DOCSLIB.ORG

Magic Origami.SYN

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
Magic Origami.SYN E EDDISON SADD EDITIONS LIMITED DDISON THE ST CHAD’S HOUSE 148 KING’S CROSS ROAD CAMELOT ORACLE LONDON WC1X 9DH A quest for wisdom through the Arthurian world TELEPHONE: 020 7837 1968 E-MAIL: [email protected] FAX: 020 7837 2025 • S JOHN MATTHEWS ADD WITH ILLUSTRATIONS BY WILL WORTHINGTON Enter a mystical landscape peopled with archetypal characters and rich in myth and legend – the world of King Arthur and his Knights of the Round Table. The universal appeal of the Arthurian tales lies in their primal quality: they deal with every aspect of human life, from the eternal struggle to overcome obstacles to the continuing search for fulfilment. Working with the oracle cards and the Map of The Lands Adventurous you will travel from Camelot with your champion on your quest. Your chosen path leads to a place of significance where your challenger waits to hear your questions. Consulting the guidebook will reveal the answers and the guidance you require. THE CAMELOT ORACLE explores inner realms and takes you on an unforgettable journey – the journey of life itself. SELLING POINTS • Original concept by foremost Arthurian expert and teacher • New insights into myth and the human experience • Will Worthington art highly acclaimed • Arthurian world of universal appeal SPECIFICATION 1 1 1 Box: 216 x 158 x 35 mm (8 ⁄2 x 6 ⁄4 x 1 ⁄3 in) 1 3 Book: 205 x 148 mm (8 ⁄4 x 5 ⁄4 in) 128 pages printed 1/1, approx. 35,000 words 3 40 cards: 120 x 75 mm (4 ⁄4 x 3 in) printed 4/1 1 Fold-out map: 594 x 420 mm (23 ⁄3 x 16 in) printed 1/0 Files prepared in InDesign AN EDDISON•SADD EDITION DIRECTORS:NICK EDDISON,DAVID OWEN, SARAH ROONEY Copyright © Eddison Sadd 2011 REGISTERED IN LONDON 1628168 E DDISON OUTLINE The characters of the Arthurian myths are far more than just men and women. They are also archetypes that embody many of the characteristics of the human experience. It is thus pos- sible to identify closely with different people from the stories, and journey with them – learn- ing from their wisdom and growing in the process. In this way we learn to know and under- • S stand our own inner champion, the strong and powerful person we can become. ADD But THE CAMELOT ORACLE is not just a tool for exploring the inner self – it is also a way of finding answers to the questions and issues that we encounter daily. As such it is both a per- sonal system for exploration and a powerful oracle to help in making decisions. Using guided imagery combined with the oracular meaning of each card, we take our journeys on the specially created map of the Lands Adventurous. Travelling from Camelot, the Court of Arthur, we are accompanied by one or other of the Knights or Ladies who inhabit the inner worlds, who becomes our Champion. We follow a path chosen by the oracle, and we discover new and powerful truths about ourselves. Along the way we may encounter other characters from the Arthurian world, each of whom represents an aspect of our soul’s journey. These individual encounters bring guidance to the challenging aspects of our own life journey, and enable us to overcome obstacles, find new paths and re-interpret events in an empowering way. And at our destination at the end of the path we meet another archetypal character cho- sen from the deck, who becomes our Challenger. He or she will require you to answer specific questions at that place that will deepen your understanding. THE CAMELOT ORACLE is a unique method of exploring our inner realms and everyday human experience. Consisting of 32 beautifully painted Archetype cards, 8 Path cards, an explanatory book pointing the way to further and ever-deepening ways of exploration, and a map of the Lands Adventurous, THE CAMELOT ORACLE takes you on an unforgettable journey – the jour- ney of life itself. John Matthews has been teaching the Arthurian mysteries for over 40 years, using a map of the Arthurian world to guide many hundreds of students. Now he brings this exciting concept to print, making it available for the first time to a worldwide audience. THE MARKET This title will appeal to all those who make up the enduring market for Arthurian myth and legend and self-help, plus those who use oracles and tarots for personal development. With several new Arthur movies on the way, as well as two widely watched TV shows, Merlin (UK) and Camelot (US), the Arthurian market will remain buoyant for many more years to come. 2 E DDISON CONTENTS INTRODUCTION A brief overview of the history of the Arthurian legends, from their earliest Celtic versions to the familiar writings of the medieval romancers from the twelfth