Bob Dylan the Complete Guide
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1974 Tour with the Band
BOB DYLAN / THE BAND (a collectors guide to the 74 Tour) BOB DYLAN / THE BAND - a collectors guide to the 74 Tour “There are two problems with the 1974 tour: the tapes are crap and Dylan‟s performances are crap.” – C. Heylin, Telegraph 32 pg 86. Introduction This booklet / File (like the anonymous companion volume “Songs of the Underground” for RTR) is intended to document the audio resources available to collectors concerning the 1974 tour with the Band. It is intended to supplement and possibly correct the three major resources available to collectors (Krogsgaard, Dundas & Olof‟s files). Several PA tapes have emerged since Krogsgaard was last updated, and (I believe) there are errors in Dundas (concerning the PA tapes from 11 Feb 1974) that I wished to address. Additionally, none of these references (except for one full listing in Krogsgaard) include the Band sets. While details are difficult to obtain, I have included details of about three- quarters of the Band sets. It is hoped that readers on the web may contribute more information. I believe that the Band was a significant contributor to the 1974 Tour and should be included in any 1974 Tour documentation. I have also identified the sources for the Vinyl and CD bootlegs, where my resources allowed. Often the attributions on Bootlegs are misleading, incomplete or wrong. As an example „Before and After the Flood‟ claims to be from MSG NYC 30.1.1974 when it is actually a combination of the PA tapes from 31.1.74 (evening) and 11.2.74 (evening). -
BRIEF STUDIES and REPORTS the Perry George Lowery / Scott Joplin
459 BRIEF STUDIES and REPORTS The Perry George Lowery / Scott Joplin Connection: New Information on an Important African American Cornetist Richard I. Schwartz The author of this article has previously discussed the life and career of Perry George Lowery (1869-1942) in the Historic Brass Society .f ournal (vol. 12 [2002] : 61-88). The present article is designed to provide supplementary information about his circus career and his surprising professional association with Scott Joplin (1868-1919). It has become apparent to this author that a relationship of strong mutual respect and friendship developed between Perry George Lowery and Scott Joplin during the early twentieth century. P.G. Lowery was renowned for his abilities not only as a cornetist, but also as a conductor ofmany brass bands, consisting of the best African American band musicians in the entertainment world.' Scott Joplin's achievements are many and have been researched extensively by several authors.' One of the few articles in The Indianapolis Freeman3 documenting a friendship between Lowery and Joplin states that "P.G. Lowery, assistant manager of Swain's Nashville Students was the special guest of Scott Joplin, the ragtime king and author of the following hits: `Maple Leaf Rag,' 'Easy Winner,' Peacherine Rag,' 'Sun-flower Slowdrag,' and 'A Blizzard'." Much has been written about all of these compositions with the exception of the last one: no piece entitled A Blizzard has survived and according to Edward A. Berlin4 this reference is the only known mention of it. Lowery extolled the praises of Joplin's works in The Indianapolis Freeman (16 November 1901, p. -
Bob Dylan: the 30 Th Anniversary Concert Celebration” Returning to PBS on THIRTEEN’S Great Performances in March
Press Contact: Harry Forbes, WNET 212-560-8027 or [email protected] Press materials; http://pressroom.pbs.org/ or http://www.thirteen.org/13pressroom/ Website: http://www.pbs.org/wnet/gperf/ Facebook: http://www.facebook.com/GreatPerformances Twitter: @GPerfPBS “Bob Dylan: The 30 th Anniversary Concert Celebration” Returning to PBS on THIRTEEN’s Great Performances in March A veritable Who’s Who of the music scene includes Eric Clapton, Stevie Wonder, Neil Young, Kris Kristofferson, Tom Petty, Tracy Chapman, George Harrison and others Great Performances presents a special encore of highlights from 1992’s star-studded concert tribute to the American pop music icon at New York City’s Madison Square Garden in Bob Dylan: The 30 th Anniversary Concert Celebration in March on PBS (check local listings). (In