Investigating the Effect of Sustainable Patterns of Iran's Traditional Architecture in Sustainable Development

Total Page:16

File Type:pdf, Size:1020Kb

Investigating the Effect of Sustainable Patterns of Iran's Traditional Architecture in Sustainable Development European Online Journal of Natural and Social Sciences 2015; www.european-science.com Vol.3, No.3 Special Issue on New Trends in Architecture, Civil Engineering, and Urban Studies ISSN 1805-3602 Investigating the Effect of Sustainable Patterns of Iran's Traditional Architecture in Sustainable Development Ali Khaki1, Seyyed Ashraf Sadat2 1Assistant Professor, Department of Architecture, Shahid Rajaee Teacher Training University, Tehran, Iran; 2MSc in Architecture, Shahid Rajaee Teacher Training University, Tehran, Iran Abstract The valuable experiences of the past have always been the main investment of scientists and inventors in disentangling the problems and move towards a better future, and the inter-generational transmission of past experiences has improved and strengthened the sense of reliance and has created a sustainable identity. Sustainable architecture is one of the most important trends of contemporary architecture. This trend is considered as a logical response to the issues raised in the industrialization era and it results from our ancestors confirmation corresponding with their time features and capabilities. Thus, the concept of sustainability or any other concept that comes in to the literature should be interpreted in accordance with the customs of the country, so that it is possible for society and culture to understand it. In Iranian architecture, stability issues have been associated with aesthetic, cultural and social issues and considering the interaction between these three categories can be a good solution for the design and construction of future buildings. In this article, we describe the logical and indigenous techniques. Given the nature of research in this study, it is discussed in the context of analytical-descriptive and cross sectional studies in bibliotheca. The results suggest that most of the issues raised in modern architecture are in compliance with traditional architecture in different ways and it reflects the true impact of culture, beliefs and traditions of Iranian people on the constructions and architecture of the past. Recreating these principles in accordance with modern architecture will create new approaches in contemporary architecture of Iran. Keywords: sustainability principles, traditional architecture of Iran, climate, energy Introduction Traditional architecture is filled with items, some of which may sometimes be discovered and used. The basis for this mystical architecture is its dynamism and efficiency, a valuable architecture whose fruits are buildings that are immortalized. Sustainable architecture is based on environmental notes and the design and construction with regional materials. Its purpose is to design sustainable buildings with the approach to reduce environmental damages and utilization of renewable energies and nature. Sustainable architecture includes a mixture of aesthetic, environmental, social, political, ethical and stable values. Further, pondering the basis of traditional architecture will reveal the fact that the concept of sustainability is rooted in old methods and ancient cultures and is practiced in order to honor and respect the nature and the environment. Today, the complicated relations between man and his surrounding environment have caused basic changes and transformation and the creation of different functions in the atmosphere of traditional houses. Sustainable architecture is to create coordination and harmony with nature and regional and environmental conditions and at the same time to devise a design that would be responsive to the tastes and the needs of the residents that has always been the basis for the architects' work in the past; but the sudden disruption of this creative trend of architecture and consequently taking faster and easier designs to apply, stressing on the other aspects by modern architecture, have forced us to forget all the environment-friendly methods. Therefore, it is of grave necessity to approach the 191 Special Issue on New Trends in Architecture, Civil Engineering, and Urban Studies history of the architecture of this land with openness and excavation, learn from it and utilize its theoretical backgrounds in today's architecture and construction techniques. In Heidegger's view, technology is a certain form of connecting and bonding between man and the world. Technology in the past was trying to give order to nature while also keeping and safeguarding it, but today's technology which is established based on the new sciences, it sometimes trying to disturb and conquer nature. New sciences regard nature as a network of calculable forces that provide energy and in this approach, the divine identity and its role as a guide and sign for the correct lifestyle and reaching for the supernatural is neglected. Today's human beings not only have had few developments regarding the understanding of nature's spiritual aspects, but they more often had a downtrend. These two aspects enable us to divide the human's relation with nature into four main different stages (Shojaei, 2014). In the subject related to sustainable and stable energy and its continuum, sustainable architecture, the fact that buildings should interact with their surrounding context and natural environment has turned into a matter of course. The important subject in this matter is the way this interaction takes place and the methods that are used in recent years and Iranians have enjoyed them with special sets of skills by applying these special necessities in the optimized use of natural resources and energies especially