The Persian Prowess- Architecture and Literature
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Finding the Patterns of Indian Mosques Architecture
Vol.14/ No.48/ Jun 2017 Received 2017/03/04 Accepted 2017/05/15 Persian translation of this paper entitled: الگویابی معماری مساجد هند is also published in this issue of journal. Finding the Patterns of Indian Mosques Architecture Ehsan Dizany* Abstract India is one of the countries that has had diverse civilizations from the distant past, so in architectural standpoint, this country is rich and varied. The arrival of Islam in India and the formation of Islamic governments led to the formation of a certain type of Islamic architecture in this subcontinent. The architecture of Indian mosques is evaluated as a prominent model of Islamic architecture of subcontinent. This study is based on the assumption that the pattern of Indian mosques architecture is a combination of early Iranian-Islamic architecture of mosques and Indian vernacular architecture. Finding the roots of Architectural features of Indian mosques is the subject of this article. In this paper, the influence of early Islamic mosques’ architecture and rich and historical architecture of India on Indian mosques architecture before the arrival of Islam and the architecture of developed Islamic civilizations in the Indian neighborhoods such as Iran, is studied. Generally Indian mosques architectural features include prayer-hall in the Qibla direction, existence of courtyard, Four-Iwan pattern, crusts odd divisions, especially triple ones, presence of mosque in plaza and its position on a Soffeh (in height), access to the mosque entrances by wide stairs, triple divisions of Gonbad Khane in the Qibla direction and the use of transparent porticos around courtyard (Half of the outer crust that has external view). -
Recognition of Light-Openings in Iranian Mosques' Domes with Reference to Climatic Properties
International Journal of Architectural Engineering & Urban Planning Recognition of light-openings in Iranian mosques’ domes With reference to climatic properties Mohammadjavad Mahdavinejad1,*, Soha Matoor2, Amene Doroodgar3 Received:June 2011, Accepted: November 2011 Abstract Mosque architecture is considered as a potent visual symbol of the Islamic architects’ design ability. Prayer-hall as the manifestation of equality between the believers and the unity of architectural space has challenged such an ability throughout the history. This study, considering the characteristics of light-openings in the domes of Iranian mosques’ Prayer-hall, aims to investigate these domes’ possible relationship with the climatic features of each mosque. To this end, eighteen case-studies according to the research analytic approach are studied to determine: 1. the relationship between the mosques construction period (Iranian architecture styles) and its light-openings number on the one hand and its climatic features on the other hand, 2. The relationship between the light-openings’ location and the climatic features of each mosque, 3. The relationship between the light- openings’ number and the climatic feature of each mosque and finally, 4. The relationship between the prayer-hall’s height and the number of light openings of each mosque on the one hand and its climatic feature on the other hand. The study shows that Iranian architects have given considerable priority to the natural ventilation function of the light-openings, So, what used to be considered as the domes' main function, allowing the light to the interior space, is considered as their secondary function. Keywords: Light-opening, Light, Natural ventilation, Hot-dry climate, Cold climate, Mosque prayer-hall 1. -
Blue Mosque of Tabriz, Goharshadjame Mosque, Jame Mosque of Yazd)
