30 p.m. on Wednes- Don Post. Ada. was along the Grand River on the flats, day. when he used one shot from his 16-gauge to drop a seven- The point sizes varied from four to eight-point. The weight point. 160-165 pound buck at 8 a.m. Post, hunting since of the bucks fluctuated from 145-200 pounds and the spreads the age of 14. said the seven is the biggest point size buck on the rack were anywhere from eight to 15 inches. he has ever shot. Lowell's Jack Bartholomew was the first hunter to hag Chuck Pfishner, Lowell, fired his winning shot at 7:50 and drag his buck to the Ledger office at 7:35 a.m. Barth- a.m. east on Four Mile. Using a 12-gauge, Pfishner shot olomew was out of the house by 6 a.m., saw his first buck an eight-point, 145-150 pound buck with a nine-inch spread. at 6:55 and shot it at 7:10. Randy Mclntyre. Lowell, was in Delton when he dropped "When I first saw the buck it was about 100 yards away. -
Rights Guide
Prószyński Media Sp. z o.o. RIGHTS GUIDE CONTACT DETAILS 2018 e-mail: [email protected] Izabela Delesiewicz FOREIGN RIGHTS email: [email protected] ph. +48 22 278 17 35 Prószyński Media Gintrowskiego 28 02-697 Warsaw, Poland www.proszynski.pl www.facebook.com/proszynski www.proszynski.pl INDEKS ANDRYKA DAGMARA, Trąf, trąf misia bela, p. 21 KOŁAKOWSKA AGATA, Pięć minut Raisy, p. 9 CONTENTS BRALCZYK JERZY, 1000 słów, p. 35 KOŁCZEWSKA KATARZYNA, Odzyskać utracone, p. 10 BUDKA SUFLERA, SAWIC JAROSŁAW, Memu miastu KORWIN PIOTROWSKA KAROLINA, Sława, p. 47 FICTION na do widzenia, p. 36 KOWALSKA ALEKSANDRA, Ucieczka, p. 11 LITERARY FICTION, p. 1 BULICZ-KASPRZAK KATARZYNA, Pójdę do jedynej, p. 1 kozioł Marcin, Tajemnica przeklętej harfy, p. 29 CRIME & THRILLER, p. 21 CHAJZER FILIP, CHAJZER ZYGMUNT, Chajzerów dwóch, Krzysztoń Antonina, Przeźroczysty chłopiec, p. 30 poetry, p. 26 p. 37 MAN MATYLDA, Trzeba marzyć, p. 12 CHILDREN AND YOUTH LITERATURE, p. 27 CZAJKOWSKA JADWIGA, Ufać zbyt mocno, p. 2 MISZCZUK JOANNA, Wiara i nadzieja, p. 13 DZIEWULSKI JERZY, PYZIA KRZYSZTOF, MŁYNARSKA pAULINA, Rebel, p. 49 p. 35 NON-FICTION, Jerzy Dziewulski o polskiej policji, p. 38 MORAWSKI IRENEUSZ, PRYZWAN MARIOLA, Tylko FRĄCZYK IZABELLA, Jedną nogą w niebie, p. 3 mnie pogłaszcz…Listy do Heleny Poświatowskiej, p. 48 FRĄCZYK IZABELLA, Koncert cudzych życzeń, p. 3 NIEDŹWIEDZKA MAGDALENA, Maria Skłodowska Curie, FRĄCZYK IZABELLA, Spalone mosty, p. 3 p. 14 GIEDROJĆ MAGDALENA, Księżyc nad Rzymem, p. 4 NIEDŹWIEDZKA MAGDALENA, GORSKY VICTOR, Kameleon, p. 39 Opowieści z angielskiego dworu. Diana, p. 15 GRYGIER MARCIN, Nie myśl, że znikną, p. 22 NIEDŹWIEDZKA MAGDALENA, GRZELA REMIGIUSZ, Bądź moim bogiem, p. -
The Inventory of the Richard Roud Collection #1117
The Inventory of the Richard Roud Collection #1117 Howard Gotlieb Archival Research Center ROOD, RICHARD #1117 September 1989 - June 1997 Biography: Richard Roud ( 1929-1989), as director of both the New York and London Film Festivals, was responsible for both discovering and introducing to a wider audience many of the important directors of the latter half th of the 20 - century (many of whom he knew personally) including Bernardo Bertolucci, Robert Bresson, Luis Buiiuel, R.W. Fassbinder, Jean-Luc Godard, Werner Herzog, Terry Malick, Ermanno Ohni, Jacques Rivette and Martin Scorsese. He was an author of books on Jean-Marie Straub, Jean-Luc Godard, Max Ophuls, and Henri Langlois, as well as the editor of CINEMA: A CRITICAL DICTIONARY. In addition, Mr. Roud wrote extensive criticism on film, the theater