New York, THIRTEEN will air the concert on Friday, March 7 at 9 p.m.) Selling out 18,200 seats in a frantic, record-breaking 70 minutes, the concert gathered an amazing Who’s Who of performers to celebrate the 30th anniversary of the enigmatic singer- songwriter’s groundbreaking debut album from 1962, Bob Dylan . Taking viewers from front row center to back stage, the special captures all the excitement of this historic, once-in-a-lifetime concert as many of the greatest names in popular music—including The Band , Mary Chapin Carpenter , Roseanne Cash , Eric Clapton , Shawn Colvin , George Harrison , Richie Havens , Roger McGuinn , John Mellencamp , Tom Petty , Stevie Wonder , Eddie Vedder , Ron Wood , Neil Young , and more—pay homage to Dylan and the songs that made him a legend. -
Bob Dylan and the Reimagining of Woody Guthrie (January 1968)
Woody Guthrie Annual, 4 (2018): Carney, “With Electric Breath” “With Electric Breath”: Bob Dylan and the Reimagining of Woody Guthrie (January 1968) Court Carney In 1956, police in New Jersey apprehended Woody Guthrie on the presumption of vagrancy. Then in his mid-40s, Guthrie would spend the next (and last) eleven years of his life in various hospitals: Greystone Park in New Jersey, Brooklyn State Hospital, and, finally, the Creedmoor Psychiatric Center, where he died. Woody suffered since the late 1940s when the symptoms of Huntington’s disease first appeared—symptoms that were often confused with alcoholism or mental instability. As Guthrie disappeared from public view in the late 1950s, 1,300 miles away, Bob Dylan was in Hibbing, Minnesota, learning to play doo-wop and Little Richard covers. 1 Young Dylan was about to have his career path illuminated after attending one of Buddy Holly’s final shows. By the time Dylan reached New York in 1961, heavily under the influence of Woody’s music, Guthrie had been hospitalized for almost five years and with his motor skills greatly deteriorated. This meeting between the still stylistically unformed Dylan and Woody—far removed from his 1940s heyday—had the makings of myth, regardless of the blurred details. Whatever transpired between them, the pilgrimage to Woody transfixed Dylan, and the young Minnesotan would go on to model his early career on the elder songwriter’s legacy. More than any other of Woody’s acolytes, Dylan grasped the totality of Guthrie’s vision. Beyond mimicry (and Dylan carefully emulated Woody’s accent, mannerisms, and poses), Dylan almost preternaturally understood the larger implication of Guthrie in ways that eluded other singers and writers at the time.2 As his career took off, however, Dylan began to slough off the more obvious Guthrieisms as he moved towards his electric-charged poetry of 1965-1966. -
Abandoned Love: the Impact of Wyatt V. Stickney on the Intersection
digitalcommons.nyls.edu Faculty Scholarship Articles & Chapters 2011 Abandoned Love: The mpI act of Wyatt .v Stickney on the Intersection between International Human Rights and Domestic Mental Disability Law Michael L. Perlin New York Law School, [email protected] Follow this and additional works at: http://digitalcommons.nyls.edu/fac_articles_chapters Part of the Disability Law Commons, and the Law and Psychology Commons Recommended Citation Law & Psychology Review, Vol. 35, pp. 121-142 This Article is brought to you for free and open access by the Faculty Scholarship at DigitalCommons@NYLS. It has been accepted for inclusion in Articles & Chapters by an authorized administrator of DigitalCommons@NYLS. "ABANDONED LOVE": THE IMPACT OF WYATT V. STICKNEY ON THE INTERSECTION BETWEEN INTERNATIONAL HUMAN RIGHTS AND DOMESTIC MENTAL DISABILITY LAW Michael L. Perlin* INTRODUCTION Wyatt v. Stickney' is the most important institutional rights case liti- gated in the history of domestic mental disability law.2 It spawned copycat litigation in multiple federal district courts and state superior courts ;3 it led directly to the creation of Patients' Bills of Rights in most states;4 and it inspired the creation of the Developmental Disabilities Assistance and Bill of Rights Act,' the Mental Health Systems Act Bill of Rights,6 and the federally-funded Protection and Advocacy System.7 Its direct influence on the development of the right-to-treatment doctrine abated after the Su- preme Court's disinclination, in its 1982 decision in Youngberg v. Romeo,8 to find that right to be constitutionally mandated, but its historic role as a beacon and inspiration has never truly faded. -
