P56-58 MISYZS 10D7N Wonders of Iran.Ai
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14 Days Persia Classic Tour Overview
Tour Name: 14 Days Persia Classic Tour Tour Code: OT1114001 Tour Duration: 14 Days and 13 Nights Tour Category: Discovery / Cultural Tour Difficulty: 2 Tour Tags: Classic Tour Tour Best Date: 12 months Tour Services Type: 3*/4* / All-inclusive Tour Destinations: Tehran/Kashan/Esfahan/Yazd/Shiraz/Kerman Related tours code: Number ticket limits: 2-16 Overview: Landing to Persia, Iran is a country with endless history and tradition and you explore both ancient Persia and modern Iran. Our Persia Classic Tour program includes the natural and historical attractions old central parts of Iran. In this route, we will visit cities like Tehran, Kashan, Isfahan, Yazd, Shiraz and finally Kerman. Actually, in most of these areas, living in warm and dry areas has been linked with history and has shaped the lifestyle that is specific to these areas. Highlights: . It’s a 14 days Iran classic discovery and cultural tour. The tour starts and ends in Tehran. In between, we visit 6 main cities and 17 amazing UNESCO world heritage site in Iran. Visit amazing UNESCO world heritage sites in Iran Tour Map: Tour Itinerary: Landing to PERSIA Welcome to Iran. To be met by your tour guide at the airport (IKA airport), you will be transferred to your hotel. We will visit Golestan Palace* (one of Iran UNESCO World Heritage site) and grand old bazaar of Tehran (depends on arrival time). O/N Tehran Magic of Desert (Kashan) Leaving Tehran behind, on our way to Kashan, we visit Ouyi underground city. Then continue to Kashan to visit Tabatabayi historical house, Borujerdiha/Abbasian historical house, Fin Persian garden*, a relaxing and visually impressive Persian garden with water channels all passing through a central pavilion. -
Issyk-Kul 2020 International Exhibition of Photography
ISSYK-KUL 2020 INTERNATIONAL EXHIBITION OF PHOTOGRAPHY FIAP 2020/316 PSA 2020-151 FPC W2020/P06 2020 FIAP 2020/316 PSA 2020-151 FPC W2020/P06 ARE YOU GOING TO ORGANIZE AN INTERNATIONAL EXHIBITION? You make the policies and branding, Salon.Photo Platform will do the rest, automatically and errorlessly! Website, Gathering of Photos, Judging Software & etc. www.Salon.Photo [email protected] Salon.Photo Platform and Judgment® Software are made by Focus Team Software Group, it include a website for announcing the rules, news, status list and result and sing up entrants. Entrants can upload their art works(single or collection), edit their profile and entries, fill out the titles and pay their fee. The administrator also has access too several reports such as full information about entrants, entries, payments, statistic of country etc. All entries get uniquely renamed by the software. The entry later will be downloaded using FTP and will be import to Judgment Software for judging. Later on, all results will be exported from the software and will be imported to the website. As all the process is automated there will be no mistake. Judgment® Software has all the requirements for judging such as: high speed, network judging, several stages of judging based on acceptance/rejection or scores, selection based on percentage or numbers, ability to return to the previews stage and selecting between special groups of works etc. Every jury member can select works by his keyboard. All the requested information for FIAP/PSA catalogs such as list of acceptances and table of statistics can be exported from the software. -
A Program of the Stanford Alumni Association March 17 to April 1, 2019
STANFORD TRAVEL/STUDY JUDITH KEYANI, IRAN, 2016 MOSQUES AND MONUMENTS OF PERSIA March 17 to April 1, 2019 a program of the stanford alumni association Few countries in the world spark the imagination—or create misconceptions—in the minds of Americans as does Iran. In the past 10 years, Stanford has led scores of educational travelers to this cultural and historical gem, and time and again, they return with stories of the country’s amazing sights and of the Iranian people’s incredible warmth and hospitality. “Eye-opening,” “extraordinary,” “humbling” and “not to be missed” are just some of the glowing terms Stanford travelers have used to describe this exceptional destination. Join us and faculty leader Ali Yaycioğlu as we delve deep into a country that is at once full of—and ever on the verge of making—history. BRETT S. THOMPSON, ’83, DIRECTOR, STANFORD TRAVEL/STUDY Highlights VIEW priceless archaeo- STROLL through PONDER the past logical treasures, including peaceful gardens where amid the ruins of legend- the Iranian crown jewels Sufi poets meditated in ary Persepolis, Darius I’s and a collection of rare medieval times, and marvel ceremonial capital and one miniatures, in the museums at the tiled mosques and of the best-preserved sites of Tehran. squares of Isfahan. remaining from the ancient world. COVER: ISFAHAN SHEIKH LOTFOLLAH MOSQUE, ISFAHAN Faculty Leader ALI YAYCIOG˘ LU was born and raised in Ankara, Turkey. His fields of interest include the transformation of the Ottoman Empire in the 18th and 19th centuries. His books and articles focus on the restructuring of economic, political and legal institutions and practices as well as ideas about social order, life and death in this transformative period. -
