2278-6252 Characteristics of Islamic and Iranian Architecture
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The Sasanian Tradition in ʽabbāsid Art: Squinch Fragmentation As The
The Sasanian Tradition in ʽAbbāsid Art: squinch fragmentation as The structural origin of the muqarnas La tradición sasánida en el arte ʿabbāssí: la fragmentación de la trompa de esquina como origen estructural de la decoración de muqarnas A tradição sassânida na arte abássida: a fragmentação do arco de canto como origem estrutural da decoração das Muqarnas Alicia CARRILLO1 Abstract: Islamic architecture presents a three-dimensional decoration system known as muqarnas. An original system created in the Near East between the second/eighth and the fourth/tenth centuries due to the fragmentation of the squinche, but it was in the fourth/eleventh century when it turned into a basic element, not only all along the Islamic territory but also in the Islamic vocabulary. However, the origin and shape of muqarnas has not been thoroughly considered by Historiography. This research tries to prove the importance of Sasanian Art in the aesthetics creation of muqarnas. Keywords: Islamic architecture – Tripartite squinches – Muqarnas –Sasanian – Middle Ages – ʽAbbāsid Caliphate. Resumen: La arquitectura islámica presenta un mecanismo de decoración tridimensional conocido como decoración de muqarnas. Un sistema novedoso creado en el Próximo Oriente entre los siglos II/VIII y IV/X a partir de la fragmentación de la trompa de esquina, y que en el siglo XI se extendió por toda la geografía del Islam para formar parte del vocabulario del arte islámico. A pesar de su importancia y amplio desarrollo, la historiografía no se ha detenido especialmente en el origen formal de la decoración de muqarnas y por ello, este estudio pone de manifiesto la influencia del arte sasánida en su concepción estética durante el Califato ʿabbāssí. -
A Look at the History of Calligraphy in Decoration of Mosques in Iran: 630-1630 AD Cengiz Tavşan, Niloufar Akbarzadeh
World Academy of Science, Engineering and Technology International Journal of Architectural and Environmental Engineering Vol:12, No:3, 2018 A Look at the History of Calligraphy in Decoration of Mosques in Iran: 630-1630 AD Cengiz Tavşan, Niloufar Akbarzadeh as strength, comfort and expansion. Throughout history, Abstract—Architecture in Iran has a continuous history from at Iranian architecture had its own originality and simplicity. All least 5000 BC to the present, and numerous Iranian pre-Islamic parts of Iran, especially villages and ancient monuments are elements have contributed significantly to the formation of Islamic like a live but old book of art and architecture, history, which art. At first, decoration was limited to small objects and containers in a brief moment, each page of that opens the gates of several and then progressed in the art of plaster and brickwork. They later applied in architecture as well. The art of gypsum and brickwork, thousand years of history to the visitors [7]. which was prevalent in the form of motifs (animals and plants) in Repeat motifs, symbolic role and decorations are one of the pre-Islam, was used in the aftermath of Islam with the art of main subjects in Iranian art. In Iranian architecture, the calligraphy in decorations. The splendor and beauty of Iranian symbolic elements generally embossed with carving and architecture, especially during the Islamic era, are related to painting integrated with elements of construction and decoration and design. After the invasion of Iran by the Arabs and the environmental, which makes it a new and inseparable introduction of Islam to Iran, the arrival of the Iranian classical architecture significantly changed, and we saw the Arabic calligraphy combination. -
