A Classical View of Iran
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Issyk-Kul 2020 International Exhibition of Photography
ISSYK-KUL 2020 INTERNATIONAL EXHIBITION OF PHOTOGRAPHY FIAP 2020/316 PSA 2020-151 FPC W2020/P06 2020 FIAP 2020/316 PSA 2020-151 FPC W2020/P06 ARE YOU GOING TO ORGANIZE AN INTERNATIONAL EXHIBITION? You make the policies and branding, Salon.Photo Platform will do the rest, automatically and errorlessly! Website, Gathering of Photos, Judging Software & etc. www.Salon.Photo [email protected] Salon.Photo Platform and Judgment® Software are made by Focus Team Software Group, it include a website for announcing the rules, news, status list and result and sing up entrants. Entrants can upload their art works(single or collection), edit their profile and entries, fill out the titles and pay their fee. The administrator also has access too several reports such as full information about entrants, entries, payments, statistic of country etc. All entries get uniquely renamed by the software. The entry later will be downloaded using FTP and will be import to Judgment Software for judging. Later on, all results will be exported from the software and will be imported to the website. As all the process is automated there will be no mistake. Judgment® Software has all the requirements for judging such as: high speed, network judging, several stages of judging based on acceptance/rejection or scores, selection based on percentage or numbers, ability to return to the previews stage and selecting between special groups of works etc. Every jury member can select works by his keyboard. All the requested information for FIAP/PSA catalogs such as list of acceptances and table of statistics can be exported from the software. -
A Program of the Stanford Alumni Association March 17 to April 1, 2019
STANFORD TRAVEL/STUDY JUDITH KEYANI, IRAN, 2016 MOSQUES AND MONUMENTS OF PERSIA March 17 to April 1, 2019 a program of the stanford alumni association Few countries in the world spark the imagination—or create misconceptions—in the minds of Americans as does Iran. In the past 10 years, Stanford has led scores of educational travelers to this cultural and historical gem, and time and again, they return with stories of the country’s amazing sights and of the Iranian people’s incredible warmth and hospitality. “Eye-opening,” “extraordinary,” “humbling” and “not to be missed” are just some of the glowing terms Stanford travelers have used to describe this exceptional destination. Join us and faculty leader Ali Yaycioğlu as we delve deep into a country that is at once full of—and ever on the verge of making—history. BRETT S. THOMPSON, ’83, DIRECTOR, STANFORD TRAVEL/STUDY Highlights VIEW priceless archaeo- STROLL through PONDER the past logical treasures, including peaceful gardens where amid the ruins of legend- the Iranian crown jewels Sufi poets meditated in ary Persepolis, Darius I’s and a collection of rare medieval times, and marvel ceremonial capital and one miniatures, in the museums at the tiled mosques and of the best-preserved sites of Tehran. squares of Isfahan. remaining from the ancient world. COVER: ISFAHAN SHEIKH LOTFOLLAH MOSQUE, ISFAHAN Faculty Leader ALI YAYCIOG˘ LU was born and raised in Ankara, Turkey. His fields of interest include the transformation of the Ottoman Empire in the 18th and 19th centuries. His books and articles focus on the restructuring of economic, political and legal institutions and practices as well as ideas about social order, life and death in this transformative period. -
A Look at the History of Calligraphy in Decoration of Mosques in Iran: 630-1630 AD Cengiz Tavşan, Niloufar Akbarzadeh