Internal Bleeding Beyond Creation Hacavitz Royal
ACE FREHLEY SOULFLY OPETH ROYAL TUSK BEYOND CREATION SPACEMAN RITUAL GARDEN OF THE TITANS: LIVE AT RED ROCKS TUSK II ALGORYTHM EONE NUCLEAR BLAST NUCLEAR BLAST MUSCA/EONE SEASON OF MIST Ace Frehley is on a roll, and he’s ready to embark on Both ancient and modern cultures rely heavily on An unstoppable force for uniqueness amid a sea of It’s been said that if you don’t stand for something, Beyond Creation formed in 2005 in Montreal, Canada his next musical journey with Spaceman – his third rituals. From religious proceedings that date back generic swill, Swedish death metal titans, Opeth, you’ll fall for anything. Royal Tusk dig in its heels, hold but it wasn’t until 2010 that the band was ready to hit solo outing in four years. Amongst Ace’s post-KISS millennia to daily 21st century routines such as have been setting the rulebook ablaze and plowing a its ground, and fight with fury against the specter of its the stage with its original line-up consisting of Simon records, Spaceman might be the closest link to his checking social media, humanity gravitates towards uniquely progressive and exploratory furrow for nearly debut. These blue-collar troubadours from the Great Girard, Kevin Chatré, Guyot Bégin-Benoît and Dominic widely acclaimed 1978 solo record, both in spirit and ritualistic behavior for the appearance of order and a 25 years now. Formed in Stockholm in 1990, the band White North are steadfast champions of the majesty ‘Forest’ Lapointe. A year later, they self-released execution: namely, Frehley played all of the guitar parts semblance of control over life’s chaos. -
This Film Is a Poem 1,380 Words
This Film is A Poem 1,380 words - by Cynthia Close - published in 2016 in Documentary magazine- Review of the newly remastered Criterion released A Poem is a Naked Person, by Les Blank commissioned by Leon Russell, shot from 1972-74. Blu-Ray edition contains: *90 minute restored feature A Poem is a Naked Person *New conversation between musician Leon Russell and Harrod Blank, Les Blank’s son *Excerpts from a 2013 Q&A with Les Blank *The new documentary, A Film’s Forty-year Journey: The Making of “A Poem is a Naked Person”, 2016 *Out in the Woods, a short documentary by Maureen Gosling *An Essay by critic Kent Jones Why has A Poem is a Naked Person, a film Les Blank considered the greatest he ever made, remained virtually unknown and unseen, until now, over forty years after it was completed? An answer to this question can be found in the newly restored, Criterion released Blu-Ray DVD. It is clear that such a project would never have happened if it were not for the persistence and memory of “being there”, of Harrod Blank, Les Blank’s son. As a young boy, tagging along with his filmmaker dad in the backwaters of 1970’s Oklahoma he drew admiring portraits in magic marker of Leon Russell, the intended subject of his father’s film. It was the year following the release of Mad Dogs and Englishmen, a classic concert film starring Joe Cocker and Russell who at that time was at the peak of his fame. Russell was an accomplished pianist, session musician, and star performer who was in the process of building a top notch studio and music compound ninety minutes outside of Tulsa when he and his then-partner Denny Cordell commissioned Les Blank to make what they may have envisioned as a biopic with Leon Russell at the center. -
Downbeat.Com December 2014 U.K. £3.50