Basic Statistics of Delhi
BASIC STATISTICS OF DELHI Page No. 1. Names of colonies/properties, structures and gates in Eighteenth Century 2 1.1 Sheet No.1 Plan of the City of Delhi 2 1.2 Sheet No.2 Plan of the City of Delhi 2 1.3 Sheet No.5 Plan of the City of Delhi 3 1.4 Sheet No.7 Plan of the City of Delhi 3 1.5 Sheet No.8 Plan of the City of Delhi 3 1.6 Sheet No.9 Plan of the City of Delhi 3 1.7 Sheet No.11 Plan of the City of Delhi 3 1.8 Sheet No.12 Plan of the City of Delhi 4 2. List of built up residential areas prior to 1962 4 3. Industrial areas in Delhi since 1950’s. 5 4. Commercial Areas 6 5. Residential Areas – Plotted & Group Housing Residential colonies 6 6. Resettlement Colonies 7 7. Transit Camps constructed by DDA 7 8. Tenements constructed by DDA/other bodies for Slum Dwellers 7 9. Group Housing constructed by DDA in Urbanized Villages including on 8 their peripheries up to 1980’s 10. Colonies developed by Ministry of Rehabilitation 8 11. Residential & Industrial Development with the help of Co-op. 8 House Building Societies (Plotted & Group Housing) 12. Institutional Areas 9 13. Important Stadiums 9 14. Important Ecological Parks & other sites 9 15. Integrated Freight Complexes-cum-Wholesale markets 9 16. Gaon Sabha Land in Delhi 10 17. List of Urban Villages 11 18. List of Rural Villages 19. List of 600 Regularized Unauthorized colonies 20. -
The Silk Roads: an ICOMOS Thematic Study
The Silk Roads: an ICOMOS Thematic Study by Tim Williams on behalf of ICOMOS 2014 The Silk Roads An ICOMOS Thematic Study by Tim Williams on behalf of ICOMOS 2014 International Council of Monuments and Sites 11 rue du Séminaire de Conflans 94220 Charenton-le-Pont FRANCE ISBN 978-2-918086-12-3 © ICOMOS All rights reserved Contents STATES PARTIES COVERED BY THIS STUDY ......................................................................... X ACKNOWLEDGEMENTS ..................................................................................................... XI 1 CONTEXT FOR THIS THEMATIC STUDY ........................................................................ 1 1.1 The purpose of the study ......................................................................................................... 1 1.2 Background to this study ......................................................................................................... 2 1.2.1 Global Strategy ................................................................................................................................ 2 1.2.2 Cultural routes ................................................................................................................................. 2 1.2.3 Serial transnational World Heritage nominations of the Silk Roads .................................................. 3 1.2.4 Ittingen expert meeting 2010 ........................................................................................................... 3 2 THE SILK ROADS: BACKGROUND, DEFINITIONS -
Early Islamic Architecture in Iran
