Flight from Your Home Country to Tehran Capital of IRAN
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A Look at the History of Calligraphy in Decoration of Mosques in Iran: 630-1630 AD Cengiz Tavşan, Niloufar Akbarzadeh
World Academy of Science, Engineering and Technology International Journal of Architectural and Environmental Engineering Vol:12, No:3, 2018 A Look at the History of Calligraphy in Decoration of Mosques in Iran: 630-1630 AD Cengiz Tavşan, Niloufar Akbarzadeh as strength, comfort and expansion. Throughout history, Abstract—Architecture in Iran has a continuous history from at Iranian architecture had its own originality and simplicity. All least 5000 BC to the present, and numerous Iranian pre-Islamic parts of Iran, especially villages and ancient monuments are elements have contributed significantly to the formation of Islamic like a live but old book of art and architecture, history, which art. At first, decoration was limited to small objects and containers in a brief moment, each page of that opens the gates of several and then progressed in the art of plaster and brickwork. They later applied in architecture as well. The art of gypsum and brickwork, thousand years of history to the visitors [7]. which was prevalent in the form of motifs (animals and plants) in Repeat motifs, symbolic role and decorations are one of the pre-Islam, was used in the aftermath of Islam with the art of main subjects in Iranian art. In Iranian architecture, the calligraphy in decorations. The splendor and beauty of Iranian symbolic elements generally embossed with carving and architecture, especially during the Islamic era, are related to painting integrated with elements of construction and decoration and design. After the invasion of Iran by the Arabs and the environmental, which makes it a new and inseparable introduction of Islam to Iran, the arrival of the Iranian classical architecture significantly changed, and we saw the Arabic calligraphy combination. -
Interview with Bahman Jalali1
11 Interview with Bahman Jalali1 By Catherine David2 Catherine David: Among all the Muslim countries, it seems that it was in Iran where photography was first developed immediately after its invention – and was most inventive. Bahman Jalali: Yes, it arrived in Iran just eight years after its invention. Invention is one thing, what about collecting? When did collecting photographs beyond family albums begin in Iran? When did gathering, studying and curating for archives and museum exhibitions begin? When did these images gain value? And when do the first photography collections date back to? The problem in Iran is that every time a new regime is established after any political change or revolution – and it has been this way since the emperor Cyrus – it has always tried to destroy any evidence of previous rulers. The paintings in Esfahan at Chehel Sotoon3 (Forty Pillars) have five or six layers on top of each other, each person painting their own version on top of the last. In Iran, there is outrage at the previous system. Photography grew during the Qajar era until Ahmad Shah Qajar,4 and then Reza Shah5 of the Pahlavi dynasty. Reza Shah held a grudge against the Qajars and so during the Pahlavi reign anything from the Qajar era was forbidden. It is said that Reza Shah trampled over fifteen thousand glass [photographic] plates in one day at the Golestan Palace,6 shattering them all. Before the 1979 revolution, there was only one book in print by Badri Atabai, with a few photographs from the Qajar era. Every other photography book has been printed since the revolution, including the late Dr Zoka’s7 book, the Afshar book, and Semsar’s book, all printed after the revolution8. -
Basic Statistics of Delhi
BASIC STATISTICS OF DELHI Page No. 1. Names of colonies/properties, structures and gates in Eighteenth Century 2 1.1 Sheet No.1 Plan of the City of Delhi 2 1.2 Sheet No.2 Plan of the City of Delhi 2 1.3 Sheet No.5 Plan of the City of Delhi 3 1.4 Sheet No.7 Plan of the City of Delhi 3 1.5 Sheet No.8 Plan of the City of Delhi 3 1.6 Sheet No.9 Plan of the City of Delhi 3 1.7 Sheet No.11 Plan of the City of Delhi 3 1.8 Sheet No.12 Plan of the City of Delhi 4 2. List of built up residential areas prior to 1962 4 3. Industrial areas in Delhi since 1950’s. 5 4. Commercial Areas 6 5. Residential Areas – Plotted & Group Housing Residential colonies 6 6. Resettlement Colonies 7 7. Transit Camps constructed by DDA 7 8. Tenements constructed by DDA/other bodies for Slum Dwellers 7 9. Group Housing constructed by DDA in Urbanized Villages including on 8 their peripheries up to 1980’s 10. Colonies developed by Ministry of Rehabilitation 8 11. Residential & Industrial Development with the help of Co-op. 8 House Building Societies (Plotted & Group Housing) 12. Institutional Areas 9 13. Important Stadiums 9 14. Important Ecological Parks & other sites 9 15. Integrated Freight Complexes-cum-Wholesale markets 9 16. Gaon Sabha Land in Delhi 10 17. List of Urban Villages 11 18. List of Rural Villages 19. List of 600 Regularized Unauthorized colonies 20. -
