Ozon Hakkında Her Şey
Total Page:16
File Type:pdf, Size:1020Kb
Load more
Recommended publications
-
Film Appreciation Wednesdays 6-10Pm in the Carole L
Mike Traina, professor Petaluma office #674, (707) 778-3687 Hours: Tues 3-5pm, Wed 2-5pm [email protected] Additional days by appointment Media 10: Film Appreciation Wednesdays 6-10pm in the Carole L. Ellis Auditorium Course Syllabus, Spring 2017 READ THIS DOCUMENT CAREFULLY! Welcome to the Spring Cinema Series… a unique opportunity to learn about cinema in an interdisciplinary, cinematheque-style environment open to the general public! Throughout the term we will invite a variety of special guests to enrich your understanding of the films in the series. The films will be preceded by formal introductions and followed by public discussions. You are welcome and encouraged to bring guests throughout the term! This is not a traditional class, therefore it is important for you to review the course assignments and due dates carefully to ensure that you fulfill all the requirements to earn the grade you desire. We want the Cinema Series to be both entertaining and enlightening for students and community alike. Welcome to our college film club! COURSE DESCRIPTION This course will introduce students to one of the most powerful cultural and social communications media of our time: cinema. The successful student will become more aware of the complexity of film art, more sensitive to its nuances, textures, and rhythms, and more perceptive in “reading” its multilayered blend of image, sound, and motion. The films, texts, and classroom materials will cover a broad range of domestic, independent, and international cinema, making students aware of the culture, politics, and social history of the periods in which the films were produced. -
FICHA TÉCNICA En La Casa Película Título: Original
FICHA TÉCNICA En la casa Película Título: original: Dans la maison Título en español: En la casa Dirección: François Ozon Producción: Éric Altmeyer, Nicolas Altmeyer, Claudie Ossard Guion: François Ozon, basada en la obra teatral de Juan Mayorga Música: Philippe Rombi Fotografía: Jérôme Almeras Montaje: Laure Gardette Vestuario: Pascaline Chavanne País(es): Francia Año: 2012 Género: Suspenso Idioma: Francés. Protagonistas: Fabrice Luchini, Ernst Umhauer, Kristin Scott Thomas, Emmanuelle Seigner, Diana Stewart, Denis Ménochet, Jean-François Balmer, Fabrice Colson, Bastien Ughetto, Stéphanie Campion, Yolande Moreau Premios: 2012: Premios César: 6 nominaciones, incluyendo Mejor película. 2012: Festival de Toronto: Premio FIPRESCI. 2012: Festival de San Sebastián: Concha de Oro mejor película, mejor guión. 2012: Premios Goya: Nominada a Mejor película europea. 2013: Premios del Cine Europeo: Mejor guión, nominada a mejor actor (Fabrice Luchini). 2012: Premios Gaudí: Nominada a Mejor película europea. Sinopsis: Todo empieza cuando Germain, un profesor frustrado de literatura francesa, manda una redacción de deberes a sus nuevos alumnos. En su posterior corrección hay una que le sorprende, la del chico de la última fila, Claude. Este chico pasa desapercibido pero destaca entre la mediocridad del grupo. Claude, persiguiendo el anhelo de aquella familia que no ha tenido, escribe sobre la de su compañero Rapha, una familia de la que siempre ha estado obsesionado y por la que siente curiosidad; quiere saber cómo realmente vive una familia de clase media. Intentando evadirse de su propia realidad, se entromete en la casa de su compañero con el pretexto de ayudarle con las matemáticas. Germain, iluminado por el talento del chico, se presta a ayudarle a mejorar su escritura pidiéndole más redacciones. -
Elenco Film Dal 2015 Al 2020