to the fifteenth centuries. • S PART ONE Camelot and the Lands Adventurous ADD How the oracle works and how to extend the knowledge gained from its use in everyday life. How to work with the map of the Lands Adventurous and apply the interpretations to your own life journey. PART TWO The Archetypes Full description and notes on each of the 32 archetypal characters from the spectrum of the Arthurian legends. Entries for each card will include background information on the character, the symbolism associated with him or her, and interpretations of the practical meaning of each archetype. Brief notes are given below. THE CHARACTERS Amangons A dark and powerful king who sought the Grail for his own ends and to give him greater power. Amangons vanished into the heart of the Wildwood from where he challenges all who approach him to acknowledge the negative aspects of their journey. Arthur The King. Noble, chivalrous, and brave, he is the best of us; honour is paramount and honesty imperative in his life. He leads us towards our goals and guides our steps through the impenetrable wood. Balin A rough-natured, impetuous knight who was one of the first to join the newly formed Fellowship of the Round Table. The nature of his life and his impetuous nature make him a challenging ally in any journey, but his generosity of spirit moderates this aspect of his character. Bedivere Knight of the Round Table. One of the first to join the Fellowship, he became the Butler to the court, organizing feasts and tournaments along with the irascible Kay. Bedivere’s intimate knowledge of the Arthurian Court makes him a wise and faithful guide on the journey. Bercilak A knight transformed by Morgana into the likeness of the Green Knight. Though a challenging figure, Bercilak is nonetheless a wise and powerful ally in any undertaking. Blaise The master of Merlin to whom he makes his report of events concerning Arthur’s king- dom before he withdraws from the scene. He offers access to the most primal depths of human awareness. Bors Cousin of Lancelot. One of the strongest Knights of the Round Table he became the third of the trio of successful Grail knights. As a companion he offers solidarity and earth wisdom to all. Cundrie The Maiden of the Grail. Her dark skin and careworn face marked her out for cruel treatment at the hands of the other guardians of the Grail. Her knowledge of star lore was unsurpassed and as a guide she not only shares her understanding of harsh treatment but also of past the future events. Dagonet Arthur’s court jester who became a Knight of the Round Table and whose gentle mockery made him among the most popular figures in the Arthurian panoply. Though lacking in stature and knightly abilities, his wit and humanity are greatly valued on the quest. 3 E DDISON Dindrane The sister of Perceval, who accompanies the Grail knights and eventually sacrifices herself in order to heal a leprous woman. She represents, along with Elaine of Corbenic, the feminine mysteries of the Grail. Her gentle presence offers deep guidance on our personal quest. Elaine of Corbenic The daughter of King Pelles of the Grail family. She fades rather from the • scene but features as the Grail Princess under other names in the rest of the Arthurian sagas. S Her wisdom is deep and profound and she offers many insights into emotion states of being. ADD Galahad Son of Elaine of Corbenic and Lancelot. The Spiritual Knight. He surpasses his father in both chivalry and purity of life, becoming the achiever of the Grail along with Perceval and Bors. Accompanying us on our journey he brings a profound level of perception to every- day concerns. Gareth Third son of Lot and Morgause, he comes anonymously to court and is called Beaumains (Fair Hands) by Kay, who puts him to work in the kitchens. He requests that he be allowed to go on the adventure of Linet and distinguishes himself by fighting a series of pow- erful knights. His humanity and sense of honour make him a worthy champion to any traveller in the Lands Adventurous. Gawain Son of King Lot of Orkney. One of the most primal champions of the Round Table Fellowship, his presence enhances any task undertaken in the Lands Adventurous. Guinevere The Queen. Daughter of Leodegrance, wife of Arthur. Her affair with Lancelot brings down the kingdom, and she ends her days in the monastery of Amesbury, where she is finally buried after taking a last leave of Lancelot. As a companion she offers insights into our most powerful emotions and encourages you to cultivate the inner garden of your soul. Igraine The mother of Arthur. Ultimately a mysterious figure she connects us with the more ancient levels of the myths.
