12 Review of Literature on Variability of Various Characteristics of Mughal Period (1707-1857) Dr. Jayveer Singh and Mrs. Pushpl
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Lesson: Two Mughal Paintings Essential
Lesson: Two Mughal Paintings This lesson is accompanied by a handout, Visual Analysis: Four Steps toward Critically Thinking about Art. Essential Question: What role does the visual language of Mughal painting play in the expression of royal power and dynastic legitimacy? Learning Experience: Students will examine two paintings from the Mughal dynasty (1526-1828). One depicts an emperor watching an elephant fight. The second portrays another emperor seated with ten of his ancestors. Students will learn how painters of the Mughal royal workshops used art to express a vision of absolute power. Anticipatory Set: Do we encounter visual symbols or forms of architecture in our daily lives that not only tell us how to behave, but also that we must behave in certain ways? Context: At its height the Mughal Empire controlled most of the Indian subcontinent. Its founder, Babur (1483-1530), was from Central Asia, born in what is today Uzbekistan. He was a Turk, a member of one of the many Central Asian tribes speaking Turkic languages such as Uzbek, Kazakh, Turkish, etc. Babur was the great-great-great grandson of Timur (1336-1405, known as “Tamerlane” in the West). The Timurid dynasty (1370-1405) for a time ruled much of what is today Iran and Central Asia. On his mother’s side Babur claimed descent from Chinggis Khan, the great Mongol conqueror (“Mughal” derives from “Mongol”). The early Mughal rulers emphasized both their descent from Timur and their Chinggisid lineage through Babur’s mother; they were known equally as the Mughals and the Later Timurids. .Just as Timur’s descendants claimed that Timur had outdone Chinggis Khan, so Babur and his descendants recorded those aspects of Babur’s career which had surpassed the achievements of Timur (Manz 2002: 9). -
The Mughal Audience Hall: a Solomonic Revival of Persepolis in the Form of a Mosque1
THE MUGHAL AUDIENCE HALL: A SOLOMONIC REVIVAL OF PERSEPOLIS IN THE FORM OF A MOSQUE1 Ebba Koch Shah Jahan’s Court After Shah Jahan (rul. 1628–58), the fifth emperor of the Mughal dynasty, was enthroned on 8th Jumada al-Thani of the Hijri year 1037, corresponding to 14 February 1628 CE, he issued an order that halls for his public audiences should be constructed in all the great fortress palaces of the capitals of the Mughal empire. The audience hall was a new building type in the Mughal palace, of central importance for the proceedings of the Mughal court and for the interaction of the emperor with his subjects. Under the rule of Shah Jahan, the Mughal empire entered its classi- cal phase of greatest prosperity and stability.2 The conquests of Babur (1526), enlarged and consolidated under Akbar (rul. 1556–1605) and Jahangir (rul. 1605–1627), had established the Empire of the Great Moghul (or Mughal) as one of the three leading powers of the Islamic world, the other two being the Ottoman Empire and Safavid Persia. The informal set up of Babur asprimus inter pares among his Central Asian followers, had—in particular through the efforts of Akbar— developed into the court of an absolute ruler who, as head of a cen- tralized state, personally and diligently oversaw the administration of 1 This paper is based on an earlier study of the audience halls of Shah Jahan with detailed references, see Ebba Koch, ‘Diwan-i ‘Amm and Chihil Sutun: The Audience Halls of Shah Jahan’, Muqarnas 11 (1994) pp. -
English Books
August 2006 I. NEW ADDITIONS TO PARLIAMENT LIBRARY English Books 000 GENERALITIES 1 Babu, T. Ashok, ed. Developing cyber libraries: festschrift in honour of Professor M. Sankara Reddy / edited by T. Ashok Babu and L.S.Ramaiah; foreword by T.A.V. Murthy.-- New Delhi: Allied Publishers, 2006. xviii, 473p.: tables: figs.; 22cm. Includes bibliographical references. ISBN : 81-7764-973-6. 025.04 BAB-d B175025 2 Chopra, H.S. Digital library : Indian and global scenario / H.S.Chopra.—- New Delhi: Shree Publishers and Distributors, 2006. xvi, 168p.; 22.5cm. ISBN : 81-8329-128-7. 025.04 CHO-d B174620 3 Ripley's believe it or not / Ripley Entertainment.-- Florida: Miles Kelly Publishing, 2005. 256p.: plates: illus.; 30cm. ISBN : 1-893951-10-3. R 030 RIP B174999(Ref.) 4 Mitra, Ashok From the ramparts / Ashok Mitra.-- New Delhi: Tulika Books, 2006. ix, 268p.; 24cm. ISBN : 81-89487-05-1. 070.44 MIT-f B174755 5 Singhvi, Abhishek Manu Candid corner: reflections of Abhishek Singhvi / Abhishek Manu Singhvi; foreword by Manmohan Singh.-- Delhi: Universal Law Publishing, 2006. xiv, 288p.; 25cm. Collection of fortnightly columns published in `The Hindustan Times'. ISBN : 81-7534-477-6. 070.44 SIN-c B174386 6 Jeffrey, Robin India's newspaper revolution: capitalism, politics and the Indian - language press, 1977-99 / Robin Jeffrey.-- New Delhi: Oxford University Press, 2000. xxi, 234p.: plates: maps: illus.; 23cm. Includes bibliographical references. ISBN : 0-19-565392-0. 079.54 JEF-in B174793 7 Chatrath, K.J.S. The French collection / K.J.S. Chatrath.-- Delhi: Indian Publisher's Distributors, 2006. vii, 155p.; 21cm. -
