Decoding Geometry, Proportions and Its Relationship with Aesthetics in Traditional Iranian Architecture
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Study the Status Column Element in the Achaemenid Architecture and Its
Special Issue INTERNATIONAL JOURNAL OF HUMANITIES AND January 2016 CULTURAL STUDIES ISSN 2356-5926 Study the status column element in the Achaemenid architecture and its effect on India architecture (comparrative research of persepolis columns on pataly putra columns in India) Dr. Amir Akbari* Faculty of History, Bojnourd Branch, Islamic Azad University, Bojnourd, Iran * Corresponding Author Fariba Amini Department of Architecture, Bukan Branch, Islamic Azad University, Bukan, Iran Elham Jafari Department of Architecture, Khoy Branch, Islamic Azad University, Khoy, Iran Abstract In the southern region of Iran and the north of persian Gulf, the state was located in the ancient times was called "pars", since the beginning of the Islamic era its center was shiraz. In this region of Iran a dynasty called Achaemenid came to power and could govern on the very important part of the worlds for years. Achaemenid exploited the skills of artists and craftsman countries under its command. In this sense, in Architecture works and the industry this period is been seen the influence of other nations. Achaemenid kings started to build large and beautiful palaces in the unter of their government and after 25 centuries, the remnants of which still remain firm and after the fall of the Achaemenid Empire by Grecian Alexander in India. The greatest king of India dynasty Muryya, was called Ashoka the grands of Chandra Gupta. The Ashoka palace that id located at the putra pataly around panta town in the state of Bihar in North east India. Is an evidence of the influence of Achaemenid culture in ancient India. The similarity of this city and Ashoka Hall with Apadana Hall in Persepolis in such way that has called it a india persepolis set. -
Desert Utopia: the Hidden Unity of Iranian Architecture Conceptualization Behind the Making of a Documentary Film
American International Journal of Humanities and Social Science Vol. 4 No. 2; April 2018 Desert Utopia: The Hidden Unity of Iranian Architecture Conceptualization behind the Making of a Documentary Film Khosrow Bozorgi Professor of Architecture and Urban Design Director, Center for Middle Eastern Architecture and Culture College of Architecture, University of Oklahoma United States of America NARRATIVE Desert Utopia will examine the history of architecture in three desert cities in Iran, exploring unique aspects of the built environment that enabled people to flourish in one of the world’s harshest climates. Although the film will focus on the history of Iranian desert architecture spanning thousands of years, this project is nevertheless timely for today’s American audiences. Due to concerns about global environmental change, sustainable building techniques have emerged as a topic of increasing interest over the past two decades. This interest encompasses themes such as the use of local building materials, creative ways to minimize water use (and water waste), and ways to reduce the amount of energy spent on heating and cooling. Furthermore, the geopolitics of the last two decades also have piqued Americans’ curiosity about the Middle East, especially Iran, but for many people, their knowledge about this part of the world is spotty or even misinformed. Desert Utopia is therefore a film that comes at the right time: It will help satisfy Americans’ curiosity about environmentally sound architecture while filling some of the gaps in their knowledge about Iranian culture and history. However, Desert Utopia is more than simply a film about sustainable architecture in Iranian history. -
Brick Muqarnas on Rūm Saljuq Buildings
Transkulturelle Perspektiven 3/2014 - 1 - و Richard Piran McClary Brick Muqarnas on R ūūūm Saljuq buildings - The introduction of an Iranian decorative technique into the architecture of Anatolia The aim of this paper is to examine the form, function decorative brick bonds found in the Islamic architec- and decoration of the small and poorly understood ture of Iran. This indicates that it was non-indigenous corpus of brick muqarnas that survive from the early craftsmen, probably from Iran, 4 that were responsible stage of R ūm Saljuq architecture in Anatolia. These for the construction of the few surviving examples of date from the period between the last quarter of the the art of brick