Finding the Patterns of Indian Mosques Architecture
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Annual Statistical Bulletin 2013 Annual Statistical Bulletin
2013 OPEC OPEC Annual Statistical Bulletin 2013 Annual Statistical Bulletin OPEC Helferstorferstrasse 17, A-1010 Vienna, Austria Organization of the Petroleum Exporting Countries www.opec.org Team for the preparation of the OPEC Annual Statistical Bulletin 2013 Director, Research Division Editorial Team Omar Abdul-Hamid Head, Public Relations and Information Department Project Leader Angela Agoawike Head, Data Services Department Adedapo Odulaja Editor Alvino-Mario Fantini Coordinator Ramadan Janan Design and Production Coordinator Alaa Al-Saigh Statistics Team Pantelis Christodoulides, Hannes Windholz, Senior Production Assistant Mouhamad Moudassir, Klaus Stöger, Harvir Kalirai, Diana Lavnick Mohammad Sattar, Ksenia Gutman Web and CD Application Dietmar Rudari, Zairul Arifin Questions on data Although comments are welcome, OPEC regrets that it is unable to answer all enquiries concerning the data in the ASB. Data queries: [email protected]. Advertising The OPEC Annual Statistical Bulletin now accepts advertising. For details, please contact the Head, PR and Information Department at the following address: Organization of the Petroleum Exporting Countries Helferstorferstrasse 17, A-1010 Vienna, Austria Tel: +43 1 211 12/0 Fax: +43 1 216 43 20 PR & Information Department fax: +43 1 21112/5081 Advertising: [email protected] Website: www.opec.org Photographs Page 5: Diana Golpashin. Pages 7, 13, 21, 63, 81, 93: Shutterstock. © 2013 Organization of the Petroleum Exporting Countries ISSN 0475-0608 Contents Foreword 5 Tables Page Section 1: -
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IN THE NAME OF GOD IRAN NAMA RAILWAY TOURISM GUIDE OF IRAN List of Content Preamble ....................................................................... 6 History ............................................................................. 7 Tehran Station ................................................................ 8 Tehran - Mashhad Route .............................................. 12 IRAN NRAILWAYAMA TOURISM GUIDE OF IRAN Tehran - Jolfa Route ..................................................... 32 Collection and Edition: Public Relations (RAI) Tourism Content Collection: Abdollah Abbaszadeh Design and Graphics: Reza Hozzar Moghaddam Photos: Siamak Iman Pour, Benyamin Tehran - Bandarabbas Route 48 Khodadadi, Hatef Homaei, Saeed Mahmoodi Aznaveh, javad Najaf ...................................... Alizadeh, Caspian Makak, Ocean Zakarian, Davood Vakilzadeh, Arash Simaei, Abbas Jafari, Mohammadreza Baharnaz, Homayoun Amir yeganeh, Kianush Jafari Producer: Public Relations (RAI) Tehran - Goragn Route 64 Translation: Seyed Ebrahim Fazli Zenooz - ................................................ International Affairs Bureau (RAI) Address: Public Relations, Central Building of Railways, Africa Blvd., Argentina Sq., Tehran- Iran. www.rai.ir Tehran - Shiraz Route................................................... 80 First Edition January 2016 All rights reserved. Tehran - Khorramshahr Route .................................... 96 Tehran - Kerman Route .............................................114 Islamic Republic of Iran The Railways -
Recognition of Light-Openings in Iranian Mosques' Domes with Reference to Climatic Properties
International Journal of Architectural Engineering & Urban Planning Recognition of light-openings in Iranian mosques’ domes With reference to climatic properties Mohammadjavad Mahdavinejad1,*, Soha Matoor2, Amene Doroodgar3 Received:June 2011, Accepted: November 2011 Abstract Mosque architecture is considered as a potent visual symbol of the Islamic architects’ design ability. Prayer-hall as the manifestation of equality between the believers and the unity of architectural space has challenged such an ability throughout the history. This study, considering the characteristics of light-openings in the domes of Iranian mosques’ Prayer-hall, aims to investigate these domes’ possible relationship with the climatic features of