EARLY ISLAMIC ARCHITECTURE IN IRAN (637-1059) ALIREZA ANISI Ph.D. THESIS THE UNIVERSITY OF EDINBURGH 2007 To My wife, and in memory of my parents Contents Preface...........................................................................................................iv List of Abbreviations.................................................................................vii List of Plates ................................................................................................ix List of Figures .............................................................................................xix Introduction .................................................................................................1 I Historical and Cultural Overview ..............................................5 II Legacy of Sasanian Architecture ...............................................49 III Major Feature of Architecture and Construction ................72 IV Decoration and Inscriptions .....................................................114 Conclusion .................................................................................................137 Catalogue of Monuments ......................................................................143 Bibliography .............................................................................................353 iii PREFACE It is a pleasure to mention the help that I have received in writing this thesis. Undoubtedly, it was my great fortune that I benefited from the supervision of Robert Hillenbrand, whose comments, -
Tribes and Empire on the Margins of Nineteenth-Century Iran
publications on the near east publications on the near east Poetry’s Voice, Society’s Song: Ottoman Lyric The Transformation of Islamic Art during Poetry by Walter G. Andrews the Sunni Revival by Yasser Tabbaa The Remaking of Istanbul: Portrait of an Shiraz in the Age of Hafez: The Glory of Ottoman City in the Nineteenth Century a Medieval Persian City by John Limbert by Zeynep Çelik The Martyrs of Karbala: Shi‘i Symbols The Tragedy of Sohráb and Rostám from and Rituals in Modern Iran the Persian National Epic, the Shahname by Kamran Scot Aghaie of Abol-Qasem Ferdowsi, translated by Ottoman Lyric Poetry: An Anthology, Jerome W. Clinton Expanded Edition, edited and translated The Jews in Modern Egypt, 1914–1952 by Walter G. Andrews, Najaat Black, and by Gudrun Krämer Mehmet Kalpaklı Izmir and the Levantine World, 1550–1650 Party Building in the Modern Middle East: by Daniel Goffman The Origins of Competitive and Coercive Rule by Michele Penner Angrist Medieval Agriculture and Islamic Science: The Almanac of a Yemeni Sultan Everyday Life and Consumer Culture by Daniel Martin Varisco in Eighteenth-Century Damascus by James Grehan Rethinking Modernity and National Identity in Turkey, edited by Sibel Bozdog˘an and The City’s Pleasures: Istanbul in the Eigh- Res¸at Kasaba teenth Century by Shirine Hamadeh Slavery and Abolition in the Ottoman Middle Reading Orientalism: Said and the Unsaid East by Ehud R. Toledano by Daniel Martin Varisco Britons in the Ottoman Empire, 1642–1660 The Merchant Houses of Mocha: Trade by Daniel Goffman and Architecture in an Indian Ocean Port by Nancy Um Popular Preaching and Religious Authority in the Medieval Islamic Near East Tribes and Empire on the Margins of Nine- by Jonathan P. -
Annual Statistical Bulletin 2013 Annual Statistical Bulletin