Modern Applied Science; Vol. 10, No. 2; 2016 ISSN 1913-1844 E-ISSN 1913-1852 Published by Canadian Center of Science and Education Studying the Effect of Continent on Three Important Mosque of Timurid Period (Blue Mosque of Tabriz, Goharshadjame Mosque, Jame Mosque of Yazd) Davoud Saremi Naeeni1 & Kobra Hasangholinejad Yasoori2 1 Assistant professor, art and archtecture faculty, university of kharazmi, tehran, Iran and Sistan and Baluchestan University, Zahedan, Iran 2 Phd student of architecture, univer sity of sistan and baluchestan, Zahedan, Iran Correspondence: Davoud Saremi Naeeni, Assistant professor, art and archtecture faculty, University of Kharazmi, tehran, Iran and Sistan and Baluchestan University, Zahedan, Iran. E-mail: [email protected]/ [email protected] Received: November 25, 2015 Accepted: December 7, 2015 Online Published: January 15, 2016 doi:10.5539/mas.v10n2p205 URL: http://dx.doi.org/10.5539/mas.v10n2p205 Abstract Mosques’ architecture is one of the monuments in the history of Iranian architecture that has alwaysbeen of interest andimportance and in the Timurid period was also welcomed by many architects and artists and examples were built that were used as a perfect model for the architects of the next periods. The architecture of this period is known as a good example of harmony with the environment, which is a result of various climatic, historical, economic, cultural and political factors and have had the greatest impact and benefit fromthe continental and social and politicalconditions of Ilkhani and Seljuk periods. Timurid mosques of Iran are from the important elements of Islamic architecture in terms of architectural form and decorations that need to be reviewed in these two factors. -
Chishti Sufis of Delhi in the LINEAGE of HAZRAT PIR-O-MURSHID INAYAT KHAN
Chishti Sufis of Delhi IN THE LINEAGE OF HAZRAT PIR-O-MURSHID INAYAT KHAN Compiled by Basira Beardsworth, with permission from: Pir Zia Inayat Khan A Pearl in Wine, The “Silsila-i Sufian”: From Khwaja Mu’in al-Din Chishti to Sayyid Abu Hashim Madani Sadia Dehlvi Sufism, The Heart of Islam, and The Sufi Courtyard, Dargahs of Delhi All the praise of your advancement in this line is due to our masters in the chain who are sending the vibrations of their joy, love, and peace. - Hazrat Pir-o-Murshid Inayat Khan, in a letter to Murshida Rabia Martin There is a Sufi tradition of visiting the tombs of saints called ziyarah (Arabic, “visit”) or haazri (Urdu, “attendance”) to give thanks and respect, to offer prayers and seek guidance, to open oneself to the blessing stream and seek deeper connection with the great Soul. In the Chishti lineage through Hazrat Pir-o-Murshid Inayat Khan, there are nine Pirs who are buried in Delhi, and many more whose lives were entwined with Delhi. I have compiled short biographies on these Pirs, and a few others, so that we may have a glimpse into their lives, as a doorway into “meeting” them in the eternal realm of the heart, insha’allah. With permission from the authors, to whom I am deeply grateful to for their work on this subject, I compiled this information primarily from three books: Pir Zia Inayat Khan, The “Silsila-i Sufian”: From Khwaja Mu’in al-Din Chishti to Sayyid Abu Hashim Madani, published in A Pearl in Wine Sadia Dehlvi, Sufism, The Heart of Islam, and The Sufi Courtyard, Dargahs of Delhi For those interested in further study, I highly recommend their books – I have taken only small excerpts from their material for use in this document. -
Itinerary Brilliant Persia Tour (24 Days)
Edited: May2019 Itinerary Brilliant Persia Tour (24 Days) Day 1: Arrive in Tehran, visiting Tehran, fly to Shiraz (flight time 1 hour 25 min) Sightseeing: The National Museum of Iran, Golestan Palace, Bazaar, National Jewelry Museum. Upon your pre-dawn arrival at Tehran airport, our representative carrying our show card (transfer information) will meet you and transfer you to your hotel. You will have time to rest and relax before our morning tour of Tehran begins. To avoid heavy traffic, taking the subway is the best way to visit Tehran. We take the subway and charter taxis so that we make most of the day and visit as many sites as possible. We begin the day early morning with a trip to the National Museum of Iran; an institution formed of two complexes; the Museum of Ancient Iran which was opened in 1937, and the Museum of the Islamic Era which was opened in 1972.It hosts historical monuments dating back through preserved ancient and medieval Iranian antiquities, including pottery vessels, metal objects, textile remains, and some rare books and coins. We will see the “evolution of mankind” through the marvelous display of historic relics. Next on the list is visiting the Golestan Palace, the former royal Qajar complex in Iran's capital city, Tehran. It is one of the oldest historic monuments of world heritage status belonging to a group of royal buildings that were once enclosed within the mud-thatched walls of Tehran's Arg ("citadel"). It consists of gardens, royal buildings, and collections of Iranian crafts and European presents from the 18th and 19th centuries. -