and other visual arts for The Manchester Guardian and Sight and Sound and was an occasional contributor to many other publications. At his death he was working on an authorized biography of Fran9ois Truffaut and a book on New Wave film. Richard Roud was a Fulbright recipient and a Chevalier in the Legion of Honor. Scope and contents: The Roud Collection (9 Paige boxes, 2 Manuscript boxes and 3 Packages) consists primarily of book research, articles by RR and printed matter related to the New York Film Festival and prominent directors. Material on Jean-Luc Godard, Francois Truffaut and Henri Langlois is particularly extensive. Though considerably smaller, the Correspondence file contains personal letters from many important directors (see List ofNotable Correspondents). The Photographs file contains an eclectic group of movie stills. -
MAR 19—22 BAM Fisher
Kindur MAR 19—22 BAM Fisher Compagnia TPO Artistic Direction by Francesco Gandi and Davide Venturini A co-production with Teatro Metastasio Stabile della Toscana Study Guide written by Nicole Kempskie with excerpts from Compagnia TPO BAM PETER JAY SHARP BUILDING 30 LAFAYETTE AVE. BROOKLYN, NY 11217 TABLE OF CONTENTS DEAR EDUCATOR YOUR VISIT TO BAM Welcome to the Study Guide for the The BAM program includes: this study Page 3: The Production production of Kindur that you and guide, a pre-performance workshop in Page 4: Scene-by-Scene your students will be attending as your classroom led by a BAM teaching Page 5: Iceland: A Magical Land part of BAM Education’s School Time artist, and the performance (March 19- Performance Series. This magical tale 22; 90 minutes) immediately followed by Page 6: Iceland: Its Magical follows the travels of three sheep as a post-show discussion (30-40 minutes). Creatures they make their annual journey through Page 7: Classroom Activities the Icelandic landscape. Three dancers Please arrange for your students to stay bring these adventurous sheep to life and participate in this unique question- accompanied by massive screens filled and-answer session. with gorgeous projections depicting the vast beauty of Iceland’s landscape. At this performance, students will not only sit back and watch the story unfold, they will also participate in the story, at times being invited onto the stage in order to trigger and co-create the sounds, images, music, and colors that make up this world. In addition, this performance provides a wonderful opportunity to explore the natural wonders and culture of Iceland in the classroom; its fairy-tale landscape of glaciers, volcanoes, waterfalls, and Northern Lights, as well as its mysterious elves and troublesome trolls. -
Webinars Highlight Spectrum of Icelandic Topics
Connect Celebrating 2 Years! June/Júní 2021 Webinars Highlight Spectrum of Icelandic Topics Heritage, scholarship opportunities, contemporary issues, and Icelandic horses have all taken center stage for engaging 2021 INLUS webinars. INLUS volunteers and special guests educated and entertained webinar audiences, Inside this issue: and special guests answered questions from audience members. Jonathan Wood’s passion for being an advocate was what propelled him President’s Message 2 to a law career and graduate studies in polar law in Akureyri, Iceland. In a March 21 webinar about contemporary issues in Iceland, INLUS Volunteer Kaffi Tími 2 Jeannie Fox Entenza interviewed Wood to find out about how a practicing lawyer from the warm state of Georgia transitioned to snowy northern