2013 OPEC OPEC Annual Statistical Bulletin 2013 Annual Statistical Bulletin OPEC Helferstorferstrasse 17, A-1010 Vienna, Austria Organization of the Petroleum Exporting Countries www.opec.org Team for the preparation of the OPEC Annual Statistical Bulletin 2013 Director, Research Division Editorial Team Omar Abdul-Hamid Head, Public Relations and Information Department Project Leader Angela Agoawike Head, Data Services Department Adedapo Odulaja Editor Alvino-Mario Fantini Coordinator Ramadan Janan Design and Production Coordinator Alaa Al-Saigh Statistics Team Pantelis Christodoulides, Hannes Windholz, Senior Production Assistant Mouhamad Moudassir, Klaus Stöger, Harvir Kalirai, Diana Lavnick Mohammad Sattar, Ksenia Gutman Web and CD Application Dietmar Rudari, Zairul Arifin Questions on data Although comments are welcome, OPEC regrets that it is unable to answer all enquiries concerning the data in the ASB. Data queries: [email protected]. Advertising The OPEC Annual Statistical Bulletin now accepts advertising. For details, please contact the Head, PR and Information Department at the following address: Organization of the Petroleum Exporting Countries Helferstorferstrasse 17, A-1010 Vienna, Austria Tel: +43 1 211 12/0 Fax: +43 1 216 43 20 PR & Information Department fax: +43 1 21112/5081 Advertising: [email protected] Website: www.opec.org Photographs Page 5: Diana Golpashin. Pages 7, 13, 21, 63, 81, 93: Shutterstock. © 2013 Organization of the Petroleum Exporting Countries ISSN 0475-0608 Contents Foreword 5 Tables Page Section 1: -
Sassanid Archaeological Landscape of Fars Region”
Islamic Republic of Iran Iranian Cultural Heritage, Handicrafts and Tourism Organization ICHHTO “Sassanid Archaeological Landscape of Fars Region” for inscription on the World Heritage List (Additional Information) UNESCO World Heritage Convention 2017 1 In the name of God 2 Evaluation of the nomination of the “Sassanid Archaeological Landscape of Fars Region” (Islamic Republic of Iran) for inscription on the World Heritage List This report is submitted in response to the ICOMOS letter of GB/AS/1568-AddInf-1, dated 28September 2017 on the additional information for the nomination of Sassanid Archaeological Landscape of Fars Region. The Iranian Cultural Heritage, Handicrafts and Tourism Organization is grateful to ICOMOS for its devotion to conservation and preservation of historic monuments and sites. The objective of this detailed report is to clarify the issues raised by ICOMOS in the aforementioned letter. Additional information for clarification on: - Serial approach - Risks and Factors affecting the property - Protection - Management - Monitoring 1- Serial approach Could the State Party kindly provide information on the rationale, methodology and criteria (here not referring to the nomination criteria), which guided the selection of the component sites presented in this nomination? Could the State Party kindly outline the contribution of each site component, to the overall Outstanding Universal Value in the substantial, scientific and discernible way, as outlined in paragraph 137b of the Operational Guidelines? For clarifying, the question will be explained in the parts of (1-a) and (1-b) in details: 1-a: Rationale, methodology and criteria which guided the selection of the component sites presented in this nomination: The rationale which guided the selection of the component sites is based on a methodology which takes into account their historical characteristics and at the same time considers their association with the regional landscape. -