the sun and the wind and the harmony with the region. In this study, the subjects of sustainable development and designing with an approach to the diversity in Iran's traditional architecture, the devised notions applied by the residents of this country for the maximum utilization of natural energies, with the idea that these notions could be sources for inspiration and patterns for future designs are pointed out (Talaei, 2011). Significance of the study In accordance with the challenges the world faces today and also the crisis of the lack of identity that has become an epidemic to today's architecture of our country, it is necessity to pay more attention to the ideas, thoughts and traditional buildings construction methods that will cause the safeguarding of the environment and will help create a physical and mental peace of the residents (Qofrani, 1990). The main challenge facing today's architects in the world is the disruption of the relation between regional architecture and modern demands. It is necessary to analyze the utilized methods in the endemic buildings of each region as a symbol for stable and sustainable solutions and then they should be coordinated with the today's modern concepts and thoughts by the use of technological developments of this age. Now, because the Iranian historical identity (in all of aspects of life, including architecture) is forgotten in the cities of this country, the meaning of being Iranian is seldom found. With regard to this matter, the environment and the energy consumed in the buildings are the significant issues in the cities and villages. Today, because of the modern life standards are followed by everyone, heating welfare through the utilization of non-fossil fuels is not an easy task. Generally, speaking after thousands years of men's encounter with nature, their knowledge of these type of energy is not only insufficient, but also the practical information of "thermophysical" features of construction materials and particles has not evolved yet. In any case, aside from all of these issues, today houses need to be built in the minimum amount of space that would satisfy the welfare needs of human beings in all seasons. With regard to the mentioned matters, the subject of static sustainability in the past is less discussed and the utilization of these patterns can be effective in reaching a structural sustainability in today's houses (Razjoyani, 1997). With the analysis of Iranian architecture, we will realize that the symbols of the cultural values of the Iranian society are evident in the construction of their residential environments and this construction is an indication of the identity, cultural values and the beliefs of this society in a way Openly accessible at http://www.european-science.com 192 Ali Khaki, Seyyed Ashraf Sadat that the Iranian architecture, like the culture of the Iranian society is welcoming and is an inductor of a sense of belonging, the union of the composition and an even unity, the coordination of dimensions with function and structural sustainability (Asghari Moghadam, 2004). Objectives of the study Now the time has come to approach Iran's architecture, not only as historical and ancient buildings and sites but as buildings whose undying lively essence can inspire contemporary architects and artists. Therefore, it is necessary to understand Iran's traditional architecture as a mature display of formed sustainable architecture. Also, the analysis of the devised methods in traditional and regional architecture, with the goal to optimize energy consumption especially when the utilization of solely clean natural energies was dispensable, would be of great benefit for today's architects. With the developments of the technology, the practiced methods in the past can be coordinated with the needs and conditions of today and the optimized and effective utilization of clean energies are used for safeguarding the environment (Saremi, 1997). Research questions • Is Iran's
Recommended publications
  • Desert Utopia: the Hidden Unity of Iranian Architecture Conceptualization Behind the Making of a Documentary Film
    American International Journal of Humanities and Social Science Vol. 4 No. 2; April 2018 Desert Utopia: The Hidden Unity of Iranian Architecture Conceptualization behind the Making of a Documentary Film Khosrow Bozorgi Professor of Architecture and Urban Design Director, Center for Middle Eastern Architecture and Culture College of Architecture, University of Oklahoma United States of America NARRATIVE Desert Utopia will examine the history of architecture in three desert cities in Iran, exploring unique aspects of the built environment that enabled people to flourish in one of the world’s harshest climates. Although the film will focus on the history of Iranian desert architecture spanning thousands of years, this project is nevertheless timely for today’s American audiences. Due to concerns about global environmental change, sustainable building techniques have emerged as a topic of increasing interest over the past two decades. This interest encompasses themes such as the use of local building materials, creative ways to minimize water use (and water waste), and ways to reduce the amount of energy spent on heating and cooling. Furthermore, the geopolitics of the last two decades also have piqued Americans’ curiosity about the Middle East, especially Iran, but for many people, their knowledge about this part of the world is spotty or even misinformed. Desert Utopia is therefore a film that comes at the right time: It will help satisfy Americans’ curiosity about environmentally sound architecture while filling some of the gaps in their knowledge about Iranian culture and history. However, Desert Utopia is more than simply a film about sustainable architecture in Iranian history.
