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Lettera Da San G Iorgio
CONTACTS PROGRAMMES (MARCH – AUGUST 2016) PATRONS FRIENDS OF SAN GIORGIO Fondazione Virginio Bruni Tedeschi Giorgio Lettera da San Marco Brunelli Pentagram Stiftung Rolex Institute Year XVIII, number 34. Six-monthly publication. March – August 2016 Giannatonio Guardi, Neptune, detail, private collection Spedizione in A.P. Art. 2 Comma 20/c Legge 662/96 DCB VE. Tassa pagata / Taxe perçue CONTACTS PROGRAMMES (MARCH – AUGUST 2016) PATRONS FRIENDS OF SAN GIORGIO Fondazione Virginio Bruni Tedeschi Giorgio Lettera da San Marco Brunelli Pentagram Stiftung Rolex Institute Year XVIII, number 34. Six-monthly publication. March – August 2016 Giannatonio Guardi, Neptune, detail, private collection Spedizione in A.P. Art. 2 Comma 20/c Legge 662/96 DCB VE. Tassa pagata / Taxe perçue 16 FEB VENICE, ISLAND OF SAN GIORGIO MAGGIORE 23 APR, 21 MAY, 25 JUN VENICE, ISLAND OF SAN GIORGIO MAGGIORE LETTERA DA SAN GIORGIO CONTACTS International Conference Paolo Venini and His Furnace Concert Series e Complete Beethoven String Quartets PUBLISHED BY SECRETARY’S OFFICE ISTITUTO DI STORIA DELL’ARTE INTERNATIONAL ADVISORY BOARD 1 MAR – 31 DIC VENICE, ISLAND OF SAN GIORGIO MAGGIORE 25 – 30 APR VENICE, ISLAND OF SAN GIORGIO MAGGIORE Fondazione Giorgio Cini onlus tel. +39 041 2710229 – fax +39 041 5223563 Luca Massimo Barbero, director Maurice Aymard e Replica Project International Workshop and Symposium Accademia Monteverdi Isola di San Giorgio Maggiore, 1 [email protected] Secretary’s oce: tel. +39 041 2710230 – +39 041 2710239 Brenno Boccadoro 30124 Venezia fax +39 041 5205842 Steven Feld PRESS OFFICE 3-10-17 MAR VENICE, ISLAND OF SAN GIORGIO MAGGIORE 2 – 4 MAY VENICE, ISLAND OF SAN GIORGIO MAGGIORE tel. -
CLASSIC, MODERN LAMPS 1967 and the Furniture Prize in 1977
2016 DESIGNERS Pandul is the sole licensed manufacturer of lamps designed by some of the very best and most well known Danish architects & designers: Furniture designer & architect Hans J. Wegner, Professor & architect Jørgen Gammelgaard, artist and sculptor Henning Koppel and most lamps by Industrial designer Erik Magnussen. HANS J. WEGNER > 1914 - 2007 > OPALA, THE PENDANT Hans J. Wegner was born in 1914 in Tønder, Denmark. In 1936, at the age of 22, he attended the School of Arts and Crafts in Copenhagen, later returning as a teacher. In 1943 he opened his own design studio and created the Chinese Chair, which, along with his 1949 Round Chair, formed the basis for many of his later chairs. The Round Chair became known simply as The Chair. While The Chair is probably the main icon of Wegner’s career, the Wishbone Chair is widely considered to be his most successful design. Hans J. Wegner was also a brilliant light designer. His pendant from 1962, “The Pendant” has been in production ever since. Both The Pendant and his futuristic Opala-series – originally designed in the seventies for Hotel Scandinavia in Copenhagen – are now manufactured by Pandul. Hans J. Wegner received many international awards for his work and in June 1997, he was awarded an Honorary Doctorate by The Royal College of Art in London. JØRGEN GAMMELGAARD > 1938 - 1991 > TIP TOP, VIP Jørgen Gammelgaard belonged to a generation of skillful furniture designers who all learned their craft in the time-honoured Danish apprenticeship tradition. Following his apprentice- ship Gammelgaard studied with Grete Jalk, and then became a student at the Danish Royal Academy’s furniture school, working under Poul Kjærholm and Ole Wanscher. -
Glass Verrerie Européenne 1920-2000 from One Property
