A Program of the Stanford Alumni Association March 17 to April 1, 2019
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Issyk-Kul 2020 International Exhibition of Photography
ISSYK-KUL 2020 INTERNATIONAL EXHIBITION OF PHOTOGRAPHY FIAP 2020/316 PSA 2020-151 FPC W2020/P06 2020 FIAP 2020/316 PSA 2020-151 FPC W2020/P06 ARE YOU GOING TO ORGANIZE AN INTERNATIONAL EXHIBITION? You make the policies and branding, Salon.Photo Platform will do the rest, automatically and errorlessly! Website, Gathering of Photos, Judging Software & etc. www.Salon.Photo [email protected] Salon.Photo Platform and Judgment® Software are made by Focus Team Software Group, it include a website for announcing the rules, news, status list and result and sing up entrants. Entrants can upload their art works(single or collection), edit their profile and entries, fill out the titles and pay their fee. The administrator also has access too several reports such as full information about entrants, entries, payments, statistic of country etc. All entries get uniquely renamed by the software. The entry later will be downloaded using FTP and will be import to Judgment Software for judging. Later on, all results will be exported from the software and will be imported to the website. As all the process is automated there will be no mistake. Judgment® Software has all the requirements for judging such as: high speed, network judging, several stages of judging based on acceptance/rejection or scores, selection based on percentage or numbers, ability to return to the previews stage and selecting between special groups of works etc. Every jury member can select works by his keyboard. All the requested information for FIAP/PSA catalogs such as list of acceptances and table of statistics can be exported from the software. -
A Look at the History of Calligraphy in Decoration of Mosques in Iran: 630-1630 AD Cengiz Tavşan, Niloufar Akbarzadeh
World Academy of Science, Engineering and Technology International Journal of Architectural and Environmental Engineering Vol:12, No:3, 2018 A Look at the History of Calligraphy in Decoration of Mosques in Iran: 630-1630 AD Cengiz Tavşan, Niloufar Akbarzadeh as strength, comfort and expansion. Throughout history, Abstract—Architecture in Iran has a continuous history from at Iranian architecture had its own originality and simplicity. All least 5000 BC to the present, and numerous Iranian pre-Islamic parts of Iran, especially villages and ancient monuments are elements have contributed significantly to the formation of Islamic like a live but old book of art and architecture, history, which art. At first, decoration was limited to small objects and containers in a brief moment, each page of that opens the gates of several and then progressed in the art of plaster and brickwork. They later applied in architecture as well. The art of gypsum and brickwork, thousand years of history to the visitors [7]. which was prevalent in the form of motifs (animals and plants) in Repeat motifs, symbolic role and decorations are one of the pre-Islam, was used in the aftermath of Islam with the art of main subjects in Iranian art. In Iranian architecture, the calligraphy in decorations. The splendor and beauty of Iranian symbolic elements generally embossed with carving and architecture, especially during the Islamic era, are related to painting integrated with elements of construction and decoration and design. After the invasion of Iran by the Arabs and the environmental, which makes it a new and inseparable introduction of Islam to Iran, the arrival of the Iranian classical architecture significantly changed, and we saw the Arabic calligraphy combination. -
