DOCSLIB.ORG

Publication Art Histories and Aesthetic Practices & CAHIM Programs And

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
Publication Art Histories and Aesthetic Practices & CAHIM Programs And CAHIM Connecting Art Histories in the Museum cahim@khi.fi.it Connecting Art Histories & CAHIM in the Museum A H A P Programs and Kunstgeschichte und ästhetische Praktiken Forum Transregionale Studien Fellows 2015–2016 Wallotstrasse 14 14193 Berlin [email protected] www.arthistories.de www.forum-transregionale-studien.de Das Forschungs- und Fellowshipprogramm Art The research and fellowship program Art Histories and Aesthetic Practices. Kunst­ Histories and Aesthetic Practices. Kunst­ geschichte und ästhetische Praktiken am Forum geschichte und ästhetische Praktiken at the Transregionale Studien diskutiert die Perspektiven Forum Trans regionale Studien discusses the und Konturen einer pluralen Geschichte der Kunst. potential and contours of a plural history of art. Es untersucht die Konnektivität historischer Räume, It analyzes the connectivity of larger historical sowie Kontaktzonen und verfolgt komparative Frage- spaces as well as contact zones and investigates stellungen in transkultureller bis postglobaler artistic phenomena in a com parative, transcultural Perspektive. Dies ermöglicht zugleich das Arbeiten approach, experimenting with new metho- in neuen Formaten und Experimentieren mit neuen dologies and forms of collaborative research. Formen von Kooperation. With up to ten annual postdoctoral fellow- Durch die Einrichtung von bis zu zehn Jahressti- ships Art Histories and Aesthetic Practices aims pendien schafft das Programm einen Dialog raum für to create a space of dialog for scholars from all Wissenschaftlerinnen und Wissenschaftler aus allen continents and neighboring disciplines. Kontinenten sowie benachbarter Disziplinen. Das Forum Transregionale Studien in Berlin ist eine The Berlin-based Forum Transregionale Studien Forschungsorganisation zur inhaltlichen Internatio- is a research organization that promotes the nalisierung der Sozial- und Geisteswissenschaften. internationalization of research in the Humani- Das Forum eröffnet Freiräume für die Zusam- ties and Social Sciences. menarbeit von Wissenschaftlerinnen und Wissen- The Forum provides scope for collaboration schaftlern mit unterschiedlichen regionalen und among researchers with different regional and disziplinären Perspektiven und bietet die Möglich- disciplinary perspectives and appoints resear- keit, Forschungsideen und -vorhaben zu erproben chers from all over the world as Fellows. und zu entwickeln. Es beruft Wissenschaftlerinnen In cooperation with universities and und Wissenschaftler aus aller Welt als Fellows. research institutions in and outside of Berlin, it In Kooperation mit Universitäten und For- carries out research projects and initiatives that schungseinrichtungen aus Berlin und dem examine other regions of the world and their Bundesgebiet führt das Forum transregionale For- relationship to Germany and Europe systemati- schungsprogramme und Initiativen durch, die neue cally and with new questions. Fragestellungen aus der Perspektive unterschiedli- The Forum is sponsored by the Senate cher Weltregionen vergleichend und in ihrer gegen- Department for Economy, Technology and seitigen Verknüpfung bearbeiten. Research. In the area of internationalization it Das Forum wird von der Berliner Senatsver- cooperates with the Max Weber Foundation – waltung für Wirtschaft, Technologie und Forschung German Humanities Institutes Abroad. As of gefördert und kooperiert im Bereich der Internatio- April 2013, the Federal Ministry of Education nalisierung mit der Max-Weber-Stiftung – Deutsche and Research (BMBF) has been supporting this Geisteswissenschaftliche Institute im Ausland. Seit cooperation. April 2013 unterstützt das Bundesministerium für Bildung und Forschung (BMBF) diese Kooperation im Rahmen der Projektförderung. Art Histories hat keine chronologischen oder Art Histories has no chronological or geo- geographischen Beschränkungen. Es ist in einem graphical constraints. Its scholarly environment wissenschaftlichen Umfeld angesiedelt, das es is designed to enable and encourage both fellows den Fellows und der scientific community erlaubt, and the wider community to experiment and mit Möglichkeiten zu experimentieren, sich der refine transregional approaches to the