Day 1: Flight from Your Home Country to Tehran Capital of IRAN
Day 1: Flight from your home country to Tehran capital of IRAN We prepare ourselves for a fabulous trip to Great Persia. Arrival to Tehran, after custom formality, meet and assist at airport and transfer to the Hotel. Day 2: Tehran After breakfast in hotel, we prepare to start for city sightseeing, visit Niyavaran Palace,Lunch in a local restaurant during the visit .In the afternoon visit Bazaar Tajrish and Imamzadeh Saleh mausoleu. The NiavaranComplex is a historical complex situated in Shemiran, Tehran (Greater Tehran), Iran. It consists of several buildings and monuments built in the Qajar and Pahlavi eras. The complex traces its origin to a garden in Niavaran region, which was used as a summer residence by Fath-Ali Shah of the Qajar Dynasty. A pavilion was built in the garden by the order of Naser ed Din Shah of the same dynasty, which was originally referred to as Niavaran House, and was later renamed Saheb Qaranie House. The pavilion of Ahmad Shah Qajarwas built in the late Qajar period.During the reign of the Pahlavi Dynasty, a modern built mansion named Niavaran House was built for the imperial family of Mohammad Reza Pahlavi. All of the peripheral buildings of the Saheb Qaranie House, with the exception of the Ahmad Shahi Pavilion, were demolished, and the buildings and structures of the present-day complex were built to the north of the Saheb Qaranie House. In the Pahlavi period, the Ahmad Shahi Pavilion served as an exhibition area for the presents from world eaders to the Iranian monarchs. Im?mz?deh S?leh is one of many Im?mzadeh mosques in Iran. -
Iranian Mosques, the Milestone of Islamic Architecture: a Case Study of Shaikhlotfollah Mosque Sepideh Ebad1
International Research Journal of Applied and Basic Sciences © 2013 Available online at www.irjabs.com ISSN 2251-838X / Vol, 7 (13): 940-951 Science Explorer Publications Iranian mosques, the milestone of Islamic architecture: a case study of ShaikhLotfollah mosque Sepideh Ebad1 1. M.A of architecture Corresponding Author email: [email protected] ABSTRACT: The mosques as the most important built structure in all historical eras of Islamic architecture has a special place in research and investigation. Researching the Iranian architecture and querying its blind spots of its transformation can be a proper context to investigate and analyze the role of Iranian architects in Islamic architecture. The present study using a descriptive-analytic method embarked on recognizing the importance of mosque structure in Islamic architecture and distinctive features of Safavids as milestone of Iranian architecture. Finally peculiar features of ShaikhLotfollah mosque was compared with Tabriz Kaboud mosque. Certainly ShaikhLotfollah mosque of Isfahan is one of the most prominent Iranian-Islamic structures built in the eastern side of NaqsheJahan square causing the emergence of different hypotheses on building of these exceptional states due to its peculiar features. The results showed that kaboud mosque is not Iranian regarding design features having Turkish adaptation. Finally after the comparison it was known that however ShaikhLotfollah mosque was built in Safavids in Isfahan style, since Safavids were of Turks, they renew their old tradition of mosque building style in Shaikhlotfollah mosque. Key words: Islamic architecture, descriptive-analytic, Shaikhlotfollah Mosque, Kaboud Mosque. INTRODUCTION The mosques structures as the most important built structure in all historical eras of Islamic architecture have always had a special place in research and investigation. -
Iranian-Tour-Details
10 days / 9 nights Starting from $1450.00 per person based on double occupancy $550 single supplement Day one Leave United States for your flight to Shiraz Day two: Shiraz Arrive to Shiraz. Our guide is waiting to greet and transfer you to your hotel where you sill stay overnight in Shiraz. Day three: Shiraz The first full tour day begins an educational adventure led by our Group Leader. First we will visit the beautiful Narenjestan Garden, circa 1257 CS, which features a richly decorated pavilion set among graceful trees. Next, we’ll walk to the Vakil Bazaar - one of the finest and most important bazaars of historical Iran, established in the 11th century CE. The next visit is to the Tomb of Hafez, Iran’s greatest lyric poet, followed by the Tomb of Sa’adi whose poems and tales are still known to every Iranian. After that, we will journey to the downtown part of the city to the Arg-E Karim (Karim Khan Citadel). It was named after a king of the 18th century Zand Dynasty, who made this city his capital. You will learn the history of the citadel, King Karim Khan and the dynasty. Finally, we will enjoy the shining domes ov Ali Ebn- e Hamze and Holy Shrine of Shah Cheragh. You will spend the night in your hotel in Shiraz. Day four: Shiraz – Persepolis – Pasargadae – Yazd Once we check out of the hotel, we will take a vehicle to Yazd, one of the most distinctive cities in Iran, renowned for its Persian architecture. Along the way, we will visit Persepolis in the heart of the fabled Persian Empire. -