Load more

Recommended publications
  • Echoes of Legend: Magic As the Bridge Between a Pagan Past And
    Winthrop University Digital Commons @ Winthrop University Graduate Theses The Graduate School 5-2018 Echoes of Legend: Magic as the Bridge Between a Pagan Past and a Christian Future in Sir Thomas Malory's Le Morte Darthur Josh Mangle Winthrop University, [email protected] Follow this and additional works at: https://digitalcommons.winthrop.edu/graduatetheses Part of the Literature in English, British Isles Commons Recommended Citation Mangle, Josh, "Echoes of Legend: Magic as the Bridge Between a Pagan Past and a Christian Future in Sir Thomas Malory's Le Morte Darthur" (2018). Graduate Theses. 84. https://digitalcommons.winthrop.edu/graduatetheses/84 This Thesis is brought to you for free and open access by the The Graduate School at Digital Commons @ Winthrop University. It has been accepted for inclusion in Graduate Theses by an authorized administrator of Digital Commons @ Winthrop University. For more information, please contact [email protected]. ECHOES OF LEGEND: MAGIC AS THE BRIDGE BETWEEN A PAGAN PAST AND A CHRISTIAN FUTURE IN SIR THOMAS MALORY’S LE MORTE DARTHUR A Thesis Presented to the Faculty Of the College of Arts and Sciences In Partial Fulfillment Of the Requirements for the Degree Of Master of Arts In English Winthrop University May 2018 By Josh Mangle ii Abstract Sir Thomas Malory’s Le Morte Darthur is a text that tells the story of King Arthur and his Knights of the Round Table. Malory wrote this tale by synthesizing various Arthurian sources, the most important of which being the Post-Vulgate cycle. Malory’s work features a division between the Christian realm of Camelot and the pagan forces trying to destroy it.
    [Show full text]
  • Summary of the Perlesvaus Or the High History of the Grail (Probably First Decade of 13Th Century, Certainly Before 1225, Author Unknown)
    Summary of the Perlesvaus or The High History of the Grail (probably first decade of 13th century, certainly before 1225, author unknown). Survives in 3 manuscripts, 2 partial copies, and one early print edition Percival starts out as the young adventurous knight who did not fulfill his destiny of achieving the Holy Grail because he failed to ask the Fisher King the question that would heal him, events related in Chrétien's work. The author soon digresses into the adventures of knights like Lancelot and Gawain, many of which have no analogue in other Arthurian literature. Often events and depictions of characters in the Perlesvaus differ greatly from other versions of the story. For instance, while later literature depicts Loholt as a good knight and illegitimate son of King Arthur, in Perlesvaus he is apparently the legitimate son of Arthur and Guinevere, and he is slain treacherously by Arthur's seneschal Kay, who is elsewhere portrayed as a boor and a braggart but always as Arthur's loyal servant (and often, foster brother. Kay is jealous when Loholt kills a giant, so he murders him to take the credit. This backfires when Loholt's head is sent to Arthur's court in a box that can only be opened by his murderer. Kay is banished, and joins with Arthur's enemies, Brian of the Isles and Meliant. Guinevere expires upon seeing her son dead, which alters Arthur and Lancelot's actions substantially from what is found in later works. Though its plot is frequently at variance with the standard Arthurian outline, Perlesvaus did have an effect on subsequent literature.