history of Geschichte visueller Kulturen und ästhetischer Prak- visual cultures and aesthetic practices. tiken in transkultureller Perspektive anzunähern. The program is designed as means of inten- Das Programm versteht sich als Angebot für sive collaboration between art historical and eine intensivierte Zusammenarbeit kunsthistorischer research institutions dealing with trans cultural Institu tionen und Forschungseinrichtungen, die sich questions. Among facilities in Berlin Art Histories Art Histories and Aesthetic Practices. Kunst­ Art Histories and Aesthetic Practices. Kunst­ mit transkulturellen Fragestellungen befassen. Inner- primarily cooperates with the Berlin State Muse- geschichte und ästhetische Praktiken ist ein geschichte und ästhetische Praktiken is a halb Berlins kooperiert Art Histories insbeson dere ums, the Freie Universität, the Humboldt-Uni- Forschungs- und Stipendienprogramm für kunsthi- research and fellowship program which questions mit den Staatlichen Museen, der Freien Universität, versität zu Berlin and the ICI Berlin—Institute for storische Forschung in einem trans kulturellen bzw. and transcends traditional disciplinary boundaries der Humboldt-Universität sowie dem ICI Berlin, Cultural Inquiry. At the federal level and together globalen Horizont. Es wendet sich an Forscher- in a transcultural, global horizon. The program Kultur labor. Mit dem Cluster of Excellence “Asia with Heidelberg University’s Cluster of Excellence innen und Forscher der asiatischen, afrikanischen, invites scholars from Asian, African, Australian, and Europe in a Global Context” der Universität “Asia and Europe in a Global Context” the Art australischen, euro päischen, islamischen, der nord-, European, Islamic art histories, and the art Heidelberg hat das Programm auf Bundesebene eine Histories program initiated a series of events, süd- und zentralamerikanischen Kunstgeschichte, histories of the Americas, as well as scholars Veranstaltungsreihe über das Problem der Sprache concerning the problem of language and termi- der Archäologie sowie anderer Disziplinen, die sich from neighboring disciplines such as archaeology und Sprachfähigkeit einer transregional ausgerichte- nologies in a transregionally oriented history of mit der Geschichte und Gegenwart der visuellen and other fields dealing with the history of visual ten Kunstgeschichte initiiert. Weitere Kooperationen art. Further cooperation with partners throughout Kulturen befassen. cultures. mit Partnern aus dem Bundesgebiet und Europa, Germany and Europe were realized, among them Der Begriff der “ästhetischen Praktiken” soll The concept of “aesthetic practices,” intro- wie beispielsweise mit dem Deutschen Forum für the Deutsches Forum für Kunstgeschichte in Paris dazu einladen, Artefakte mit ihren Biographien sowie duced by the program, is an invitation to study Kunstgeschichte, Paris und dem Zentralinstitut für and the Zentralinstitut für Kunstgeschichte in Transfer- und Transformationsprozesse in transkul- artifacts with their biographies as well as pro- Kunstgeschichte in München, wurden realisiert. Munich. tureller bis postglobaler Perspektive zu untersuchen. cesses of transfer and transformation in a trans- In Kooperation mit dem Haus der Kulturen der The program convened the annual confer- Diese Fragen gelten den Dynamiken des Erzeugens cultural, postcolonial, and global perspective. This Welt richtete Art Histories die Jahreskonferenz des ence of the Forum on “Global Modernities: Conti- und der Wahrnehmung von Dingen, Bildern und includes the dynamics of the production and per- Forums zum Thema “Global Modernities: guities, Infrastructure and Aesthetic Practices” in Architekturen, inklusive der Geschichte ihrer Aus- ception of things, images, and architectures from Contiguities, Infrastructures and Aesthetic Prac- cooperation with the Haus der Kulturen der Welt. stellung, Überarbeitung, musealen Aufbewahrung, the time of their creation to their subsequent tices” aus und hat u.a. den Annual Workshop der It also co-organized the annual workshop of the Neuinszenierung oder Zerstörung. apprehensions up to the present, also including Zeitschrift ARTMargins mit organisiert. Das Travel- journal ARTMargins. The Travelling Seminar to Art Histories bezieht soziologische, gender- their display, storage, oppression, reworking, or ling Seminar in den Iran wurde gemeinsam mit dem Iran was realized together with the 2015 Fellow spezifische, historische, rechts- und religions- destruction. 