£3.50 £3.50 . U.K DECEMBER 2014 DOWNBEAT.COM D O W N B E AT 79TH ANNUAL READERS POLL WINNERS | MIGUEL ZENÓN | CHICK COREA | PAT METHENY | DIANA KRALL DECEMBER 2014 DECEMBER 2014 VOLUME 81 / NUMBER 12 President Kevin Maher Publisher Frank Alkyer Editor Bobby Reed Associate Editor Davis Inman Contributing Editor Ed Enright Art Director LoriAnne Nelson Contributing Designer Žaneta Čuntová Bookkeeper Margaret Stevens Circulation Manager Sue Mahal Circulation Associate Kevin R. Maher Circulation Assistant Evelyn Oakes ADVERTISING SALES Record Companies & Schools Jennifer Ruban-Gentile 630-941-2030 [email protected] Musical Instruments & East Coast Schools Ritche Deraney 201-445-6260 [email protected] Advertising Sales Associate Pete Fenech 630-941-2030 [email protected] OFFICES 102 N. Haven Road, Elmhurst, IL 60126–2970 630-941-2030 / Fax: 630-941-3210 http://downbeat.com [email protected] CUSTOMER SERVICE 877-904-5299 / [email protected] CONTRIBUTORS Senior Contributors: Michael Bourne, Aaron Cohen, Howard Mandel, John McDonough Atlanta: Jon Ross; Austin: Kevin Whitehead; Boston: Fred Bouchard, Frank- John Hadley; Chicago: John Corbett, Alain Drouot, Michael Jackson, Peter Margasak, Bill Meyer, Mitch Myers, Paul Natkin, Howard Reich; Denver: Norman Provizer; Indiana: Mark Sheldon; Iowa: Will Smith; Los Angeles: Earl Gibson, Todd Jenkins, Kirk Silsbee, Chris Walker, Joe Woodard; Michigan: John Ephland; Minneapolis: Robin James; Nashville: Bob Doerschuk; New Orleans: Erika Goldring, David Kunian, Jennifer Odell; New York: Alan Bergman, -
Reed First Pages
4. Northern England 1. Progress in Hell Northern England was both the center of the European industrial revolution and the birthplace of industrial music. From the early nineteenth century, coal and steel works fueled the economies of cities like Manchester and She!eld and shaped their culture and urban aesthetics. By 1970, the region’s continuous mandate of progress had paved roads and erected buildings that told 150 years of industrial history in their ugly, collisive urban planning—ever new growth amidst the expanding junkyard of old progress. In the BBC documentary Synth Britannia, the narrator declares that “Victorian slums had been torn down and replaced by ultramodern concrete highrises,” but the images on the screen show more brick ruins than clean futurescapes, ceaselessly "ashing dystopian sky- lines of colorless smoke.1 Chris Watson of the She!eld band Cabaret Voltaire recalls in the late 1960s “being taken on school trips round the steelworks . just seeing it as a vision of hell, you know, never ever wanting to do that.”2 #is outdated hell smoldered in spite of the city’s supposed growth and improve- ment; a$er all, She!eld had signi%cantly enlarged its administrative territory in 1967, and a year later the M1 motorway opened easy passage to London 170 miles south, and wasn’t that progress? Institutional modernization neither erased northern England’s nineteenth- century combination of working-class pride and disenfranchisement nor of- fered many genuinely new possibilities within culture and labor, the Open Uni- versity notwithstanding. In literature and the arts, it was a long-acknowledged truism that any municipal attempt at utopia would result in totalitarianism. -
Blues Rock Star Joe Bonamassa Announces Highly Anticipated New Studio Album
BLUES-ROCK STAR JOE BONAMASSA ANNOUNCES NEW SINGLE "TIME CLOCKS" TAKEN FROM HIS NEW STUDIO ALBUM 'TIME CLOCKS' TO BE RELEASED OCT 29 PRE-ORDER “TIME CLOCKS” https://smarturl.it/JoeB-MLG LISTEN TO THE “TIME CLOCKS” SINGLE HERE: https://smarturl.it/JoeBonamassa WATCH THE MUSIC VIDEO FOR “TIME CLOCKS” HERE: https://youtu.be/Z7116ryQV-I Guitar legend Joe Bonamassa today reveals his stunningly sweeping new single, "Time Clocks." This is the third song taken from his forthcoming brand-new studio album of the same name, released on October 29 via Provogue (Europe) and J&R Adventures (North America). Joe continues his soul-searching evolution on this beautifully poignant Bonamassa-Shirley penned song. At just over seven minutes long, it has all the epic musical grandeur of him at his most expressive and ambitious. With a heart on sleeve narrative weaving its way throughout, the rousing chorus rises to the heavens as he sings, "and the rain soaking through my coat, about to capsize my boat I push it along away from the docks, I was never a good puncher of time clocks." Backed with cascading vocals from Juanita Tippins and Prinnie Stevens, as well as the supreme musicianship of Anton Fig (Drums), Steve Mackey (Bass), Lachy Doley (Piano/Organ) and Kevin Shirley (Percussion), it has an aura of pure timelessness. The album was recorded in New York City and took Joe back to his early roots and rediscovers him at a newfound peak with an unparalleled Blues Rock prowess. Known as the man in the suit, loved by many as the ultimate guitar hero, and cited by critics as "the world's biggest blues guitarist" (Guitar World), somehow the music mastermind has found yet another layer of immense new artistry to share with his fans. -