    [Show full text]
  • Decoding Geometry, Proportions and Its Relationship with Aesthetics in Traditional Iranian Architecture
    Original Article Decoding geometry, proportions and its relationship with aesthetics in traditional Iranian architecture Shayan Mahmoudi *, Ali Rezvani, Seyed Alireza Hosseini Vahdat Bachelor degree in Architecture, Shahid Beheshti Technical and Vocational Junior College, Karaj Branch, Department of Art and Architecture, Karaj, Iran. Abstract Certain proportions can be observed in creation and design of nature various forms. These proportions are geometrical relationships that are immaterial in origin and follow the spiritual and supernatural principles of their subject sacredness and have symbolic language and spiritual characteristics. Geometry was inseparable from other four Pythagorean sciences in traditional world, including geometric relationships, arithmetic (number), music and astronomy. We always need geometry knowledge in order to construct a building from first steps to final steps. Using proportions is particularly important because of creating visual aesthetic in visual and architectural arts, and almost all artworks are based on some form of proportion. This research tries to decode the work and find the aim and true purpose of its creator in responding the hypothesis that architect knowledge of geometry and his creative use facilitates the conversion of concept into space and form in designing process and minimizes concept erosion of process through studying architecture, geometry and existing proportions. The results obtained from library and field studies by descriptive-analytical method show that different proportions
    [Show full text]
  • Brick Muqarnas on Rūm Saljuq Buildings
    Transkulturelle Perspektiven 3/2014 - 1 - و Richard Piran McClary Brick Muqarnas on R ūūūm Saljuq buildings - The introduction of an Iranian decorative technique into the architecture of Anatolia The aim of this paper is to examine the form, function decorative brick bonds found in the Islamic architec- and decoration of the small and poorly understood ture of Iran. This indicates that it was non-indigenous corpus of brick muqarnas that survive from the early craftsmen, probably from Iran, 4 that were responsible stage of R ūm Saljuq architecture in Anatolia. These for the construction of the few surviving examples of date from the period between the last quarter of the the art of brick decoration in Anatolia. The brief pro- sixth/ twelfth century to the first quarter of the sev- cess of efflorescence that starts in the late sixth/ enth/ thirteenth centuries. The original source of the twelfth century is followed by almost complete abey- muqarnas form has been much debated by scholars, ance after the mid-seventh/ thirteenth century. with opinions as to its origin ranging from North Africa to Baghdad and Eastern Iran. 1 It is clear that The basic building blocks of brick muqarnas composi- muqarnas cells came to be integrated into the archi- tions consist of cells used singly, or in combination tectural aesthetic of Islamic Anatolia from the mid to with one or two others. They have the appearance of late sixth/ twelfth century onwards. 2 By the middle of a rectangular panel with a triangle above that has had the seventh/ thirteenth century almost all but the the tip bent forward 90° giving the cell a triangular western coast and part of the northern coast of plan (fig.