2015 Fellow Combiz Moussavi-Aghdam vorbereitet Combiz Moussavi-Aghdam. wissenschaftliche, technische, philologische, With the study of “aesthetic practices,” the und realisiert. Art Histories is funded by the German linguistische, geografische, ökolgische und wissen- program engages with sociological, gender-spe- Art Histories wird vom Bundesministerium für Federal Ministry of Education and Research as a schaftshistorische Fragen in die transregionale Erfor- cific, historical, legal, religious, technical, philo- Bildung und Forschung als Projekt am Forum Trans- project at the Forum Transregionale Studien. It is schung ästhetischer Praktiken mit ein. Dies erlaubt, logical, linguistic, geographical, ecological, and regionale Studien gefördert. Es ist assoziiert mit dem associated to the program “Connecting Art Histo- Artefakte als Akteure oder
Load more

Recommended publications
  • A Program of the Stanford Alumni Association March 17 to April 1, 2019
    STANFORD TRAVEL/STUDY JUDITH KEYANI, IRAN, 2016 MOSQUES AND MONUMENTS OF PERSIA March 17 to April 1, 2019 a program of the stanford alumni association Few countries in the world spark the imagination—or create misconceptions—in the minds of Americans as does Iran. In the past 10 years, Stanford has led scores of educational travelers to this cultural and historical gem, and time and again, they return with stories of the country’s amazing sights and of the Iranian people’s incredible warmth and hospitality. “Eye-opening,” “extraordinary,” “humbling” and “not to be missed” are just some of the glowing terms Stanford travelers have used to describe this exceptional destination. Join us and faculty leader Ali Yaycioğlu as we delve deep into a country that is at once full of—and ever on the verge of making—history. BRETT S. THOMPSON, ’83, DIRECTOR, STANFORD TRAVEL/STUDY Highlights VIEW priceless archaeo- STROLL through PONDER the past logical treasures, including peaceful gardens where amid the ruins of legend- the Iranian crown jewels Sufi poets meditated in ary Persepolis, Darius I’s and a collection of rare medieval times, and marvel ceremonial capital and one miniatures, in the museums at the tiled mosques and of the best-preserved sites of Tehran. squares of Isfahan. remaining from the ancient world. COVER: ISFAHAN SHEIKH LOTFOLLAH MOSQUE, ISFAHAN Faculty Leader ALI YAYCIOG˘ LU was born and raised in Ankara, Turkey. His fields of interest include the transformation of the Ottoman Empire in the 18th and 19th centuries. His books and articles focus on the restructuring of economic, political and legal institutions and practices as well as ideas about social order, life and death in this transformative period.
    [Show full text]
  • Day 1: Flight from Your Home Country to Tehran
    Day 1: Flight from your home country to Tehran We prepare ourselves for a fabulous trip to Great Persia. Arrival to Tehran, after custom formality, meet and assist at airport and transfer to the Hotel. O/N: Tehran Day 2: Tehran After breakfast, full day visit Tehran: Niyavaran Palace, Imamzadeh Saleh & Tajrish Bazaar O/N: Tehran The Niavaran Complex is a historical complex situated in Shemiran, Tehran (Greater Tehran), Iran. It consists of several buildings and monuments built in the Qajar and Pahlavi eras. The complex traces its origin to a garden in Niavaran region, which was used as a summer residence by Fath-Ali Shah of the Qajar Dynasty. A pavilion was built in the garden by the order of Naser ed Din Shah of the same dynasty, which was originally referred to as Niavaran House, and was later renamed Saheb Qaranie House. The pavilion of Ahmad Shah Qajar was built in the late Qajar period.During the reign of the Pahlavi Dynasty, a modern built mansion named Niavaran House was built for the imperial family of Mohammad Reza Pahlavi. All of the peripheral buildings of the Saheb Qaranie House, with the exception of the Ahmad Shahi Pavilion, were demolished, and the buildings and structures of the present-day complex were built to the north of the Saheb Qaranie House. In the Pahlavi period, the Ahmad Shahi Pavilion served as an exhibition area for the presents from world eaders to the Iranian monarchs. Imamzadeh Saleh is one of many imamzadeh mosques in Iran. The mosque is located at Tajrish Square in Tehran's northern Shemiran district.