The Quality of Light-Openings in the Iranian Brick Domes
31394 Soha Matoor et al./ Elixir His. Preser. 80 (2015) 31394-31401 Available online at www.elixirpublishers.com (Elixir International Journal) Historic Preservation Elixir His. Preser. 80 (2015) 31394-31401 The Quality of Light-Openings in the Iranian Brick Domes (with the Structural Approach) Soha Matoor, Amene Doroodgar and Mohammadjavad Mahdavinejad Faculty of Arts and Architecture, Tarbiat Modares University, Tehran, Iran. ARTICLE INFO ABSTRACT Article history: Paying attention to light is considered as one of the most prominent features of Iranian Received: 26 October 2014; traditional architecture, which influenced most of its structural and conceptual patterns. The Received in revised form: construction of light-openings in the buildings such as masjids, bazaars, madrasas, and 28 February 2015; caravanserais, as the Iranian outstanding monuments, proves the point. The Iranian master- Accepted: 26 March 2015; mimars’ strategies to create the light-openings in the domes has been taken into consideration through this study. To this end, the light-openings’ exact location, according to Keywords the domes’ structural properties have been taken into analysis. Next, based on the foursome The light, classification of the domes, the research theoretical framework has been determined, and The light-opening, through applying the case-study and the combined research methods, the case-studies have The Iranian brick dome, been studied meticulously. According to the achieved results, the light-openings of the The dome’s structure. Iranian brick domes have been located at four distinguished areas, including: 1- the dome’s top, 2- the dome’s curve, 3- the dome’s shekargah and 4- the dome’s drum. -
The Art of Islamic Architecture During the Safavid Period and the Introduction of the Teachings of Islam
Journal of Fine Arts Volume 1, Issue 3, 2018, PP 37-42 ISSN 2637-5885 The Art of Islamic Architecture during the Safavid Period and the Introduction of the Teachings of Islam Ali reza Khajegir PhD*1, Mohammad reza Afroogh PhD student2, Ali reza Fahim PhD2 1Shahrekord University, Iran 2Department of Law and Theology, Najafabad Branch, Islamic Azad university, Najafabad, Iran *Corresponding Author: Ali reza Khajegir, Shahrekord University, Iran ABSTRACT Islam played an important role in the development and progress of most arts in different periods, especially during the Safavid period in Iran. During the Safavid period, the arts, paintings, lines, gilding, carpet weaving, cloth, tiling, etc. reached the peak of their evolution, which is seen less in the past and subsequent times. The extensive activity of the Safavid era began since Shah Abbas. In Safavid era, the style of ancient architecture of Iran was renewed and in the design of buildings, the shape and materials of buildings opened their place. Most of the buildings in the Safavid period were built like four-edged mosques, schools and caravansaries. The use of mosaic tiles and seven colors for decorations has become widespread. In this paper we try to reveal some ways they use to develop Islamic cultural concepts in architecture field. Keywords: Architecture, culture, Safavid era, art, Islam INTRODUCTION during the 42 years of his rule, he continued to develop the country, especially Esfahan. The One of the brightest artistic periods of great square of the role of the world, the great architecture in Iran is Safavid era, in 1502 AD. -
Iran Detailed Itinerary
Iran has always been a source of mystery for the intrepid traveler! It has witnessed more than ten thousand years of history and is a land of rich culture and home to several World Heritage Sites. It is a place where the teachings of great mystics, philosophers and poets alike are treasured and will be continued for thousands of years to come. It is a country of spectacular physical beauty stretching from the tropical shores of the Caspian Sea to the desert and oasis towns of Kavir and Lut and on to the snowcapped Zagros and Elborz Mountains. The variety of scenery to be found throughout Iran is breathtaking and the thousands of minarets and domes glistening in the sun bear witness to the splendor of Islamic architecture. ! Day 1 | Tehran We will arrange for a VIP arrival in Tehran. You will be met as you disembark from the aircraft, and will be accompanied to the VIP lounge where your immigration papers will be processed. You will then be escorted into the arrival’s area where your guide will be waiting for you. Transfer to the Laleh Hotel. The hotel room will be ready for immediate check-in. Remainder of the morning is at leisure to catch up on some sleep, relax, and freshen up. Tehran is a bustling metropolis city of almost 15 million people and a city of contrasts. It is modern and traditional, secular and religious, rich and poor. We spend the afternoon exploring some of the city’s treasures beginning at the Golestan Palace, the former residence of the 19th and early 20th century Qajar Kings of Iran. -
Service Quality Approach in Development of Children's Visit Model
