Valmiki Ramayana – Bala Kanda – Chapter 39
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University of Calcutta Admit
532/1800865758/0401 5320942 UNIVERSITY OF CALCUTTA ADMIT B.A. SEMESTER - IV ( GENERAL) Examination-2021 (UNDER CBCS) Name of the Candidate : PUJA NASKAR Father's/Guardian's Name : NIMAI NASKAR Roll & No. : 192532-12-0486 Registration No. 532-1212-1106-19 Subjects Enrolled : BNGG,HISG,BNGL Name of the College : DHRUBA CHAND HALDER COLLEGE SCHEDULE FOR EXAMINATION IN THEORETICAL PAPERS ** Examination Examination Subject Course Course Number of Signature of the Day & Date Starting Code Code Name Answer invigilator on receipt Time ++ book(s) of the answer script/s to be used @ Tuesday 03-08-2021 10 A.M. HISG SEC-B1 MUSEUMS & ARCHIVES IN INDIA 1 Tuesday 03-08-2021 2 P.M. BNGL LCC2-1 BANGLA BHASABIGYAN O SAHITYER 1 RUPVED O KABYA Saturday 07-08-2021 2 P.M. HISG CC4 HISTORY OF INDIA FROM 1707 TO 1 1950 Monday 09-08-2021 2 P.M. BNGG CC4 BANGLA KATHASAHITYA O 1 PROBANDHYA Signature of the Principal/TIC/OIC of the College with Seal Controller of Examinations (Actg.) ** Subject to unavoidable changes N.B. Please follow University Notification No. ++ In no circumstances subject/s to be altered CE/ADM/18/229 Dated 04/12/2018 in www.cuexam.net for instruction of Examinee/Invigilator/Examination centre. 532/1800908303/0402 5320963 UNIVERSITY OF CALCUTTA ADMIT B.A. SEMESTER - IV ( GENERAL) Examination-2021 (UNDER CBCS) Name of the Candidate : JABA MONDAL Father's/Guardian's Name : SUBARNA MONDAL Roll & No. : 192532-12-0487 Registration No. 532-1212-1126-19 Subjects Enrolled : HISG,SOCG,BNGL Name of the College : DHRUBA CHAND HALDER COLLEGE SCHEDULE FOR EXAMINATION IN THEORETICAL PAPERS ** Examination Examination Subject Course Course Number of Signature of the Day & Date Starting Code Code Name Answer invigilator on receipt Time ++ book(s) of the answer script/s to be used @ Tuesday 03-08-2021 10 A.M. -
OM NAMO BHAGAVATE PANDURANGAYA BALAJI VANI Volume 5, Issue 4 April 2011
OM NAMO BHAGAVATE PANDURANGAYA BALAJI VANI Volume 5, Issue 4 April 2011 HARI OM March 1st, Swamiji returned from India where he visited holy places and sister branch in Bangalore. And a fruitful trip to Maha Sarovar (West Kolkata) water to celebrate Mahashivatri here in our temple Sunnyvale. Shiva Abhishekham was performed every 3 hrs with milk, yogurt, sugar, juice and other Dravyas. The temple echoed with devotional chanting of Shiva Panchakshari Mantram, Om Namah Shivayah. During day long Pravachan Swamiji narrated 2 special stories. The first one was about Ganga, and why we pour water on top of Shiva Linga and the second one about Bhasmasura. King Sagar performed powerful Ashwamedha Yagna (Horse sacrifice) to prove his supremacy. Lord Indra, leader of the Demi Gods, fearful of the results of the yagna, stole the horse. He left the horse at the ashram of Kapila who was in deep meditation. King Sagar's 60,000 sons (born to Queen Sumati) and one son Asamanja (born to queen Keshini) were sent to search the horse. When they found the horse at Shri N. Swamiji performing Aarthi KapilaDeva's Ashram, they concluded he had stolen it and prepared to attack him. The noise disturbed the meditating Rishi/Sage VISAYA VINIVARTANTE NIRAHARASYA DEHINAH| KapilaDeva and he opened his eyes and cursed the sons of king sagara for their disrespect to such a great personality. Fire emanced RASAVARJAM RASO PY ASYA from their own bodies and they were burned to ashes instantly. Later PARAM DRSTVA NIVARTATE || king Sagar sent his Grandson Anshuman to retreive the horse. -