    [Show full text]
  • Culture of Shiraz
    1 AKPIA @ MIT - Studies on ARCHITECTURE, HISTORY & CULTURE History and the Production of the “Culture of Shiraz” Setrag Manoukian Introduction My research project at the Aga Khan Program for Islamic Architecture at MIT focused on the production of knowledge in contemporary Shiraz and in particular on some of the most visible products of this evolving concatenation: the buildings and public initiatives that mark the landscape of Shiraz today.1 These diverse products are constructed, presented, and interpreted mainly through the modality of history, which constitutes the main frame of reference to imagine the city and its place within the Iranian nation. Public history The Islamic Republic, since its inception, has devoted many efforts to the control of public space. These efforts have been oriented toward mapping revolutionary discourse onto streets and squares through images, texts, and objects as well as toward conforming existing images, objects, and texts to what were perceived as the tenets of the new state.2 1 I spent January and February 2004 at AKPIA at MIT and found a lively intellectual community that helped me to sharpen my views. I wish to thank Nasser Rabbat, Heghnar Watenpaugh, and Susan Slyomovics for their insights. 2 For descriptions of revolutionary images, texts, and objects and their relevance in the construction of the revolutionary state see Michael M. J. Fischer and Mehdi Abedi, Debat- ing Muslims: Cultural Dialogues in Postmodernity and Tradition (Madison: University of Wisconsin Press, 1990) and more specifically Peter Chelkoswski and Hamid Dabashi, Staging a Revolution: The Art of Persuasion in the Islamic Republic of Iran (London: 2 A dispersed set of operations projected a forceful regime of signs, struc- turing a prescriptive field that regulates what can be made public.
    [Show full text]
  • The Role of Qibla in the Orientation of the Traditional Mosques in Dezful City
    Bagh- e Nazar, 16 (70):55-70 /Apr. 2019 DOI: 10.22034/bagh.2019.84964 Persian translation of this paper entitled: نقش قبله در جهت گیری مساجد سنتی شهر دزفول is also published in this issue of journal. The Role of Qibla in the Orientation of the Traditional Mosques in Dezful City Hamed Hayati1*, Marziyeh Fakheri Ra’ouf2, Bahareh Karavani3 1. Professor and assistant professor, architecture department, Islamic Azad University, Ahwaz Branch, Ahwaz, Iran. 2. M. A. student, architectural engineering, Jihad University, Khuzestan Branch, Ahwaz, Iran. 3. M. A. student, architectural engineering, Jihad University, Khuzestan Branch, Ahwaz, Iran. Received 2018/07/17 revised 2018/11/03 accepted 2018/12/02 available online 2019/03/21 Abstract Statement of the Problem: Since the advent of Islam, the design of mosques have been really important to the Islamic architects. Its importance is well-evident in the designing of all its elements which has introduced the mosque as the most outstanding edifice in Islamic architecture. Since long time ago, mosque architectures and designers have esteemed certain principles regarding the preservation of an orientation towards the God from the beginning of an individual’s entry to the mosque till facing towards the Qibla as well as the maintenance of hierarchal movements. Thus, the most important problem of the present study is the role played by Qibla in spatial organization of the mosque. Based thereon, the issue has been investigated in the architecture of the traditional mosques in Dezful in terms of the spatial axis and movement hierarchy considerations so that the ground could be set for the designing and constructing of the contemporary mosques.
    [Show full text]
  • An Investigation of Historical Structures in Iranian Ancient Architecture
    Architecture Research 2011; 1(1): 1-7 DOI: 10.5923/j.arch.20110101.01 An Investigation of Historical Structures in Iranian Ancient Architecture Katayoun Taghizadeh Department of Architecture, University of Tehran, Tehran, 1417466191, Iran Abstract The pre-Islamic styles of Iranian architecture draw on 3-4 thousand years of architectural development from various. Each of the periods of Elamites, Achaemenids, Parthians, and Sassanids were creators of great architecture that over the ages has spread wide and far to other cultures being adopted. Although Iran has suffered its share of destruction, including Alexander the Great's decision to burn Persepolis, there are sufficient remains to form a picture of its classical architecture. This paper featuring a chronological description of structural styles, information on traditional construction materials, as well as an analysis of numerous structures, this interest and informative text will be of importance to anyone with a technical interest in structural history and presents a general overview of the structural and architectural characteris- tics of Iranian historical structures and investigates historical buildings of Iran through a structural engineering approach. This paper includes a chronological description of architectural styles from the beginning to the end of Sassanid’s (before Islam). Keywords Iranian Architecture, Iranian Structures, Dome, Vault, Traditional Structures flowered during the Sassanid period with massive bar- 1. Introduction rel-vaulted chambers, solid masonry domes, and tall col- umns. This influence was to remain for years to come. The pre-Islamic styles of Iranian architecture draw on 3-4 thousand years of architectural development from various. Each of the periods of Elamites, Achaemenids, Parthians, 2.