each mosque. To this end, eighteen case-studies according to the research analytic approach are studied to determine: 1. the relationship between the mosques construction period (Iranian architecture styles) and its light-openings number on the one hand and its climatic features on the other hand, 2. The relationship between the light-openings’ location and the climatic features of each mosque, 3. The relationship between the light- openings’ number and the climatic feature of each mosque and finally, 4. The relationship between the prayer-hall’s height and the number of light openings of each mosque on the one hand and its climatic feature on the other hand. The study shows that Iranian architects have given considerable priority to the natural ventilation function of the light-openings, So, what used to be considered as the domes' main function, allowing the light to the interior space, is considered as their secondary function. Keywords: Light-opening, Light, Natural ventilation, Hot-dry climate, Cold climate, Mosque prayer-hall 1. -
Blue Mosque of Tabriz, Goharshadjame Mosque, Jame Mosque of Yazd)
Modern Applied Science; Vol. 10, No. 2; 2016 ISSN 1913-1844 E-ISSN 1913-1852 Published by Canadian Center of Science and Education Studying the Effect of Continent on Three Important Mosque of Timurid Period (Blue Mosque of Tabriz, Goharshadjame Mosque, Jame Mosque of Yazd) Davoud Saremi Naeeni1 & Kobra Hasangholinejad Yasoori2 1 Assistant professor, art and archtecture faculty, university of kharazmi, tehran, Iran and Sistan and Baluchestan University, Zahedan, Iran 2 Phd student of architecture, univer sity of sistan and baluchestan, Zahedan, Iran Correspondence: Davoud Saremi Naeeni, Assistant professor, art and archtecture faculty, University of Kharazmi, tehran, Iran and Sistan and Baluchestan University, Zahedan, Iran. E-mail: [email protected]/ [email protected] Received: November 25, 2015 Accepted: December 7, 2015 Online Published: January 15, 2016 doi:10.5539/mas.v10n2p205 URL: http://dx.doi.org/10.5539/mas.v10n2p205 Abstract Mosques’ architecture is one of the monuments in the history of Iranian architecture that has alwaysbeen of interest andimportance and in the Timurid period was also welcomed by many architects and artists and examples were built that were used as a perfect model for the architects of the next periods. The architecture of this period is known as a good example of harmony with the environment, which is a result of various climatic, historical, economic, cultural and political factors and have had the greatest impact and benefit fromthe continental and social and politicalconditions of Ilkhani and Seljuk periods. Timurid mosques of Iran are from the important elements of Islamic architecture in terms of architectural form and decorations that need to be reviewed in these two factors. -
Kerman Province
In TheGod Name of Kerman Ganjali khan water reservoir / Contents: Subject page Kerman Province/11 Mount Hezar / 11 Mount joopar/11 Kerman city / 11 Ganjalikhan square / 11 Ganjalikhan bazaar/11 Ganjalikhan public bath /12 Ganjalikhan Mint house/12 Ganjalikhan School/12 Ganjalikhan Mosque /13 Ganjalikhan Cross market place /13 Alimardan Khan water reservoir /13 Ibrahimkhan complex/ 13 Ibrahimkhan Bazaar/14 Ibrahimkhan School /14 Ibrahimkhan bath/14 Vakil Complex/14 Vakil public bath / 14 Vakil Bazaar / 16 Vakil Caravansary / 16 Hajagha Ali complex / 16 Hajagha Ali mosque / 17 Hajagha Ali bazaar / 17 Hajagha Ali reservoir / 17 Bazaar Complex / 17 Arg- Square bazaar / 18 Kerman Throughout bazaar / 18 North Copper Smithing bazaar / 18 Arg bazaar / 18 West coppersmithing bazaar / 18 Ekhteyari bazaar / 18 Mozaffari bazaar / 19 Indian Caravansary / 19 Golshan house / 19 Mozaffari grand mosque / 19 Imam mosque / 20 Moshtaghieh / 20 Green Dome / 20 Jebalieh Dome / 21 Shah Namatollah threshold / 21 Khaje Etabak tomb / 23 Imam zadeh shahzadeh Hossien tomb / 23 Imam zadeh shahzadeh Mohammad / 23 Qaleh Dokhtar / 23 Kerman fire temple / 24 Moaidi Ice house / 24 Kerman national library / 25 Gholibig throne palace / 25 Fathabad Garden / 25 Shotor Galoo / 25 Shah zadeh garden / 26 Harandi garden / 26 Arg-e Rayen / 26 Ganjalikhan anthropology museum / 27 Coin museum / 27 Harandi museum garden / 27 Sanatti museum / 28 Zoroasterian museum / 28 Shahid Bahonar museum / 28 Holy defense museum / 28 Jebalieh museum / 29 Shah Namatollah dome museum / 29 Ghaem wooden -