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The Role of Climate and Culture on the Formation of Courtyards in Mosques Hossein Soltanzadeh* Associate Professor of Architecture, Faculty of Art and Architecture, Tehran Central Branch, Islamic Azad University, Tehran, Iran Received: 23/05/2015; Accepted: 30/06/2015 Abstract The process regarding the formation of different mosque gardens and the elements that contribute to the respective process is the from the foci point of this paper. The significance of the topic lies in the fact that certain scholars have associated the courtyard in mosques with the concept of garden, and have not taken into account the elements that contribute to the development of various types of mosque courtyards. The theoretical findings of the research indicate that the conditions and instructions regarding the Jemaah [collective] prayers on one hand and the notion of exterior performance of the worshiping rites as a recommended religious precept paired with the cultural, environmental and natural factors on the other hand have had their share of founding the courtyards. This study employs the historical analytical approach since the samples are not contemporary. The dependant variables are culture and climate while the form of courtyard in the jame [congregational] mosque is the dependent variable. The statistical population includes the jame mosques from all over the Islamic world and the samples are picked selectively from among the population. The findings have demonstrated that the presence of courtyard is in part due to the nature of the prayers that are recommended to say in an open air, and in part because this is also favoured by the weather in most instances and on most days. -
Elimination of Israel Doesn't Mean Removing Jews
WWW.TEHRANTIMES.COM I N T E R N A T I O N A L D A I L Y 16 Pages Price 40,000 Rials 1.00 EURO 4.00 AED 39th year No.13529 Saturday NOVEMBER 16, 2019 Aban 25, 1398 Rabi’ Al awwal 18, 1441 Daesh relocating Iran able to add Iran’s Beiranvand Iranian cultural to Afghanistan 20,000 SWUs in nominated for the AFC festival opens in 2 a month 2 Player of the Year 15 Bratislava 16 Govt. starts gasoline rationing, raises fuel prices TEHRAN – The Iranian government of the Planning and Budget Organiza- started on Friday rationing of subsidized tion, said on Thursday that proceeds gasoline and increased fuel prices as it from the price hikes would be used to plans to use the revenue for supporting fund additional subsidies for 18 million underprivileged families. underprivileged families, or about 60 Mohammad Baqer Nobakht, head million people. 5 See page 2 Iran seeks unity in the region, Rouhani tells Islamic unity forum Elimination TEHRAN — President Hassan Rouhani He highlighted great importance to fol- said on Friday that Iran seeks “brother- lowing the Prophet to counter aggressions hood” and “unity” in the region and that of the United States, the Zionist regime of the Islamic Republic does not seek to Israel and regional reactionary countries. invade any country or act like an empire. The Prophet brought a modern civiliza- “The main privilege for us is following tion for the world with his miracles of the of Israel the Prophet. We do not seek to conquer Book, wisdom, ethics and politics, he said. -
Iranian Mosques, the Milestone of Islamic Architecture: a Case Study of Shaikhlotfollah Mosque Sepideh Ebad1
International Research Journal of Applied and Basic Sciences © 2013 Available online at www.irjabs.com ISSN 2251-838X / Vol, 7 (13): 940-951 Science Explorer Publications Iranian mosques, the milestone of Islamic architecture: a case study of ShaikhLotfollah mosque Sepideh Ebad1 1. M.A of architecture Corresponding Author email: [email protected] ABSTRACT: The mosques as the most important built structure in all historical eras of Islamic architecture has a special place in research and investigation. Researching the Iranian architecture and querying its blind spots of its transformation can be a proper context to investigate and analyze the role of Iranian architects in Islamic architecture. The present study using a descriptive-analytic method embarked on recognizing the importance of mosque structure in Islamic architecture and distinctive features of Safavids as milestone of Iranian architecture. Finally peculiar features of ShaikhLotfollah mosque was compared with Tabriz Kaboud mosque. Certainly ShaikhLotfollah mosque of Isfahan is one of the most prominent Iranian-Islamic structures built in the eastern side of NaqsheJahan square causing the emergence of different hypotheses on building of these