    [Show full text]
  • Exploration of Arabesque As an Element of Decoration in Islamic Heritage Buildings: the Case of Indian and Persian Architecture
    Journal of Xi'an University of Architecture & Technology ISSN No : 1006-7930 Exploration of Arabesque as an Element of Decoration in Islamic Heritage Buildings: The Case of Indian and Persian Architecture Mohammad Arif Kamal Architecture Section Aligarh Muslim University, Aligarh, India Saima Gulzar School of Architecture and Planning University of Management and Technology, Lahore, Pakistan Sadia Farooq Dept. of Family and Consumer Sciences University of Home Economics, Lahore, Pakistan Abstract - The decoration is a vital element in Islamic art and architecture. The Muslim designers finished various art, artifacts, religious objects, and buildings with many types of ornamentation such as geometry, epigraphy, calligraphy, arabesque, and sometimes animal figures. Among them, the most universal motif in ornamentation which was extensively used is the arabesque. The arabesque is an abstract and rhythmic vegetal ornamentation pattern in Islamic decoration. It is found in a wide variety of media such as book art, stucco, stonework, ceramics, tiles, metalwork, textiles, carpets, etc.. The paper discusses the fact that arabesque is a unique, universal, and vital element of ornamentation within the framework of Islamic Architecture. In this paper, the etymological roots of the term ‘Arabesque’, its evolution and development have been explored. The general characteristics as well as different modes of arabesque are discussed. This paper also analyses the presentation of arabesque with specific reference to Indian and Persian Islamic heritage buildings. Keywords – Arabesque, Islamic Architecture, Decoration, Heritage, India, Iran I. INTRODUCTION The term ‘Arabesque’ is an obsolete European form of rebesk (or rebesco), not an Arabic word dating perhaps from the 15th or 16th century when Renaissance artists used Islamic Designs for book ornament and decorative bookbinding [1].
    [Show full text]
  • Implementation of Sustainable Architecture Patterns in Hot and Dry Regions of Iran by Investigating on Vernacular Sustainable Architecture Patterns
    1 Implementation of sustainable architecture patterns in hot and dry regions of Iran by investigating on vernacular sustainable architecture patterns Master Thesis International Master of Science in Construction and Real Estate Management Joint Study Programme of Metropolia UAS and HTW Berlin Submitted on 14.08.2018 Mohammadreza Gharahshir Registration number: 557524 First Supervisor: M.Arch. David Eric Pollock Second Supervisor: Prof. Dr.-Ing. Dieter Bunte 2 ACKNOWLEDGMENT I would like to acknowledge and thank the following people they have supported me, not only during the course of this project, but throughout my Master’s program. Firstly, I would like to express my gratitude to my supervisors M.Arch Eric Pollock and Prof. Dr.-Ing. Dieter Bunte for their support, guidance and insight throughout this research project. And finally, I would like to thank my wife and my family. You have all encouraged and believed in me. You have all helped me to focus on what has been a hugely rewarding and enriching process. 3 4 5 Abstract Today, sustainable development and the saving of non-renewable energies have become one of the most important and common issues internationally. Considering the significant consumption of fossil fuels in the contemporary building industry, the theme of sustainable architecture and utilizing the potential of climate to reduce energy consumption is one of the most important measures in contemporary architecture and urbanization. Iran's traditional architecture, as one of the best examples of sustainable architecture, has shown that in the old days, Iranians have used effective methods for the proper use of non-renewable energies, which differ in terms of climate and weather conditions.