Glass Verrerie Européenne 1920-2000 from one property MERCREDI 7 FÉVRIER 2018 PIASA Contact du département Design Contact presse PIASA Cécile Demtchenko Woringer Frédéric Chambre Tél. : +33 1 53 34 12 95 [email protected] [email protected] Nicolas Denis [email protected] Tél. : +33 1 45 44 43 54 Martin Jalabert [email protected] Tél. : +33 1 53 34 10 06 Alix de Saint-Hilaire Tél. : +33 1 45 44 12 71 [email protected] Pascale Humbert Tél. : +33 1 53 34 10 19 [email protected] Estelle Laporte Tél. : +33 1 53 34 12 80 [email protected] Clémence Paris [email protected] Tél. : +33 1 45 44 43 53 Glass Verrerie Européenne 1920-2000 from one property one from Notre consultant en Belgique pour le département Commissaires-priseurs Arts Décoratifs et Design habilités Thierry Belenger Frédéric Chambre Tél : +32 4 75 98 40 38 Carole Siméons [email protected] Enchérissez en direct sur www.piasa.fr Glass Verrerie Européenne 1920-2000 from one property Vente : mercredi 7 février 2018 à 18h PIASA 118 rue Faubourg Saint-Honoré 75 008 Paris Exposition publique Vendredi 2 février 2018 de 10 à 18 heures Samedi 3 février 2018 de 11 à 18 heures Lundi 5 février 2018 de 10 à 18 heures Mardi 6 février 2018 de 10 à 18 heures Mercredi 7 février 2018 de 10 à 12 heures Téléphone pendant l’exposition et la vente +33 1 53 34 10 10 Enchérissez en direct sur www.piasa.fr France • Gabriel Argy Rousseau (1885-1953) • Georges Chevalier (1894-1987) pour la manufacture de Baccarat • Aristide Colotte (1885-1959) • Paul Daum (1888-1944) pour la Manufacture Daum Nancy France • Pierre Gaillard (XXème) • Jean Luce (1895-1964) • André Thuret (1898-1965) VERRERIE EUROPÉENNE : D.R. -
This Book Is a Compendium of New Wave Posters. It Is Organized Around the Designers (At Last!)
“This book is a compendium of new wave posters. It is organized around the designers (at last!). It emphasizes the key contribution of Eastern Europe as well as Western Europe, and beyond. And it is a very timely volume, assembled with R|A|P’s usual flair, style and understanding.” –CHRISTOPHER FRAYLING, FROM THE INTRODUCTION 2 artbook.com French New Wave A Revolution in Design Edited by Tony Nourmand. Introduction by Christopher Frayling. The French New Wave of the 1950s and 1960s is one of the most important movements in the history of film. Its fresh energy and vision changed the cinematic landscape, and its style has had a seminal impact on pop culture. The poster artists tasked with selling these Nouvelle Vague films to the masses—in France and internationally—helped to create this style, and in so doing found themselves at the forefront of a revolution in art, graphic design and photography. French New Wave: A Revolution in Design celebrates explosive and groundbreaking poster art that accompanied French New Wave films like The 400 Blows (1959), Jules and Jim (1962) and The Umbrellas of Cherbourg (1964). Featuring posters from over 20 countries, the imagery is accompanied by biographies on more than 100 artists, photographers and designers involved—the first time many of those responsible for promoting and portraying this movement have been properly recognized. This publication spotlights the poster designers who worked alongside directors, cinematographers and actors to define the look of the French New Wave. Artists presented in this volume include Jean-Michel Folon, Boris Grinsson, Waldemar Świerzy, Christian Broutin, Tomasz Rumiński, Hans Hillman, Georges Allard, René Ferracci, Bruno Rehak, Zdeněk Ziegler, Miroslav Vystrcil, Peter Strausfeld, Maciej Hibner, Andrzej Krajewski, Maciej Zbikowski, Josef Vylet’al, Sandro Simeoni, Averardo Ciriello, Marcello Colizzi and many more. -
New Nordic Cuisine Best Restaurant in the World Bocuse D'or