    [Show full text]
  • Arthur's Realm 9 by S. William Nesbitt II © 2019 All Rights Reserved
    Arthur's Realm 9 by S. William Nesbitt II © 2019 All rights reserved. Revised 02/20/19 Page 1 of 28 characters who do !ot $erceive the coming treachery #!til it is revealed to them. ' f#ll e)am$le of a cha$ter of $lay is fou!d at the e!d of these rules. If you don't know a Pict from a Pendragon, not to worry: Arthur's Realm Knights, Nobles, Ladies, Adventure teaches players the elements of Arthur's tale through play. For a thousand years the tales of King Arthur have been told. Songs sung Players wa!t to score $ersonal goals beca#se achieveme!ts earn by minstrels and bards. Legends inked on parchment by scribes tell of the boons a!d boons ca! be #sed to b#y im$roveme!ts a!d Boy King tutored by Merlin the Magician. The wizard Merlin helps adva!tages. Arthur unite the lands in peace. *oyal $layers ca!!ot score boons #!less there are $rovisions in Arthur marries Queen Guinevere and he gathers a the Kingdom. legendary group of men sit at his Round Table. Sir Gawain, Sir Kay, Percival, Bors, Galahad, Tristan, Sir Lancelot and more. The Knights of the Round Table are the deadliest and most valiant Winning the Game warriors the world has ever known. %o win the game" the *oyals m#st achieve one of two goals: Many of these knights make brides and lovers of fair and wonder ladies. • ring the ,rail to -amelot. Some of the most intrepid leave to quest for the Holy Grail.
    [Show full text]
  • ACROSS LANDS FORLORN: the EPIC JOURNEY of the HERO, from HOMER to CHANDLER Volume One Sergio Sergi
    ACROSS LANDS FORLORN: THE EPIC JOURNEY OF THE HERO, FROM HOMER TO CHANDLER Volume One Sergio Sergi ACROSS LANDS FORLORN: THE EPIC JOURNEY OF THE HERO, FROM HOMER TO CHANDLER. SERGIO SERGI B.A. University of Adelaide M.A. University of Ottawa M.A University of Sydney A thesis submitted for the Degree of Doctor of Philosophy University of Canberra. March 2006 i Certificate of authorship of thesis. Except where clearly acknowledged in footnotes, quotations and the bibliography, I certify that I am the sole author of the thesis submitted today entitled ‘Across lands forlorn: The epic journey of the hero from Homer to Chandler.’ I further certify that to the best of my knowledge the thesis contains no material previously published or written by another person except where due reference is made in the text of the thesis. The material in this thesis has not been the basis of an award of any other degree or diploma except where due reference is made in the text of the thesis. This thesis complies with University requirements for a thesis as set out in http://www.canberra.edu.au/secretariat/goldbook/forms/thesisrqmt. pdf …………………………. Signature of Candidate …………………………. Signature of Chair of the supervisory panel Date: ……………………………. Acknowledgements I acknowledge a number of people who have helped with the realization of this thesis which was begun at the University of New England. Professor Peter Toohey, before he left that University, listened to my ideas about the hero and encouraged me to develop them into this thesis. I am most grateful to him for the confidence he placed in my abilities to conduct a complex study.
    [Show full text]
  • The Book of Quests
    THE BOOK OF QUESTS uests are the driving force in the life of every noble Knight. So it should Qbe no surprise to find Quests at the very heart of Shadows over Camelot. While the content of the Rules Booklet should be familiar to every aspiring Knight, the Book of Quests is primarily a reference, written for inquisitive Knights in search of insight, or the scheming Traitor looking for a lethal edge. In the back of this book you will find two appendices. The first, unearthed from , old manuscripts, offers a glimpse of each Knight s personality. The second is a detailed manifest of each card used in the game. In this booklet, page numbers given in reference point to the corresponding entries in the Rules booklet, unless indicated otherwise. nnnnnnnnnn THE QUESTS nnnnnnnnnn There are several “Standard” Quests in Camelot’s immediate vicinity: N The Tournament against the Black Knight N The Quest for Lancelot N The Dragon’s Quest N The Quest for Excalibur N The Quest for the Holy Grail N The Pict and Saxon Wars each with its own entry in the Book of Quests. For each Quest won or lost, new Swords are laid onto the Round Table. As the game progresses, the Swords show which side currently has the advantage. There are also two “Special” Quests within Camelot proper, where a defeat spells immediate doom for the Loyal Knights: • The Siege of Camelot, which is lost if 12 Siege Engines ever surround Camelot; • and The Quest of the Round Table, where the outcome of the game is decided in favor of whichever color Swords have the majority, once 12 or more have been laid down.