World Academy of Science, Engineering and Technology International Journal of Architectural and Environmental Engineering Vol:12, No:3, 2018 A Look at the History of Calligraphy in Decoration of Mosques in Iran: 630-1630 AD Cengiz Tavşan, Niloufar Akbarzadeh as strength, comfort and expansion. Throughout history, Abstract—Architecture in Iran has a continuous history from at Iranian architecture had its own originality and simplicity. All least 5000 BC to the present, and numerous Iranian pre-Islamic parts of Iran, especially villages and ancient monuments are elements have contributed significantly to the formation of Islamic like a live but old book of art and architecture, history, which art. At first, decoration was limited to small objects and containers in a brief moment, each page of that opens the gates of several and then progressed in the art of plaster and brickwork. They later applied in architecture as well. The art of gypsum and brickwork, thousand years of history to the visitors [7]. which was prevalent in the form of motifs (animals and plants) in Repeat motifs, symbolic role and decorations are one of the pre-Islam, was used in the aftermath of Islam with the art of main subjects in Iranian art. In Iranian architecture, the calligraphy in decorations. The splendor and beauty of Iranian symbolic elements generally embossed with carving and architecture, especially during the Islamic era, are related to painting integrated with elements of construction and decoration and design. After the invasion of Iran by the Arabs and the environmental, which makes it a new and inseparable introduction of Islam to Iran, the arrival of the Iranian classical architecture significantly changed, and we saw the Arabic calligraphy combination. -
Final Report Contents
Ministry of Education Youth Scholar Club Tarbiat Modares University of Tehran Shahid Beheshti University University Tehran Municipality Iran’s National Cultural Heritage, Elites Foundation Handicrafts and Tourism Organization of Iran This page intentionally left blank Content Curators: Prof. Saman Hosseinkhani Dr. Mohammad Keramuddini Dr. Ata Kalirad Dr. Somayeh Saghamanesh Mohammad Javad Meghrazi Amir Ashraf Ganjuee Alireza Majd Editor: Bardia Khosravi Layout & Graphic Design: Mahdi Baskhah IBO2018 Final Report Contents 1 Preface 2.1. Preface 2.2. About I.R. Iran 2.3. About Tehran 2.4. About Tarbiat Modares University 2.5. About University of Tehran 2.6. About Shahid Beheshti University Preface It was our pleasure to be your host during IBO 2018 in Tehran, the capital of Iran and the heart of the great Persian civilization. Exactly 20 years ago Iran joined IBO family and since then has been an active member of all past competitions. In the last year, our dreams came true and we were the host of 29th International Bi- ology Olympiad. Saman Hosseinkhani Chairman of IBO2018 For 2 years, before IBO 2018, my colleagues in the scientific and exec- utive committees worked hard to prepare all required materials and equipment for practical tasks and design of theoretical questions. Three major Iranian universities including Tarbiat Modares University, University of Tehran and Shahid Beheshti University had major scien- tific contributions. Although students were here for competition there is one thing be- yond the competition, friendship. I’m sure our students started strong friendships in order to make the future scientific collaborative network. I have to thank more than 200 scientific committee members, scien- tific assistants and organizers who have worked hard, day and night, in order to bring the dream of IBO 2018 into life. -
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The Role of Climate and Culture on the Formation of Courtyards in Mosques Hossein Soltanzadeh* Associate Professor of Architecture, Faculty of Art and Architecture, Tehran Central Branch, Islamic Azad University, Tehran, Iran Received: 23/05/2015; Accepted: 30/06/2015 Abstract The process regarding the formation of different mosque gardens and the elements that contribute to the respective process is the from the foci point of this paper. The significance of the topic lies in the fact that certain scholars have associated the courtyard in mosques with the concept of garden, and have not taken into account the elements that contribute to the development of various types of mosque courtyards. The theoretical findings of the research indicate that the conditions and instructions regarding the Jemaah [collective] prayers on one hand and the notion of exterior performance of the worshiping rites as a recommended religious precept paired with the cultural, environmental and natural factors on the other hand have had their share of founding the courtyards. This study employs the historical analytical approach since the samples are not contemporary. The dependant variables are culture and climate while the form of courtyard in the jame [congregational] mosque is the dependent variable. The statistical population includes the jame mosques from all over the Islamic world and the samples are picked selectively from among the population. The findings have demonstrated that the presence of courtyard is in part due to the nature of the prayers that are recommended to say in an open air, and in part because this is also favoured by the weather in most instances and on most days. -