Yonas and Yavanas in Indian Literature Yonas and Yavanas in Indian Literature
YONAS AND YAVANAS IN INDIAN LITERATURE YONAS AND YAVANAS IN INDIAN LITERATURE KLAUS KARTTUNEN Studia Orientalia 116 YONAS AND YAVANAS IN INDIAN LITERATURE KLAUS KARTTUNEN Helsinki 2015 Yonas and Yavanas in Indian Literature Klaus Karttunen Studia Orientalia, vol. 116 Copyright © 2015 by the Finnish Oriental Society Editor Lotta Aunio Co-Editor Sari Nieminen Advisory Editorial Board Axel Fleisch (African Studies) Jaakko Hämeen-Anttila (Arabic and Islamic Studies) Tapani Harviainen (Semitic Studies) Arvi Hurskainen (African Studies) Juha Janhunen (Altaic and East Asian Studies) Hannu Juusola (Middle Eastern and Semitic Studies) Klaus Karttunen (South Asian Studies) Kaj Öhrnberg (Arabic and Islamic Studies) Heikki Palva (Arabic Linguistics) Asko Parpola (South Asian Studies) Simo Parpola (Assyriology) Rein Raud (Japanese Studies) Saana Svärd (Assyriology) Jaana Toivari-Viitala (Egyptology) Typesetting Lotta Aunio ISSN 0039-3282 ISBN 978-951-9380-88-9 Juvenes Print – Suomen Yliopistopaino Oy Tampere 2015 CONTENTS PREFACE .......................................................................................................... XV PART I: REFERENCES IN TEXTS A. EPIC AND CLASSICAL SANSKRIT ..................................................................... 3 1. Epics ....................................................................................................................3 Mahābhārata .........................................................................................................3 Rāmāyaṇa ............................................................................................................25 -
Ganga As Perceived by Some Ganga Lovers Mother Ganga's Rights Are Our Rights
Ganga as Perceived by Some Ganga Lovers Mother Ganga’s Rights Are Our Rights Pujya Swami Chidanand Saraswati Nearly 500 million people depend every day on the Ganga and Her tributaries for life itself. Like the most loving of mothers, She has served us, nourished us and enabled us to grow as a people, without hesitation, without discrimination, without vacation for millennia. Regardless of what we have done to Her, the Ganga continues in Her steady fl ow, providing the waters that offer nourishment, livelihoods, faith and hope: the waters that represents the very life-blood of our nation. If one may think of the planet Earth as a body, its trees would be its lungs, its rivers would be its veins, and the Ganga would be its very soul. For pilgrims, Her course is a lure: From Gaumukh, where she emerges like a beacon of hope from icy glaciers, to the Prayag of Allahabad, where Mother Ganga stretches out Her glorious hands to become one with the Yamuna and Saraswati Rivers, to Ganga Sagar, where She fi nally merges with the ocean in a tender embrace. As all oceans unite together, Ganga’s reach stretches far beyond national borders. All are Her children. For perhaps a billion people, Mother Ganga is a living goddess who can elevate the soul to blissful union with the Divine. She provides benediction for infants, hope for worshipful adults, and the promise of liberation for the dying and deceased. Every year, millions come to bathe in Ganga’s waters as a holy act of worship: closing their eyes in deep prayer as they reverently enter the waters equated with Divinity itself. -
Chapter 10, Verses 27 to 30,Mandukya