Gendered 'Landscape': Jahanara Begum's Patronage, Piety and Self
DISSERTATION Titel der Dissertation ―Gendered ‗Landscapes‘: Jahan Ara Begum‘s (1614-1681) Patronage, Piety and Self-Representation in 17th C Mughal India‖ Band 1 von 1 Verfasser Afshan Bokhari angestrebter akademischer Grad Doktor der Philosophie (Dr. phil.) Wien, 2009 Studienkennzahl lt. Studienblatt: A 092315 Dissertationsgebiet lt. Studienblatt: Kunstgeschichte Betreuerin/Betreuer: Univ. Prof. Dr. Ebba Koch TABLE OF CONTENTS Title Page 0 Table of Contents 1-2 Curriculum Vitae 3-5 Acknowledgements 6-7 Abstract 8 List of Illustration 9-12 Introduction 13-24 Figures 313-358 Bibliography 359-372 Chapter One: 25-113 The Presence and Paradigm of The „Absent‟ Timurid-Mughal Female 1.1 Recent and Past Historiographies: Ruby Lal, Ignaz Goldziher, Leslie Pierce, Stephen Blake 1.2 Biographical Sketches: Timurid and Mughal Female Precedents: Domesticity and Politics 1.2.1 Timurid Women (14th-15th century) 1.2.2 Mughal Women (16th – 17th century) 1.2.3 Nur Jahan (1577-1645): A Prescient Feminist or Nemesis? 1.2.4 Jahan Ara Begum (1614-1681): Establishing Precedents and Political Propriety 1.2.5 The Body Politic: The Political and Commercial Negotiations of Jahan Ara‘s Well-Being 1.2.6 Imbuing the Poetic Landscape: Jahan Ara‘s Recovery 1.3 Conclusion Chapter Two: 114-191 „Visions‟ of Timurid Legacy: Jahan Ara Begum‟s Piety and „Self- Representation‟ 2.1 Risala-i-Sahibiyāh: Legacy-Building ‗Political‘ Piety and Sufi Realization 2.2 Galvanizing State to Household: Pietistic Imperatives Dynastic Legitimacy 2.3 Sufism, Its Gendered Dimensions and Jahan -
(Manouchehri Damghani and Farrokhi Sistani) with the Paintings of the Eighth Century AH
The Comparison of Appeal of the Praised One in Khorasani Style (Manouchehri Damghani and Farrokhi Sistani) with the Paintings of the Eighth Century AH Abstract Art of expression partakes diverse fields and is one of the most comprehensive and concurrently the most interesting type expression is manifested in art, the use of which undoubtedly has a significant impact on the production of quality and luxurious artwork since art is a form of expression and expression is also a practice of art. Meanwhile, in the study of poetry, as an artistic phenomenon, the first phenomenon that attracts the attention is the poet's artistic expression. Works of art, including poetry, act as a prism that presents a diverse perspective from each angle, and the collection of these perspectives provides a general and comprehensive depiction of the prism. One of the significant feature of poets is their relationship with elders and courtiers as for means of encouragement and support, hence, in the poems of such poets, the association between the poet and the praised one is clearly perceived. Among them, poets such as Farrokhi and Manouchehri have addressed “the praised one” in their poetry. This article intends to study and apply the artistic expression of poets such as Farrokhi and Manouchehri in the request for admiration from “the praised one”; moreover, the comparison of such appeals in poetry with the paintings of the eighth century AH is also focused upon. The category of request and appeal, which is one of the sub-branches of lyrical literature, has appeared in the poetry of the mentioned poets in various means and in their poetry they have expressed this feature in an artistic and diverse manner. -
Edited: May2019 M Itinerary Perfect Persia Tour