    [Show full text]
  • Friday, 28-07-2017
    Friday, 28.07.2017 09:00-10:30 Artusrezeption in Spätmittelalter und Früher Neuzeit Head: Mathias Herweg Room 2 Unsere Sektion zum Rahmenthema "Nachmittelalterlicher Artus: Druck und andere Medien" befasst sich mit dem Weiterleben des Artusstoffs und der Artusfiguren im Spätmittelalter und der Frühen Neuzeit. Das Spektrum reicht vom 13. bis zum 16. Jahrhundert (mit einem Schwerpunkt im 15./16. Jh.) und deckt die deutsche, französische, italienische und niederländische Literatur ab. Beleuchtet wird einerseits, wie Figuren der matière de Bretagne in verschiedenen Gattungen rezipiert werden (in längeren und kürzeren Erzähltexten, in verschiedenen lyrischen Gattungen und auf der Bühne), andererseits, welche Rolle dabei verschiedene Medienwechsel (Buchdruck, Text/Bild, Bühne) spielen. DIE FRÜHEN DRUCKE DER FRANZÖSISCHEN ARTUSROMANE Brigitte Burrichter Im ausgehenden 15. und frühen 16. Jahrhundert wurden mehrere französische Artusromane des 13. Jahrhunderts gedruckt. Gegenstand des Vortrags wird der Umgang der Drucker mit den mittelalterlichen Romanen sein (Modernisierung der Sprache, Vorworte). RÜCKBLICK AUF DES KÖNIG ARTUS ZEIT. ARTUS-ERWÄHNUNGEN IM HÖFISCH-GALANTEN ROMAN DES 15./16. JAHRHUNDERTS Cora Dietl In der höfisch-galanten Erzählliteratur des späteren 15. und 16. Jahrhunderts lässt sich zunehmend eine historische Distanz zur arthurischen Welt erkennen. Wenn ritterliche Romane dieser Zeit in England oder Frankreich spielen, dann ist es meist das nacharthurische Britannien, in dem sich zwar Konstellationen aus der Artusliteratur wiederholen, aber keine Artusritter mehr auftreten. Sie werden trotzdem als Exempel genannt – und das häufig zu Beginn der Handlung, um beim Rezipienten das entsprechende literarische Muster aufzurufen und die Rezipientenerwartung entsprechend zu lenken. Diesem Phänomen werde ich an verschiedenen Beispieltexten nachgehen (u.a. Pontus und Sidonia, Ritter Galmy, Amadis), um nach der Funktion des Arthurischen im nichtarthurischen höfisch-galanten Roman um 1500 generell zu fragen.
    [Show full text]
  • Read Ebook {PDF EPUB} the Story of Queen Guinevere and Sir Lancelot
    Read Ebook {PDF EPUB} The Story Of Queen Guinevere And Sir Lancelot Of The Lake With Other Poems by Wilhelm Hertz The Story Of Queen Guinevere And Sir Lancelot Of The Lake: With Other Poems by Wilhelm Hertz. Access to raw data. The story of Queen Guinevere and Sir Lancelot of the lake. After the German of Wilhelm Hertz. With other poems. Abstract. Mode of access: Internet. To submit an update or takedown request for this paper, please submit an Update/Correction/Removal Request. Suggested articles. Useful links. Blog Services About CORE Contact us. Writing about CORE? Discover our research outputs and cite our work. CORE is a not-for-profit service delivered by the Open University and Jisc. Arthur, King. King Arthur was a legendary ruler of Britain whose life and deeds became the basis for a collection of tales known as the Arthurian legends. As the leading figure in British mythology, King Arthur is a national hero and a symbol of Britain's heroic heritage. But his appeal is not limited to Britain. The Arthurian story—with its elements of mystery, magic, love, war, adventure, betrayal, and fate—has touched the popular imagination and has become part of the world's shared mythology. The Celts blended stories of the warrior Arthur with those of much older mythological characters, such as Gwydion (pronounced GWID-yon), a Welsh priest-king. Old Welsh tales and poems place Arthur in traditional Celtic legends, including a hunt for an enchanted wild pig and a search for a magic cauldron, or kettle. In addition, Arthur is surrounded by a band of loyal followers who greatly resemble the disciples of Finn , the legendary Irish hero.