exceptional states due to its peculiar features. The results showed that kaboud mosque is not Iranian regarding design features having Turkish adaptation. Finally after the comparison it was known that however ShaikhLotfollah mosque was built in Safavids in Isfahan style, since Safavids were of Turks, they renew their old tradition of mosque building style in Shaikhlotfollah mosque. Key words: Islamic architecture, descriptive-analytic, Shaikhlotfollah Mosque, Kaboud Mosque. INTRODUCTION The mosques structures as the most important built structure in all historical eras of Islamic architecture have always had a special place in research and investigation. -
MASTER's THESIS Tourism Attractions and Their Influence On
2009:057 MASTER'S THESIS Tourism Attractions and their Influence on Handicraft Employment in Isfahan Reza Abyareh Luleå University of Technology Master Thesis, Continuation Courses Marketing and e-commerce Department of Business Administration and Social Sciences Division of Industrial marketing and e-commerce 2009:057 - ISSN: 1653-0187 - ISRN: LTU-PB-EX--09/057--SE 1 Master Thesis Tourism Attractions and their Influence on Handicraft Employment in Isfahan Supervisors: Prof.Dr.Peter U.C.Dieke and Prof.Dr.Ali Sanayei By: Reza Abyareh Fall 2007 2 Master Thesis Tourism and Hotel Management Lulea University of Technology (Sweden) and University of Isfahan(Iran) Tourism Attractions and their Influence on Handicraft Employment in Isfahan Supervisors: Prof.Dr.Peter U.C.Dieke and Prof.Dr.Ali Sanayei By: Reza Abyareh A Master Thesis Submitted in partial fulfillment of the requirements for the award of Master of Tourism and Hotel Management in Lulea University of Technology. Fall 2007 3 In The Name of God ----------------------------------------------------------------------------- Dedicated to My parents and my sister,the most important three persons in my life. 4 Contents ----------------------------------------------------------------------------- Acknowledgements 1 Overview 7 Introduction 7 Key Words 8 Description of Research Problem 9 Importance and Value of Research 10 Record and History of Research Subject 11 Purposes of Research 12 Research Questions 12 Sample size 13 Research Method 13 Tools for Collecting Data 13 Data Collection and Analysis -
Day 1: Flight from Your Home Country to Tehran
Day 1: Flight from your home country to Tehran We prepare ourselves for a fabulous trip to Great Persia. Arrival to Tehran, after custom formality, meet and assist at airport and transfer to the Hotel. O/N: Tehran Day 2: Tehran After breakfast, full day visit Tehran: Niyavaran Palace, Imamzadeh Saleh & Tajrish Bazaar O/N: Tehran The Niavaran Complex is a historical complex situated in Shemiran, Tehran (Greater Tehran), Iran. It consists of several buildings and monuments built in the Qajar and Pahlavi eras. The complex traces its origin to a garden in Niavaran region, which was used as a summer residence by Fath-Ali Shah of the Qajar Dynasty. A pavilion was built in the garden by the order of Naser ed Din Shah of the same dynasty, which was originally referred to as Niavaran House, and was later renamed Saheb Qaranie House. The pavilion of Ahmad Shah Qajar was built in the late Qajar period.During the reign of the Pahlavi Dynasty, a modern built mansion named Niavaran House was built for the imperial family of Mohammad Reza Pahlavi. All of the peripheral buildings of the Saheb Qaranie House, with the exception of the Ahmad Shahi Pavilion, were demolished, and the buildings and structures of the present-day complex were built to the north of the Saheb Qaranie House. In the Pahlavi period, the Ahmad Shahi Pavilion served as an exhibition area for the presents from world eaders to the Iranian monarchs. Imamzadeh Saleh is one of many imamzadeh mosques in Iran. The mosque is located at Tajrish Square in Tehran's northern Shemiran district. -
Newsletter Spring 2007 Final.Indd
