Iranian Mosques, the Milestone of Islamic Architecture: a Case Study of Shaikhlotfollah Mosque Sepideh Ebad1
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Issyk-Kul 2020 International Exhibition of Photography
ISSYK-KUL 2020 INTERNATIONAL EXHIBITION OF PHOTOGRAPHY FIAP 2020/316 PSA 2020-151 FPC W2020/P06 2020 FIAP 2020/316 PSA 2020-151 FPC W2020/P06 ARE YOU GOING TO ORGANIZE AN INTERNATIONAL EXHIBITION? You make the policies and branding, Salon.Photo Platform will do the rest, automatically and errorlessly! Website, Gathering of Photos, Judging Software & etc. www.Salon.Photo [email protected] Salon.Photo Platform and Judgment® Software are made by Focus Team Software Group, it include a website for announcing the rules, news, status list and result and sing up entrants. Entrants can upload their art works(single or collection), edit their profile and entries, fill out the titles and pay their fee. The administrator also has access too several reports such as full information about entrants, entries, payments, statistic of country etc. All entries get uniquely renamed by the software. The entry later will be downloaded using FTP and will be import to Judgment Software for judging. Later on, all results will be exported from the software and will be imported to the website. As all the process is automated there will be no mistake. Judgment® Software has all the requirements for judging such as: high speed, network judging, several stages of judging based on acceptance/rejection or scores, selection based on percentage or numbers, ability to return to the previews stage and selecting between special groups of works etc. Every jury member can select works by his keyboard. All the requested information for FIAP/PSA catalogs such as list of acceptances and table of statistics can be exported from the software. -
A Program of the Stanford Alumni Association March 17 to April 1, 2019
STANFORD TRAVEL/STUDY JUDITH KEYANI, IRAN, 2016 MOSQUES AND MONUMENTS OF PERSIA March 17 to April 1, 2019 a program of the stanford alumni association Few countries in the world spark the imagination—or create misconceptions—in the minds of Americans as does Iran. In the past 10 years, Stanford has led scores of educational travelers to this cultural and historical gem, and time and again, they return with stories of the country’s amazing sights and of the Iranian people’s incredible warmth and hospitality. “Eye-opening,” “extraordinary,” “humbling” and “not to be missed” are just some of the glowing terms Stanford travelers have used to describe this exceptional destination. Join us and faculty leader Ali Yaycioğlu as we delve deep into a country that is at once full of—and ever on the verge of making—history. BRETT S. THOMPSON, ’83, DIRECTOR, STANFORD TRAVEL/STUDY Highlights VIEW priceless archaeo- STROLL through PONDER the past logical treasures, including peaceful gardens where amid the ruins of legend- the Iranian crown jewels Sufi poets meditated in ary Persepolis, Darius I’s and a collection of rare medieval times, and marvel ceremonial capital and one miniatures, in the museums at the tiled mosques and of the best-preserved sites of Tehran. squares of Isfahan. remaining from the ancient world. COVER: ISFAHAN SHEIKH LOTFOLLAH MOSQUE, ISFAHAN Faculty Leader ALI YAYCIOG˘ LU was born and raised in Ankara, Turkey. His fields of interest include the transformation of the Ottoman Empire in the 18th and 19th centuries. His books and articles focus on the restructuring of economic, political and legal institutions and practices as well as ideas about social order, life and death in this transformative period. -
A Look at the History of Calligraphy in Decoration of Mosques in Iran: 630-1630 AD Cengiz Tavşan, Niloufar Akbarzadeh
World Academy of Science, Engineering and Technology International Journal of Architectural and Environmental Engineering Vol:12, No:3, 2018 A Look at the History of Calligraphy in Decoration of Mosques in Iran: 630-1630 AD Cengiz Tavşan, Niloufar Akbarzadeh as strength, comfort and expansion. Throughout history, Abstract—Architecture in Iran has a continuous history from at Iranian architecture had its own originality and simplicity. All least 5000 BC to the present, and numerous Iranian pre-Islamic parts of Iran, especially villages and ancient monuments are elements have contributed significantly to the formation of Islamic like a live but old book of art and architecture, history, which art. At first, decoration was limited to small objects and containers in a brief moment, each page of that opens the gates of several and then progressed in the art of plaster and brickwork. They later applied in architecture as well. The art of gypsum and brickwork, thousand years of history to the visitors [7]. which was prevalent in the form of motifs (animals and plants) in Repeat motifs, symbolic role and decorations are one of the pre-Islam, was used in the aftermath of Islam with the art of main subjects in Iranian art. In Iranian architecture, the calligraphy in decorations. The splendor and beauty of Iranian symbolic elements generally embossed with carving and architecture, especially during the Islamic era, are related to painting integrated with elements of construction and decoration and design. After the invasion of Iran by the Arabs and the environmental, which makes it a new and inseparable introduction of Islam to Iran, the arrival of the Iranian classical architecture significantly changed, and we saw the Arabic calligraphy combination. -