Life Science Journal 2013;10(9S) Http
Life Science Journal 2013;10(9s) http://www.lifesciencesite.com Studying Mistaken Theory of Calendar Function of Iran’s Cross-Vaults Ali Salehipour Department of Architecture, Heris Branch, Islamic Azad University, Heris, Iran [email protected] Abstract: After presenting the theory of calendar function of Iran’s cross-vaults especially “Niasar” cross-vault in recent years, there has been lots of doubts and uncertainty about this theory by astrologists and archaeologists. According to this theory “Niasar cross-vault and other cross-vaults of Iran has calendar function and are constructed in a way that sunrise and sunset can be seen from one of its openings in the beginning and middle of each season of year”. But, mentioning historical documentaries we conclude here that the theory of calendar function of Iran’s cross-vaults does not have any strong basis and individual cross-vaults had only religious function in Iran. [Ali Salehipour. Studying Mistaken Theory of Calendar Function of Iran’s Cross-Vaults. Life Sci J 2013;10(9s):17-29] (ISSN:1097-8135). http://www.lifesciencesite.com. 3 Keywords: cross-vault; fire temple; Calendar function; Sassanid period 1. Introduction 2.3 Conformity Of Cross-Vaults’ Proportions With The theory of “calendar function of Iran’s Inclined Angle Of Sun cross-vaults” is a wrong theory introduced by some The proportion of “base width” to “length of interested in astronomy in recent years and this has each side” of cross-vault, which is a fixed proportion caused some doubts and uncertainties among of 1 to 2.3 to 3.9 makes 23.5 degree arch between researchers of astronomy and archaeologists but the edges of bases and the visual line created of it except some distracted ideas, there has not been any which is equal to inclining edge of sun. -
Chishti Sufis of Delhi in the LINEAGE of HAZRAT PIR-O-MURSHID INAYAT KHAN
Chishti Sufis of Delhi IN THE LINEAGE OF HAZRAT PIR-O-MURSHID INAYAT KHAN Compiled by Basira Beardsworth, with permission from: Pir Zia Inayat Khan A Pearl in Wine, The “Silsila-i Sufian”: From Khwaja Mu’in al-Din Chishti to Sayyid Abu Hashim Madani Sadia Dehlvi Sufism, The Heart of Islam, and The Sufi Courtyard, Dargahs of Delhi All the praise of your advancement in this line is due to our masters in the chain who are sending the vibrations of their joy, love, and peace. - Hazrat Pir-o-Murshid Inayat Khan, in a letter to Murshida Rabia Martin There is a Sufi tradition of visiting the tombs of saints called ziyarah (Arabic, “visit”) or haazri (Urdu, “attendance”) to give thanks and respect, to offer prayers and seek guidance, to open oneself to the blessing stream and seek deeper connection with the great Soul. In the Chishti lineage through Hazrat Pir-o-Murshid Inayat Khan, there are nine Pirs who are buried in Delhi, and many more whose lives were entwined with Delhi. I have compiled short biographies on these Pirs, and a few others, so that we may have a glimpse into their lives, as a doorway into “meeting” them in the eternal realm of the heart, insha’allah. With permission from the authors, to whom I am deeply grateful to for their work on this subject, I compiled this information primarily from three books: Pir Zia Inayat Khan, The “Silsila-i Sufian”: From Khwaja Mu’in al-Din Chishti to Sayyid Abu Hashim Madani, published in A Pearl in Wine Sadia Dehlvi, Sufism, The Heart of Islam, and The Sufi Courtyard, Dargahs of Delhi For those interested in further study, I highly recommend their books – I have taken only small excerpts from their material for use in this document. -
Culture and Tourism
