Beaux-Arts.Pdf
PREFACE For more than two centuries, the Palais Bourbon and the Hôtell de Lassay have been at the heart of French political life. From the very moment the Council of Five Hundred moved there in 1798, the edifices lost their original residentiiaal function and became the seat of national sovereignty and the cradle of our Republican values. These ancient walls resonate with the grand voices which, togetther, have made France and which have shown us and continue to guide us along the patth of liberty and solidarity: Lamartine, Schœlcher, Hugo, Jaurès, Clemenceau, but also,, more recently, Robert Badinter or Simone Veil. These splendid buildings are also an extraordinary testtament to the architectural and artistic development of our country, from the Regency to the modern daay. The architect Jules de Joly, the painters Delacroix, Vernet, Pujol, Alechinsky, and JonOne, as well as the sculptor De Maria, have all left their indelible mark here. Their artistic interpretations speak to us of France, of the demands of democratic debate and of our collective capacity to overcome our divisions. These national palaces, brimming with history, are also, through the parliamentary sittings, the daily arena for the work of MPs, their assisttants and of the civil servants of the National Assembbly. The work of Parliament must be better known by all. More than ever, our Assembly, which is the expression of direct universal suffrage, mustt be the shared house of all French citizens. New technologies have enabled us to make huge steps in the field of transparency and the National Assembly will continue its efforts in this direction, in the same way as it wishes to allow its heritage to be accessible to all.
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