decoration in Anatolia. The brief pro- sixth/ twelfth century to the first quarter of the sev- cess of efflorescence that starts in the late sixth/ enth/ thirteenth centuries. The original source of the twelfth century is followed by almost complete abey- muqarnas form has been much debated by scholars, ance after the mid-seventh/ thirteenth century. with opinions as to its origin ranging from North Africa to Baghdad and Eastern Iran. 1 It is clear that The basic building blocks of brick muqarnas composi- muqarnas cells came to be integrated into the archi- tions consist of cells used singly, or in combination tectural aesthetic of Islamic Anatolia from the mid to with one or two others. They have the appearance of late sixth/ twelfth century onwards. 2 By the middle of a rectangular panel with a triangle above that has had the seventh/ thirteenth century almost all but the the tip bent forward 90° giving the cell a triangular western coast and part of the northern coast of plan (fig. -
Abstracts Electronic Edition
Societas Iranologica Europaea Institute of Oriental Manuscripts of the State Hermitage Museum Russian Academy of Sciences Abstracts Electronic Edition Saint-Petersburg 2015 http://ecis8.orientalstudies.ru/ Eighth European Conference of Iranian Studies. Abstracts CONTENTS 1. Abstracts alphabeticized by author(s) 3 A 3 B 12 C 20 D 26 E 28 F 30 G 33 H 40 I 45 J 48 K 50 L 64 M 68 N 84 O 87 P 89 R 95 S 103 T 115 V 120 W 125 Y 126 Z 130 2. Descriptions of special panels 134 3. Grouping according to timeframe, field, geographical region and special panels 138 Old Iranian 138 Middle Iranian 139 Classical Middle Ages 141 Pre-modern and Modern Periods 144 Contemporary Studies 146 Special panels 147 4. List of participants of the conference 150 2 Eighth European Conference of Iranian Studies. Abstracts Javad Abbasi Saint-Petersburg from the Perspective of Iranian Itineraries in 19th century Iran and Russia had critical and challenging relations in 19th century, well known by war, occupation and interfere from Russian side. Meantime 19th century was the era of Iranian’s involvement in European modernism and their curiosity for exploring new world. Consequently many Iranians, as official agents or explorers, traveled to Europe and Russia, including San Petersburg. Writing their itineraries, these travelers left behind a wealthy literature about their observations and considerations. San Petersburg, as the capital city of Russian Empire and also as a desirable station for travelers, was one of the most important destination for these itinerary writers. The focus of present paper is on the descriptions of these travelers about the features of San Petersburg in a comparative perspective. -
Exploration of Arabesque As an Element of Decoration in Islamic Heritage Buildings: the Case of Indian and Persian Architecture
Journal of Xi'an University of Architecture & Technology ISSN No : 1006-7930 Exploration of Arabesque as an Element of Decoration in Islamic Heritage Buildings: The Case of Indian and Persian Architecture Mohammad Arif Kamal Architecture Section Aligarh Muslim University, Aligarh, India Saima Gulzar School of Architecture and Planning University of Management and Technology, Lahore, Pakistan Sadia Farooq Dept. of Family and Consumer Sciences University of Home Economics, Lahore, Pakistan Abstract - The decoration is a vital element in Islamic art and architecture. The Muslim designers finished various art, artifacts, religious objects, and buildings with many types of ornamentation such as geometry, epigraphy, calligraphy, arabesque, and sometimes animal figures. Among them, the most universal motif in ornamentation which was extensively used is the arabesque. The arabesque is an abstract and rhythmic vegetal ornamentation pattern in Islamic decoration. It is found in a wide variety of media such as book art, stucco, stonework, ceramics, tiles, metalwork, textiles, carpets, etc.. The paper discusses the fact that arabesque is a unique, universal, and vital element of ornamentation within the framework of Islamic Architecture. In this paper, the etymological roots of the term ‘Arabesque’, its evolution and development have been explored. The general characteristics as well as different modes of arabesque are discussed. This paper also analyses the presentation of arabesque with specific reference to Indian and Persian Islamic heritage buildings. Keywords – Arabesque, Islamic Architecture, Decoration, Heritage, India, Iran I. INTRODUCTION The term ‘Arabesque’ is an obsolete European form of rebesk (or rebesco), not an Arabic word dating perhaps from the 15th or 16th century when Renaissance artists used Islamic Designs for book ornament and decorative bookbinding [1]. -
