January 2013 Lazo Cultural Insert
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E V a N G E L I
presents E EVANGELINE, V THE QUEEN OF MAKE-BELIEVE A 1968. East L.A. explodes in a civil rights movement as Evangeline, a devoted N daughter by day and go-go dancer by night, embarks on a journey of self-discovery. “A living history, combining a piquant upbeat G musical score with salient–People’s resonance World to current E day issues.” L I Created by Theresa CHAVEZ, N Nina Diaz, “The Neighborhood” Louie PÉREZ and bandband LeadLead SingerSinger E Rose PORTILL0 Music by David HIDALGO & Louie PÉREZ of Los Lobos Heralded by Latino Weekly as a “beautifully crafted multimedia experience,” this PLAY with MUSIC returns to Lincoln Height’s Plaza de la Raza. With its reimagined “Los Lobos songbook as a reverb-drenched 60’s garage band,” NINA DIAZ (Girl in a Coma) fronts “The Neighborhood” band. April 4-14, 2019 Plaza de la Raza 3540 N. Mission Road, Los Angeles, CA 90031 Follow us on: @AboutPD presents E V A N EVANGELINE, G E THE QUEEN OF L I N MAKE-BELIEVE E story BY Theresa CHAVEZ, Louie PÉREZ and Rose PORTILLO written BY Theresa CHAVEZ and Rose PORTILLO directed BY Theresa CHAVEZ FEATURING THE MUSIC OF David HIDALGO & Louie PÉREZ cast Elizabeth ALVAREZ……....................…………..................................………………...Alicia Adrian BRIZUELA……………...................…................................…………Edgar/James Sarah CORTEZ*…………........................................................………………...Evangeline Moises CASTRO*……………................................................................………………...Ray Ariana GONZALEZ……................................................................…………...Ensemble -
Tedeschi Trucks Band 2016 Wheels of Soul Summer Tour Makes 1St Stop in Rochester
FOR IMMEDIATE RELEASE Media Contact Jeffrey Springut (585) 473-4482 [email protected] Photos/Videos/Releases RochesterEvents.com/press Tedeschi Trucks Band 2016 Wheels Of Soul Summer Tour Makes 1st Stop In Rochester Rochester, NY. Rochester Events is thrilled to announce Tedeschi Trucks Band Wheels Of Soul 2016 Summer Tour live at the Highland Bowl Friday, July 8th 2016. Gates Open at 6:00PM. Show starts at 7:00PM. Tedeschi Trucks Band brings their wildly praised Wheels of Soul tour back on the road this summer, adding Los Lobos and North Mississippi Allstars to their list of “rock ‘n soul” collaborators. Rochester’s highly regarded Highland Bowl will host the first stop on the tour. Tedeschi Trucks Band, led by the husband-and-wife team of singer-guitarist Susan Tedeschi and guitar virtuoso Derek Trucks, are fresh off of their January 2016 release of Let Me Get By, their debut album for Fantasy Records. The Associated Press stated “Tedeschi Trucks Band has already released one of the great records of the year,” and following the band’s recent filming of Austin City Limits The Austin Chronicle added “There’s no contemporary match for the Tedeschi Trucks Band in that their third LP manages the nearly impossible combination of growth and improvement where none seems possible or necessary.” Since their inception in 2010, TTB have seen both of their previous albums debut in the Top 15 of the Billboard 200, and won a Grammy for their debut album Revelator, an album hailed by Rolling Stone as a “masterpiece.” They tour over 200 days of the year and have built a dedicated following around the world, one powerful performance at a time. -
American Epic Sessions Song List
Press Contacts: Brian Moriarty, DKC Communications, 212-981-5252; [email protected] Aliza Rabinoff, DKC Communications, 212-981-5157; [email protected] Natasha Padilla, WNET, 212-560-8824; [email protected] Press Materials: http://pbs.org/pressroom or http://thirteen.org/pressroom Websites: http://americanepic.com , http://pbs.org/americanepic , http://facebook.com/americanepic , @AmericanEpic , http://instagram.com/americanepic/ , http://google.com/+americanepic , http://youtube.com/americanepic , #AmericanEpic The American Epic Sessions Premieres Tuesday, June 6 at 8 p.m. on PBS (check local listings) Song List Performances “Matrimonial Intentions” Traditional Performed by Jack White