Edited: May2019 M Itinerary Perfect Persia Tour (28 Days) Day 1: Arrive in Tehran, visiting Tehran, fly to Mashhad (flight time approx. 1 hour and 30 mins) Sightseeing: The National Museum of Iran, Golestan Palace, Bazaar, National Jewelry Museum Upon your pre-dawn arrival at Tehran airport, our representative carrying our show card (transfer information) will meet you and transfer you to your hotel. You will have time to rest and relax before our morning tour of Tehran begins. To avoid heavy traffic, taking the subway is the best way to visit Tehran. We take the subway and charter taxis so that we make most of the day and visit as many sites as possible. Bear in mind that we take the subway complying with the conditions and the preference of the tour guide. We begin the day early morning with a trip to the National Museum of Iran; an institution formed of two complexes; the Museum of Ancient Iran which was opened in 1937, and the Museum of the Islamic Era which was opened in 1972. It hosts historical monuments dating back through preserved ancient and medieval Iranian antiquities, including pottery vessels, metal objects, textile remains, and some rare books and coins.We will see the “evolution of mankind” through the marvelous display of historic relics. Next on the list is visiting the Golestan Palace, the former royal Qajar complex in Iran's capital city, Tehran. It is one of the oldest historic monuments of world heritage status belonging to a group of royal buildings that were once enclosed within the mud- thatched walls of Tehran's Arg ("citadel"). -
Pdf Krooll, N
Modern Journal of Language Teaching Methods Special Issue (November) ELT in Russia Modern Journal of Language Teaching Methods (MJLTM) ISSN: 2251 – 6204 www.mjltm.com [email protected] [email protected] Editor – in – Chief Hamed Ghaemi, Assistant Professor in TEFL, Islamic Azad University (IAU) Editorial Board: 1. Abednia Arman, PhD in TEFL, Allameh Tabataba’i University, Tehran, Iran 2. Afraz Shahram, PhD in TEFL, Islamic Azad University, Qeshm Branch, Iran 3. Amiri Mehrdad, PhD in TEFL, Islamic Azad University, Science and research Branch, Iran 4. Azizi Masoud, PhD in Applied Linguistics, University of Tehran, Iran 5. Basiroo Reza, PhD in TEFL, Islamic Azad University, Bushehr Branch, Iran 6. Dlayedwa Ntombizodwa, Lecturer, University of the Western Cape, South Africa 7. Doro Katalin, PhD in Applied Linguistics, Department of English Language Teacher Education and Applied Linguistics, University of Szeged, Hungary Downloaded from mjltm.org at 3:22 +0330 on Monday October 11th 2021 [ DOI: 10.26655/mjltm.2016.11.1 ] 8. Dutta Hemanga, Assistant Professor of Linguistics, The English and Foreign Languages University (EFLU), India 9. Elahi Shirvan Majid, PhD in TEFL, Ferdowsi University of Mashhad, Iran 10. Fernández Miguel, PhD, Chicago State University, USA 11. Ghaemi Hamide, PhD in Speech and Language Pathology, Mashhad University of Medical Sciences, Iran 12. Ghafournia Narjes, PhD in TEFL, Islamic Azad University, Neyshabur Branch, Iran 13. Grim Frédérique M. A., Associate Professor of French, Colorado State University, USA 14. Izadi Dariush, PhD in Applied Linguistics, Macquarie University, Sydney, Australia 15. Kargozari Hamid Reza, PhD in TEFL, Payame Noor University of Tehran, Iran ISSN: 2251-6204 Page 1 Modern Journal of Language Teaching Methods Special Issue (November) ELT in Russia 16. -
MASTER's THESIS a Comparative Study of Cultural Tourism
2009:008 MASTER'S THESIS A Comparative Study of Cultural Tourism Development in Iran and Turkey Bahareh Pourafkari Luleå University of Technology Master Thesis, Continuation Courses Tourism and Hospitality Management Department of Business Administration and Social Sciences Division of Industrial marketing and e-commerce 2009:008 - ISSN: 1653-0187 - ISRN: LTU-PB-EX--09/008--SE Lulea University of University of Isfahan technology Master’s thesis A comparative study of cultural tourism development in Iran and Turkey Supervisor: DR. mahmoud ketabi Supervisor: DR. Metin Kozak Bahareh pourafkari December 2007 0 PDF created with pdfFactory Pro trial version www.pdffactory.com 1 PDF created with pdfFactory Pro trial version www.pdffactory.com 2 PDF created with pdfFactory Pro trial version www.pdffactory.com Abstract Tourism is the world’s largest industry and it was projected to be the world’s largest employer by the year 2000. This research will evaluate Iran’s potential in the tourism industry and especially cultural tourism development and tries to compare it with Turkey because of their regional proximities and similarities in culture, attractions, and religion. Scientific research shows that increasing international tourism arrivals is a way to generate more revenue than oil and development of cultural tourism is an alternative to oil based economy. The main goals of this research are: 1- evaluation of accelerating factors in cultural tourism development both in Iran and Turkey 2- evaluation of decelerating factors in cultural tourism both in Iran and Turkey. This analysis is based on information gathered through electronic data, discussion with heritage tourism managers and stakeholder workshops. -