Un Paseo Por La “Torre De La Libertad” De Teherán
View metadata, citation and similar papers at core.ac.uk brought to you by CORE provided by Repositorio Universidad de Zaragoza Un paseo por la “torre de la Libertad” de Teherán A diferencia de otras capitales mundiales como París, Roma, New York..., Teherán (Irán) es mucho menos conocida. Es por este motivo que al hablar del Monumento a la Libertad o Monumento Shahyad, en honor al Sah (el emperador de Irán), que tras la revolución iraní de 1979 cambió de nombre a "Torre Azadi" (en idioma persa, significa Libertad), es uno de los monumentos contemporáneos más desconocidos a nivel mundial, aunque esta construcción está situada en una de las entradas a la capital iraní, por lo que su silueta y los 45 metros de altura la hacen inconfundible, siendo visible desde muchas zonas de la urbe, en especial de noche cuando está completamente iluminada [Fig.1].1 Fig. 1.- Vista de la Torre Azadi Fig. 2.- Retrato Col. Christian Triebert Col. Hossein Amanat. El gobierno iraní, para conmemorar el 2.500 aniversario del Imperio Persa, convocó un concurso que ganó con tan sólo 24 años de edad, el joven arquitecto Iraní-canadiense graduado por la Universidad de Teheran, Hossein Amanat en 1966 que formó parte de la revolución cultural iraní de 1979 y durante la que tuvo que huír del país por su creencia religiosa Bahá'í, trasladándose a Canadá en 1980. Asimismo este primer proyecto arquitectónico le dió la oportunidad de crear algunos de los proyectos más distintivos de su país, ya que siempre tuvo como referencia la arquitectura tradicional persa. -
Iranian Mosques, the Milestone of Islamic Architecture: a Case Study of Shaikhlotfollah Mosque Sepideh Ebad1
International Research Journal of Applied and Basic Sciences © 2013 Available online at www.irjabs.com ISSN 2251-838X / Vol, 7 (13): 940-951 Science Explorer Publications Iranian mosques, the milestone of Islamic architecture: a case study of ShaikhLotfollah mosque Sepideh Ebad1 1. M.A of architecture Corresponding Author email: [email protected] ABSTRACT: The mosques as the most important built structure in all historical eras of Islamic architecture has a special place in research and investigation. Researching the Iranian architecture and querying its blind spots of its transformation can be a proper context to investigate and analyze the role of Iranian architects in Islamic architecture. The present study using a descriptive-analytic method embarked on recognizing the importance of mosque structure in Islamic architecture and distinctive features of Safavids as milestone of Iranian architecture. Finally peculiar features of ShaikhLotfollah mosque was compared with Tabriz Kaboud mosque. Certainly ShaikhLotfollah mosque of Isfahan is one of the most prominent Iranian-Islamic structures built in the eastern side of NaqsheJahan square causing the emergence of different hypotheses on building of these exceptional states due to its peculiar features. The results showed that kaboud mosque is not Iranian regarding design features having Turkish adaptation. Finally after the comparison it was known that however ShaikhLotfollah mosque was built in Safavids in Isfahan style, since Safavids were of Turks, they renew their old tradition of mosque building style in Shaikhlotfollah mosque. Key words: Islamic architecture, descriptive-analytic, Shaikhlotfollah Mosque, Kaboud Mosque. INTRODUCTION The mosques structures as the most important built structure in all historical eras of Islamic architecture have always had a special place in research and investigation. -
Day 1: Flight from Your Home Country to Tehran