    [Show full text]
  • An Investigation of Historical Structures in Iranian Ancient Architecture
    Architecture Research 2011; 1(1): 1-7 DOI: 10.5923/j.arch.20110101.01 An Investigation of Historical Structures in Iranian Ancient Architecture Katayoun Taghizadeh Department of Architecture, University of Tehran, Tehran, 1417466191, Iran Abstract The pre-Islamic styles of Iranian architecture draw on 3-4 thousand years of architectural development from various. Each of the periods of Elamites, Achaemenids, Parthians, and Sassanids were creators of great architecture that over the ages has spread wide and far to other cultures being adopted. Although Iran has suffered its share of destruction, including Alexander the Great's decision to burn Persepolis, there are sufficient remains to form a picture of its classical architecture. This paper featuring a chronological description of structural styles, information on traditional construction materials, as well as an analysis of numerous structures, this interest and informative text will be of importance to anyone with a technical interest in structural history and presents a general overview of the structural and architectural characteris- tics of Iranian historical structures and investigates historical buildings of Iran through a structural engineering approach. This paper includes a chronological description of architectural styles from the beginning to the end of Sassanid’s (before Islam). Keywords Iranian Architecture, Iranian Structures, Dome, Vault, Traditional Structures flowered during the Sassanid period with massive bar- 1. Introduction rel-vaulted chambers, solid masonry domes, and tall col- umns. This influence was to remain for years to come. The pre-Islamic styles of Iranian architecture draw on 3-4 thousand years of architectural development from various. Each of the periods of Elamites, Achaemenids, Parthians, 2.
    [Show full text]
  • Lessons from Old Iranian Climate Architecture for Modern Architects
    View metadata, citation and similar papers at core.ac.uk brought to you by CORE provided by European Online Journal of Natural and Social Sciences (ES) European Online Journal of Natural and Social Sciences 2014; www.european-science.com Vol.3, No.3 Special Issue on Environmental, Agricultural, and Energy Science ISSN 1805-3602 Lessons from Old Iranian Climate Architecture for Modern Architects Ahmad Fathi Najaf Abadi1, Mina Pakdaman Tirani2 1Architecture Department of Sepher Isfahan Institute of Technology 2 Art University of Isfahan E-mail: [email protected] Abstract Iranian traditional Architecture reveals the conception of the past generations from climate and ecological issues and their efforts to improve living conditions. This architecture has always inspired architects in case of environmental factors and control strategies for them to develop their living conditions. Thus, the present paper attempts to recognize the observed climatic and environmental issues in Iran's historical architecture via a descriptiveanalytical approach and to explain the way contemporary architecture communicates with these issues. Finally, some strategies for the optimal use of climate and environmental issues of historical architecture is provided for contemporary architecture. Selecting examples discussed in this paper, we tried to pay attention to the most frequent traditional buildings in the historical contexts; notifying the tips which the majority of these houses have been observed. Keywords: historical/traditional architecture, climate, contemporary architecture, climatic factors, renewable energies Introduction Iran possesses one of the most ancient civilizations and has always been a favorable habitat for humanity throughout history due to its climate variability. Qobadian (2010) explains this diversity in this way: "There is not any rainfall for over half a year in a large part of the central plateau of Iran, while the Caspian sea coast experiences about two meters of annual rainfall and above 80% humidity.
    [Show full text]
  • Psychological and Spiritual Effects of Light and Color from Iranian Traditional Houses on Dwellers
    View metadata, citation and similar papers at core.ac.uk brought to you by CORE provided by UKM Journal Article Repository Volume 6, Number 2, 288-301, 2011 ISSN: 1823-884x © e-Bangi, FSSK, UKM PSYCHOLOGICAL AND SPIRITUAL EFFECTS OF LIGHT AND COLOR FROM IRANIAN TRADITIONAL HOUSES ON DWELLERS Honey Arjmandi, Mazlan Mohd Tahir, Hoda Shabankareh, Mohamad Mahdi Shabani, Fereshteh Mazaheri ABSTRACT Light and color are the elements that has been playing important role in traditional architecture of ‎Iran. Application of shadow and light with each other has been from the works that gives the ‎mystical sense to the space, especially in religious spaces such as mosques. In view of light, as a ‎major space component, the overall composition, with ‎adjacent servant spaces, find a particular ‎form of organization, which is ‎centralized and where hierarchies define the general pattern. The ‎order of ‎structure, in which light comes as a containing discovering geometry, commands ‎‎subsidiary openings, which imposes a disciplined regularity of spaces whilst offering ‎greater ‎complex layers of perception.‎ In Iranian architecture, the study of light and color, in accordance ‎with volumes and structure, has always been considered as an essential part of the different ‎stages of the building and its realization. Giving the sensation of unity, this remains at the center ‎of‎ some‎ conceived‎ world‟s‎ spirituality.‎ Unfortunately false imitations from western architecture ‎have given beautiful features but senseless spaces to the contemporary architecture of Iran. the ‎proper teaching and tutoring the Islamic architecture with its principles, especially with suitable ‎light and color applied, not only can describe a suitable feature of architecture, but also defines it ‎in a word that revives the identity of Iranian architecture.‎ Keywords: Iranian Islamic Architecture, Color and Light.