IRAN STATISTICAL YEARBOOK 1391 17. CULTURE AND TOURISM organization called ''Cultural Heritage and Tourism Organization", the related data have been Introduction provided by the new organization. Data on pilgrims include only those dispatched by Hajj and Pilgrimage Organization. Definitions and concepts his chapter presents statistical information Production of radio and television on radio and television programmes, programmes:is a process in which the contextual Tpress, books and public libraries, cinemas, (massage) and structural componentsof the museums, monuments, touristsarrived and massage are incorporated artistically and pilgrims. Following paragraphs summarize the technically using required resources in order to be history of data collection in these areas. broadcast on TV, radio and the Internet. Regular data compilation on radio and television Radio and television broadcasting: refers to a programmes and museums began in the years produced and broadcast programme which can be 1345 and 1347 respectively. received by people on radio, TV and the Internet. The earliest data on movies available in the SCI National production and broadcast of date back to the year 1348. They were produced programme: refers to the programme produced by the Culture and Art Ministry, renamed the and broadcast for people in the country. Ministry of Culture and Islamic Guidance after International production and broadcast of the victory of the Islamic Revolution. programme: refers to the programme produced Comprehensive data collection on the press was and broadcast for overseas people. first accomplished by the SCI under the title of Radio and television network: is an "Review of the country’s publications survey" in organizational structure responsible for activities the year 1349. -
Itinerary Brilliant Persia Tour (24 Days)
Edited: May2019 Itinerary Brilliant Persia Tour (24 Days) Day 1: Arrive in Tehran, visiting Tehran, fly to Shiraz (flight time 1 hour 25 min) Sightseeing: The National Museum of Iran, Golestan Palace, Bazaar, National Jewelry Museum. Upon your pre-dawn arrival at Tehran airport, our representative carrying our show card (transfer information) will meet you and transfer you to your hotel. You will have time to rest and relax before our morning tour of Tehran begins. To avoid heavy traffic, taking the subway is the best way to visit Tehran. We take the subway and charter taxis so that we make most of the day and visit as many sites as possible. We begin the day early morning with a trip to the National Museum of Iran; an institution formed of two complexes; the Museum of Ancient Iran which was opened in 1937, and the Museum of the Islamic Era which was opened in 1972.It hosts historical monuments dating back through preserved ancient and medieval Iranian antiquities, including pottery vessels, metal objects, textile remains, and some rare books and coins. We will see the “evolution of mankind” through the marvelous display of historic relics. Next on the list is visiting the Golestan Palace, the former royal Qajar complex in Iran's capital city, Tehran. It is one of the oldest historic monuments of world heritage status belonging to a group of royal buildings that were once enclosed within the mud-thatched walls of Tehran's Arg ("citadel"). It consists of gardens, royal buildings, and collections of Iranian crafts and European presents from the 18th and 19th centuries. -
Gendered 'Landscape': Jahanara Begum's Patronage, Piety and Self
DISSERTATION Titel der Dissertation ―Gendered ‗Landscapes‘: Jahan Ara Begum‘s (1614-1681) Patronage, Piety and Self-Representation in 17th C Mughal India‖ Band 1 von 1 Verfasser Afshan Bokhari angestrebter akademischer Grad Doktor der Philosophie (Dr. phil.) Wien, 2009 Studienkennzahl lt. Studienblatt: A 092315 Dissertationsgebiet lt. Studienblatt: Kunstgeschichte Betreuerin/Betreuer: Univ. Prof. Dr. Ebba Koch TABLE OF CONTENTS Title Page 0 Table of Contents 1-2 Curriculum Vitae 3-5 Acknowledgements 6-7 Abstract 8 List of Illustration 9-12 Introduction 13-24 Figures 313-358 Bibliography 359-372 Chapter One: 25-113 The Presence and Paradigm of The „Absent‟ Timurid-Mughal Female 1.1 Recent and Past Historiographies: Ruby Lal, Ignaz Goldziher, Leslie Pierce, Stephen Blake 1.2 Biographical Sketches: Timurid and Mughal Female Precedents: Domesticity and Politics 1.2.1 Timurid Women (14th-15th century) 1.2.2 Mughal Women (16th – 17th century) 1.2.3 Nur Jahan (1577-1645): A Prescient Feminist or Nemesis? 