A Look at the History of Calligraphy in Decoration of Mosques in Iran: 630-1630 AD Cengiz Tavşan, Niloufar Akbarzadeh
World Academy of Science, Engineering and Technology International Journal of Architectural and Environmental Engineering Vol:12, No:3, 2018 A Look at the History of Calligraphy in Decoration of Mosques in Iran: 630-1630 AD Cengiz Tavşan, Niloufar Akbarzadeh as strength, comfort and expansion. Throughout history, Abstract—Architecture in Iran has a continuous history from at Iranian architecture had its own originality and simplicity. All least 5000 BC to the present, and numerous Iranian pre-Islamic parts of Iran, especially villages and ancient monuments are elements have contributed significantly to the formation of Islamic like a live but old book of art and architecture, history, which art. At first, decoration was limited to small objects and containers in a brief moment, each page of that opens the gates of several and then progressed in the art of plaster and brickwork. They later applied in architecture as well. The art of gypsum and brickwork, thousand years of history to the visitors [7]. which was prevalent in the form of motifs (animals and plants) in Repeat motifs, symbolic role and decorations are one of the pre-Islam, was used in the aftermath of Islam with the art of main subjects in Iranian art. In Iranian architecture, the calligraphy in decorations. The splendor and beauty of Iranian symbolic elements generally embossed with carving and architecture, especially during the Islamic era, are related to painting integrated with elements of construction and decoration and design. After the invasion of Iran by the Arabs and the environmental, which makes it a new and inseparable introduction of Islam to Iran, the arrival of the Iranian classical architecture significantly changed, and we saw the Arabic calligraphy combination. -
Interview with Bahman Jalali1
11 Interview with Bahman Jalali1 By Catherine David2 Catherine David: Among all the Muslim countries, it seems that it was in Iran where photography was first developed immediately after its invention – and was most inventive. Bahman Jalali: Yes, it arrived in Iran just eight years after its invention. Invention is one thing, what about collecting? When did collecting photographs beyond family albums begin in Iran? When did gathering, studying and curating for archives and museum exhibitions begin? When did these images gain value? And when do the first photography collections date back to? The problem in Iran is that every time a new regime is established after any political change or revolution – and it has been this way since the emperor Cyrus – it has always tried to destroy any evidence of previous rulers. The paintings in Esfahan at Chehel Sotoon3 (Forty Pillars) have five or six layers on top of each other, each person painting their own version on top of the last. In Iran, there is outrage at the previous system. Photography grew during the Qajar era until Ahmad Shah Qajar,4 and then Reza Shah5 of the Pahlavi dynasty. Reza Shah held a grudge against the Qajars and so during the Pahlavi reign anything from the Qajar era was forbidden. It is said that Reza Shah trampled over fifteen thousand glass [photographic] plates in one day at the Golestan Palace,6 shattering them all. Before the 1979 revolution, there was only one book in print by Badri Atabai, with a few photographs from the Qajar era. Every other photography book has been printed since the revolution, including the late Dr Zoka’s7 book, the Afshar book, and Semsar’s book, all printed after the revolution8. -
Final Report Contents
Ministry of Education Youth Scholar Club Tarbiat Modares University of Tehran Shahid Beheshti University University Tehran Municipality Iran’s National Cultural Heritage, Elites Foundation Handicrafts and Tourism Organization of Iran This page intentionally left blank Content Curators: Prof. Saman Hosseinkhani Dr. Mohammad Keramuddini Dr. Ata Kalirad Dr. Somayeh Saghamanesh Mohammad Javad Meghrazi Amir Ashraf Ganjuee Alireza Majd Editor: Bardia Khosravi Layout & Graphic Design: Mahdi Baskhah IBO2018 Final Report Contents 1 Preface 2.1. Preface 2.2. About I.R. Iran 2.3. About Tehran 2.4. About Tarbiat Modares University 2.5. About University of Tehran 2.6. About Shahid Beheshti University Preface It was our pleasure to be your host during IBO 2018 in Tehran, the capital of Iran and the heart of the great Persian civilization. Exactly 20 years ago Iran joined IBO family and since then has been an active member of all past competitions. In the last year, our dreams came true and we were the host of 29th International Bi- ology Olympiad. Saman Hosseinkhani Chairman of IBO2018 For 2 years, before IBO 2018, my colleagues in the scientific and exec- utive committees worked hard to prepare all required materials and equipment for practical tasks and design of theoretical questions. Three major Iranian universities including Tarbiat Modares University, University of Tehran and Shahid Beheshti University had major scien- tific contributions. Although students were here for competition there is one thing be- yond the competition, friendship. I’m sure our students started strong friendships in order to make the future scientific collaborative network. I have to thank more than 200 scientific committee members, scien- tific assistants and organizers who have worked hard, day and night, in order to bring the dream of IBO 2018 into life. -