Basic Statistics of Delhi
BASIC STATISTICS OF DELHI Page No. 1. Names of colonies/properties, structures and gates in Eighteenth Century 2 1.1 Sheet No.1 Plan of the City of Delhi 2 1.2 Sheet No.2 Plan of the City of Delhi 2 1.3 Sheet No.5 Plan of the City of Delhi 3 1.4 Sheet No.7 Plan of the City of Delhi 3 1.5 Sheet No.8 Plan of the City of Delhi 3 1.6 Sheet No.9 Plan of the City of Delhi 3 1.7 Sheet No.11 Plan of the City of Delhi 3 1.8 Sheet No.12 Plan of the City of Delhi 4 2. List of built up residential areas prior to 1962 4 3. Industrial areas in Delhi since 1950’s. 5 4. Commercial Areas 6 5. Residential Areas – Plotted & Group Housing Residential colonies 6 6. Resettlement Colonies 7 7. Transit Camps constructed by DDA 7 8. Tenements constructed by DDA/other bodies for Slum Dwellers 7 9. Group Housing constructed by DDA in Urbanized Villages including on 8 their peripheries up to 1980’s 10. Colonies developed by Ministry of Rehabilitation 8 11. Residential & Industrial Development with the help of Co-op. 8 House Building Societies (Plotted & Group Housing) 12. Institutional Areas 9 13. Important Stadiums 9 14. Important Ecological Parks & other sites 9 15. Integrated Freight Complexes-cum-Wholesale markets 9 16. Gaon Sabha Land in Delhi 10 17. List of Urban Villages 11 18. List of Rural Villages 19. List of 600 Regularized Unauthorized colonies 20. -
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The Role of Climate and Culture on the Formation of Courtyards in Mosques Hossein Soltanzadeh* Associate Professor of Architecture, Faculty of Art and Architecture, Tehran Central Branch, Islamic Azad University, Tehran, Iran Received: 23/05/2015; Accepted: 30/06/2015 Abstract The process regarding the formation of different mosque gardens and the elements that contribute to the respective process is the from the foci point of this paper. The significance of the topic lies in the fact that certain scholars have associated the courtyard in mosques with the concept of garden, and have not taken into account the elements that contribute to the development of various types of mosque courtyards. The theoretical findings of the research indicate that the conditions and instructions regarding the Jemaah [collective] prayers on one hand and the notion of exterior performance of the worshiping rites as a recommended religious precept paired with the cultural, environmental and natural factors on the other hand have had their share of founding the courtyards. This study employs the historical analytical approach since the samples are not contemporary. The dependant variables are culture and climate while the form of courtyard in the jame [congregational] mosque is the dependent variable. The statistical population includes the jame mosques from all over the Islamic world and the samples are picked selectively from among the population. The findings have demonstrated that the presence of courtyard is in part due to the nature of the prayers that are recommended to say in an open air, and in part because this is also favoured by the weather in most instances and on most days. -
The Quality of Light-Openings in the Iranian Brick Domes
31394 Soha Matoor et al./ Elixir His. Preser. 80 (2015) 31394-31401 Available online at www.elixirpublishers.com (Elixir International Journal) Historic Preservation Elixir His. Preser. 80 (2015) 31394-31401 The Quality of Light-Openings in the Iranian Brick Domes (with the Structural Approach) Soha Matoor, Amene Doroodgar and Mohammadjavad Mahdavinejad Faculty of Arts and Architecture, Tarbiat Modares University, Tehran, Iran. ARTICLE INFO ABSTRACT Article history: Paying attention to light is considered as one of the most prominent features of Iranian Received: 26 October 2014; traditional architecture, which influenced most of its structural and conceptual patterns. The Received in revised form: construction of light-openings in the buildings such as masjids, bazaars, madrasas, and 28 February 2015; caravanserais, as the Iranian outstanding monuments, proves the point. The Iranian master- Accepted: 26 March 2015; mimars’ strategies to create the light-openings in the domes has been taken into consideration through this study. To this end, the light-openings’ exact location, according to Keywords the domes’ structural properties have been taken into analysis. Next, based on the foursome The light, classification of the domes, the research theoretical framework has been determined, and The light-opening, through applying the case-study and the combined research methods, the case-studies have The Iranian brick dome, been studied meticulously. According to the achieved results, the light-openings of the The dome’s structure. Iranian brick domes have been located at four distinguished areas, including: 1- the dome’s top, 2- the dome’s curve, 3- the dome’s shekargah and 4- the dome’s drum. -