    [Show full text]
  • Itinerary Open-Jaw Persia 2 with Turkish Airline (13 Days)
    Itinerary Open-Jaw Persia 2 with Turkish airline (13 Days) Day 1: Arrive in Tabriz, Visit Tabriz & Kandovan village (56 k.m. nonstop drive, approx. 1 hour and 30 mins) Sightseeing: bazaar, Blue Mosque, Azerbaijan Museum, Iron Age Museum, El Goli, Kandovan village Upon your pre-dawn arrival at Tabriz airport, our representative, carrying our logo show card (transfer information), will meet and transfer you to your hotel. You will have time to rest and relax before our morning tour of Tabriz begins. Iranian Azerbaijanis are one of the most cultured and bravest races in Iran, the Azeris. And Tabriz is the most populated city in Azerbaijan,one of the historical capitals of Iran and the present capital of East Azerbaijan. The city is famous for its handicrafts, including hand-woven rugs and jewelry. Local confectionery, chocolate, dried nuts and traditional Tabrizi food are recognized throughout Iran as some of the best. Tabriz contains many historical monuments, representing Iran's architectural transition throughout its deep history. Most of Tabriz's preserved historic sites, which we will visit, belong to Ilkhanid, Safavid and Qajar. We leave the hotel at 9 for a visit to the exotic bazaar which is one of the oldest bazaars in the Middle East and the largest covered traditional bazaar in the world. It was inscribed as World Heritage Site by UNESCO in July 2010. Then we pay a visit to the Blue Mosque, a famous historic mosque built in 1465 upon the order of Jahan Shah, the ruler of Kara Koyunludynasty which made Tabriz the capital of his Kingdom.
    [Show full text]
  • Flight from Your Home Country to Tehran We Prepare Ourselves for A
    Day 1: Flight from your home country to Tehran We prepare ourselves for a fabulous trip to Great Persia. Arrival to Tehran, after custom formality, meet and assist at airport and transfer to the Hotel. O/N: Tehran Day 2: Tehran After breakfast, full day visit Tehran: Niyavaran Palace, Imamzadeh Saleh & Tajrish Bazaar O/N: Tehran The Niavaran Complex is a historical complex situated in Shemiran, Tehran (Greater Tehran), Iran. It consists of several buildings and monuments built in the Qajar and Pahlavi eras. The complex traces its origin to a garden in Niavaran region, which was used as a summer residence by Fath-Ali Shah of the Qajar Dynasty. A pavilion was built in the garden by the order of Naser ed Din Shah of the same dynasty, which was originally referred to as Niavaran House, and was later renamed Saheb Qaranie House. The pavilion of Ahmad Shah Qajar was built in the late Qajar period.During the reign of the Pahlavi Dynasty, a modern built mansion named Niavaran House was built for the imperial family of Mohammad Reza Pahlavi. All of the peripheral buildings of the Saheb Qaranie House, with the exception of the Ahmad Shahi Pavilion, were demolished, and the buildings and structures of the present-day complex were built to the north of the Saheb Qaranie House. In the Pahlavi period, the Ahmad Shahi Pavilion served as an exhibition area for the presents from world eaders to the Iranian monarchs. Imamzadeh Saleh is one of many imamzadeh mosques in Iran. The mosque is located at Tajrish Square in Tehran's northern Shemiran district.