Fitness Challenge 2 Iceland. They covered everything from Wood’s experiences learning the Icelandic language, to graduate studies at universities in Iceland, to climate Chef Brent Skarðaborg 3 change and human rights. His thesis research is about the consent process of the resource extraction industry in Greenland, an area that has been Why We Celebrate June 17 4 changing as he has been writing his thesis. Wood’s advocacy now centers on policies that affect the indigenous people of Greenland and the environment, Webinars continued 5 and he hopes to continue being an advocate in the arctic as long as he’s able. Chef Skarðaborg 6 What is the best way to preserve and care for shared heritage? The INLUS continued webinar April 14 featured Katelin Parsons, Project Manager of the Fragile Heritage Project at the Árni Magnússon Institute for Icelandic Studies in Reykjavík. -
The Values Underpinning Iceland's Food System Risk Implications for Resilience Planning
The values underpinning Iceland's food system risk Implications for resilience planning by Holly Johanna Jacobson Bachelor of Science in Biology and Environmental Studies Bowdoin College 2011 Submitted to the Department of Urban Studies and Planning in partial fulfillment of the requirements for the degree of MASTER IN CITY PLANNING at the MASSACHUSETTS INSTITUTE OF TECHNOLOGY June 2016 © Holly Johanna Jacobson. All rights reserved. The author hereby grants to MIT permission to reproduce istribute and to d publicly paper and electronic copies of this thesis document in whole or in part in any medium now known or hereafter created. Author: ________________________________________________________________________ Holly Johanna Jacobson Department of Urban Studies and Planning May 6, 2016 Certified by: ____________________________________________________________________ Janelle Knox-‐Hayes Associate Professor of Urban Studies and Planning Thesis Supervisor Accepted by: ___________________________________________________________________ P. Christopher Zegras Associate Professorof Urban Studies and Planning Chair, Master in City Planning Committee 1 The values underpinning Iceland's food system risk Implications for resilience planning by Holly Johanna Jacobson Submitted to the Department of Urban Studies and Planning on May 6, 2016in partial fulfillment of the requirements for the degree ofMaster in City Planning ABSTRACT Some claim Iceland’s food security is in grave danger. Farms fear financial failure as they compete with cheaper imports; high import reliance renders the country vulnerable to natural, political, and financial volatility; climate changethreaten s to exacerbatethese food systemweaknesses . Yet Iceland has no contingency plan, and adaptation measures are absent from national climate change reports.While thisgap could be perceived asnegligence , to do so assumes a universalistic framework for risk and resilience—a trendcurrently seen in theglobal proliferation of formulaic, resiliency plans. -
“Art Is in Our Heart”