Day 1: Flight from Your Home Country to Tehran Capital of IRAN
Day 1: Flight from your home country to Tehran capital of IRAN We prepare ourselves for a fabulous trip to Great Persia. Arrival to Tehran, after custom formality, meet and assist at airport and transfer to the Hotel. Day 2: Tehran After breakfast in hotel, we prepare to start for city sightseeing, visit Niyavaran Palace,Lunch in a local restaurant during the visit .In the afternoon visit Bazaar Tajrish and Imamzadeh Saleh mausoleu. The NiavaranComplex is a historical complex situated in Shemiran, Tehran (Greater Tehran), Iran. It consists of several buildings and monuments built in the Qajar and Pahlavi eras. The complex traces its origin to a garden in Niavaran region, which was used as a summer residence by Fath-Ali Shah of the Qajar Dynasty. A pavilion was built in the garden by the order of Naser ed Din Shah of the same dynasty, which was originally referred to as Niavaran House, and was later renamed Saheb Qaranie House. The pavilion of Ahmad Shah Qajarwas built in the late Qajar period.During the reign of the Pahlavi Dynasty, a modern built mansion named Niavaran House was built for the imperial family of Mohammad Reza Pahlavi. All of the peripheral buildings of the Saheb Qaranie House, with the exception of the Ahmad Shahi Pavilion, were demolished, and the buildings and structures of the present-day complex were built to the north of the Saheb Qaranie House. In the Pahlavi period, the Ahmad Shahi Pavilion served as an exhibition area for the presents from world eaders to the Iranian monarchs. Im?mz?deh S?leh is one of many Im?mzadeh mosques in Iran. -
Iranian-Tour-Details
10 days / 9 nights Starting from $1450.00 per person based on double occupancy $550 single supplement Day one Leave United States for your flight to Shiraz Day two: Shiraz Arrive to Shiraz. Our guide is waiting to greet and transfer you to your hotel where you sill stay overnight in Shiraz. Day three: Shiraz The first full tour day begins an educational adventure led by our Group Leader. First we will visit the beautiful Narenjestan Garden, circa 1257 CS, which features a richly decorated pavilion set among graceful trees. Next, we’ll walk to the Vakil Bazaar - one of the finest and most important bazaars of historical Iran, established in the 11th century CE. The next visit is to the Tomb of Hafez, Iran’s greatest lyric poet, followed by the Tomb of Sa’adi whose poems and tales are still known to every Iranian. After that, we will journey to the downtown part of the city to the Arg-E Karim (Karim Khan Citadel). It was named after a king of the 18th century Zand Dynasty, who made this city his capital. You will learn the history of the citadel, King Karim Khan and the dynasty. Finally, we will enjoy the shining domes ov Ali Ebn- e Hamze and Holy Shrine of Shah Cheragh. You will spend the night in your hotel in Shiraz. Day four: Shiraz – Persepolis – Pasargadae – Yazd Once we check out of the hotel, we will take a vehicle to Yazd, one of the most distinctive cities in Iran, renowned for its Persian architecture. Along the way, we will visit Persepolis in the heart of the fabled Persian Empire. -
Day 1: Flight from Your Home Country to Tehran
Day 1: Flight from your home country to Tehran We prepare ourselves for a fabulous trip to Great Persia. Arrival to Tehran, after custom formality, meet and assist at airport and transfer to the Hotel. O/N: Tehran Day 2: Tehran After breakfast, full day visit Tehran: Niyavaran Palace, Imamzadeh Saleh & Tajrish Bazaar O/N: Tehran The Niavaran Complex is a historical complex situated in Shemiran, Tehran (Greater Tehran), Iran. It consists of several buildings and monuments built in the Qajar and Pahlavi eras. The complex traces its origin to a garden in Niavaran region, which was used as a summer residence by Fath-Ali Shah of the Qajar Dynasty. A pavilion was built in the garden by the order of Naser ed Din Shah of the same dynasty, which was originally referred to as Niavaran House, and was later renamed Saheb Qaranie House. The pavilion of Ahmad Shah Qajar was built in the late Qajar period.During the reign of the Pahlavi Dynasty, a modern built mansion named Niavaran House was built for the imperial family of Mohammad Reza Pahlavi. All of the peripheral buildings of the Saheb Qaranie House, with the exception of the Ahmad Shahi Pavilion, were demolished, and the buildings and structures of the present-day complex were built to the north of the Saheb Qaranie House. In the Pahlavi period, the Ahmad Shahi Pavilion served as an exhibition area for the presents from world eaders to the Iranian monarchs. Imamzadeh Saleh is one of many imamzadeh mosques in Iran. The mosque is located at Tajrish Square in Tehran's northern Shemiran district. -