1 Tehran Arrivals at Tehran, Meet and Assist at Airport and Then Transfer To
Day: 1 Tehran Arrivals at Tehran, meet and assist at airport and then transfer to Hotel, after check in, visit Sa'dabad Palace, Tajrish Bazaar, Lunch at local restaurant around north of Tehran, visit Niavaran Palace. O/N: Tehran. The Sa'dabad Complex is a complex built by the Qajar and Pahlavi monarchs, located in Shemiran, Greater Tehran, Iran. Today, the official residence of the President of Iran is located adjacent to the complex. The complex was first built and inhabited by Qajar monarchs in the 19th century. After an expansion of the compounds, Reza Shah of the Pahlavi Dynasty lived there in the 1920 s, and his son, Mohammad Reza Pahlavi, moved there in the 1970 s. After the 1979 Revolution, the complex became a museum. Tajrish Market: The market on the one hand and Rehabilitation field, from the other competent shrine and the surrounding streets have access. Reliance Big Rehabilitation is one of the oldest accents located in Tehran in this market. Rehabilitation market a small sample of the Tehran bazaar is one of the oldest shopping centers Shamiran is the bridgehead and Rehabilitation connecting the two neighborhoods. The Niavaran Complex is a historical complex situated in Shemiran, Tehran (Greater Tehran), Iran.It consists of several buildings and monuments built in the Qajar and Pahlavi eras. The complex traces its origin to a garden in Niavaran region, which was used as a summer residence by Fath-Ali Shah of the Qajar Dynasty. A pavilion was built in the garden by the order of Naser ed Din Shah of the same dynasty, which was originally referred to as Niavaran House, and was later renamed Saheb Qaranie House. -
Agha Bozorg Mosque
ﻧﺼﻒ ﺟﻬﺎن آﺧﺮ اﻗﺘﺼﺎد ورزش ﺗﻨﺪرﺳﺘﻰ درداﻧﺸﮕﺎه اﺻﻔﻬﺎن ﺑﺮﮔﺰار ﻣﻰ ﺷﻮد درﺣﺎﺷﯿﻪا ﻓﺘﺘﺎﺣﯿﻪﻧ ﻤﺎﯾﺸﮕﺎه دﺳﺘﺎوردﻫﺎى ﺗﻮﺻﯿﻪﻫﺎى ﮐﺎرﺑﺮدى دﮐﺘﺮ ﻣﺤﻤﺪﺣﺴﯿﻦ دوﻣ ﮐﻨﻔﺮاﻧ ﺳﻨﺠﺶ و اﻧﻤﻦ ﻣﯿﻨﺎﻧﮕﺎرانﻧ ﻬﺎن ﻣﺮ ﺷﺪ: دﻫﺎن، ﻣﺘ ارﺗﻮﭘﺪى: ارﺷﺎﻰ ﻓ ا ﻧﺮ ﮐﻤ در او ﺮاى ﺮﻣ ﺷﺘﮕ ﻰﺎ ﺗﻘﺮﯾﺒﺎ ﻫﺮﻣﺎه ﯾﮏﺑ ﺎر درﺑ ﺨ ﺶﻫﺎى ﻣﺨﺘﻠﻒ ﻧﺎﺷ ﯾ ﺮﮐﺎﻟﺮى داﺷﺘ ﺎﺷﺪ داﻧﺸﮕﺎﻫﻰ اﺻﻔﻬﺎن ﺳﻤﯿﻨﺎرﻫﺎى ﻣﺘﻌﺪد ﻧﻤﺎﯾﺸﮕﺎه دﺳﺘﺎوردﻫﺎىا ﻧﺠﻤﻦ ﻣﺮد مﻧﻬﺎد ﺟﺮاﺣــﻰ ارﺗﻮﭘــﺪى از ﺷــﺎﯾﻊ ﺗﺮﯾﻦ ﻋﻠﻤﻰ و ﺗﺤﻘﯿﻘﺎﺗﻰ ﺑﺮﮔﺰار ﻣﻰ ﺷــﻮد ﺑﻪ ﻣﯿﻨﺎﻧﮕﺎران ﻧﻘ ﺶﺟﻬﺎن ﮐــﻪ از روز دوم ﺟﺮاﺣ ﻰﻫﺎﯾﻰ اﺳــﺖ ﮐﻪ ﻋﻤﻮﻣــﺎ اﻃﻼع اﯾﻦ اﻣﯿﺪ ﮐﻪ ﻫﺮﯾﮏ داراى ﺧﺮوﺟﻰ ﻫﺎى ﺑﻬﻤﻦ ﻣﺎه آﻏﺎز ﺑﻪ ﮐﺎر ﮐﺮد، ﺗﺎ ﻫﺸﺘﻢ ﺑﻬﻤﻦ ﺻﺤﯿ و ﭼﻨﺪان ﻣﺮاﻗﺒﺘﻰ راﺟﻊ ﺑﻪ ﺑﻌﺪ از ﺗﺎﺛﯿﺮﮔﺰارى ﺑــﺮاى ﺟﺎﻣﻌﻪ ﺑﻮده ﺑﺎﺷــﺪ. ﺳﺎﻻر ﻣﺎه از ﺳﺎﻋﺖ 9 ﺗ ﺎ 16 ﭘﺬﯾﺮاى ﻋﻼ ﻗﻪﻣﻨﺪان ﻻﯾ ﻋﻤﻞ ﻧﺪارﻧﺪ.ا ﯾﻦ درﺣﺎﻟﻰاﺳﺖ ﮐﻪ ﺑﻪﮔﻔﺘﻪ داﻧﺸــﮕﺎه اﺻﻔﻬﺎن اﻣﺎ اﯾﻦ ﺑــﺎر ﻣﯿﺰﺑﺎن در اﺻﻔﻬﺎن ﻣ ﻰﺧﻮاﻧﺪ ﺑﻪ اﯾﻦ ﻫﻨﺮ اﺻﯿﻞ اﯾﺮاﻧﻰ در ﻓﻀﺎى داﺧﻠﻰ ﺟﺮاﺣﺎن و ﭘﺰﺷﮑﺎن، ﺗﻐﺬﯾﻪ ﻣﻨﺎﺳﺐ ﭘ ﺲاز ﺑﺮﮔﺰارى دوﻣﯿﻦ... ﮐﺎ ﻣﻮزه ﭼﻬﻠﺴﺘﻮن اﺳﺖ.. ﮐﺎرﮐﺘﺮ اﯾﻦ ﺟﺮاﺣﻰﻫﺎ... ﭼﻬﺎرﺷﻨﺒﻪ| 6 ﺑﻬﻤﻦ 1395| 25 ژاﻧﻮﯾﻪ 2017 | 26 رﺑﯿﻊ اﻟﺜﺎﻧﻰ 1438 | ﺳﺎل ﺑﯿﺴﺖ و ﺷﺸﻢ| ﺷﻤﺎره 5321| ﺻﻔﺤﻪ WWW. NASLEFARDA.NET naslefardanews naslfarda 30007232 17 ﯾﺎاﺷﺖ ﻣﺎﺟا رﮔﯿ ﺣﺎﺷﯿﻪ زاﯾﻨﺪرو ﻧﯿـﻢ ﻧﮕـﺎه ﺮ ﺷﻬﺮ ﻨﺪ ﺳﻮ دارد ﺑﯿ ﻋﺎﺎ و ﺷﻬار ﻪ ﺑ د اﺮ اﻣﯿﺮﺣﺴﯿﻦ ﭼﯿﺖ ﺳﺎززاده ﻋﺒﺮت ﮔﺮﻓﺘﻦ ازﺷﮑﺴ ﺖﻫﺎ ﺑﻪ ﻣﺮاﺗﺐ ﻣﻰ ﺗﻮاﻧﺪ ﺑﺮاى ﻫﺮﺳﺎزﻣﺎن روﺑﻪ رﺷﺪ وﺗﻮﻓﯿﻖ ﻃﻠﺒﻰ ﻣﻮرد ﺗﻮﺟﻪ ﺑﺎﺷﺪ ﺗﺎ ازﻧﺘﺎﯾﺞ ودﺳﺘﺎوردﻫﺎى آن درﺟﻬﺖ ﭘﯿﺸﺮﻓﺖ وﺗﻌﺎﻟﻰ اﺳﺘﻔﺎده ﮐﻨﺪ؛ اﻣﺎ ﻣﺴﺌﻠﻪ اى ﮐﻪ اﺧﯿﺮا ﺷﺎﻫﺪ آن ﻫﺴﺘﯿﻢ و ﭼﻨﺪان ﺑﻰ ارﺗﺒﺎط ﺑﻪ ﻣﺴﺎﺋﻞ ﺳﺎزﻣﺎﻧﻰ وﻣﺪﯾﺮﯾﺘﻰ ﻧﯿﺴﺖ، وﻗﺎﯾﻊ و اﺗﻔﺎﻗﺎت ﺑﺤﺮاﻧﻰ اﺳﺖ، ﭘﯿﺸﺎﻣﺪﻫﺎﯾﻰ ﺎﺳﺎن ﺧﺮى ﮐﻪ اﺣﺘﻤﺎل وﻗﻮع آن درﻫﺮﻧﻘﻄﻪ اى از ﺷﻬﺮ اﻣﮑﺎنﭘﺬﯾﺮ اﺳﺖ وﺗﻨﻬﺎ آﻣﺎدﮔﻰ و ﺑﺮﻧﺎﻣﻪ رﯾﺰى از ﭘﯿﺶ ﺗﻌﯿﯿﻦ ﺷﺪه ﻣﻰ ﺗﻮاﻧﺪ درﭼﻨﯿﻦ ﻣﻮاﻗﻌﻰ راﻫﮕﺸﺎ ﺑﺎﺷﺪ. -
The Quality of Light-Openings in the Iranian Brick Domes