Les Blank Und Das Cinéma Vitalité. Mit Filmographie Und Bibliographie 2017
Repositorium für die Medienwissenschaft Hans Jürgen Wulff; Ludger Kaczmarek Les Blank und das cinéma vitalité. Mit Filmographie und Bibliographie 2017 https://doi.org/10.25969/mediarep/12808 Veröffentlichungsversion / published version Buch / book Empfohlene Zitierung / Suggested Citation: Wulff, Hans Jürgen; Kaczmarek, Ludger: Les Blank und das cinéma vitalité. Mit Filmographie und Bibliographie. Westerkappeln: DerWulff.de 2017 (Medienwissenschaft: Berichte und Papiere 173). DOI: https://doi.org/10.25969/mediarep/12808. Erstmalig hier erschienen / Initial publication here: http://berichte.derwulff.de/0173_17.pdf Nutzungsbedingungen: Terms of use: Dieser Text wird unter einer Creative Commons - This document is made available under a creative commons - Namensnennung - Nicht kommerziell - Keine Bearbeitungen 4.0/ Attribution - Non Commercial - No Derivatives 4.0/ License. For Lizenz zur Verfügung gestellt. Nähere Auskünfte zu dieser Lizenz more information see: finden Sie hier: https://creativecommons.org/licenses/by-nc-nd/4.0/ https://creativecommons.org/licenses/by-nc-nd/4.0/ Medienwissenschaft: Berichte und Papiere 173, 2017: Les Blank. Redaktion und Copyright dieser Ausgabe: Hans J. Wulff, Ludger Kaczmarek. ISSN 2366-6404. URL: http://berichte.derwulff.de/0173_17.pdf. Letzte Änderung: 10.05.2017. Inhalt: Hans J. Wulff: Les Blank und das cinéma vitalité [1] Hans J. Wulff u. Ludger Kaczmarek: Les Blank: Filmografie [4]. Über (und mit) Les Blank [31]. Literatur [32] Les Blank und das cinéma vitalité Les Blank (* 27.11.1935 in Tampa, Florida; † 7.4.2013 in Berkeley, Kalifornien) studierte an der Tulane University in New Orleans Englische Sprache. Unter dem Eindruck des Ingmar-Bergman-Films Det sjunde inseglet (Das siebente Siegel, 1957) begann er eine Ausbildung zum Schauspieler und Dreh- buchautor, bevor er die Filmschule an der University of Southern California besuchte. -
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FALL 1001 East Oregon Road 2016 CATALOG Lititz, PA 17543-9206 Capital Region | Lancaster County FALL 2016 CATALOG ENROLL TODAY! 717.381.3577 Lifelong Learning Courses, email: [email protected] | web: thepathwaysinstitute.org Excursions, & Service Projects for Adults 55+ in Lancaster County. Lifelong Learning Courses, Excursions, & Service Projects for Adults 55+ in Lancaster County. TABLE OF CONTENTS > TABLE OF PURPOSE/MISSION > PURPOSE/MISSION DIRECTOR’S WELCOME 1 CONTENTS > MEMBERSHIP PURPOSE/MISSION 2 > DIRECTOR’S MEMBERSHIP 2-3 WELCOME We commit to these values as we honor God in REGISTRATION 3-4 our service to others: PATHWAYS INSTITUTE FOR LIFELONG JOY: Nurturing an atmosphere which is positive, PROCEDURES 4-5 LEARNING MISSION AND PURPOSE hopeful and thankful, while delighting in serving DIRECTIONS 6 DIRECTOR’S WELCOME The mission of the Pathways Institute for Lifelong others, fulfilling responsibilities and celebrating life. Learning® is to foster with persons 55+ a quest for Thank you for your interest in the Pathways COURSES & EVENTS BY TOPIC lifelong learning that enriches the mind and spirit to COMPASSION: Demonstrating Christ-like love and ® (SEPTEMBER 7 – DECEMBER 15) 7-18 Institute for Lifelong Learning ! pursue wisdom, service, and understanding. concern in our relationships, serving one another with grace, humility, gentleness and sensitivity in a manner History & Culture 7-9 The Pathways Institute provides adults age 55 Recognizing that older adults have much to celebrate, which respects diversity and honors the dignity and Local History 10-12 & better with educational & lifelong learning discover, and share, the Pathways Institute for worth of everyone. Current Topics & Discussions 12 opportunities in an environment conducive to Lifelong Learning was established by Messiah Lifeways to find meaningful use of their talents and INTEGRITY: Committing ourselves to be honest, Nature & Science 12-13 discussion and sharing.