English // A culinary revolution highlighting local foods and combating uniform- ity has been enhancing the Taste of Denmark over the past decade. The perspec- tives of this trend are useful to everyone – in private households and catering kitchens alike. Nordic chefs use delicious tastes and environmental sustainability to combat unwholesome foods and obesity. www.denmarkspecial.dk At the same time, Danish designers continue to produce and develop furniture, tables and utensils which make any meal a holistic experience. Learn more about New Nordic Cuisine and be inspired by the ingredients, produce, restaurants and quality design for your dining experience. FOOD & DESIGN is a visual appetiser for what’s cooking in Denmark right now. Français // Une révolution culinaire axée sur les ingrédients locaux et opposée à une uniformisation a, ces 10 dernières années, remis au goût du jour les saveurs du Danemark. Cette évolution ouvre des perspectives à la disposition de tous – qu’il s’agisse de la cuisine privée ou de la cuisine à plus grande échelle. Les chefs nordiques mettent en avant les saveurs et l’environnement contre la mauvaise santé et le surpoids. Parallèlement, les designers danois ont maintenu et développé des meubles, tables et ustensiles qui font du repas une expérience d’ensemble agréable. Découvrez la nouvelle cuisine nordique et puisez l’inspiration pour vos repas dans les matières premières, les restaurants et le bon design. FOOD & DESIGN est une mise en bouche visuelle de ce qui se passe actuellement côté cuisine au Danemark. Food & Design is co-financed by: Ministry of Foreign Affairs of Denmark, The Trade Council What’s cooking in Denmark? New Nordic Cuisine Bocuse d’Or Playing among the stars Issue #9 2011 denmark Printed in Denmark EUR 10.00 // USD 13.00 Best restaurant special NZD 17.50 // AUD 13.50 ISBN No. -
Ever Y Piece C Omes with a S T Or Y
EVERY PIECE COMES WITH A STORY A WITH COMES PIECE EVERY carlhansen.com CHS omslag_2017.indd 1 03/12/16 15:52 HONEST, SUSTAINABLE DESIGN AND PRODUCTION Dedication to working with the best designers and that remains in district heating plants. Our paper materials has always been fundamental to cord, too, comes from renewable forests and is Carl Hansen & Søn, as has our commitment to biodegradable, and our leather and other honoring designers’ original ideas. upholstery materials come from tanneries and producers with strict sustainability requirements. Great design and sustainable production are inseparable. This deeply ingrained belief shapes To do our part in protecting the world’s natural the work of our designers – and every process in resources, we continually improve our production our manufacturing facilities. We work continuously techniques, logistics and sales methods to work in to ensure healthy, safe work conditions for our ways that are as gentle as possible on our planet. craftspeople, and use only responsibly sourced, safe materials to protect our customers and the From investing in the most modern and energy- environment. efficient equipment to setting annual targets for reducing the amount of energy we use in We purchase wood from sustainably managed production, we make every effort to minimize forests and responsible sawmills with which we our footprint, striving to leave behind nothing but have long-established relationships. We use nearly beautiful furniture and a legacy of uncompromising every bit of wood we source, recycling the little craftsmanship. CRAFTING MODERN DESIGN FOR OVER A CENTURY At Carl Hansen & Søn, we believe that iconic The creative partnership began in 1949, when design is a combination of simplicity, aesthetics Carl Hansen’s son Holger Hansen took a chance on and functionality brought to life through skillful the then-unknown designer, and Wegner developed work with the highest quality materials. -