31394 Soha Matoor et al./ Elixir His. Preser. 80 (2015) 31394-31401 Available online at www.elixirpublishers.com (Elixir International Journal) Historic Preservation Elixir His. Preser. 80 (2015) 31394-31401 The Quality of Light-Openings in the Iranian Brick Domes (with the Structural Approach) Soha Matoor, Amene Doroodgar and Mohammadjavad Mahdavinejad Faculty of Arts and Architecture, Tarbiat Modares University, Tehran, Iran. ARTICLE INFO ABSTRACT Article history: Paying attention to light is considered as one of the most prominent features of Iranian Received: 26 October 2014; traditional architecture, which influenced most of its structural and conceptual patterns. The Received in revised form: construction of light-openings in the buildings such as masjids, bazaars, madrasas, and 28 February 2015; caravanserais, as the Iranian outstanding monuments, proves the point. The Iranian master- Accepted: 26 March 2015; mimars’ strategies to create the light-openings in the domes has been taken into consideration through this study. To this end, the light-openings’ exact location, according to Keywords the domes’ structural properties have been taken into analysis. Next, based on the foursome The light, classification of the domes, the research theoretical framework has been determined, and The light-opening, through applying the case-study and the combined research methods, the case-studies have The Iranian brick dome, been studied meticulously. According to the achieved results, the light-openings of the The dome’s structure. Iranian brick domes have been located at four distinguished areas, including: 1- the dome’s top, 2- the dome’s curve, 3- the dome’s shekargah and 4- the dome’s drum. -
Desert Utopia: the Hidden Unity of Iranian Architecture Conceptualization Behind the Making of a Documentary Film
American International Journal of Humanities and Social Science Vol. 4 No. 2; April 2018 Desert Utopia: The Hidden Unity of Iranian Architecture Conceptualization behind the Making of a Documentary Film Khosrow Bozorgi Professor of Architecture and Urban Design Director, Center for Middle Eastern Architecture and Culture College of Architecture, University of Oklahoma United States of America NARRATIVE Desert Utopia will examine the history of architecture in three desert cities in Iran, exploring unique aspects of the built environment that enabled people to flourish in one of the world’s harshest climates. Although the film will focus on the history of Iranian desert architecture spanning thousands of years, this project is nevertheless timely for today’s American audiences. Due to concerns about global environmental change, sustainable building techniques have emerged as a topic of increasing interest over the past two decades. This interest encompasses themes such as the use of local building materials, creative ways to minimize water use (and water waste), and ways to reduce the amount of energy spent on heating and cooling. Furthermore, the geopolitics of the last two decades also have piqued Americans’ curiosity about the Middle East, especially Iran, but for many people, their knowledge about this part of the world is spotty or even misinformed. Desert Utopia is therefore a film that comes at the right time: It will help satisfy Americans’ curiosity about environmentally sound architecture while filling some of the gaps in their knowledge about Iranian culture and history. However, Desert Utopia is more than simply a film about sustainable architecture in Iranian history.