    [Show full text]
  • Iran-Tour-2022 In-Depth
    930 Irwin Street, Suite 222, San Rafael, CA 94901 Phone: 415-381-5861 ◆ 888-367-6147 [email protected] ◆ www.originalworld.com CST Permit #2057026-40 Persian Treasures of Iran In-Depth Tour: 28 Days/27 Nights May 1-28 and September 28-October 25, 2022 September Tour Follows Our Tour to The Caucasus Persian Treasures of Iran is an in-depth exploration of this intriguing country. The journey offers a comprehensive experience of the major cities and sites of Iran, plus smaller towns and villages, with opportunities for interaction with local people and immersion with the culture. We will visit historic sites, ancient traditional villages, enjoy spectacular landscapes, browse crafts centers and local bazaars. Our itinerary gives distances; coaches do 50-70 km an hour depending on roads (mountainous or flat) and the drives are mostly full days with en-route visits. The roads are very good here and not “bumpy dirt” roads. DETAILED ITINERARY May 1 /Sep 28 Sun Day 1 ARRIVAL TEHRAN PM OR May 2/Sep 29 ARRIVAL TEHRAN EARLY AM You will be met at the airport and transferred to hotel. Rest of day/evening at leisure. May 2/Sep 29 Mon Day 2 TEHRAN TOUR Come down to breakfast as you wish, breakfast restaurant opens at 7 am. We shall meet our guide in the lobby at 8:40 am and head out, about a 20 minute drive, to visit to the opulent Golestan Palace/Museum Complex, the former residence of the 19th early 20th century Qajar Kings of Iran, with several museums including the Marble Throne Room.
    [Show full text]
  • 1 Iran Triplog October 10 to 12.We Started the Trip with an Overnight,13
    Iran Triplog October 10 to 12.We started the trip with an overnight,13-hour Qatar flight to Doha; followed by a 7-hour layover; and then a 2.5-hour flight to Tehran, arriving at 4 am on the 12th. We whisked through security and immigration (unlike others whose luggage was thoroughly searched) and we were met at the airport by a driver and the assistant guide, Javad. The drive to the Espinas Hotel (which turned out to be the best hotel of the trip) took about an hour and we checked in and napped for 3 hours or so before going to breakfast. October 12. We were pleased to discover when we checked in that the breakfast was included. It was a selection of yoghurts, cheeses, breads, cereals, various fruits, dates, honey, a spinach frittata “cucu sabzi”, etc., as well 3 or 4 hot selections and an omelet station. To varying degrees, this was the breakfast at each hotel, so we had lots of options and plenty of food. After breakfast, we walked around the neighborhood a bit, then walked to Laleh Park and spent some time walking there. It’s a very large park, and each time we walked there we discovered a new section. There is a small Japanese area with stepping stones, a stage with cement seating, an area where locals blocked off sections and put up nets for net games, a long waterway flanked with blooming oleander, sculptures of historical figures, and flower beds in various areas, a pond, an area of woods…oh, and lots of very well-fed cats.
    [Show full text]
  • Issn: 2277–4998
    IJBPAS, November, 2015, 4(11), Special Issue: 281-292 ISSN: 2277–4998 ARCH AND ROOF TYPOLOGY OF HAKIM MOSQUE IN ISFAHAN HOUTAN IRAVANI1, DAVOOD REZA LARICHEH2, MAHDI REZVANI2, IMAN SEMSAR2, MOHAMMAD REZA PAK NAHAD2, OMIDPAHLEVAN SADEGH2 1Ph.D, Department of Architecture, Ardestan Branch, Islamic Azad University, Ardestan, Iran 2Department of Architecture, Ardestan Branch, Islamic Azad University, Ardestan, Iran ABSTRACT Iranian art of architecture, has given the best possible answer to architecture needs of inhabitants of this land centuries before Islam, while ensuring compliance with all requirements and climatic characteristics and geographical conditions. This was amazing harmony between man, nature and the compatibility of thousands of years of human artifacts and masters of precious natural heritage and indigenous artist and patriotic border that entrusted to us the stewardship task. One of the artists was David Hakim who was physician of Shah Abbas II that for some reason he had gone to India and with the wealth had acquired, he had built a mosque called Hakim Mosque in Isfahan. A variety of techniques was used in the mosque architecture, especially in the implementation of the arch and roof in after years. 1. Arch including the tent arch, four arch roof, skullcap and the so-called Cymatium, known as Row of Stars and the arch of short dome covering the yard in winter 2. Materials of multiplicative arch pool house 3- narrow roof arch in the northwest side before reaching the entrance to the Jerjir 4. Vaulting in a short distance that the infrastructure of roof arch and fountain which is called the arch and vault arch known as the northwest, southwest, northeast, and southeast we see.