CENTER FOR IRANIAN STUDIES NEWSLETTER Vol. 19, No. 1 SIPA-Columbia University-New York Spring 2007 ENCYCLOPÆDIA IRANICA GALA BENEFIT FASCICLE 1 OF VOLUME XIV PUBLISHED DINNER EW ORK ITY Fascicle 1 of Volume XIV features ISLAMIC History; v. LOCAL HISTORIOG- N Y C the remaining sections of the entry RAPHY; vi. MEDIEVAL PERIOD; vii. THE MAY 5, 2007 ISFAHAN, a series of 22 articles that SAFAVID PERIOD; VIII. THE QAJAR began in Fascicle 6 of Volume XIII. PERIOD; ix. THE PAHLAVI PERIOD The city of Isfahan has served as one AND POST-REVOLUTION ERA; x. of the most important urban centers MONUMENTS; xi. ISFAHAN SCHOOL on the Iranian plateau since ancient OF PAINTING AND CALLIGRAPHY; xii. times and has gained, over centuries BAZAAR, PLAN AND FUNCTION; xiii. of urbanization, many significant monu- CRAFTS; xiv. MODERN ECONOMY AND IN- ments. Isfahan is home to a number of DUSTRIES; xv. EDUCATION AND CULTURAL monuments that have been designated AFFAIRS; xvi. ISFAHAN IN THE MIRROR OF by UNESCO as World Heritage Sites. It FOLKLORE AND LEGEND; xvii. ARMENIAN is Persiaʼs third largest city, after Tehran COMMUNITY (referred to JULFA); xviii. and Mashad, with a population of over JEWISH COMMUNITY; xix. JEWISH DIA- 1.4 million in 2004. LECTS; xx. GEOGRAPHY OF THE MEDIAN The series explores the following DIALECTS; xxi. PROVINCIAL DIALECTS; Dr. Maryam Safai topics: i. GEOGRAPHY; ii. HISTORICAL XXII. GAZI DIALECT. GEOGRAPHY; iii. POPULATION; iv. PRE- Continued on page 2 The Gala Benefit Dinner for the Encyclopædia Iranica will be held in the Rotunda of Columbia University MAJOR DONORS TO THE on May 5, 2007 from 6:30 PM to 1:30 AM. -
The Art of Islamic Architecture During the Safavid Period and the Introduction of the Teachings of Islam
Journal of Fine Arts Volume 1, Issue 3, 2018, PP 37-42 ISSN 2637-5885 The Art of Islamic Architecture during the Safavid Period and the Introduction of the Teachings of Islam Ali reza Khajegir PhD*1, Mohammad reza Afroogh PhD student2, Ali reza Fahim PhD2 1Shahrekord University, Iran 2Department of Law and Theology, Najafabad Branch, Islamic Azad university, Najafabad, Iran *Corresponding Author: Ali reza Khajegir, Shahrekord University, Iran ABSTRACT Islam played an important role in the development and progress of most arts in different periods, especially during the Safavid period in Iran. During the Safavid period, the arts, paintings, lines, gilding, carpet weaving, cloth, tiling, etc. reached the peak of their evolution, which is seen less in the past and subsequent times. The extensive activity of the Safavid era began since Shah Abbas. In Safavid era, the style of ancient architecture of Iran was renewed and in the design of buildings, the shape and materials of buildings opened their place. Most of the buildings in the Safavid period were built like four-edged mosques, schools and caravansaries. The use of mosaic tiles and seven colors for decorations has become widespread. In this paper we try to reveal some ways they use to develop Islamic cultural concepts in architecture field. Keywords: Architecture, culture, Safavid era, art, Islam INTRODUCTION during the 42 years of his rule, he continued to develop the country, especially Esfahan. The One of the brightest artistic periods of great square of the role of the world, the great architecture in Iran is Safavid era, in 1502 AD. -
Culture of Shiraz
1 AKPIA @ MIT - Studies on ARCHITECTURE, HISTORY & CULTURE History and the Production of the “Culture of Shiraz” Setrag Manoukian Introduction My research project at the Aga Khan Program for Islamic Architecture at MIT focused on the production of knowledge in contemporary Shiraz and in particular on some of the most visible products of this evolving concatenation: the buildings and public initiatives that mark the landscape of Shiraz today.1 These diverse products are constructed, presented, and interpreted mainly through the modality of history, which constitutes the main frame of reference to imagine the city and its place within the Iranian nation. Public history The Islamic Republic, since its inception, has devoted many efforts to the control of public space. These efforts have been oriented toward mapping revolutionary discourse onto streets and squares through images, texts, and objects as well as toward conforming existing images, objects, and texts to what were perceived as the tenets of the new state.2 1 I spent January and February 2004 at AKPIA at MIT and found a lively intellectual community that helped me to sharpen my views. I wish to thank Nasser Rabbat, Heghnar Watenpaugh, and Susan Slyomovics for their insights. 