    [Show full text]
  • The Effect of Iranian Architecture on Islamic Tourism
    DOI: 10.21276/sjet Scholars Journal of Engineering and Technology (SJET) ISSN 2321-435X (Online) Sch. J. Eng. Tech., 2017; 5(5):203-206 ISSN 2347-9523 (Print) ©Scholars Academic and Scientific Publisher (An International Publisher for Academic and Scientific Resources) www.saspublisher.com Research Article The Effect of Iranian Architecture on Islamic Tourism Asieh Mirshekari Department of Architecture, East Azarbaijan Science and Research Branch, Islamic Azad University, Tbariz, Iran *Corresponding author Asieh Mirshekari Email: [email protected] Abstract: Tourism is a wide, massive and growing industry in culture and economy of the world that includes almost all aspects of a community. Today, tourism as one of the most important industries for sustainable development, especially in Islamic tourism created a great opportunity for Iranian metropolises and architecture as the most social human art is related with the space around the human and always includes an expression of life style of people and manifestation of the culture of its time. Accordingly, it has a multi-dimensional role in the creation of tourist attraction. Since the attraction of tourists results in international attention to our country as well as economic development and recognition of Iranian culture and civilization and since Iran has a high position in terms of richness of Iranian Islamic traditional architecture and has high potentials that if it is well supported, it can attract many tourists. Keywords: Architecture, Iranian architecture, Islamic tourism, tourism. INTRODUCTION TOURISM INDUSTRY In today's world, tourism becomes one of the Tourism is now the first industry in terms of ways of earning for countries and many countries seek source of income in the world, and has a very rapid to develop their capacities to attract more tourists, the growth in recent years and could improve its position to West introduced tourism with unconditional essentials the highest levels [5].
    [Show full text]
  • The Convergence of Persian Architecture with Miniature* Behrooz Janipur**1, Niloofar Mohammadi2, Golshan Rezaei Mir-Ghaed3
    Bagh-e Nazar, 17(90), 87-100 / Dec. 2020 DOI: 10.22034/bagh.2020.229615.4532 Persian translation of this paper entitled: همگرایی معماری ایرانی با هنر نگارگری is also published in this issue of journal. Original Research Article The Convergence of Persian Architecture with Miniature* Behrooz Janipur**1, Niloofar Mohammadi2, Golshan Rezaei Mir-ghaed3 1. Assistant Professor, At Department Of Agricultural Sciences and Engineering, University of Tehran, Iran. 2. M.A. in Architecture, Department of Architecture, Ahvaz Branch, Islamic Azad University, Iran. 3.M.A. in Architecture, Department of Architecture, Ahvaz Branch, Islamic Azad University, Iran. Received: 02/05/2020 ; revised: 10/08/2020 ; accepted: 03/10/2020 ; available online: 21/11/2020 Abstract Problem statement: Painting is considered as a way for understanding and reviving the principles in Persian -Islamic architecture. In order to understand these paintings, their features should be identified, and the governing principles as well as depicting architecture should be achieved. Evaluating the creation of space and using the principles of Persian architecture by the Iranian artist in his works help to understand Persian paintings better. In addition, the lack of a coherent and systematic method for expressing and understanding the images of paintings, as the historical documents of Islamic architecture, necessitates the recognition of these two arts more than ever. Research question: Which principles and points can be understood by evaluating the role of Persian architecture in traditional miniature paintings and matching to historical monuments? Research objective: The present comparative study of the basic concepts related to Persian architecture with painting aimed to find the most widely used principles and concepts of Persian architecture manifested in the paintings.