7 Minuti Regia: Michele Placido Cast: Cristiana Capotondi, Violante Placido, Ambra Angiolini, Ottavia Piccolo Genere: Drammatico Distributore: Koch Media Srl Uscita: 03 novembre 2016 7 Sconosciuti Al El Royale Regia: Drew Goddard Cast: Chris Hemsworth, Dakota Johnson, Jeff Bridges, Nick Offerman, Cailee Spaeny Genere: Thriller Distributore: 20th Century Fox Uscita: 25 ottobre 2018 7 Uomini A Mollo Regia: Gilles Lellouche Cast: Mathieu Amalric, Guillaume Canet, Benoît Poelvoorde, Jean-hugues Anglade Genere: Commedia Distributore: Eagle Pictures Uscita: 20 dicembre 2018 '71 Regia: Yann Demange Cast: Jack O'connell, Sam Reid Genere: Thriller Distributore: Good Films Srl Uscita: 09 luglio 2015 77 Giorni Regia: Hantang Zhao Cast: Hantang Zhao, Yiyan Jiang Genere: Avventura Distributore: Mescalito Uscita: 15 maggio 2018 87 Ore Regia: Costanza Quatriglio Genere: Documentario Distributore: Cineama Uscita: 19 novembre 2015 A Beautiful Day Regia: Lynne Ramsay Cast: Joaquin Phoenix, Alessandro Nivola, Alex Manette, John Doman, Judith Roberts Genere: Thriller Distributore: Europictures Srl Uscita: 01 maggio 2018 A Bigger Splash Regia: Luca Guadagnino Cast: Ralph Fiennes, Dakota Johnson Genere: Drammatico Distributore: Lucky Red Uscita: 26 novembre 2015 3 Generations - Una Famiglia Quasi Perfetta Regia: Gaby Dellal Cast: Elle Fanning, Naomi Watts, Susan Sarandon, Tate Donovan, Maria Dizzia Genere: Commedia Distributore: Videa S.p.a. Uscita: 24 novembre 2016 40 Sono I Nuovi 20 Regia: Hallie Meyers-shyer Cast: Reese Witherspoon, Michael Sheen, Candice -
François Ozon
Ficha técnica Una nueva amiga Película Título original: Une nouvelleamieaka Director: François Ozon Guión: François Ozon Música: PhilippeRombi Fotografía: Pascal Marti Productora: Mandarin Films / FOZ Género: Drama, comedia, transexualidad Duración: 105 min. País: Francia Reparto: RomainDuris (David / Virginia), Anaïs Demoustier (Claire), RaphaëlPersonnaz (Gilles), Isild Le Besco (Laura), AuroreClément (Liz). Jean-Claude Bolle-Reddat, Bruno Pérard, Claudine Chatel, Anita Gillier, Alex Fondja, ZitaHanrot, Pierre Fabiani. Premios 2014: Premios César: 2 nominaciones Mejor actor (Duris) y vestuario 2014: Festival de San Sebastián: Sección oficial de largometrajes Sinopsis: El filme examina una relación fuera de lo común entre Claire (Anaïs Demoustier), David/Virginia (RomainDuris) y el marido de Laura (Isild Le Besco), una amiga de infancia de Claire. Laura padece de una enfermedad grave y antes de morir le hace prometer a Claire que cuidará de su marido y de su pequeña hija. Después de fallecer Laura, Claire les hace una visita, pero le espera una tremenda sorpresa en la forma de Virginia. Los dos personajes se embarcan en un viaje metafórico al poner sus vidas al revés. Es un filme transgénero donde se explica una forma de pareja diferente ante la forma tradicional para su inclusión de diversa naturaleza social libre de prejuicios. 1 Federación Internacional de Mujeres Universitarias Federación Mexicana de Universitarias Universidad Nacional Autónoma de México Museo de la Mujer Bolivia 17 Centro Histórico, Ciudad de México. Cine-Club de género13 de febrero de2018 Mtra. Delia Selene de Dios Vallejo♣♥ La película trata un tema de gran actualidad: la sexualidad y los derechos de las minorías sexuales. El director, un tanto provocador, llama a su obra “un filme transgénero”, estaba escribiendo el guion cuando empezaron las manifestaciones en Francia contra los derechos de las parejas homosexuales. -
Daily Screening & Events Schedule
TIFF Industry Online Daily Screening & Events Schedule SEPTEMBER 12, 2020 A new world of color and contrast RealLaser advances RGB pure laser illumination. Approaching Rec. 2020 with color realism, RealLaser delivers rich, deep and intense color that doesn’t require fi ltering or correction. Bring new worlds of color and contrast to your theatre. Christie CP4315-RGB / CP4320-RGB (Other 2K and 4K models available in range) christiedigital.com/cinema ® Toronto International Film Festival Inc. used under license. ® Christie Digital Systems USA, Inc. I Industry user access P Press user access Press & Industry B Buyer user access * Availability per country on the schedule at TIFF.NET/INDUSTRY Daily Schedule Access TIFF Digital Cinema Pro September 12, 2020 at DIGITALPRO.TIFF.NET NEW TODAY Films are available for 48 hours from start time. 10 AM THE BIG HIT KILL IT AND LEAVE THIS TOWN THE PEOPLE UPSTAIRS SILVER SKATES: EDT 106 min. | TIFF Digital Cinema Pro 88 min. | TIFF Digital Cinema Pro 81 min. | TIFF Digital Cinema Pro MAKING OF & FOOTAGE Private Screening TIFF Industry Selects Private Screening 0 min. | TIFF Digital Cinema Pro I P B P B I B Private Screening B CURVEBALL - A TRUE STORY. THE MACALUSO SISTERS THE REASON UNFORTUNATELY. 94 min. | TIFF Digital Cinema Pro 82 min. | TIFF Digital Cinema Pro THE SPACEWALKER 108 min. | TIFF Digital Cinema Pro Private Screening Private Screening 100 min. | TIFF Digital Cinema Pro Private Screening I B I P B Private Screening B I B MAGIC MOUNTAINS ROCKFIELD: THE STUDIO IN BETWEEN DYING 82 min. | TIFF Digital Cinema Pro ON THE FARM THE UNFAMILIAR 89 min. -