    [Show full text]
  • Investigating Sacred Architectural Values of Traditional Mosques
    Int. J. Architect. Eng. Urban Plan, 29(1): 47-59, June 2019 RESEARCH PAPER Architectural History Investigating Sacred Architectural Values of Traditional Mosques Based on the Improvement of Spiritual Design Quality in the Architecture of Modern Mosques (Case Study: Traditional Mosques in Iran) J. Mahdi Nejad1, H. Azemati2, A. Sadeghi Habib Abad3,* 1Associate Professor, Department of Architecture, Shahid Rajaee Teacher Training University, (SRTTU), Iran 2Professor, Department of Architecture, Shahid Rajaee Teacher Training University, (SRTTU), Iran 3PhD. Candidate, Department of Architecture, Shahid Rajaee Teacher Training University, (SRTTU), Iran Received: October 2018, Revised: April 2019, Accepted: April 2019, Available online: June 2019 Abstract In the history of Iranian architecture, mosques have always been the apex of Islamic art and architecture. The architecture of mosques seeks inspiration from the concepts of divine words to provide a space connecting the heavens and the material world and create a single spiritual environment. It is so important to identify the transcendental values of the past and choose the most essential values for considering the criteria adapted to the time and local conditions of today’s society. Seeking an applied purpose, this had used a qualitative and quantitative approach based on descriptive-survey research methodology. To this end, 16 valuable mosques of the traditional Iranian-Islamic architecture were initially investigated and their values and indicators were identified and confirmed by 8 experts to achieve architectural transcendence. The statistical population included architecture students of all technical faculties throughout Iran. 5 universities were selected through random cluster sampling and the sample size was 190 people; hence, 175 questionnaires were approved by eliminating the incomplete questionnaires.
    [Show full text]
  • A Classical View of Iran
    IMPORTANT POINTS TEHRAN: - GOLESTAN PALACE - NATIONAL MUSEUM OF IRAN - TREASURY OF NATIONAL JEWELS MUSEUM - CARPET MUSEUM - MILAD TOWER - AZADI TOWER - NIYAVARAN PALACE - SAAD ABAAD PALACE - DARBAND MOUNTAIN - TAJRISH BAZAAR SHIRAZ: - NASIR-OL-MOLK MOSQUE - KARIM KHAN CITADEL - VAKIL MOSQUE, BAZAAR AND MOSHIR SARAY - ERAM GARDEN - HAFEZ TOMB - QURAN GATE - PERSEPOLISE - NAQSH-E ROSTAM YAZD: - TOWER OF SILENCE - FIRE TEMPLE - WATER MUSEUM - QANAT - FAHADAN DISTRICT - AMIR CHAKHMAKH COMPLEX - DOWLAT ABAD GARDEN ISFAHAN: - CHEHEL SOTUN PALACE - MEIDANE EMAM - IMAM MOSQUE - THE PAVILION OF ALI’QAPU - SHEIKH LOTFOLLAH MOSQUE. - GRAND BAZAAR - JAME MOSQUE - VANK CATHEDRAL - MENAR-JONBAN - SIYOSEPOL & KHADJU BRIDGE KASHAN: - FIN GARDEN - TABATABAEI TRADITIONAL HOUSE - BOROUJERDI TRADITIONAL HOUSE A CLASSICAL VIEW OF IRAN OJJ OVER NIGHTS: TEHRAN, SHIRAZ, YAZD, ISFAHAN, KASHAN TOUR LENGTH: 11 DAYS, 10 NIGHTS Day 1: Arrival in Tehran leisure time in the nature to enjoy spectacular sceneries and great food You will arrive in Iran early in the morning and we have a lot to venture, in its restaurants in the mountain. It is a fabulous choice to breathe numerous places to visit, so get some good rest to get up all energetic some fresh air and be away from the air-pollution of the mega city. and fresh in the morning. Then we will visit Tajrish Bazaar one of the oldest areas of Tehran. This O/N Tehran center of commerce is decorated with well-designed arches. The bazaar has many passage ways leading to different sections where you Day 2: Tehran can purchase a variety of goods and products.in the next we will A full day Sightseeing in Tehran including: We will enjoy ourselves transfer to Airport to have flight to where the Capital of ancient Persia while visiting Golestan Palace (WHS) one of the oldest of the historic located in ,Shiraz.
    [Show full text]