2 For descriptions of revolutionary images, texts, and objects and their relevance in the construction of the revolutionary state see Michael M. J. Fischer and Mehdi Abedi, Debat- ing Muslims: Cultural Dialogues in Postmodernity and Tradition (Madison: University of Wisconsin Press, 1990) and more specifically Peter Chelkoswski and Hamid Dabashi, Staging a Revolution: The Art of Persuasion in the Islamic Republic of Iran (London: 2 A dispersed set of operations projected a forceful regime of signs, struc- turing a prescriptive field that regulates what can be made public. -
See the Document
IN THE NAME OF GOD IRAN NAMA RAILWAY TOURISM GUIDE OF IRAN List of Content Preamble ....................................................................... 6 History ............................................................................. 7 Tehran Station ................................................................ 8 Tehran - Mashhad Route .............................................. 12 IRAN NRAILWAYAMA TOURISM GUIDE OF IRAN Tehran - Jolfa Route ..................................................... 32 Collection and Edition: Public Relations (RAI) Tourism Content Collection: Abdollah Abbaszadeh Design and Graphics: Reza Hozzar Moghaddam Photos: Siamak Iman Pour, Benyamin Tehran - Bandarabbas Route 48 Khodadadi, Hatef Homaei, Saeed Mahmoodi Aznaveh, javad Najaf ...................................... Alizadeh, Caspian Makak, Ocean Zakarian, Davood Vakilzadeh, Arash Simaei, Abbas Jafari, Mohammadreza Baharnaz, Homayoun Amir yeganeh, Kianush Jafari Producer: Public Relations (RAI) Tehran - Goragn Route 64 Translation: Seyed Ebrahim Fazli Zenooz - ................................................ International Affairs Bureau (RAI) Address: Public Relations, Central Building of Railways, Africa Blvd., Argentina Sq., Tehran- Iran. www.rai.ir Tehran - Shiraz Route................................................... 80 First Edition January 2016 All rights reserved. Tehran - Khorramshahr Route .................................... 96 Tehran - Kerman Route .............................................114 Islamic Republic of Iran The Railways -
The Role of Qibla in the Orientation of the Traditional Mosques in Dezful City
Bagh- e Nazar, 16 (70):55-70 /Apr. 2019 DOI: 10.22034/bagh.2019.84964 Persian translation of this paper entitled: نقش قبله در جهت گیری مساجد سنتی شهر دزفول is also published in this issue of journal. The Role of Qibla in the Orientation of the Traditional Mosques in Dezful City Hamed Hayati1*, Marziyeh Fakheri Ra’ouf2, Bahareh Karavani3 1. Professor and assistant professor, architecture department, Islamic Azad University, Ahwaz Branch, Ahwaz, Iran. 2. M. A. student, architectural engineering, Jihad University, Khuzestan Branch, Ahwaz, Iran. 3. M. A. student, architectural engineering, Jihad University, Khuzestan Branch, Ahwaz, Iran. Received 2018/07/17 revised 2018/11/03 accepted 2018/12/02 available online 2019/03/21 Abstract Statement of the Problem: Since the advent of Islam, the design of mosques have been really important to the Islamic architects. Its importance is well-evident in the designing of all its elements which has introduced the mosque as the most outstanding edifice in Islamic architecture. Since long time ago, mosque architectures and designers have esteemed certain principles regarding the preservation of an orientation towards the God from the beginning of an individual’s entry to the mosque till facing towards the Qibla as well as the maintenance of hierarchal movements. Thus, the most important problem of the present study is the role played by Qibla in spatial organization of the mosque. Based thereon, the issue has been investigated in the architecture of the traditional mosques in Dezful in terms of the spatial axis and movement hierarchy considerations so that the ground could be set for the designing and constructing of the contemporary mosques.