Arranged by Jack White Jack White: Vocals and Guitar Dominic Davis: Upright Bass Fats Kaplin: Mandolin Lillie Mae Rische: Vocals and Fiddle Carla Azar: Percussion Produced by Jack White and T Bone Burnett Courtesy of Columbia Records, a Division of Sony Music Entertainment “If The River Was Whiskey” Composed by Charlie Poole and Norman Woodlieff Performed by Frank Fairfield Frank Fairfield: Vocals and Slide Guitar Zac Sokolow: Banjo Produced by T Bone Burnett Published by Charlie Poole Publishing, Inc. and Original Rambler Music Inc., admin. by Bluewater Music Services Corp. Courtesy of Columbia Records, a Division of Sony Music Entertainment “On The Road Again” Composed by J.B. Jones and Will Shade Performed by Nas Nas: Vocals Dominic Davis: Upright bass Jake Faulkner: Jug Fats Kaplin: Banjo Alfredo Ortiz: Drums Lillie Mae Rische: Fiddle -
Final LOS LOBOS GATES of GOLD
LOS LOBOS Gates of Gold “We’re a Mexican American band, and no word describes America like immigrant. Most of us are children of immigrants, so it’s perhaps natural that the songs we create celebrate America in this way.” So says Louie Perez, the “poet laureate” and primary wordsmith of Los Lobos, when describing the songs on the band’s new album, Gates of Gold. The stories on Gates of Gold are snapshots of experiences that Perez and his band mates have had, based on where they are emotionally and how they respond to evolving life circumstances. “We live out loud most of the time and share our life this way, but then there are more intrinsic things that happen, and our songs are part of the way we react to them. We sit down and basically tell people what has happened. We certainly didn’t start this project with aspirations to create the musical equivalent to great American literary works.” After celebrating their 40th anniversary with the cleverly titled 2013 live album Disconnected In New York City, the hard working, constantly touring band – David Hidalgo, Louie Perez, Cesar Rosas, Conrad Lozano and Steve Berlin – leaps headfirst into their fifth decade with an invitation to join them as they open fresh and exciting new Gates of Gold, their first full length studio album since 2010’s Tin Can Trust (a Grammy nominee for Best Americana Album) and second with Savoy/429 Records. The dynamic songwriting, deeply poetic lyrics, thoughtful romantic and spiritual themes and eclectic blend of styles on the 11 track collection has resulted in an American saga in the rich literary tradition of legendary authors John Steinbeck and William Faulkner. -
Los Lobos Gates of Gold
Primer disco de estudio en cinco años de la seminal banda mexicano- americana de Los Ángeles poseedora de varios Grammy LOS LOBOS GATES OF GOLD Después de celebrar su cuarenta aniversario en 2013 con el disco en directo Disconnected In New York, Los Lobos - David Hidalgo, Louie Pérez, César Rosas, Conrad Lozano y Steve Berlin - se meten en su quinta década de carrera con una invitación a acompañarles mientras abren de par en par las puertas del excitante Gates of Gold, el primer álbum en estudio desde el Tin Can Trust de 2010 (nominado al Grammy como Best Americana Album). “Somos una banda Mexicano Americana, y ninguna palabra describe América como ‘inmigrante’. La mayoría de nosotros somos hijos de inmigrantes, así que es natural que las canciones que escribimos celebren América de ésta manera.” Habla Louie Pérez, principal compositor de Los Lobos, cuando habla de su nuevo FECHA DE PUBLICACIÓN disco. 25 de septiembre de 2015 Sus composiciones y profundamente poéticas letras, su romanticismo y espiritualidad, y el eclecticismo estilístico de las once canciones de esta colección ha dado forma a una saga CANCIONES: americana en la rica tradición literaria de autores como John 1 - Made To Break Your Heart Steinbeck y William Faulkner. Y al mismo tiempo, estos humildes 2 - When We Were Free lobos empezaron a dar forma al disco sin ninguna gran visión o 3 - Mis-Treater Boogie Blues idea preconcebida. Treinta años después del gran éxito mundial de How Will The Wolf Survive? Un disco considerado por Rolling 4 - There I Go Stone como uno de los mejores 100 álbumes de los años 80. -