Implementation of Sustainable Architecture Patterns in Hot and Dry Regions of Iran by Investigating on Vernacular Sustainable Architecture Patterns
1 Implementation of sustainable architecture patterns in hot and dry regions of Iran by investigating on vernacular sustainable architecture patterns Master Thesis International Master of Science in Construction and Real Estate Management Joint Study Programme of Metropolia UAS and HTW Berlin Submitted on 14.08.2018 Mohammadreza Gharahshir Registration number: 557524 First Supervisor: M.Arch. David Eric Pollock Second Supervisor: Prof. Dr.-Ing. Dieter Bunte 2 ACKNOWLEDGMENT I would like to acknowledge and thank the following people they have supported me, not only during the course of this project, but throughout my Master’s program. Firstly, I would like to express my gratitude to my supervisors M.Arch Eric Pollock and Prof. Dr.-Ing. Dieter Bunte for their support, guidance and insight throughout this research project. And finally, I would like to thank my wife and my family. You have all encouraged and believed in me. You have all helped me to focus on what has been a hugely rewarding and enriching process. 3 4 5 Abstract Today, sustainable development and the saving of non-renewable energies have become one of the most important and common issues internationally. Considering the significant consumption of fossil fuels in the contemporary building industry, the theme of sustainable architecture and utilizing the potential of climate to reduce energy consumption is one of the most important measures in contemporary architecture and urbanization. Iran's traditional architecture, as one of the best examples of sustainable architecture, has shown that in the old days, Iranians have used effective methods for the proper use of non-renewable energies, which differ in terms of climate and weather conditions. -
An Investigation of Historical Structures in Iranian Ancient Architecture
Architecture Research 2011; 1(1): 1-7 DOI: 10.5923/j.arch.20110101.01 An Investigation of Historical Structures in Iranian Ancient Architecture Katayoun Taghizadeh Department of Architecture, University of Tehran, Tehran, 1417466191, Iran Abstract The pre-Islamic styles of Iranian architecture draw on 3-4 thousand years of architectural development from various. Each of the periods of Elamites, Achaemenids, Parthians, and Sassanids were creators of great architecture that over the ages has spread wide and far to other cultures being adopted. Although Iran has suffered its share of destruction, including Alexander the Great's decision to burn Persepolis, there are sufficient remains to form a picture of its classical architecture. This paper featuring a chronological description of structural styles, information on traditional construction materials, as well as an analysis of numerous structures, this interest and informative text will be of importance to anyone with a technical interest in structural history and presents a general overview of the structural and architectural characteris- tics of Iranian historical structures and investigates historical buildings of Iran through a structural engineering approach. This paper includes a chronological description of architectural styles from the beginning to the end of Sassanid’s (before Islam). Keywords Iranian Architecture, Iranian Structures, Dome, Vault, Traditional Structures flowered during the Sassanid period with massive bar- 1. Introduction rel-vaulted chambers, solid masonry domes, and tall col- umns. This influence was to remain for years to come. The pre-Islamic styles of Iranian architecture draw on 3-4 thousand years of architectural development from various. Each of the periods of Elamites, Achaemenids, Parthians, 2. -
Lessons from Old Iranian Climate Architecture for Modern Architects