Retrospectiva Paul Schrader Retrospective
1 12ª EDIÇÃO JÚRI DA 16 A 25 DE NOVEMBRO, 2018 SELECÇÃO OFICIAL 12TH EDITION OFFICIAL NOVEMBER 16 TO 25, 2018 SELECTION JURY O LEFFEST — LISBON & SINTRA FILM FESTIVAL reúne nesta 12ª edição realizadores, actores, argumentistas, escritores, músicos, intérpretes, artistas e filósofos que, ao longo de 10 dias, irão partilhar consigo, caro/a leitor/a espectador/a, a sua paixão por esta arte, a sétima, que contém todas as outras. Chrysta Bell David Lynch é a imagem desta edição. Um dos grandes criadores contemporâneos, cuja obra, em permanente reinvenção, se desenvolve no Chrysta Bell é uma cantora, compositora e actriz que cinema, na pintura, na fotografia, na música, na escrita, corporiza o espírito incorpora elementos teatrais e multimédia dinâmicos multidisciplinar do festival. Filmes, duas exposições, um livro, as canções e as nos seus concertos, tornando-os experiências únicas. É conversas… à espera de Mr. Lynch… colaboradora de longa data de David Lynch. Os seus álbuns This Train (2011) e Somewhere in Nowhere (2016), foram Os onze filmes seleccionados para a Competição, acompanhados pelos ambos produzidos e co-escritos por Lynch. Esta colaboração realizadores e actores, serão analisados por um júri internacional que junta conheceu um novo capítulo quando, em 2017, o realizador seis criadores notáveis. O festival homenageia João Botelho (com a maior a convidou para um papel em Twin Peaks: The Return. retrospectiva da sua obra até à data e um catálogo que celebra 40 anos Chrysta Bell prepara um novo álbum, que será lançado no do seu cinema), Walter Salles, Mario Martone e Darezhan Omirbayev, que Walter Salles início de 2019. -
To Download Press Cv
CONSULTANTS Launched in early 2010, WOLF is a boutique PR and Marketing firm specialised in helping filmmakers effectively communicate and achieve their vision. Through many years experience working for sales agents and producers, launching hundreds of films, we understand the demands of the market and offer an intelligent, fast, no-nonsense creative service. In our fragmented industry we‘re here to help join the dots. Marketing and communications are an integral part of the storytelling process, and our approach encompasses the entire production cycle: from overcoming initial obstacles to getting a new project noticed to preparing completed films for launch at major international film festivals. What‘s unique about WOLF is that we‘re hands-on designers, marketing consultants and international publicists all rolled into one, with an intimate knowledge of all the major festivals and markets. Our expertise and flexibility help directors, producers, sales agents and other partners around the world create effective strategies tailored to each project‘s needs, giving the film the best possible start on the way to finding its audience. Recent highlights of WOLF‘s slate as International Publicists include UNDINE by Christian Petzold (Silver Bear for Best Actress, Berlin 2020), MARTIN EDEN by Pietro Marcello (Platform Prize, TIFF 2019 & Coppa Volpi, Venice 2019), BABYTEETH by Shannon Murphy (Marcello Mastroianni Award, Venice 2019), THE CLIMB by Michael Angelo Covino, (Jury Coup de Coeur, Cannes Un Certain Regard 2019), SO LONG, MY SON by Wang Xiaoshuai (Silver Bears for Best Actor & Best Actress, Berlin 2019), BORDER by Ali Abbasi (Un Certain Regard Prize, Cannes 2018), WOMAN AT WAR by Benedikt Erlingsson (SACD Award, Cannes Critics‘ Week 2018), TOUCH ME NOT by Adina Pintilie (Golden Bear & Best First Feature, Berlin 2018), CUSTODY by Xavier Legrand (Best Director & Best First Feature, Venice 2017) and VR projects by Baobab Studios and director Eric Darnell (MADAGASCAR). -
Hliebing Dissertation Revised 05092012 3