Day 1: Flight from your home country to Tehran We prepare ourselves for a fabulous trip to Great Persia. Arrival to Tehran, after custom formality, meet and assist at airport and transfer to the Hotel. O/N: Tehran Day 2: Tehran After breakfast, full day visit Tehran: Niyavaran Palace, Imamzadeh Saleh & Tajrish Bazaar O/N: Tehran The Niavaran Complex is a historical complex situated in Shemiran, Tehran (Greater Tehran), Iran. It consists of several buildings and monuments built in the Qajar and Pahlavi eras. The complex traces its origin to a garden in Niavaran region, which was used as a summer residence by Fath-Ali Shah of the Qajar Dynasty. A pavilion was built in the garden by the order of Naser ed Din Shah of the same dynasty, which was originally referred to as Niavaran House, and was later renamed Saheb Qaranie House. The pavilion of Ahmad Shah Qajar was built in the late Qajar period.During the reign of the Pahlavi Dynasty, a modern built mansion named Niavaran House was built for the imperial family of Mohammad Reza Pahlavi. All of the peripheral buildings of the Saheb Qaranie House, with the exception of the Ahmad Shahi Pavilion, were demolished, and the buildings and structures of the present-day complex were built to the north of the Saheb Qaranie House. In the Pahlavi period, the Ahmad Shahi Pavilion served as an exhibition area for the presents from world eaders to the Iranian monarchs. Imamzadeh Saleh is one of many imamzadeh mosques in Iran. The mosque is located at Tajrish Square in Tehran's northern Shemiran district. -
Economic Terrorism Amid Pandemic Is Crime Against Humanity: Araqchi
WWW.TEHRANTIMES.COM I N T E R N A T I O N A L D A I L Y 8 Pages Price 50,000 Rials 1.00 EURO 4.00 AED 43rd year No.13965 Sunday JUNE 13, 2021 Khordad 23, 1400 Dhi Al Qada 2, 1442 Putin denies Russia will Iran rout Qatar National Parks provide Iran with advanced in FIBA Asia Cup 2021 of Iran Congratulations on birthday of Hazrat Masoumeh (SA) satellite system Page 3 Qualifiers Page 3 Page 7 and Daughter’s Day Economic terrorism amid pandemic is crime against humanity: Araqchi TEHRAN – Iran’s Deputy Foreign Minis- ficially called the Joint Comprehensive ter Abbas Araqchi said on Saturday that Plan of Action (JCPOA), in May 2018 and the “economic terrorism” against Iran started introducing the harshest sanctions Final showdown during the Coronavirus pandemic “is a against Iran under his “maximum pressure” crime against humanity”. campaign against the Islamic Republic. The economic sanctions launched Top Iranian officials, including Presi- against Iran during Donald Trump’s dent Hassan Rouhani and Foreign Min- See page 2 presidency are still in place despite the ister Mohammad Javad Zarif, have called fact that Joe Biden had vowed to reenter the illegal U.S. sanctions against Iran as the nuclear deal is he is elected president. instances of “economic terrorism”. Trump quit the 2015 nuclear deal, of- Continued on page 3 Tire output increases 3% in 2 months on year TEHRAN- Production of tires in Iran has the production of 3.788 million tires. risen three percent during the first two As reported, passenger car tires account months of the current Iranian calendar for the lion’s share of the number of pro- year (March 21-May 21), compared to duced tires in the mentioned time span, the same period of time in the past year. -
Culture of Shiraz
1 AKPIA @ MIT - Studies on ARCHITECTURE, HISTORY & CULTURE History and the Production of the “Culture of Shiraz” Setrag Manoukian Introduction My research project at the Aga Khan Program for Islamic Architecture at MIT focused on the production of knowledge in contemporary Shiraz and in particular on some of the most visible products of this evolving concatenation: the buildings and public initiatives that mark the landscape of Shiraz today.1 These diverse products are constructed, presented, and interpreted mainly through the modality of history, which constitutes the main frame of reference to imagine the city and its place within the Iranian nation. Public history The Islamic Republic, since its inception, has devoted many efforts to the control of public space. These efforts have been oriented toward mapping revolutionary discourse onto streets and squares through images, texts, and objects as well as toward conforming existing images, objects, and texts to what were perceived as the tenets of the new state.2 1 I spent January and February 2004 at AKPIA at MIT and found a lively intellectual community that helped me to sharpen my views. I wish to thank Nasser Rabbat, Heghnar Watenpaugh, and Susan Slyomovics for their insights. 