The Art of Islamic Architecture During the Safavid Period and the Introduction of the Teachings of Islam
Journal of Fine Arts Volume 1, Issue 3, 2018, PP 37-42 ISSN 2637-5885 The Art of Islamic Architecture during the Safavid Period and the Introduction of the Teachings of Islam Ali reza Khajegir PhD*1, Mohammad reza Afroogh PhD student2, Ali reza Fahim PhD2 1Shahrekord University, Iran 2Department of Law and Theology, Najafabad Branch, Islamic Azad university, Najafabad, Iran *Corresponding Author: Ali reza Khajegir, Shahrekord University, Iran ABSTRACT Islam played an important role in the development and progress of most arts in different periods, especially during the Safavid period in Iran. During the Safavid period, the arts, paintings, lines, gilding, carpet weaving, cloth, tiling, etc. reached the peak of their evolution, which is seen less in the past and subsequent times. The extensive activity of the Safavid era began since Shah Abbas. In Safavid era, the style of ancient architecture of Iran was renewed and in the design of buildings, the shape and materials of buildings opened their place. Most of the buildings in the Safavid period were built like four-edged mosques, schools and caravansaries. The use of mosaic tiles and seven colors for decorations has become widespread. In this paper we try to reveal some ways they use to develop Islamic cultural concepts in architecture field. Keywords: Architecture, culture, Safavid era, art, Islam INTRODUCTION during the 42 years of his rule, he continued to develop the country, especially Esfahan. The One of the brightest artistic periods of great square of the role of the world, the great architecture in Iran is Safavid era, in 1502 AD. -
Iran Detailed Itinerary
Iran has always been a source of mystery for the intrepid traveler! It has witnessed more than ten thousand years of history and is a land of rich culture and home to several World Heritage Sites. It is a place where the teachings of great mystics, philosophers and poets alike are treasured and will be continued for thousands of years to come. It is a country of spectacular physical beauty stretching from the tropical shores of the Caspian Sea to the desert and oasis towns of Kavir and Lut and on to the snowcapped Zagros and Elborz Mountains. The variety of scenery to be found throughout Iran is breathtaking and the thousands of minarets and domes glistening in the sun bear witness to the splendor of Islamic architecture. ! Day 1 | Tehran We will arrange for a VIP arrival in Tehran. You will be met as you disembark from the aircraft, and will be accompanied to the VIP lounge where your immigration papers will be processed. You will then be escorted into the arrival’s area where your guide will be waiting for you. Transfer to the Laleh Hotel. The hotel room will be ready for immediate check-in. Remainder of the morning is at leisure to catch up on some sleep, relax, and freshen up. Tehran is a bustling metropolis city of almost 15 million people and a city of contrasts. It is modern and traditional, secular and religious, rich and poor. We spend the afternoon exploring some of the city’s treasures beginning at the Golestan Palace, the former residence of the 19th and early 20th century Qajar Kings of Iran. -
Recognition of Light-Openings in Iranian Mosques' Domes with Reference to Climatic Properties
International Journal of Architectural Engineering & Urban Planning Recognition of light-openings in Iranian mosques’ domes With reference to climatic properties Mohammadjavad Mahdavinejad1,*, Soha Matoor2, Amene Doroodgar3 Received:June 2011, Accepted: November 2011 Abstract Mosque architecture is considered as a potent visual symbol of the Islamic architects’ design ability. Prayer-hall as the manifestation of equality between the believers and the unity of architectural space has challenged such an ability throughout the history. This study, considering the characteristics of light-openings in the domes of Iranian mosques’ Prayer-hall, aims to investigate these domes’ possible relationship with the climatic features of each mosque. To this end, eighteen case-studies according to the research analytic approach are studied to determine: 1. the relationship between the mosques construction period (Iranian architecture styles) and its light-openings number on the one hand and its climatic features on the other hand, 2. The relationship between the light-openings’ location and the climatic features of each mosque, 3. The relationship between the light- openings’ number and the climatic feature of each mosque and finally, 4. The relationship between the prayer-hall’s height and the number of light openings of each mosque on the one hand and its climatic feature on the other hand. The study shows that Iranian architects have given considerable priority to the natural ventilation function of the light-openings, So, what used to be considered as the domes' main function, allowing the light to the interior space, is considered as their secondary function. Keywords: Light-opening, Light, Natural ventilation, Hot-dry climate, Cold climate, Mosque prayer-hall 1. -