Copyright by Hans-Martin Liebing 2012 The Dissertation Committee for Hans-Martin Liebing certifies that this is the approved version of the following dissertation: Transforming European Cinema : Transnational Filmmaking in the Era of Global Conglomerate Hollywood Committee: Thomas Schatz, Supervisor Hans-Bernhard Moeller Charles Ramírez Berg Joseph D. Straubhaar Howard Suber Transforming European Cinema : Transnational Filmmaking in the Era of Global Conglomerate Hollywood by Hans-Martin Liebing, M.A.; M.F.A. Dissertation Presented to the Faculty of the Graduate School of The University of Texas at Austin in Partial Fulfillment of the Requirements for the Degree of Doctor of Philosophy The University of Texas at Austin May 2012 Dedication In loving memory of Christa Liebing-Cornely and Martha and Robert Cornely Acknowledgements I would like to thank my committee members Tom Schatz, Charles Ramírez Berg, Joe Straubhaar, Bernd Moeller and Howard Suber for their generous support and inspiring insights during the dissertation writing process. Tom encouraged me to pursue this project and has supported it every step of the way. I can not thank him enough for making this journey exciting and memorable. Howard’s classes on Film Structure and Strategic Thinking at The University of California, Los Angeles, have shaped my perception of the entertainment industry, and having him on my committee has been a great privilege. Charles’ extensive knowledge about narrative strategies and Joe’s unparalleled global media expertise were invaluable for the writing of this dissertation. Bernd served as my guiding light in the complex European cinema arena and helped me keep perspective. I consider myself very fortunate for having such an accomplished and supportive group of individuals on my doctoral committee. -
Tout Le Cinéma Sur ARTE Mars 2021
© DR © BRAINWORKS © LA CINEMATHÈQUE FRANÇAISE © LA CINEMATHÈQUE Claude Sautet, le calme et la dissonance Citizen Kitano Comment voler un million de dollars Tout le cinéma sur ARTE Mars 2021 Soirée Claude Sautet Mercredi 3 mars 20.55 Un cœur en hiver DE CLAUDE SAUTET AVEC EMMANUELLE BÉART, DANIEL AUTEUIL, ANDRÉ DUSSOLLIER © PRODUCTION GOYAVES (FRANCE, 1992, 100’) Maxime est artisan dans l’atelier de lutherie de son ami Stéphane. Il est épris de la belle Camille, violoniste pas- sionnée de Ravel, avec qui il commence une nouvelle vie. Mais une troublante intimité s’établit entre la jeune femme et Stéphane, intriguée par son mutisme et son indiffé- rence. Un film mélancolique et retenu sur la confusion des sentiments où la seule passion qui s’exprime pleinement est celle que chacun voue à son art. 22.40 et sur arte.tv du 24/02 au 01/05 © STUDIOCANAL Claude Sautet, le calme et la dissonance UN DOCUMENTAIRE INÉDIT DE THOMAS BOUJUT ET AMINE MESTARI, AVEC LA VOIX DE CHARLES BERLING (ARTE FRANCE, GOYAVES, 52’) Le cinéma a permis à Claude Sautet, homme introverti, remarquable peintre des années 1970-80, de canaliser son bouillonnement intérieur. Des Choses de la vie à Nelly et monsieur Arnaud, il s’intéresse avant tout aux passions humaines et aux relations tumultueuses entre hommes et femmes. Riche d’archives inédites, un portrait touchant de Claude Sautet qui a usé du cinéma pour «garder le calme devant la dissonance», la formule qu’il a choisie pour épitaphe. © FIDÉLITÉ PRODUCTIONS © PARIS FILM PRODUCTIONS - LUX FILM FILM PRODUCTIONS - LUX -
Sex After Death: Franc¸Ois Ozon’S Libidinal Invasions Screen.Oxfordjournals.Org
Downloaded from Sex after death: Franc¸ois Ozon’s libidinal invasions screen.oxfordjournals.org MAX CAVITCH By now it should be well understood, within and beyond the bounds of gender and sexuality studies, that queer praxis has been both a sustained at University of Pennsylvania Library on February 28, 2011 response to a particular history of loss and an important contribution to the ongoing psychosocial project of theorizing mourning. Among other things, ‘queering’ mourning has meant overruling reticence with the antagonistically explicit; displacing mortuary and memorial decorum with improvised and impatient performances; reconceiving illness, care and forms of farewell to