Download New Glass Review 21
NewG lass The Corning Museum of Glass NewGlass Review 21 The Corning Museum of Glass Corning, New York 2000 Objects reproduced in this annual review Objekte, die in dieser jahrlich erscheinenden were chosen with the understanding Zeitschrift veroffentlicht werden, wurden unter that they were designed and made within der Voraussetzung ausgewahlt, dass sie in- the 1999 calendar year. nerhalb des Kalenderjahres 1999 entworfen und gefertigt wurden. For additional copies of New Glass Review, Zusatzliche Exemplare der New Glass please contact: Review konnen angefordert werden bei: The Corning Museum of Glass Buying Office One Corning Glass Center Corning, New York 14830-2253 Telephone: (607) 974-6479 Fax: (607) 974-7365 E-mail: [email protected] All rights reserved, 2000 Alle Rechte vorbehalten, 2000 The Corning Museum of Glass The Corning Museum of Glass Corning, New York 14830-2253 Corning, New York 14830-2253 Printed in Frechen, Germany Gedruckt in Frechen, Bundesrepublik Deutschland Standard Book Number 0-87290-147-5 ISSN: 0275-469X Library of Congress Catalog Card Number Aufgefuhrt im Katalog der Library of Congress 81-641214 unter der Nummer 81-641214 Table of Contents/In halt Page/Seite Jury Statements/Statements der Jury 4 Artists and Objects/Kunstlerlnnen und Objekte 16 1999 in Review/Ruckblick auf 1999 36 Bibliography/Bibliografie 44 A Selective Index of Proper Names and Places/ Ausgewahltes Register von Eigennamen und Orten 73 Jury Statements Here is 2000, and where is art? Hier ist das Jahr 2000, und wo ist die Kunst? Although more people believe they make art than ever before, it is a Obwohl mehr Menschen als je zuvor glauben, sie machen Kunst, "definitionless" word about which a lot of people disagree. -
Export / Import: the Promotion of Contemporary Italian Art in the United States, 1935–1969
City University of New York (CUNY) CUNY Academic Works All Dissertations, Theses, and Capstone Projects Dissertations, Theses, and Capstone Projects 2-2016 Export / Import: The Promotion of Contemporary Italian Art in the United States, 1935–1969 Raffaele Bedarida Graduate Center, City University of New York How does access to this work benefit ou?y Let us know! More information about this work at: https://academicworks.cuny.edu/gc_etds/736 Discover additional works at: https://academicworks.cuny.edu This work is made publicly available by the City University of New York (CUNY). Contact: [email protected] EXPORT / IMPORT: THE PROMOTION OF CONTEMPORARY ITALIAN ART IN THE UNITED STATES, 1935-1969 by RAFFAELE BEDARIDA A dissertation submitted to the Graduate Faculty in Art History in partial fulfillment of the requirements for the degree of Doctor of Philosophy, The City University of New York 2016 © 2016 RAFFAELE BEDARIDA All Rights Reserved ii This manuscript has been read and accepted for the Graduate Faculty in Art History in satisfaction of the Dissertation requirement for the degree of Doctor of Philosophy ___________________________________________________________ Date Professor Emily Braun Chair of Examining Committee ___________________________________________________________ Date Professor Rachel Kousser Executive Officer ________________________________ Professor Romy Golan ________________________________ Professor Antonella Pelizzari ________________________________ Professor Lucia Re THE CITY UNIVERSITY OF NEW YORK iii ABSTRACT EXPORT / IMPORT: THE PROMOTION OF CONTEMPORARY ITALIAN ART IN THE UNITED STATES, 1935-1969 by Raffaele Bedarida Advisor: Professor Emily Braun Export / Import examines the exportation of contemporary Italian art to the United States from 1935 to 1969 and how it refashioned Italian national identity in the process. -