Mountain Stage Guest Artist List
MOUNTAIN STAGE GUEST ARTIST LIST 1981 March Bob Thompson Jazz Trio, Putnam County Pickers 1983 December Larry Parson’s Chorale, Bob Thompson Jazz Trio, John Pierson 1984 January Currence Brothers, Ethel Caffie-Austin Singers, Terry Wimmer February Rhino Moon, Moloney, O’Connell & Keane, Alan Klein, Robert Shafer March Trapezoid, Charleston String Quartet, Bonnie Collins, April Stark Raven, Joe Dobbs/Friends, Alan Freeman, Joe McHugh May Hot Rize, Red Knuckles & Trailblazers, Karen McKay, Alan/Jeremy Klein June Norman Blake/Rising Fawn Ensemble, Appalachian String Quartet, Elmer Bird, Jeff and Angela Scott July Still Portrait, Everett Lilly/Appalachian Mountain, Sweet Adelines August Bill Danoff, Ann Baker/Bob Thompson Trio, Bob Shank, Alice Rice September Clan Erdverkle, Ron Sowell, Tracy Markusic, Shirley Fisher October Critton Hollow String Band, Tom Church, Marc & Cheryl Harshman November Turley Richards, Night Sky, Mountain Stage Regulars December (1 hr. Christmas special) West Virginia Brass, Bob Thompson, Devon McNamara 1985 January Turley Richards, West Virginia Brass, Bonnie Collins February Whetstone Run, Lucky Jazz Band, Alice Rice March Alex de Grassi, Nat Reese, Maggie Anderson April Guy Clark, Trapezoid, Marc Harshman May Bob Thompson, Ann Baker, Paul Skyland, Devon McNamara June 1 (Spoleto-Chas, SC) Hot Rize, Red Knuckles, John Roberts/Tony Barrand, Moving Star Singers June John McEuen, Mountain Thyme, John Rosenbohm, Bonnie Collins July Bill Danoff, Steadfast, Faith Holsaert August Buster Coles, Bing Brothers, Bob Baber -
Earle Fest 2017 Brings Los Lobos and California Honeydrops
FOR IMMEDIATE RELEASE: Earle Fest 2017 brings Los Lobos and California Honeydrops Tickets On Sale Friday, June 2 at 10am Earle Fest featuring Los Lobos,California Honeydrops, Tift Merritt, Nina Gerber with Pam Delgado and Jeri Jones, Arielle, Timothy O’Neil Band, Dirty Cello, Emily Lois – Saturday, September 23rd ROHNERT PARK, CA (May 30, 2017) – Second Octave, The Earle Baum Center of the Blind, Notable Talent and the 2017 SOMO Concert Series are pleased to announce the fourth summer show at SOMO Village in Rohnert Park. Tickets go on sale Friday, June 2nd. On Saturday, September 23rd, the Earle Baum Center of the Blind and SOMO Concerts invite you to the tenth year of the tremendously successful Earle Fest benefit. This day long pop-up festival brings two stages of national and local acts along with sight loss education, food trucks, artists and local vendors. Headlining this year are East L.A. Legends Los Lobos joined by Bay Area party band California Honeydrops, Award Winning Songwriter Tift Merritt, and Kate Wolf’s Guitarist Nina Gerber with Pam Delgado and Jeri Jones on the main stage. The locally focused Hopmonk stage in the Redwood Grove features Singer-Songwriter-Guitarist Arielle, Sonomacana boot stompers Timothy O’Neil Band, International Bluesy-grass Dirty Cello and Healdsburg’s Emily Lois. Doors open at 3pm with a 3:30pm show start. Tickets are $55 for presale, $65 the day of and can be purchased at https://fanlink.to/EarleFest2017. Los Lobos Los Lobos were already East L.A. neighborhood legends, Sunset Strip regulars and a Grammy Award winning band (Best Mexican-American/Tejano Music Performance) by the time they recorded their major label debut How Will The Wolf Survive? in 1984. -
Extensions of Remarks E628 HON. CHARLES E. SCHUMER HON. ED
E628 CONGRESSIONAL RECORD Ð Extensions of Remarks April 10, 1997 years she has worked at the board of edu- in Perry County, TN, are Class A basketball through the deep South. There was violence cation in Public School 87 in the Bronx where champions. The feat gave Perry County High all around. Our buses were burned. We were she was a school lunch aide. But it was the School its sixth State Championship Trophy beaten. But, we never turned back. personality and charm she brought to the for basketball since 1955. The Freedom Rides catapulted Birmingham kitchen which made it distinct. Mrs. DiMeo Twenty-eight times during their regular sea- police commissioner, Bull Connor, onto the turned this into an area where teachers would son, these Vikings took to the