View metadata, citation and similar papers at core.ac.uk brought to you by CORE provided by European Online Journal of Natural and Social Sciences (ES) European Online Journal of Natural and Social Sciences 2014; www.european-science.com Vol.3, No.3 Special Issue on Environmental, Agricultural, and Energy Science ISSN 1805-3602 Lessons from Old Iranian Climate Architecture for Modern Architects Ahmad Fathi Najaf Abadi1, Mina Pakdaman Tirani2 1Architecture Department of Sepher Isfahan Institute of Technology 2 Art University of Isfahan E-mail: [email protected] Abstract Iranian traditional Architecture reveals the conception of the past generations from climate and ecological issues and their efforts to improve living conditions. This architecture has always inspired architects in case of environmental factors and control strategies for them to develop their living conditions. Thus, the present paper attempts to recognize the observed climatic and environmental issues in Iran's historical architecture via a descriptiveanalytical approach and to explain the way contemporary architecture communicates with these issues. Finally, some strategies for the optimal use of climate and environmental issues of historical architecture is provided for contemporary architecture. Selecting examples discussed in this paper, we tried to pay attention to the most frequent traditional buildings in the historical contexts; notifying the tips which the majority of these houses have been observed. Keywords: historical/traditional architecture, climate, contemporary architecture, climatic factors, renewable energies Introduction Iran possesses one of the most ancient civilizations and has always been a favorable habitat for humanity throughout history due to its climate variability. Qobadian (2010) explains this diversity in this way: "There is not any rainfall for over half a year in a large part of the central plateau of Iran, while the Caspian sea coast experiences about two meters of annual rainfall and above 80% humidity. -
The Achaemenid Heartland: an Archaeological-Historical Perspective 933
CHAPTER FIFTY The Achaemenid Heartland: An Archaeological - Historical Perspective Wouter F.M. Henkelman 1 Geographical, Climatic, and Chronological Setting Though the Achaemenid heartland in a strict sense corresponds roughly to the modern Iranian province of F ā rs (ancient P ā rsa, PersV), its immediate cultural and historical context comprised parts of the provinces of Esfah ā n, Y ā zd, Kerm ā n and B ū š ehr, as well as Kh ū zest ā n, where a Neo - Elamite kingdom existed until c.540 or 520 BC . An Iranian presence was noticeable on Elam ’ s northern and eastern borders from the 7th century BC onward and Elamite culture provided a critical impulse for the early Persians (Henkelman 2008a ). When Darius I (522 – 486 BC ) transformed Susa into a principal Achaemenid residence (c.520 BC ), he confi rmed Elam ’ s special status and de facto made it part of the empire ’ s core. In fact, the bipolarity of lowland Kh ū zest ā n and highland F ā rs had characterized successive Elamite states from the 3rd millennium onward (Amiet 1979 ; Potts 1999 ; Miroschedji 2003 ; for other parts of Achaemenid Iran, see Boucharlat 2005 ). In physical terms, the area comprises the southern Zagros range of northwest– southeast - oriented valleys, ending in larger intermontane plains (the Kū r River basin, including the Marv Da š t with Persepolis); the B ū š ehr province coastal plains (and further east?); and the Kh ū zest ā n alluvial plain. As the ancient coast- line extended further northwestward than it does today, only higher Kh ū zest ā n is relevant here, roughly the area north of Ahw ā z (Gasche 2004, 2005, 2007 ; Heyvaert and Baeteman 2007 ). -
Psychological and Spiritual Effects of Light and Color from Iranian Traditional Houses on Dwellers
View metadata, citation and similar papers at core.ac.uk brought to you by CORE provided by UKM Journal Article Repository Volume 6, Number 2, 288-301, 2011 ISSN: 1823-884x © e-Bangi, FSSK, UKM PSYCHOLOGICAL AND SPIRITUAL EFFECTS OF LIGHT AND COLOR FROM IRANIAN TRADITIONAL HOUSES ON DWELLERS Honey Arjmandi, Mazlan Mohd Tahir, Hoda Shabankareh, Mohamad Mahdi Shabani, Fereshteh Mazaheri ABSTRACT Light and color are the elements that has been playing important role in traditional architecture of Iran. Application of shadow and light with each other has been from the works that gives the mystical sense to the space, especially in religious spaces such as mosques. In view of light, as a major space component, the overall composition, with adjacent servant spaces, find a particular form of organization, which is centralized and where hierarchies define the general pattern. The order of structure, in which light comes as a containing discovering geometry, commands subsidiary openings, which imposes a disciplined regularity of spaces whilst offering greater complex layers of perception. In Iranian architecture, the study of