1.2.4 Jahan Ara Begum (1614-1681): Establishing Precedents and Political Propriety 1.2.5 The Body Politic: The Political and Commercial Negotiations of Jahan Ara‘s Well-Being 1.2.6 Imbuing the Poetic Landscape: Jahan Ara‘s Recovery 1.3 Conclusion Chapter Two: 114-191 „Visions‟ of Timurid Legacy: Jahan Ara Begum‟s Piety and „Self- Representation‟ 2.1 Risala-i-Sahibiyāh: Legacy-Building ‗Political‘ Piety and Sufi Realization 2.2 Galvanizing State to Household: Pietistic Imperatives Dynastic Legitimacy 2.3 Sufism, Its Gendered Dimensions and Jahan -
The Concept and Utilization of Swastika 'Hooked Cross' on Islamic
Journal of the General Union of Arab Archaeologists Volume 5 Issue 1 issue 1 Article 2 2020 The Concept and Utilization of Swastika ‘Hooked Cross’ on Islamic Artefacts Dr.Boussy Zidan Associate professor of Islamic History and Archaeology - Faculty of Tourism and Hotels - Suez Canal University, [email protected] Follow this and additional works at: https://digitalcommons.aaru.edu.jo/jguaa Part of the History Commons, and the History of Art, Architecture, and Archaeology Commons Recommended Citation Zidan, Dr.Boussy (2020) "The Concept and Utilization of Swastika ‘Hooked Cross’ on Islamic Artefacts," Journal of the General Union of Arab Archaeologists: Vol. 5 : Iss. 1 , Article 2. Available at: https://digitalcommons.aaru.edu.jo/jguaa/vol5/iss1/2 This Article is brought to you for free and open access by Arab Journals Platform. It has been accepted for inclusion in Journal of the General Union of Arab Archaeologists by an authorized editor. The journal is hosted on Digital Commons, an Elsevier platform. For more information, please contact [email protected], [email protected], [email protected]. Zidan: The Concept and Utilization of Swastika ‘Hooked Cross’ on Islamic January 1, 2020 VOL.5 ,NO.1 ,PP. 29-51 Journal of the General Union of Arab Archaeologists https://jguaa2.journals.ekb.eg/ The Concept and Utilization of Swastika „Hooked Cross‟ on Islamic Artefact Dr.Boussy Muhammad Hussein Zidan Associate Professor of Islamic Arts & Archaeology-Faculty of Tourism and Hotels Suez Canal University Abstract Swastika‟ is an equilateral hooked cross, it is one of the symbols that became popular to several nations of different cultures since prehistoric times. -
(Manouchehri Damghani and Farrokhi Sistani) with the Paintings of the Eighth Century AH
The Comparison of Appeal of the Praised One in Khorasani Style (Manouchehri Damghani and Farrokhi Sistani) with the Paintings of the Eighth Century AH Abstract Art of expression partakes diverse fields and is one of the most comprehensive and concurrently the most interesting type expression is manifested in art, the use of which undoubtedly has a significant impact on the production of quality and luxurious artwork since art is a form of expression and expression is also a practice of art. Meanwhile, in the study of poetry, as an artistic phenomenon, the first phenomenon that attracts the attention is the poet's artistic expression. Works of art, including poetry, act as a prism that presents a diverse perspective from each angle, and the collection of these perspectives provides a general and comprehensive depiction of the prism. One of the significant feature of poets is their relationship with elders and courtiers as for means of encouragement and support, hence, in the poems of such poets, the association between the poet and the praised one is clearly perceived. Among them, poets such as Farrokhi and Manouchehri have addressed “the praised one” in their poetry. This article intends to study and apply the artistic expression of poets such as Farrokhi and Manouchehri in the request for admiration from “the praised one”; moreover, the comparison of such appeals in poetry with the paintings of the eighth century AH is also focused upon. The category of request and appeal, which is one of the sub-branches of lyrical literature, has appeared in the poetry of the mentioned poets in various means and in their poetry they have expressed this feature in an artistic and diverse manner.