hardwood floors front page of major newspapers around the come to relax, to talk about work and them- of Tennessee's high school gymnasiums to world. The Freedom Rides opened Bobby selves, to take that vital time which reinvigo- measure their metal. And those 28 competi- Kennedy's eyes to the intransigence of South- rates us. That kitchen was such a center of tions brought upon them the inspiring thrill of ern segregationists and the need for the Fed- the school that the principals would drop in to success and victory. Indeed, their numerous eral Government to intervene in the struggle become a closer part of that small community. regular season achievements, coupled with a for civil rights. And the Freedom Rides brought Mrs. DiMeo personifies the person we all re- sheer desire to win, would carry them to vic- down the white only and colored signs that member who made school more like home tory throughout the district, regional, sub- had been hung over every bus seat, terminal than an institution, the one we always speak State, and the pinnacle of high school basket- bench, toilet, and water fountain in the South. -
California State University, Northridge
CALIFORNIA STATE UNIVERSITY, NORTHRIDGE JARANER@: CHICANA/O ACCULTURATION STRATEGY A thesis submitted in partial fulfillment of the requirements For the degree of Master of Arts in Chicana/Chicano Studies By George B. Sánchez-Tello May 2012 The thesis of George B. Sánchez-Tello is approved: Christina Ayala-Alcantar, Ph. D. Date Yolanda Broyles-González, Ph. D. Date Yarma Velázquez-Vargas, Ph. D., Chair Date California State University, Northridge ii Acknowledgements I must first acknowledge and thank my professor, thesis chair, mentor, and friend Yarma Velazquez-Várgas, who kept me focused during the initial proposal, the research, the drafts written, edited and written again, and finally to present to the department. I am grateful for her support, her advice, and all the opportunities she has given me. To the members of my thesis committee – Christina Ayala-Alcantar, Micaela Jamaica Díaz-Sánchez, Peter García, and Yolanda Broyles-González – thank you for all your advice, editing, suggestions, and support. This was a collective effort. To all the musicians whom granted me the opportunity to speak with and learn from: my Tucson father Francisco González, my Tucson sister Esme González, Cesár Castro, Manuel de Jesus Sandoval, Godo, Xochi Flores, Jacob Hernández, Gabriel Tenorio, Laura Marína Rebolloso, Patricio Hidalgo, Ramón Gutierrez, Russell Rodriguez, Tacho and Wendy Utrera, Don Andres Vega, Raquel Vega, Mario Barradas, Noé González Molina, Gilberto Gutierrez, Xavier Montes, Martha González, Quetzal Flores, Stuyvie Bearns Esteva, Eduardo García, as well as Tia Chucha’s students, Los Santaneros, Eastside Café, Seattle Fandango Project, Fandango Fronterizo, Monday Night Jarocho, Imix Zapteado, and the Saturday crowd at Plaza. -
Latin American Music Notes© William Little (2008)
Latin American Music Notes© William Little (2008) Introductory Notes Unfortunately very little is known about the music of the inhabitants of the region of the world that has come to be known as Latin America. However, some of that music found its way into the music the Latin European explorers, conquistadors, and colonists brought with them to this—to their—New World. Furthermore, due to isolation, accident, and a strong will to preserve their traditions, people from the pre-Columbian cultures that survived war, disease, oppression, and suppression were able keep some of their music alive throughout the first four centuries of contact. Then, in the twentieth century, ethnomusicologists, cultural progressives, folk humanists, and indigenous musicians themselves were able to begin performing and recording their own music again in public. Clearly, since all cultural practices change over time, much of what seems to be authentic pre-Columbian music is more likely latter-day versions of older traditions; nevertheless, it is fair to say that music scholars in the twenty-first century are able to authenticate some aspects of the pre-Latin musical traditions that prospered in the Western Hemisphere from pole to pole. When the principal Latin European countries—Spain, Portugal, and France—arrived in the Americas, they brought their own fifteenth-century music with them. For four centuries, official music in church, palace, and theater was derived from and remained closely aligned with European musical styles and tastes. As there are several themes that thread their way through the fabric of Latin American humanities, so too are there several distinctive unifying features of Latin American music. -