Scandi Navian Design Catalog
SCANDI NAVIAN DESIGN CATALOG modernism101 rare design books Years ago—back when I was graphic designing—I did some print advertising work for my friend Daniel Kagay and his business White Wind Woodworking. During our collaboration I was struck by Kagay’s insistent referral to himself as a Cabinet Maker. Hunched over my light table reviewing 35mm slides of his wonderful furniture designs I thought Cabinet Maker the height of quaint modesty and humility. But like I said, that was a long time ago. Looking over the material gathered under the Scandinavian Design um- brella for this catalog I now understand the error of my youthful judgment. The annual exhibitions by The Cabinet-Makers Guild Copenhagen— featured prominently in early issues of Mobilia—helped me understand that Cabinet-Makers don’t necessarily exclude themselves from the high- est echelons of Furniture Design. In fact their fealty to craftsmanship and self-promotion are constants in the history of Scandinavian Design. The four Scandinavian countries, Denmark, Sweden, Norway and Finland all share an attitude towards their Design cultures that are rightly viewed as the absolute apex of crafted excellence and institutional advocacy. From the first issue of Nyt Tidsskrift for Kunstindustri published by The Danish Society of Arts and Crafts in 1928 to MESTERVÆRKER: 100 ÅRS DANSK MØBELSNEDKERI [Danish Art Of Cabinetmaking] from the Danske Kunstindustrimuseum in 2000, Danish Designers and Craftsmen have benefited from an extraordinary collaboration between individuals, manufacturers, institutions, and governments. The countries that host organizations such as The Association of Danish Furniture Manufacturers, The Association of Furniture Dealers in Denmark, The Association of Interior Architects, The Association of Swedish Furni- ture Manufacturers, The Federation of Danish Textile Industries, Svenska Slojdforeningen, The Finnish Association of Designers Ornamo put the rest of the globe on notice that Design is an important cultural force deserv- ing the height of respect. -
Danmarks Kunstbibliotek the Danish National Art Library
Digitaliseret af / Digitised by Danmarks Kunstbibliotek The Danish National Art Library København / Copenhagen For oplysninger om ophavsret og brugerrettigheder, se venligst www.kunstbib.dk For information on copyright and user rights, please consult www.kunstbib.dk C /f-Oc><5 Vs Kunstakademiets Bibliotek ^ C Q 300000473905 BERETNING FOR 1. APRIL 1946-31. MARTS 1949 DET KONGELIGE AKADEMI FOR DE SKØNNE KUNSTER BERETNING FOR VALGPERIODEN 1. APRIL 1946- 31. MARTS 1949 KØBENHAVN 1949 FR. BA G GES KGL. HOFBOGTRYKKERI KØBENHAVN INDHOLD Tronskiftet.......................................................................................................... 7 Nekrologer........................................................................................................ 13 Prins Eugen. A f Olaf Rude................................................................13 Sigurd Wandel. Af Aksel Jørgensen...................................................14 Svend Hammershøi. Af Aage Roose...................................................15 E. W. Johnsen. Af Aage R o o s e ............................................................ 16 Gunnar Jensen. Af Aksel R o d e ............................................................ 16 Jens Lund. Af Johannes B j e r g ............................................................ 17 Harald Lønborg-Jensen. A f Edvard Thomsen...................................17 Rolf Schroeder. Af Edvard Thomsen......................................................18 Gotfred Tvede. Af Edvard Thomsen......................................................18 -