SERVICE QUALITY APPROACH IN DEVELOPMENT OF CHILDREN'S VISIT MODEL. CASE STUDY GOLESTAN PALACE MUSEUM, TEHRAN, IRAN Seyedeh Yasamin Hosseini Per citar o enllaçar aquest document: Para citar o enlazar este documento: Use this url to cite or link to this publication: http://www.tdx.cat/handle/10803/667502 ADVERTIMENT. L'accés als continguts d'aquesta tesi doctoral i la seva utilització ha de respectar els drets de la persona autora. Pot ser utilitzada per a consulta o estudi personal, així com en activitats o materials d'investigació i docència en els termes establerts a l'art. 32 del Text Refós de la Llei de Propietat Intel·lectual (RDL 1/1996). Per altres utilitzacions es requereix l'autorització prèvia i expressa de la persona autora. En qualsevol cas, en la utilització dels seus continguts caldrà indicar de forma clara el nom i cognoms de la persona autora i el títol de la tesi doctoral. No s'autoritza la seva reproducció o altres formes d'explotació efectuades amb finalitats de lucre ni la seva comunicació pública des d'un lloc aliè al servei TDX. Tampoc s'autoritza la presentació del seu contingut en una finestra o marc aliè a TDX (framing). Aquesta reserva de drets afecta tant als continguts de la tesi com als seus resums i índexs. ADVERTENCIA. El acceso a los contenidos de esta tesis doctoral y su utilización debe respetar los derechos de la persona autora. Puede ser utilizada para consulta o estudio personal, así como en actividades o materiales de investigación y docencia en los términos establecidos en el art. -
See the Document
IN THE NAME OF GOD IRAN NAMA RAILWAY TOURISM GUIDE OF IRAN List of Content Preamble ....................................................................... 6 History ............................................................................. 7 Tehran Station ................................................................ 8 Tehran - Mashhad Route .............................................. 12 IRAN NRAILWAYAMA TOURISM GUIDE OF IRAN Tehran - Jolfa Route ..................................................... 32 Collection and Edition: Public Relations (RAI) Tourism Content Collection: Abdollah Abbaszadeh Design and Graphics: Reza Hozzar Moghaddam Photos: Siamak Iman Pour, Benyamin Tehran - Bandarabbas Route 48 Khodadadi, Hatef Homaei, Saeed Mahmoodi Aznaveh, javad Najaf ...................................... Alizadeh, Caspian Makak, Ocean Zakarian, Davood Vakilzadeh, Arash Simaei, Abbas Jafari, Mohammadreza Baharnaz, Homayoun Amir yeganeh, Kianush Jafari Producer: Public Relations (RAI) Tehran - Goragn Route 64 Translation: Seyed Ebrahim Fazli Zenooz - ................................................ International Affairs Bureau (RAI) Address: Public Relations, Central Building of Railways, Africa Blvd., Argentina Sq., Tehran- Iran. www.rai.ir Tehran - Shiraz Route................................................... 80 First Edition January 2016 All rights reserved. Tehran - Khorramshahr Route .................................... 96 Tehran - Kerman Route .............................................114 Islamic Republic of Iran The Railways -
Monumental Architecture; National Identity; Conceptual Understanding of Iranian Monumental Architecture
Monumental Architecture; National Identity; Conceptual Understanding of Iranian Monumental Architecture Negar Houshangi Submitted to the Institute of Graduate Studies and Research in partial fulfillment of the requirements for the Degree of Master of Science in Architecture Eastern Mediterranean University January 2013 Gazimağusa, North Cyprus Approval of the Institute of Graduate Studies and Research Prof. Dr. Elvan Yılmaz Director I certify that this thesis satisfies the requirements as a thesis for the degree of Master of Science in Architecture. Assoc. Prof. Dr. Özgür Dinçyürek Chair, Department of Architecture We certify that we have read this thesis and that in our opinion it is fully adequate in scope and quality as a thesis for the degree of Master of Science in Architecture. Asst. Prof. Dr. Rafooneh Mokhtarshahi Sani Supervisor Examining Committee 1. Assoc. Prof. Dr. Türkan Uraz 2. Asst. Prof. Dr. Nazife Özay 3. Asst. Prof. Dr. Rafooneh M. Sani ABSTRACT Monumental architecture is reservoir of memories which can stand as symbol of the cities and even countries with the embedded meaning in their form and operation. This kind of structures can link the past and the future like the rings of a chain. In addition they have the potential to create and support the identity of a nation. The glory, dignity, culture, tradition and thoroughly the history of a nation can represent through the monumental structures. These structures can have variety of types including historical buildings or complexes, modern structures with advanced technology, landmarks, etc. Since during the last decades, identity crisis has been a major problem for contemporary architecture, the aim of this study is to survey the relation between national identity and monumental buildings and to recognize how monumental buildings contribute to create national identity.