Baghawat Geeta, Class 137: Chapter 10, Verses 30 to 33 Shloka # 30: प्रह्लादश्चास्िम दैत्यानां कालः कलयतामहम्। मृगाणां च मृगेन्द्रोऽहं वैनतेयश्च पक्िषणाम्।।10.30।। Daityanam, among demons, the descendants of Diti, I am the one called Prahlada. And I am kalah, Time; kalayatam, among reckoners of time, of those who calculate. And mrganam, among animals; I am mrgendrah, the loin, or the tiger. And paksinam, among birds; (I am) vainateyah, Garuda, the son of Vinata. Continuing his teaching, Swamiji said, we are seeing Sri Krishna enumerate the glories of Ishwara. The entire creation is a manifestation and glory of the Lord. Sri Krishna chooses a few specialties as his glory. They can be chosen to invoke God. Even though all rivers are glorious, Ganga can be used to invoke god. Hence Ganga is considered scared. Everyone enumerated can be an alambanam. Many are identified from mythological stories. Thus he cites in shloka # 30 about Prahlada. Prahlada stuthi in the Bhagavatham is a very well known sthothram; in which we find the highest Vedanta talked about. In the Bhagavatham there are many stuthis or sthothrams; Dhruva stuthi; Prahlada sthuthi; Kunthi sthuthi; Bhishma sthuthi; each character glorifies the Lord and the beauty is, in those sthothrams not only the puranic glories are there; the highest Vedanta is also packed in those stuthis and among them Prahlada is also a great one. It is an important one because even though Prahlada is born an asura, by his spiritual sadhana he could change his character and become a Gyani. -
Editors Seek the Blessings of Mahasaraswathi
OM GAM GANAPATHAYE NAMAH I MAHASARASWATHYAI NAMAH Editors seek the blessings of MahaSaraswathi Kamala Shankar (Editor-in-Chief) Laxmikant Joshi Chitra Padmanabhan Madhu Ramesh Padma Chari Arjun I Shankar Srikali Varanasi Haranath Gnana Varsha Narasimhan II Thanks to the Authors Adarsh Ravikumar Omsri Bharat Akshay Ravikumar Prerana Gundu Ashwin Mohan Priyanka Saha Anand Kanakam Pranav Raja Arvind Chari Pratap Prasad Aravind Rajagopalan Pavan Kumar Jonnalagadda Ashneel K Reddy Rohit Ramachandran Chandrashekhar Suresh Rohan Jonnalagadda Divya Lambah Samika S Kikkeri Divya Santhanam Shreesha Suresha Dr. Dharwar Achar Srinivasan Venkatachari Girish Kowligi Srinivas Pyda Gokul Kowligi Sahana Kribakaran Gopi Krishna Sruti Bharat Guruganesh Kotta Sumedh Goutam Vedanthi Harsha Koneru Srinath Nandakumar Hamsa Ramesha Sanjana Srinivas HCCC Y&E Balajyothi class S Srinivasan Kapil Gururangan Saurabh Karmarkar Karthik Gururangan Sneha Koneru Komal Sharma Sadhika Malladi Katyayini Satya Srivishnu Goutam Vedanthi Kaushik Amancherla Saransh Gupta Medha Raman Varsha Narasimhan Mahadeva Iyer Vaishnavi Jonnalagadda M L Swamy Vyleen Maheshwari Reddy Mahith Amancherla Varun Mahadevan Nikky Cherukuthota Vaishnavi Kashyap Narasimham Garudadri III Contents Forword VI Preface VIII Chairman’s Message X President’s Message XI Significance of Maha Kumbhabhishekam XII Acharya Bharadwaja 1 Acharya Kapil 3 Adi Shankara 6 Aryabhatta 9 Bhadrachala Ramadas 11 Bhaskaracharya 13 Bheeshma 15 Brahmagupta Bhillamalacarya 17 Chanakya 19 Charaka 21 Dhruva 25 Draupadi 27 Gargi -
Ramayana: a Divine Drama Actors in the Divine Play As Scripted by Bhagawan Sri Sathya Sai Baba