DU VERRE Architecte : LM
JE NE ME SUIS JAMAIS SENTI AUSSI BIEN QUE DEPUIS QUE J'AI TOUT PERDU ... GRACE_ A L'ASSISTANCE AIDE-MEMO 24H/24 C'est vrai : chaque jour, en France, des milliers de personnes perdent - ou se font voler- leur portefeuille : plus de cartes de crédit, plus de carte d'identité, plus de permis de conduire, plus d'argent, même pour téléphoner, bref, plus rien! Vous avez des cartes de crédit? (cartes bancaires, de grands magasins, PTT Pastel, AMEX, Diners, La Redoute, 3 Suisses,.. .) Vous savez que la fraude sur ces cartes a lieu dans les premières heures suivant la perte ou le vol, avant que vous n'ayez le temps de contacter les différents centres d'opposition. Savez-vous que ces centres d'opposition vont vous demander le numéro de ces cartes que précisément vous n'avez plus! Et connaissez-vous leurs numéros d'appel? Savez-vous enfin que si vous effectuez vous-même une opposition en cas de perte ou de vol d'une carte, vous ne recevrez en règle générale aucune confirmation écrite de votre appel, vous dégageant de toute responsabilité? Vous avez de l'argent sur vous? Savez-vous comment faire, en cas de perte ou de vol, et que vous êtes loin de votre domicile? Grâce au numéro vert (ou en PCV) et au réseau international d'Europ Assistance, A/DE-MEMO 24H/24 peut vous avancer très vite de l'argent pour rentrer, que vous soyez en France ou à /'étranger Vous avez des bagages? Vous avez donc très probablement des étiquettes bagages avec en clair votre nom et votre adresse. -
Vom Erscheinungsbild Zum „Corporate Design“: Beiträge Zum Entwicklungsprozess Von Otl Aicher
Vom Erscheinungsbild zum „Corporate Design“: Beiträge zum Entwicklungsprozess von Otl Aicher Nadine Schreiner Als Dissertation eingereicht bei der Bergischen Universität Wuppertal Fachbereich F: Architektur-Design-Kunst Wuppertal, im Juni 2005 Die Dissertation kann wie folgt zitiert werden: urn:nbn:de:hbz:468-20050270 [http://nbn-resolving.de/urn/resolver.pl?urn=urn%3Anbn%3Ade%3Ahbz%3A468-20050270] Mein ausdrücklicher Dank gilt, Prof. Dr. phil. Dr. h. c. Siegfried Maser und Prof. Dr. phil. Burghart Schmidt, für die äußerst wertvolle Unterstützung und Zusammenarbeit. Inhalt Einleitung 1 1. Kapitel Frühe Projekte 1.0 Frühe Projekte 4 1.1 Plakate Ulmer Volkshochschule 1945-62 4 1.2 Firma Max Braun, (Elektrogeräte) 1954-62 12 1.3 Deutsche Lufthansa 1962-64 21 1.4 Resümee 39 2. Kapitel XX. Olympische Spiele 1972 in München 2.0 Einleitung 40 2.1 Farbkodierung 43 2.2 Emblem 48 2.3 Eine humane Schrift – die Univers 54 2.4 Münchner Verkehrsschrift – Traffic 56 2.5 Typografisches System – Ordnungsprinzipien 60 2.6 Plakate 64 2.7 Piktogramme 67 2. 8 Urbanes Gestaltungskonzept – Fahnen 74 2. 9 Einkleidung 77 2.10 Olympia-Souvenirs 78 2.11 Architektur 84 2.12 Resümee 86 3. Kapitel Die Zeit nach Olympia – die 70er Jahre 3.0 Einleitung 89 3.1 Zweites Deutsches Fernsehen 95 3.2 Studioausstattung 95 3.3 Visuelle Konstanten und Elemente – Farbkodierung 98 3.4 Hausschrift und Logogramm 100 3.5 Senderkennzeichen 101 3.6 Bildschirm – Raster und Anwendungen 103 3.7 ZDF-Uhr – analog oder digital 104 3.8 Satzspiegel und Typografie 104 3.9 Beschilderung und Information 106 3.10 Objekte und Fahrzeuge 108 3.11 Resümee über ein neues Selbstverständnis 109 3.12 Re-Design Stufen im Erscheinungsbild ZDF 110 3.13 Zum Vergleich: 112 Das visuelle Erscheinungsbild des Südwestfunks von Herbert W.