2 For descriptions of revolutionary images, texts, and objects and their relevance in the construction of the revolutionary state see Michael M. J. Fischer and Mehdi Abedi, Debat- ing Muslims: Cultural Dialogues in Postmodernity and Tradition (Madison: University of Wisconsin Press, 1990) and more specifically Peter Chelkoswski and Hamid Dabashi, Staging a Revolution: The Art of Persuasion in the Islamic Republic of Iran (London: 2 A dispersed set of operations projected a forceful regime of signs, struc- turing a prescriptive field that regulates what can be made public. -
See the Document
IN THE NAME OF GOD IRAN NAMA RAILWAY TOURISM GUIDE OF IRAN List of Content Preamble ....................................................................... 6 History ............................................................................. 7 Tehran Station ................................................................ 8 Tehran - Mashhad Route .............................................. 12 IRAN NRAILWAYAMA TOURISM GUIDE OF IRAN Tehran - Jolfa Route ..................................................... 32 Collection and Edition: Public Relations (RAI) Tourism Content Collection: Abdollah Abbaszadeh Design and Graphics: Reza Hozzar Moghaddam Photos: Siamak Iman Pour, Benyamin Tehran - Bandarabbas Route 48 Khodadadi, Hatef Homaei, Saeed Mahmoodi Aznaveh, javad Najaf ...................................... Alizadeh, Caspian Makak, Ocean Zakarian, Davood Vakilzadeh, Arash Simaei, Abbas Jafari, Mohammadreza Baharnaz, Homayoun Amir yeganeh, Kianush Jafari Producer: Public Relations (RAI) Tehran - Goragn Route 64 Translation: Seyed Ebrahim Fazli Zenooz - ................................................ International Affairs Bureau (RAI) Address: Public Relations, Central Building of Railways, Africa Blvd., Argentina Sq., Tehran- Iran. www.rai.ir Tehran - Shiraz Route................................................... 80 First Edition January 2016 All rights reserved. Tehran - Khorramshahr Route .................................... 96 Tehran - Kerman Route .............................................114 Islamic Republic of Iran The Railways -
Monumental Architecture; National Identity; Conceptual Understanding of Iranian Monumental Architecture
Monumental Architecture; National Identity; Conceptual Understanding of Iranian Monumental Architecture Negar Houshangi Submitted to the Institute of Graduate Studies and Research in partial fulfillment of the requirements for the Degree of Master of Science in Architecture Eastern Mediterranean University January 2013 Gazimağusa, North Cyprus Approval of the Institute of Graduate Studies and Research Prof. Dr. Elvan Yılmaz Director I certify that this thesis satisfies the requirements as a thesis for the degree of Master of Science in Architecture. Assoc. Prof. Dr. Özgür Dinçyürek Chair, Department of Architecture We certify that we have read this thesis and that in our opinion it is fully adequate in scope and quality as a thesis for the degree of Master of Science in Architecture. Asst. Prof. Dr. Rafooneh Mokhtarshahi Sani Supervisor Examining Committee 1. Assoc. Prof. Dr. Türkan Uraz 2. Asst. Prof. Dr. Nazife Özay 3. Asst. Prof. Dr. Rafooneh M. Sani ABSTRACT Monumental architecture is reservoir of memories which can stand as symbol of the cities and even countries with the embedded meaning in their form and operation. This kind of structures can link the past and the future like the rings of a chain. In addition they have the potential to create and support the identity of a nation. The glory, dignity, culture, tradition and thoroughly the history of a nation can represent through the monumental structures. These structures can have variety of types including historical buildings or complexes, modern structures with advanced technology, landmarks, etc. Since during the last decades, identity crisis has been a major problem for contemporary architecture, the aim of this study is to survey the relation between national identity and monumental buildings and to recognize how monumental buildings contribute to create national identity.