Committee Certification of Approved Version
Copyright by Stevan César Azcona 2008 Committee Certification of Approved Version The Dissertation Committee for Stevan César Azcona Certifies that this is the approved version of the following dissertation: Movements in Chicano Music: Performing Culture, Performing Politics, 1965-1979 Committee: Stephen Slawek, Co-Supervisor José Limón, Co-Supervisor Robin Moore Kathleen Stewart Richard Flores Movements in Chicano Music Performing Culture, Performing Politics, 1965-1979 by Stevan César Azcona, B.A., M.Mus. Dissertation Presented to the Faculty of the Graduate School of The University of Texas at Austin in Partial Fulfillment of the Requirements for the Degree of Doctor of Philosophy The University of Texas at Austin August 2008 Dedication To the memory of Gerard Béhague (1937-2005), and to all those who struggle for a better and just world. Acknowledgements My experience completing the dissertation was no more difficult than any other doctoral candidate but it took the efforts of many to pull me through to the other side of the degree. I only wish there was more to offer than a brief mention in the acknowledgements; all the same, my gratitude is immeasurable. I thank my dissertation committee (Gerard Béhague, José Limón, Stephen Slawek, Katie Stewart, Richard Flores, and Robin Moore) for their service and mentorship throughout the course of my graduate career. Some have played a more extensive role than others but all of them have been equally helpful whenever I have come to them. Words cannot express the gratitude, nor the loss, I feel towards Gerard Béhague, my advisor from 1995 until his passing in 2005. -
Alumni History and Hall of Fame Project
Los Angeles Unified School District Alumni History and Hall of Fame Project Los Angeles Unified School District Alumni History and Hall of Fame Project Written and Edited by Bob and Sandy Collins All publication, duplication and distribution rights are donated to the Los Angeles Unified School District by the authors First Edition August 2016 Published in the United States i Alumni History and Hall of Fame Project Founding Committee and Contributors Sincere appreciation is extended to Ray Cortines, former LAUSD Superintendent of Schools, Michelle King, LAUSD Superintendent, and Nicole Elam, Chief of Staff for their ongoing support of this project. Appreciation is extended to the following members of the Founding Committee of the Alumni History and Hall of Fame Project for their expertise, insight and support. Jacob Aguilar, Roosevelt High School, Alumni Association Bob Collins, Chief Instructional Officer, Secondary, LAUSD (Retired) Sandy Collins, Principal, Columbus Middle School (Retired) Art Duardo, Principal, El Sereno Middle School (Retired) Nicole Elam, Chief of Staff Grant Francis, Venice High School (Retired) Shannon Haber, Director of Communication and Media Relations, LAUSD Bud Jacobs, Director, LAUSD High Schools and Principal, Venice High School (Retired) Michelle King, Superintendent Joyce Kleifeld, Los Angeles High School, Alumni Association, Harrison Trust Cynthia Lim, LAUSD, Director of Assessment Robin Lithgow, Theater Arts Advisor, LAUSD (Retired) Ellen Morgan, Public Information Officer Kenn Phillips, Business Community Carl J. Piper, LAUSD Legal Department Rory Pullens, Executive Director, LAUSD Arts Education Branch Belinda Stith, LAUSD Legal Department Tony White, Visual and Performing Arts Coordinator, LAUSD Beyond the Bell Branch Appreciation is also extended to the following schools, principals, assistant principals, staffs and alumni organizations for their support and contributions to this project.