Ramayana: A Divine Drama Actors in the Divine Play as scripted by Bhagawan Sri Sathya Sai Baba Volume I Compiled by Tumuluru Krishna Murty Edited by Desaraju Sri Sai Lakshmi © Tumuluru Krishna Murty ‘Anasuya’ C-66 Durgabai Deshmukh Colony Ahobil Mutt Road Hyderabad 500007 Ph: +91 (40) 2742 7083/ 8904 Typeset and formatted by: Desaraju Sri Sai Lakshmi Cover Designed by: Insty Print 2B, Ganesh Chandra Avenue Kolkata - 700013 Website: www.instyprint.in VOLUME I No one can shake truth; no one can install untruth. No one can understand My mystery. The best you can do is get immersed in it. The mysterious, indescribable power has come within the reach of all. No one is born and allowed to live for the sake of others. Each has their own burden to carry and lay down. - Bhagawan Sri Sathya Sai Baba Put all your burdens on Me. I have come to bear it, so that you can devote yourselves to Sadhana TABLE OF CONTENTS FOR VOLUME I PRAYERS 11 1. SAMARPANAM 17 2. EDITORIAL COMMENTS 27 3. THE ESSENCE OF RAMAYANA 31 4. IKSHVAKU DYNASTY-THE IMPERIAL LINE 81 5. DASARATHA AND HIS CONSORTS 117 118 5.1 DASARATHA 119 5.2 KAUSALYA 197 5.3 SUMITRA 239 5.4 KAIKEYI 261 INDEX 321 LIST OF ILLUSTRATIONS FIGURE 1: DESCENT OF GANGA 113 FIGURE 2: PUTHRAKAMESHTI YAGA 139 FIGURE 3: RAMA TAKING LEAVE OF DASARATHA 181 FIGURE 4: DASARATHA SEES THE FATALLY INJURED SRAVANA 191 PRAYERS Vaamaankasthitha Jaanaki parilasat kodanda dandaamkare Chakram Chordhva karena bahu yugale samkham saram Dakshine Bibranam Jalajadi patri nayanam Bhadradri muurdhin sthitham Keyuradi vibhushitham Raghupathim Soumitri Yuktham Bhaje!! - Adi Sankara. -
Index of 16 Hindu Puranas
INDEX OF 16 HINDU PURANAS 1. BRAHMA PURANA Preliminaries There was a forest known as Naimisharanya. The sages (maharshis) arranged for a sacrifice (yajna) in this forest and the ceremony went on for twelve years. Naimisharanya forest was a wonderful place to arrange sacrifices in. The climate was pleasant. There were trees full of climate was pleasant. There were trees full of flowers and fruit. There was no shortage of food in the forest, and animals, birds and sages lived thee happily. Many sages came to attend the sacrifice that had been arranged in Naimisharanya. With them was Romaharshana (alternatively Lomaharshana), Veda Vyasa's disciple. Veda Vyasa had instructed this disciple of his in the knowledge of the Puranas. The assembled sages worshipped the learned Romaharshana and said, "Please tell us the stories of the Puranas. Who created the universe, who is its preserver and who will destroy it? Please instruct us in all these mysteries". Romaharshana replied, "Many years ago, Daksha and the other sages had asked Brahma these very questions. I have learnt about Brahma's replies from my guru) teacher) Veda Vyasa. I will relate to you what I know". In the beginning, there was water everywhere and the Brahman slept on this water in the form of Vishnu. Since water is called nara and since ayana means a bed, Vishnu is known as Narayana. In the water there emerged a golden egg. Brahma was born inside this egg. Since he created himself, he is called Svayambhu, born (bhu) by himself (svayam). For one whole year, Brahma lived inside the egg. -
Vasishta Requests Rama to Be King
“Om Sri Lakshmi Narashimhan Nahama” Valmiki Ramayana – Ayodhya Kanda – Chapter 110 Vasishta Requests Rama to be King Summary Vasishta gives details of the creation of the world to Sri Rama. He says that Brahma, in the form of a boar caused the earth to rise from water and from Brahma is created the entire world. He recites the Genealogy of Rama's line. He informs that Aja and Suvrata were the two sons of Naabhaaga and it was Aja who begot the virtuous King Dasaratha; Rama's father. Vasishta also informs Rama that i the whole of Ikshvaku race, only the eldest son become the king. He requests Sri Rama not to violate this tradition and take over the reins of Ayodhya. Chapter [Sarga] 110 in Detail Recognizing that Rama has become angry, Vasistha spoke as follows: "Even