light and color, in accordance with volumes and structure, has always been considered as an essential part of the different stages of the building and its realization. Giving the sensation of unity, this remains at the center of some conceived world‟s spirituality. Unfortunately false imitations from western architecture have given beautiful features but senseless spaces to the contemporary architecture of Iran. the proper teaching and tutoring the Islamic architecture with its principles, especially with suitable light and color applied, not only can describe a suitable feature of architecture, but also defines it in a word that revives the identity of Iranian architecture. Keywords: Iranian Islamic Architecture, Color and Light. -
The Effect of Iranian Architecture on Islamic Tourism
DOI: 10.21276/sjet Scholars Journal of Engineering and Technology (SJET) ISSN 2321-435X (Online) Sch. J. Eng. Tech., 2017; 5(5):203-206 ISSN 2347-9523 (Print) ©Scholars Academic and Scientific Publisher (An International Publisher for Academic and Scientific Resources) www.saspublisher.com Research Article The Effect of Iranian Architecture on Islamic Tourism Asieh Mirshekari Department of Architecture, East Azarbaijan Science and Research Branch, Islamic Azad University, Tbariz, Iran *Corresponding author Asieh Mirshekari Email: [email protected] Abstract: Tourism is a wide, massive and growing industry in culture and economy of the world that includes almost all aspects of a community. Today, tourism as one of the most important industries for sustainable development, especially in Islamic tourism created a great opportunity for Iranian metropolises and architecture as the most social human art is related with the space around the human and always includes an expression of life style of people and manifestation of the culture of its time. Accordingly, it has a multi-dimensional role in the creation of tourist attraction. Since the attraction of tourists results in international attention to our country as well as economic development and recognition of Iranian culture and civilization and since Iran has a high position in terms of richness of Iranian Islamic traditional architecture and has high potentials that if it is well supported, it can attract many tourists. Keywords: Architecture, Iranian architecture, Islamic tourism, tourism. INTRODUCTION TOURISM INDUSTRY In today's world, tourism becomes one of the Tourism is now the first industry in terms of ways of earning for countries and many countries seek source of income in the world, and has a very rapid to develop their capacities to attract more tourists, the growth in recent years and could improve its position to West introduced tourism with unconditional essentials the highest levels [5]. -
The Persian Achaemenid Architecture Art Its Impact ... and Influence (558-330BC)
Journal of Xi'an University of Architecture & Technology Issn No : 1006-7930 The Persian Achaemenid Architecture Art its Impact ... and Influence (558-330BC) Assistant professor Dr. Iman Lafta Hussein a a Department of History, College of Education, Al Qadisiya University, Ministry of Higher Education and Research, Republic of Iraq Abstract The Achaemenid Persians founded an empire that lasted for two centuries (550-331 BC) within that empire that included the regions of the Near East, Asia Minor, part of the Greek world, and highly educated people and people such as Babylon, Assyria, Egypt, and Asia Minor. Bilad Al-Sham, centers of civilization with a long tradition in urbanism and civilization, benefited the Achaemenids in building their empire and the formation of their civilization and the upbringing of their culture. It also secured under the banner of late in the field of civilization, those ancient cultures and mixed and resulted in the Achaemenid civilization, which is a summarization of civilizations of the ancient East and reconcile them, and architecture and art were part of those civilizational mixing, It was influenced by ancient Iraqi and Egyptian architecture as well as Greek art. In addition, it also affected the architecture of the neighboring peoples, and its effects on the architecture of India and Greece, as well as southern Siberia, but the external influences on the architecture of Achaemenid. It does not erase the importance of the special element and the ability to create a special architecture of Achaemenid civilization that has the character and characteristics and distinguish it from its counterparts in the ancient East.