    [Show full text]
  • Alaris Capture Pro Software
    Richard III’s Books: X. The Prose Tristan ANNE F. SUTTON AND LIVIA VISSER-FUCHS Tristan, lover, knight of the Round Table and famous huntsman, was one of the best known heroes of the later middle ages. One story can be cited to prove his popularity. Philip the Good, Duke of Burgundy, had a row with his son,Charles, and galloped off fugiously into the forest. The next morning when he was recovering from his night of exertions his good humour was restored by his friend and Chamberlain, Philippe Pot, who said: Good morning, monseigneur, what is this? Are you King Arthur now or Sir Lancelot? Did you think there would be no Sir Tristrams wandering around who would be a match for you?‘ The Duke was feeling rather the worse for wear, he laughed and agreed that he had had his ‘adventure, but added that despite his sorry state he was still capable of taking up arms if love or honour demanded it. To both Philip and his courtier, ‘Tristram’ was an integral part of the Arthurian stories, he was Lancelot’ 5 equal, a knight errant and one of the best knights in the world. Their ‘Tristram’ was very different from the .original character of Celtic legend. The Celtic hero had become one of the famous triangle, with Queen Isolde and King Mark of Cornwall, as developed by twelfth- ccntury poets, and that creation in its turn underwent considerable alteration at the hands of the authors of the Prose Tristan.2 Most English people still know the love story of Tristan and Isolde in a version deriving from the prose Tristan through the medium of Sir Thomas Malory, Spenser or Tennyson.
    [Show full text]
  • LLT180L4.Doc 1
    LLT180L4.doc 1 We had stopped when we were talking about collecting fumets, not a particularly interesting topic. I don’t think that would be my pastime. We’re trying to make fun. The idea is that questing while it’s an important aspect of being a knight is not supposed to be particularly attractive. He’s questing after these Glatisant. They are on page 23. You should remember Glatisant’s name. One of the things that come up later is that finally the questing beast only stays healthy and alive as long as Pellinore’s questing after him. Otherwise, it fades away and dies. So, to me I can’t help but think of the Peter, Paul and Mary song puff the magic dragon, and how that is the same idea. I think what’s important here is that the quest is almost like a dream. So, unless maybe we nurture our dreams if this is trying to tell us something as we read through this unless we nurture our dreams, unless we nurture our ideals that they fade away and die. So, we have to pay attention to them. You can sit a lot with this and look up vocabulary. Just to prove that I do they describe the questing beast toward the bottom of page 23. They say this beast about maybe 12 lines from the bottom has the head of a serpent and the body of a libbard. What the crud is a libbard? It’s an old spelling variation actually of leopard. It’s a body of a leopard.