Blue Mosque of Tabriz, Goharshadjame Mosque, Jame Mosque of Yazd)
Modern Applied Science; Vol. 10, No. 2; 2016 ISSN 1913-1844 E-ISSN 1913-1852 Published by Canadian Center of Science and Education Studying the Effect of Continent on Three Important Mosque of Timurid Period (Blue Mosque of Tabriz, Goharshadjame Mosque, Jame Mosque of Yazd) Davoud Saremi Naeeni1 & Kobra Hasangholinejad Yasoori2 1 Assistant professor, art and archtecture faculty, university of kharazmi, tehran, Iran and Sistan and Baluchestan University, Zahedan, Iran 2 Phd student of architecture, univer sity of sistan and baluchestan, Zahedan, Iran Correspondence: Davoud Saremi Naeeni, Assistant professor, art and archtecture faculty, University of Kharazmi, tehran, Iran and Sistan and Baluchestan University, Zahedan, Iran. E-mail: [email protected]/ [email protected] Received: November 25, 2015 Accepted: December 7, 2015 Online Published: January 15, 2016 doi:10.5539/mas.v10n2p205 URL: http://dx.doi.org/10.5539/mas.v10n2p205 Abstract Mosques’ architecture is one of the monuments in the history of Iranian architecture that has alwaysbeen of interest andimportance and in the Timurid period was also welcomed by many architects and artists and examples were built that were used as a perfect model for the architects of the next periods. The architecture of this period is known as a good example of harmony with the environment, which is a result of various climatic, historical, economic, cultural and political factors and have had the greatest impact and benefit fromthe continental and social and politicalconditions of Ilkhani and Seljuk periods. Timurid mosques of Iran are from the important elements of Islamic architecture in terms of architectural form and decorations that need to be reviewed in these two factors. -
THE SOCIETY for ASIAN ART PRESENTS Through the Pishtaq: Art, Architecture and Culture of Persia APRIL 22 - MAY 9, 2018
THE SOCIETY FOR ASIAN ART PRESENTS Through the Pishtaq: Art, Architecture and Culture of Persia APRIL 22 - MAY 9, 2018 More than five hundred years before Christ, Cyrus the Great founded one of the world’s first empires at Pasargadae. Over the centuries Persian civilization has been impacted by diverse cultural influences from invading Greeks, Arabs, Mongols and Turks. Join Dr. Keelan Overton on a journey through Iran where impressive monuments serve as vivid testament to the extraordinary history and culture of the country. The name Persia, used by the ancient Greeks, is derived from the southwesterly province of Pars which was the cradle of the Persian Empire. It was here that the Achaemenids became the first kings of a united country. They built capitals at Pasargadae and Persepolis and ruled over territory which stretched from the Persian Gulf to the Black Sea and from China in the east to the Mediterranean shores in the west. It is a welcoming and beautiful country of contrasts, of jagged mountains and golden deserts punctuated by slender wind towers, crumbling clay-baked caravansaries, and everywhere a horizon pierced by mosques and turquoise minarets. ----------------------------------Tour Highlights -------------------------------------- Tehran– 3 nights Visit Jameh Atigh, 9th c. Friday Mosque Visit the National Museum of Iran complex: Learn about tribal rugs at a nomadic gallery Museum of Ancient Iran (History and Archaeology) Yasuj - 1 night Museum of the Islamic Era Drive through the beautiful Zagros Mountains to Yasuj -
City Day Program
NEW YEAR SPECIAL OFFER Duration: 07 Days / 06 Nights Visiting Cities: Shiraz-Yazd-Isfahan-Matinabad-Abyaneh-Kashan-Tehran DAY CITY PROGRAM DAY 01 Shiraz Arrive in Shiraz. Our guide is waiting to greet and transfer you to the hotel. Overnight in Shiraz After breakfast visit Narenjestan (a traditional and historical house in Shiraz, dated back to Qajar era), then visit Nasir ol Mulk Mosque from Qajar era which includes extensive colored glass in its façade; it is also named the Pink Mosque, due to the DAY 02 Shiraz usage of considerable pink color tiles for its interior design. Stroll through Vakil Bazaar and mosque; this mosque was built between 1751 and 1773, during the Zand period. Vakil means regent, which was the title used by Karim Khan, the founder of Zand Dynasty, then visit the Tomb of Hafez a great Persian poet. At night visit the Holy Shrine of Ali Ebne Hamzeh (you will visit this shrine from inside). O/N in Shiraz After checking out of the hotel, we will board the vehicle and head towards Isfahan. En route visit Persepolis (Takht-é Jamshid) in the heart of the fabled Persian Empire. Shiraz Once one of the greatest architectural wonders of the ancient world, it was founded DAY 03 Persepolis by Darius the Great, who made it his capital in 518 BC. Then we will visit Naghshe Isfahan Rostam Necropolis of the Achaemenes. Drive to Isfahan. In Isfahan go to Naghsh-e- Jahan Square to visit this beautiful site in the evening. Then stroll along old bridges across Zayandeh Roud River such as Siosepol and Pole Khajou.