“ART IS IN OUR HEART”: TRANSNATIONAL COMPLEXITIES OF ART PROJECTS AND NEOLIBERAL GOVERNMENTALITY _____________________________________________ A Dissertation Submitted to the Temple University Graduate Board _____________________________________________ in Partial Fulfillment of the Requirements for the Degree of Doctor of Philosophy _____________________________________________ By G.I Tinna Grétarsdóttir January, 2010 Examining Committee Members: Dr. Jay Ruby, Advisory Chair, Anthropology Dr. Raquel Romberg, Anthropology Dr. Paul Garrett, Anthropology Dr. Roderick Coover, External Member, Film and Media Arts, Temple University. i © Copyright 2010 by G.I Tinna Grétarsdóttir All Rights Reserved ii ABSTRACT “ART IS IN OUR HEART”: TRANSNATIONAL COMPLEXITIES OF ART PROJECTS AND NEOLIBERAL GOVERNMENTALITY By G.I Tinna Grétarsdóttir Doctor of Philosophy Temple University, January 2010 Doctoral Advisory Committee Chair: Dr. Jay Ruby In this dissertation I argue that art projects are sites of interconnected social spaces where the work of transnational practices, neoliberal politics and identity construction take place. At the same time, art projects are “nodal points” that provide entry and linkages between communities across the Atlantic. In this study, based on multi-sited ethnographic fieldwork in Canada and Iceland, I explore this argument by examining ethnic networking between Icelandic-Canadians and the Icelandic state, which adopted neoliberal economic policies between 1991 and 2008. The neoliberal restructuring in Iceland was manifested in the implementation of programs of privatization and deregulation. The tidal wave of free trade, market rationality and expansions across national borders required re-imagined, nationalized accounts of Icelandic identity and society and reconfigurations of the margins of the Icelandic state. Through programs and a range of technologies, discourses, and practices, the Icelandic state worked to create enterprising, empowered, and creative subjects appropriate to the neoliberal project. -
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KITTSEER SCHRIFTEN ZUR VOLKSKUNDE VERÖFFENTLICHUNGEN DES ETHNOGRAPHISCHEN MUSEUMS SCHLOSS KITTSEE -15 ^ C /ls M &04 7 ) / 1 \ ZJ w r r *A ftM z/öC j, 'Vit+r i C*jfsfr*c£rri^ '/u/d ^ • A* U/Y 't4, <% V , ' A ^ itM ü* DIE MUSEUMSSAMMLUNG- ? -*> ife<42_ SAMMLUNGSINTENTION y - ' f A LA e / ? s +IS* 7 - s y | Mt-M» AUSWAHLKRITERIEN ?-6>Z / j C?1WC- ^ W v V +iJlt*- • j ~ t f ^ ft^ lte und Strategien der vergangenen 10 Jahre l >0 y \ ( j & £ so w ie V-/J 'C \ Zielsetzungen für die nächste Dekade m w "M i enAstc&i,'itJt+A''<2S 41/4x44. w <*> Beiträge der W JU tA • n . ? -m II. Internationalen Konferenz <r der Ethnographischen Museen in Zentral- und Südosteuropa „ T r i? 4/ 4 4 pZ. ybr*/', A /ltzfjctkJ)// m in Wien Z f & : * 4 vom 18.-21. September 2002 V f 9 ' d lt jt/ttg /k/forte, 'yyyif & /4 k & i« 4 < KITTSEER SCHRIFTEN ZUR VOLKSKUNDE VERÖFFENTLICHUNGEN DES ETHNOGRAPHISCHEN MUSEUMS SCHLOSS KITTSEE Heft 15 DIE MUSEUMSSAMMLUNG - SAMMLUNGSINTENTION, AUSWAHLKRI TERIEN, KONTEXTUALISIERUNG. INHALTE UND STRATEGIEN DER VERGANGENEN 10 JAHRE SOWIE ZIELSETZUNGEN FÜR DIE NÄCHSTE DEKADE. Beiträge der II. Internationalen Konferenz der Ethnographischen Museen in Zentral- und Südosteuropa in Wien vom 18.-21. September 2002 Bisher erschienen: Heft 1 Klara K. Csillery: DIE BAUERNMÖBEL VON HARTA. Erläuterungen zur Möbelstube der Ungarn-Deutschen in der Sammlung des Ethnographischen Museums Schloß Kittsee. 1981 Heft 2 Klaus Beitl (Hg.): VERGLEICHENDE KERAMIKFORSCHUNG IN MITTEL- UND OSTEU ROPA. Referate des 14. Internationalen Hafnerei-Symposiums Vom 7 .-1 1 . September 1981 im EMK. -
Halldór Laxness - Wikipedia