    [Show full text]
  • Fairies, Kingship, and the British Past in Walter Map's De Nugis Curialium and Sir Orfeo
    UC Berkeley UC Berkeley Electronic Theses and Dissertations Title Fairies, Kingship, and the British Past in Walter Map's De Nugis Curialium and Sir Orfeo Permalink https://escholarship.org/uc/item/8zh4b6x4 Author Schwieterman, Patrick Joseph Publication Date 2010 Peer reviewed|Thesis/dissertation eScholarship.org Powered by the California Digital Library University of California Fairies, Kingship, and the British Past in Walter Map’s De Nugis Curialium and Sir Orfeo by Patrick Joseph Schwieterman A dissertation submitted in partial satisfaction of the requirements for the degree of Doctor of Philosophy in English in the Graduate Division of the University of California, Berkeley Committee in charge: Professor Maura Nolan, Chair Professor Jennifer Miller Professor John Lindow Fall 2010 Fairies, Kingship, and the British Past in Walter Map’s De Nugis Curialium and Sir Orfeo © 2010 by Patrick Joseph Schwieterman Abstract Fairies, Kingship, and the British Past in Walter Map’s De Nugis Curialium and Sir Orfeo by Patrick Joseph Schwieterman Doctor of Philosophy in English University of California, Berkeley Professor Maura Nolan, Chair My dissertation focuses on two fairy narratives from medieval Britain: the tale of Herla in Walter Map’s twelfth-century De Nugis Curialium, and the early fourteenth-century romance Sir Orfeo. I contend that in both texts, fairies become intimately associated with conceptions of the ancient British past, and, more narrowly, with the idea of a specifically insular kingship that seeks its legitimization within that past. In Chapter One, I argue that Map’s longer version of the Herla narrative is his own synthesis of traditional materials, intended to highlight the continuity of a notion of British kingship that includes the pygmy king, Herla and Henry II.
    [Show full text]
  • Arthurian Legend
    Arthurian Legend Arthurian Legend Characters King Arthur – The son of Uther Pendragon, King Arthur is the king of Britain. In addition to being a great warrior, he is wise and thoughtful ruler. He prefers to find peaceful solutions to problems rather than fighting. Arthur is able to appreciate the viewpoints of other people and this helps him to find other solutions. Merlin – Merlin is a legendary wizard of considerable intelligence and power. Merlin wants the best for the land of Britain but does not want to rule, knowing that a warrior is needed to unite the kingdom. Merlin was an advisor to King Uther Pendragon before advising King Arthur. Merlin was able to use magic to prove that Arthur was the king of the Britains. Later, he was able to communicate with people from another world and provide Arthur with the magical sword, Excalibur. Merlin looks like an old man with a flowing white beard. Queen Guinevere – Guinevere is the wife of King Arthur. Her name means “The White Enchantress” or “The White Ghost”; a name given to her because of her pale white skin. Although she loves King Arthur, she grows to love Sir Lancelot. This betrayal of Arthur eventually leads to quarrels and fights amongst the knights of the round table and eventually ends Camelot. Sir Lancelot – Lancelot is the bravest and most skilled Knight of the Round Table. A talented swordsman and jouster, Lancelot is also Arthur’s greatest friend. When Lancelot falls in love with Guinevere, this leads to civil war and brings about the end of King Arthur’s kingdom.
    [Show full text]
  • Zen Pinball 3D Build Revision History
    Excalibur Table - Manual EXCALIBUR RAMP Hit the captive ball to flip the diverter on the Excalibur Ramp, or hit the drop target next to the ramp to activate the Lancers for a limited time. Lancers are strategically important defense line, as they will prevent the ball from draining in the outlanes. TALES OF THE KNIGHTS Spell out the word TALE by hitting the standup targets belonging to its letters. When Tale is lit at the left sinkhole, spin the Round Table to select a knight, then land the ball in the hole to start the selected knight's tale. Follow the instructions on the dot-matrix display to complete the tale! DUEL CHAMPION Spin the Round Table fast enough to attract the attention of another knight, then go to Camelot via Mordred's Ramp for a duel. Hit your opponent's lit target, then try to smack his head with the ball! Hold the Champion title as long as you can! INVADERS OF CAMELOT A couple of bumper hits will lure robber knights to Camelot. When this happens, go to the castle via Mordred's Ramp, and expell the invaders by pushing their ladders off from the wall - just hit the lit targets! The invader leader will try to protect his men, so just push aside him! HOLY GRAIL QUEST Complete the grail drop target bank to initiate the Quest for the Holy Grail! When Quest is lit, land the ball in the left sinkhole, then hit the spots with the lit gems to find the true purpose of the grail!} JOUST CHAMPION Hit the left or right orbit until a Tournament is announced, and the horse lamp will be lit.
    [Show full text]