Metalwork Motifs of the Western Part of Iran (13Th and 14Th Centuries) in Two Samples of Reza Abbasi Museum “Basin and Tray”
Vol.15/ No.59/ May 2018 DOI: 10.22034/bagh.2018.60567 Received 2017/10/31 Accepted 2018/02/12 Persian translation of this paper entitled: نقوش فلزکاری غرب ایران )قرن7و8 ه.ق( با تأکید بر دو اثر موزه رضا عباسی »لگن و مجمعه« is also published in this issue of journal. Metalwork motifs of the Western part of Iran (13th and 14th Centuries) in two samples of Reza Abbasi Museum “Basin and tray” Yeganeh Guran* Araz Najafi** Mahmood Tavoosi*** Abstract Based on material evidence and written sources, the contribution and role of the metalwork of Khorasan, especially in the 13th century, which is one of the most active and the most outstanding metalworking schools in the Islamic period, is effective in developing the basic changes in the area of building and decoration of defined metal works and has given it a privileged position. But after the devastating attack of the Mongols, the destruction of Khorasan and the escape of artists to the west, it was the school of Mosul in northern Iraq that reached the sublime stance which earlier belonged to the great Khorasan. Though until the end of the 13th century the dominant style of Iranian metalworking was actually a combination of Iranian and Mosul styles, the reputation of the works of Mosul most of the exquisite objects produced at that time to be attributed to Mosul. However, a large part of the decorative motifs and themes in this area have been the realization of the continuation of the experiences of Iranian Islamic artists with a modern identity that artists took advantage based on their contemporary culture and region. -
The Concept of Beauty and Glory in Islamic Architecture from the Two Perspectives of Perception and Manifestation
The Concept of Beauty and Glory in Islamic Architecture from the two Perspectives of Perception and Manifestation Abstract The crisis of identity and the lack of clear theoretical foundations in the construction of religious buildings that are rooted in the deep meanings of Islamic philosophy is one of the challenges of today’s Iranian architecture. A lack that has had adverse results not only in the process of creating architecture but also in recognizing and intervening past buildings. Therefore, more research is needed on concepts such as beauty and glory, which are recognizable both in the nature of architectural works and in their perception. Considering that the concepts of beauty and glory have always been studied under the subject of beauty, first a specific theoretical framework was developed that expresses two different views on beauty. The aesthetic categories, from which the concepts of beauty and splendor are defined, are elaborated in the next step. Then, the concept of beauty and glory, derived from the theoretical framework, is accomplished. This section initiated from qualitative concepts and purely theoretical topics and finally reached quantitative-qualitative results in architecture. In the end, certain parameters were stated that, on the other hand, determine what are the attributes of the two words beauty and glory of manifestation and what effect they have on the audience. Research in terms of purpose is an applied research and in terms of strategy falls into the category of descriptive-analytical research. In addition, analytical-historical research methods have been used, particularly in past artworks and monuments. The collection of information in the field of theory has been done with library studies and with the help notetaking methods.