People of Iceland on Iceland Postage Stamps Halldór Laxness - Wikipedia https://en.wikipedia.org/wiki/Halldór_Laxness Halldór Laxness Halldór Kiljan Laxness (Icelandic: [ˈhaltour ˈcʰɪljan ˈlaxsnɛs] Halldór Laxness ( listen); born Halldór Guðjónsson; 23 April 1902 – 8 February 1998) was an Icelandic writer. He won the 1955 Nobel Prize in Literature; he is the only Icelandic Nobel laureate.[2] He wrote novels, poetry, newspaper articles, essays, plays, travelogues and short stories. Major influences included August Strindberg, Sigmund Freud, Knut Hamsun, Sinclair Lewis, Upton Sinclair, Bertolt Brecht and Ernest Hemingway.[3] Contents Early years 1920s 1930s 1940s 1950s Born Halldór Guðjónsson Later years 23 April 1902 Family and legacy Reykjavík, Iceland Bibliography Died 8 February 1998 Novels (aged 95) Stories Reykjavík, Iceland Plays Poetry Nationality Icelandic Travelogues and essays Notable Nobel Prize in Memoirs awards Literature Translations 1955 Other Spouses Ingibjörg Einarsdóttir References (m. 1930–1940) External links [1] Auður Sveinsdóttir (m. 1945–1998) Early years Laxness was born in 1902 in Reykjavík. His parents moved to the Laxnes farm in nearby Mosfellssveit parish when he was three. He started to read books and write stories at an early age. He attended the technical school in Reykjavík from 1915 to 1916 and had an article published in the newspaper Morgunblaðið in 1916.[4] By the time his first novel was published (Barn náttúrunnar, 1919), Laxness had already begun his travels on the European continent.[5] 1 of 9 2019/05/19, 11:59 Halldór Laxness - Wikipedia https://en.wikipedia.org/wiki/Halldór_Laxness 1920s In 1922, Laxness joined the Abbaye Saint-Maurice-et-Saint-Maur in Clervaux, Luxembourg where the monks followed the rules of Saint Benedict of Nursia. -
Please Cite the Original Version: Vinsamlega Vísið Til Útgefnu
___________________________________ This is not the published version of the article / Þetta er ekki útgefna útgáfa greinarinnar Author(s)/Höf.: Kristín Loftsdóttir Title/Titill: The Exotic North: Gender, Nation Branding and Post-colonialism in Iceland Year/Útgáfuár: 2015 Version/Útgáfa: Post-print (lokagerð höfundar) Please cite the original version: Vinsamlega vísið til útgefnu greinarinnar: Kristín Loftsdóttir. 2015. “The Exotic North: Gender, Nation Branding and Postcolonialism in Iceland”. NORA – Nordic Journal of Feminist and Gender Research, 23(4), bls. 246-260. DOI: 10.1080/08038740.2015.1086814 Rights/Réttur: © 2015 Nordic Association for Women’s Studies and Gender Research Kristín Loftsdóttir. 2015. “The Exotic North: Gender, Nation Branding and Post- colonialism in Iceland”. NORA – Nordic Journal of Feminist and Gender Research, 23(4), bls. 246-260. DOI: 10.1080/08038740.2015.1086814 [email protected] The Exotic North: Gender, Nation Branding and Post-colonialism in Iceland Kristín Loftsdóttir Abstract This discussion stresses that looking at countries on the margins of European colonial rule can be useful when considering the wider dynamics of the present, reflecting the persistence of colonial discourses and how racism “endures”. Iceland’s colonial experience was characterized by duality, in which the country was an object of colonialism, while actively participating in the racist discourses predominant in Europe at that time. This paper demonstrates how Iceland’s long association with the exotic and its gendered manifestations is currently being perpetuated by the tourist and state industries, under the influence of neo-liberal ideas about nation branding. When contextualized within the larger geopolitical environment, Iceland as an “exotic” destination unravels the racist and colonized narratives still at play within a wider geopolitical context.