    [Show full text]
  • Abstract DOME`S INTERNAL DECORATIVE ELEMENTS IN
    DOME`S INTERNAL DECORATIVE ELEMENTS IN PERSIAN ARCHITECTURE CASE STUDY: YAZDI-BANDI Nejad Ebrahimi, A.*, Aliabadi, M., and Aghaei, S. Architecture and Urbanism Faculty, Tabriz Islamic Art University, Tabriz, Iran *Corresponding author: [email protected] Abstract Keywords: Persian architecture, Islamic Geometry, Dome`s decoration, This paper describes and scrutinizes one of the patterns, referred to Yazdi- Yazdi-bandi bandi, used to decorate the internal surface of domes and semi domes. Yazdi-bandi is one of the important decorative elements of Persian 1 INTRODUCTION architecture. Therefore, comprehensive research on the identification and understanding the characteristics, and determine the exact geometry, and This paper is about Yazdi-bandi, which is a kind of interior dome decoration classification based on scientific methods seems imperative. The aim of this in Iranian Architecture. Yazdi-bandi is the Persian word for interior dome paper is to identify the unique features of the Yazdi-bandi as an and Iwan1 decoration. It is an originally Persian type of wall or ceiling Architectural-ornamental domes which topped a majority of distinct Interior decoration, which is used to make a smooth transition from the rectangular domes during the early Iranian Islamic era. For this purpose, two samples basis of the building to vaulted ceiling. However, Yazdi-bandi are not only were chosen out of a total of Yazdi-bandi in Iranian Islamic architecture. used as a dome interior decoration. Yazdi-bandi also find on Iwan, for Through an analytic review of selected examples, the paper suggests and example it has generally been recognized that Yazdi-bandi whether as single addresses the features of Yazdi-bandi domes, their formal morphological buildings or in large complexes of buildings, have played significant role in compositions and typological forms based on the number of their Internal ornament of Iranian architectural.
    [Show full text]
  • Trends in Modern Iranian Architecture DARAB DIBA and MOZAYAN DEHBASHI
    Trends in Modern Iranian Architecture DARAB DIBA AND MOZAYAN DEHBASHI new age in Iranian architecture began with the rise of the Safavid dynasty. Econom- ically robust and politically stable, this period saw a flourishing growth of theological Asciences. Traditional architecture evolved in its patterns and methods leaving its impact on the architecture of the following periods. The appearance of new patterns based on geometrical networks in the development of cities gave order to open urban spaces, and took into account the conservation of natural elements (water and plants) within cities. The establishment of distinctive public spaces is one of the most important urban features of the Safavid period, as manifested for example in Naghsh-e Jahan Square, Cha- har Bagh and the royal gardens of Isfahan. Distinctive monuments like the Sheikh Lotfallah (1603), Hasht Behesht (Eight Paradise Palace) (1699; pl. 1) and the Chahar Bagh School (1714) appeared in Isfahan and other cities. This ex- tensive development of architecture was rooted in Persian culture and took form in the design of schools, baths, houses, caravanserai and other urban spaces such as bazaars and squares. It contin- ued until the end of the Qajar reign. The confrontation of Iran with western civilisation that began with the Qajar reign brought pol- itical and social modernisation to Iran during the period stretching from 1800 to 1979. This up- heaval naturally engendered a transformation of architecture, and, eventually, the rise of a novel architecture in Iran. The spaces that Iranians are presently living in today were born of this process that we propose to review in relation to trends in the contemporary architecture of Iran.
    [Show full text]