Jabali is aware of the going and coming of this world." nivartayitu kaamah tu tvaam etad vaakyam abraviit | imaam loka samutpattim loka naatha nibodha me || 2-110-2 "He spoke in this manner, on account of his desire that you should return. O, Lord of the people! Learn from me of the creation of the world!" sarvam salilam eva aasiit prithivii yatra nirmitaa | tatah samabhavad brahmaa svayambhuur daivataih saha || 2-110-3 "All was water only in the beginning" from which element the earth was formed. After that, the self-existent Brahma with all the gods came into existence." sa varaahah tato bhuutvaa projjahaara vasumdharaam | asrijac ca jagat sarvam saha putraih krita aatmabhih || 2-110-4 "Thereafter, that Brahma, assuming the form of boar, caused the earth to rise from water and with his sons of pure soul, created the entire world." Page 1 of 7 “Om Sri Lakshmi Narashimhan Nahama” Valmiki Ramayana – Ayodhya Kanda – Chapter 110 aakaasha prabhavo brahmaa shaashvato nitya avyayah | tasmaan mariicih samjajne mariiceh kashyapah sutah || 2-110-5 "The eternal, changeless and imperishable Brahma was begotten from ether and from his was born Marichi. -
Religion As Behavioral Traits of Epics, Ape-Made Bridge
z Available online at http://www.journalcra.com INTERNATIONAL JOURNAL OF CURRENT RESEARCH International Journal of Current Research Vol. 10, Issue, 05, pp.69625-69630, May, 2018 ISSN: 0975-833X RESEARCH ARTICLE RELIGION AS BEHAVIORAL TRAITS OF MYTH: NEW INSIGHT FROM THE RELIGIOUS EPICS, APE-MADE BRIDGE, MAN-MADE SEA, ET CETERIA *Rajesh K. Vishwakarma 407 D.V. Apartments, Salarjung Colony, Mehdipatnam, Hyderabad 500 008, India ARTICLE INFO ABSTRACT Article History: The study takes into account Hindu aeon; Indian epics; instances of god creation; astronomical dates; Received 21st February, 2018 peculiar behavior and sculpt, besides circumstantial evidences of scientific nature as a medium of the Received in revised form litmus test to demystify religion. A radical rethink by holistic view provide a clearer picture of the 19th March, 2018 truth by assaying religious dogmatism as the swag of unreality. Observation for that includes these: Accepted 29th April, 2018 when the Hindu aeon is imaginary, astronomical dates are highly inconsistent due to fictive characters Published online 30th May, 2018 throughout the epics (Ramayana and Mahabharata) and the place (Africa) where the humanity originated do not document various gods of the prominent religions, then the gods’ presence is quite Key words: alike the fakes on the flat earth, the half man-half beast, eternal wealth and so on so forth. In Behavior, Social Science and Humanities; furtherance to this, the result by various reasons with respect to an ape-made bridge over the man- Hindu Religion, made sea, between India and Sri Lanka, appear as much myth-made as the pantheon of non-Vedic Ram Setu; Vedic Civilization, gods created by Hindus. -
Pancha Maha Bhutas (Earth-Water-Fire-Air-Sky)
1 ESSENCE OF PANCHA MAHA BHUTAS (EARTH-WATER-FIRE-AIR-SKY) Compiled, composed and interpreted by V.D.N.Rao, former General Manager, India Trade Promotion Organisation, Pragati Maidan, New Delhi, Ministry of Commerce, Govt. of India, now at Chennai. Other Scripts by the same Author: Essence of Puranas:-Maha Bhagavata, Vishnu Purana, Matsya Purana, Varaha Purana, Kurma Purana, Vamana Purana, Narada Purana, Padma Purana; Shiva Purana, Linga Purana, Skanda Purana, Markandeya Purana, Devi Bhagavata;Brahma Purana, Brahma Vaivarta Purana, Agni Purana, Bhavishya Purana, Nilamata Purana; Shri Kamakshi