Iran Detailed Itinerary
Iran has always been a source of mystery for the intrepid traveler! It has witnessed more than ten thousand years of history and is a land of rich culture and home to several World Heritage Sites. It is a place where the teachings of great mystics, philosophers and poets alike are treasured and will be continued for thousands of years to come. It is a country of spectacular physical beauty stretching from the tropical shores of the Caspian Sea to the desert and oasis towns of Kavir and Lut and on to the snowcapped Zagros and Elborz Mountains. The variety of scenery to be found throughout Iran is breathtaking and the thousands of minarets and domes glistening in the sun bear witness to the splendor of Islamic architecture. ! Day 1 | Tehran We will arrange for a VIP arrival in Tehran. You will be met as you disembark from the aircraft, and will be accompanied to the VIP lounge where your immigration papers will be processed. You will then be escorted into the arrival’s area where your guide will be waiting for you. Transfer to the Laleh Hotel. The hotel room will be ready for immediate check-in. Remainder of the morning is at leisure to catch up on some sleep, relax, and freshen up. Tehran is a bustling metropolis city of almost 15 million people and a city of contrasts. It is modern and traditional, secular and religious, rich and poor. We spend the afternoon exploring some of the city’s treasures beginning at the Golestan Palace, the former residence of the 19th and early 20th century Qajar Kings of Iran. -
Culture of Shiraz
1 AKPIA @ MIT - Studies on ARCHITECTURE, HISTORY & CULTURE History and the Production of the “Culture of Shiraz” Setrag Manoukian Introduction My research project at the Aga Khan Program for Islamic Architecture at MIT focused on the production of knowledge in contemporary Shiraz and in particular on some of the most visible products of this evolving concatenation: the buildings and public initiatives that mark the landscape of Shiraz today.1 These diverse products are constructed, presented, and interpreted mainly through the modality of history, which constitutes the main frame of reference to imagine the city and its place within the Iranian nation. Public history The Islamic Republic, since its inception, has devoted many efforts to the control of public space. These efforts have been oriented toward mapping revolutionary discourse onto streets and squares through images, texts, and objects as well as toward conforming existing images, objects, and texts to what were perceived as the tenets of the new state.2 1 I spent January and February 2004 at AKPIA at MIT and found a lively intellectual community that helped me to sharpen my views. I wish to thank Nasser Rabbat, Heghnar Watenpaugh, and Susan Slyomovics for their insights. 2 For descriptions of revolutionary images, texts, and objects and their relevance in the construction of the revolutionary state see Michael M. J. Fischer and Mehdi Abedi, Debat- ing Muslims: Cultural Dialogues in Postmodernity and Tradition (Madison: University of Wisconsin Press, 1990) and more specifically Peter Chelkoswski and Hamid Dabashi, Staging a Revolution: The Art of Persuasion in the Islamic Republic of Iran (London: 2 A dispersed set of operations projected a forceful regime of signs, struc- turing a prescriptive field that regulates what can be made public. -
Service Quality Approach in Development of Children's Visit Model
SERVICE QUALITY APPROACH IN DEVELOPMENT OF CHILDREN'S VISIT MODEL. CASE STUDY GOLESTAN PALACE MUSEUM, TEHRAN, IRAN Seyedeh Yasamin Hosseini Per citar o enllaçar aquest document: Para citar o enlazar este documento: Use this url to cite or link to this publication: http://www.tdx.cat/handle/10803/667502 ADVERTIMENT. L'accés als continguts d'aquesta tesi doctoral i la seva utilització ha de respectar els drets de la persona autora. Pot ser utilitzada per a consulta o estudi personal, així com en activitats o materials d'investigació i docència en els termes establerts a l'art. 32 del Text Refós de la Llei de Propietat Intel·lectual (RDL 1/1996). Per altres utilitzacions es requereix l'autorització prèvia i expressa de la persona autora. En qualsevol cas, en la utilització dels seus continguts caldrà indicar de forma clara el nom i cognoms de la persona autora i el títol de la tesi doctoral. No s'autoritza la seva reproducció o altres formes d'explotació efectuades amb finalitats de lucre ni la seva comunicació pública des d'un lloc aliè al servei TDX. Tampoc s'autoritza la presentació del seu contingut en una finestra o marc aliè a TDX (framing). Aquesta reserva de drets afecta tant als continguts de la tesi com als seus resums i índexs. ADVERTENCIA. El acceso a los contenidos de esta tesis doctoral y su utilización debe respetar los derechos de la persona autora. Puede ser utilizada para consulta o estudio personal, así como en actividades o materiales de investigación y docencia en los términos establecidos en el art.