accommodate new experiences of familiarity with, and estrangement from, bodies; freshly embracing the work of anger, ambivalence and melancholy. It has meant risking not only futures but the very consolations of futurity in favour of preposthumous resistance to the logics of reproduction and self-bestowal. And it has meant coming to terms with pleasure at the core of the experience of mourning. To say that mourning has become a way of life is banal, for it has never been anything else. And the sanguine recommendation that loss be apprehended as ‘productive rather than pathological’ is too weak a tonic 1 1 David L. Eng and David Kazanjian, for many. But to assert that mourning entails a phenomenology of Loss: the Politics of Mourning pleasure remains as provocative today as it was when Karl Abraham and (Berkeley, CA: University of California Press, 2003), p. ix. Sigmund Freud, early in the last century, noted with perplexity and discomfort the libidinal assertiveness of grief. -
16 Aug 19 26 Sep 19
16 AUG 19 26 SEP 19 1 | 16 AUG 19 - 26 SEP 19 49 BELMONT STREET | BELMONTFILMHOUSE.COM It’s amazing to think that in the last intro I rather skited over Once Upon A Time... in Hollywood. It was released on the second last day of the July/August schedule. It’s not that it became an afterthought... there were just so many other films to write about. A common problem here! In this brochure, it begins its first full week of release. A few more weeks of hype has allowed Twitter to dissolve into reappraisals of Tarantino’s back catalogue, which can only suggest one thing - Once Upon A Time... in Hollywood might be worth the hype, especially if you are shuffling around the likes of Jackie Brown and Pulp Fiction to accommodate it in QT’s Top 5. If your memory needs refreshing or you have a few you’ve not yet managed to see, we’re hosting a Tarantino mini-season in Kino Bar with four of his own, plus two he gave away, From Dusk Till Dawn and Natural Born Killers. Pain and Glory marks the return of another director with a long legacy, Pedro Almodóvar, and his semi-autobiographical film sees a terrific Antonio Banderas plays an aging film director in creative malaise, reflecting upon his life, career and memories. We’ve also got a few outrageously interesting documentaries this month. Stand-outs include Hail Satan?, in which ‘Satanists’ rally for progressive values and the separation of Church and State in the USA; Gaza, a deeply moving film documenting normal lives in a distinctly un-normal, war-torn state; and the film nerd’s dream Memory: The Origins of Alien. -
Le Programme April – May 2017 02 Contents/Highlights
Le Programme April – May 2017 02 Contents/Highlights Ciné Lumière 3–12 Beyond Words Festival 13 Talks 14–15 Walter Presents: Reborn + Q&A Heal the Living Wrong Elements + Q&A Music 15 with actor Bruno Debrandt 28 Apr – 10 May with director Jonathan Littell 26 Apr p.5 29 Apr p.7 p.7 Kids & Families 17 We Support 18 We Recommend 19 French Courses 20 My Life as a Courgette Beyond Words Live French James Thierrée: The Toad Knew La Médiathèque 21 5 – 21 May Literature Festival 3 – 7 May p.5 11 – 16 May p.18 p.13 Sadler’s Wells General Information 23–27 front cover image: Frantz by François Ozon Programme design by dothtm Ciné Lumière New Releases © Pacific Northwest Pictures Dancer The Salesman Neruda UK/RUS/UKR/USA | 2016 | 85 mins | dir. Steven Cantor, with Foroushandeh CHL/ARG/FRA/ESP/USA | 2016 | 107 mins | dir. Pablo Larraín, Sergei Polunin, Jade Hale-Christofi | cert. 12 | doc IRN/FRA | 2016 | 125 mins | dir. Asghar Farhadi, with Shahab with Gael García Bernal, Luis Gnecco, Alfredo Castro | cert. 15 in English, Russian & Ukrainian with EN subs Hosseini, Taraneh Alidoosti, Babak Karimi Tari, Mina Sadati in Spanish & French with EN subs cert. 12A | in Farsi with EN subs Blessed with astonishing power and poise, Sergei Polunin It’s 1948 and the Cold War has reached Chile. An took the dance world by storm and became the Royal In Tehran, a married couple, is forced to move out of their inspector (Gael García Bernal) is assigned to hunt down Ballet’s youngest ever principal, but resigned at the peak apartment which threatens to collapse.