Vilasa Dwadasha Divya Sahasranaama: a) Devi Chaturvidha Sahasra naama: Lakshmi, Lalitha, Saraswati, Gayatri; b) Chaturvidha Shiva Sahasra naama-Linga-Shiva-Brahma Puranas and Maha Bhagavata; c) Trividha Vishnu and Yugala Radha-Krishna Sahasra naama-Padma-Skanda-Maha Bharata and Narada Purana. Stotra Kavacha- A Shield of Prayers -Purana Saaraamsha; Select Stories from Puranas Essence of Dharma Sindhu - Dharma Bindu - Shiva Sahasra Lingarchana-Essence of Paraashara Smriti Essence of Pradhana Tirtha Mahima Essence of Upanishads : Brihadaranyaka , Katha, Tittiriya, Isha, Svetashwara of Yajur Veda-Chhandogya and Kena of Saama Veda-Atreya and Kausheetaki of Rig Veda-Mundaka, Mandukya and Prashna of Atharva Veda ; Also ‗Upanishad Saaraamsa‘ (Quintessence of Upanishads) Essence of Virat Parva of Maha Bharata- Essence of Bharat Yatra Smriti Essence of Brahma Sutras Essence of Sankhya Parijnaana- Also Essence of Knowledge of Numbers Essence of Narada Charitra; Essence Neeti Chandrika-Essence of Hindu Festivals and Austerities Essence of Manu Smriti- Quintessence of Manu Smriti- Essence of Paramartha Saara; Essence of Pratyaksha Bhaskra; Essence of Maha Narayanopashid; Essence of Maitri Upanishad Essence of Vidya-Vigjnaana-Vaak Devi; Essence of Bhagya -Bhogya-Yogyata Lakshmi Essence of Soundarya Lahari*- Essence of Popular Stotras*- Essence of Pratyaksha Chandra*- Essence of Pancha Bhutas* Note: All the above Scriptures already released on www. -
Literary Vision of Symbolic India: Removing the Veil and Stepping Into Spiritual India
DOCUMENT RESUME ED 421 369 SO 027 999 AUTHOR Barry, Patricia TITLE Literary Vision of Symbolic India: Removing the Veil and Stepping into Spiritual India. Fulbright-Hays Summer Seminars Abroad 1996 (India). SPONS AGENCY United States Educational Foundation in India. PUB DATE 1997-00-00 NOTE 116p.; Some materials may not photocopy well. For other documents in this 1996 program, see SO 028 000 SO 028 007. PUB TYPE Guides Non-Classroom (055) EDRS PRICE MF01/PC05 Plus Postage. DESCRIPTORS *Asian Studies; Ethnic Groups; Foreign Countries; Global Education; Grade 6; *Indians; Instructional Materials; Interdisciplinary Approach; Intermediate Grades; Literature; Middle Schools; *Multicultural Education; Religion Studies; Social Studies IDENTIFIERS *India ABSTRACT This curriculum guide was developed to assist middle-school students in understanding the complexity of India. A slide presentation is used in combination with several activities for interdisciplinary study of India through literature and social studies. A comprehensive bibliography provides suggestions for further reading. Sections of the guide include: (1) Preface; (2) "Sacred India"; (3) "Hinduism"; (4) "Sadhus"; (5) "Buddhism"; (6) "Islam"; (7) "Sikhism"; (8) "Jainism"; (9) "Zoroastrianism"; (10) "Christianity and Judaism"; (11) "The Vedas and Upanishads"; (12)"The Ramayana"; (13) "The Mahabharata"; (14) "The Bhagavad Gita"; (15) "Music"; (16) "Dance"; (17) "The Mughals";(18) "Satin;(19)"The Ganges"; (20) "Nataraja"; (21) "Mahatma Gandhi"; (22) "The Bhagavad Gita and Henry David Thoreau";(23) "Rabindranath Tagore"; (24) "Dhobi Wallahs";(25) "Dhaba Lunches"; (26) "Indian Cuisine";(27) "Child Labor in India"; (28) "Private Schools in India"; (29) (30) "Rice";(31) "Climate";(32) "Floor Designs of India";(33) "Population"; and (34) "Recommended Reading-Bibliography." (EH) ******************************************************************************** Reproductions supplied by EDRS are the best that can be made from the original document.