Annual Report 2020-21
ANNUAL REPORT 2020-21 Ministry of Mines Government of India Ministry of Mines Ministry of Mines Ministry of Mines https://mines.gov.in Geological Survey of India www.gsi.gov.in Indian Bureau of Mines www.ibm.nic.in National Aluminium Company Limited www.nalcoindia.com Hindustan Copper Limited www.hindustancopper.com Mineral Exploration Corporation Limited www.mecl.co.in Jawaharlal Nehru Aluminium Research www.jnarddc.gov.in Development and Design Centre National Institute of Rock Mechanics www.nirm.in Annual Report 2020-21 ii Ministry of Mines Abbreviations AAS Atomic Absorption Spectrophotometer ACR Annual Confidential Report AIMS Aluminium Import Monitoring System APAR Annual Performance Appraisal Report ASTER Advanced Space borne Thermal Emission and Reflection Radiometer BEE Bureau of Energy Efficiency BGML Bharat Gold Mines Limited BISAG Bhaskaracharya Institute for Space Applications and Geo-informatics BSE BSE - Bombay Stock Exchange CBM Coal Bed Methane CCoM Chief Controller of Mines CEMS Continuous Emission Monitoring Systems CETP Common Effluent Treatment Plant CGPB Central Geological Programming Board CGWB Central Ground Water Board CHQ Central Head Quarter CHWTSDF Common Hazardous Waste Treatment, Storage & Disposal Facility CII Confederation of Indian Industry CIMFR Central Institute of Mining and Fuel Research CMFRI Central Marine Fisheries Research Institute, Kochi CMPDI Central Mine Planning & Design Institute CPCB Central Pollution Control Board CPGRAMS Centeralised Public Grievance Redressal and Monitoring System CSR -
Baburnama Bangla Pdf
Baburnama bangla pdf Continue literally: The Story of Babur or Letters of Babur; as ,' ;ﻧﺎﻣ :Supported by WBEIDC Ltd., supported by SSTIS Technologies Pvt Ltd Memoirs Babur, founder of the Mughal Empire Awards Ceremony at the court of Sultan Ibraham, before being sent on an expedition to Sambhal Beburnama (Chagatai /Persian an alternative known as Tuzk-e-Babri) - a memoir of the Ẓahīr-ud-Dev Muhammad Babur (1483-1530), the empire of the founder of the Great Moguls and great-grandson Timur. It is written in Chagatai language, known to Baburu as Turks (meaning Turkic), the colloquial language of asijan-timurids. During the reign of Emperor Akbar, the work was fully translated into Persian, the usual literary language at the court of the Mughals, the court of the Mughals, Abdul Rahim, in 998 AD (1589-1590). Translations into many other languages followed, mostly from the 19th century. Babur was educated by Prince Timurid, and his observations and comments in his memoirs reflect an interest in nature, society, politics and economics. His vivid account of events covers not only his own life, but also the history and geography of the areas in which he lived, as well as the people with whom he came into contact. The book covers such diverse topics as astronomy, geography, state craft, military issues, weapons and battles, plants and animals, biographies and family chronicles, courtiers and artists, poetry, music and paintings, wine parties, historical monuments tours, and reflections on human nature. Although Babur himself did not appear to have ordered any illustrated versions, his grandson began as soon as he was presented with a finished Persian translation in November 1589. -
Chapter 2 Review of Literature…
Chapter 2 Review of Literature… Review of Literature….. CHAPTER- II REVIEW OF LITERATURE 2.1 Conceptual review 2.1.1 History of Kachchh 2.1.1.1 The State 2.1.1.2 Origin of name 2.1.2 History of rulers of Kachchh 2.1.3 Assortment of Textiles in Court of Western India 2.1.3.1 Brocades 2.1.3.2 Silks 2.1.3.3 Mashru 2.1.3.4 Bandhani 2.1.3.5 Laheriya 2.1.3.6 Textile Crafts for Royal wardrobe 2.1.4 History of Indian Royal Garments for Men 2.1.4.1 Upper garments 2.1.4.1.1 Jama 2.1.4.1.2 Angarkha 2.1.4.1.3 Chogha 2.1.4.1.4 Atamsukh 2.1.4.1.5 Chapkan 2.1.4.1.6 Achkan 2.1.4.1.7 Bagalbandi 2.1.4.1.8 Sadri 2.1.4.1.9 Angarkhi 2.1.4.2 Lower garments: Paijama 2.1.4.3 Headdress 2.1.4.3.1 Pagh 2.1.4.3.2 Patka [13] Review of Literature….. 2.1.5 History of Indian Royal Garments for Women 2.1.5.1 Upper garments 2.1.5.1.1 Choli 2.1.5.1.2 Kanchali 2.1.5.1.3 Angia 2.1.5.1.4 Peshwaz 2.1.5.1.5 Kurta 2.1.5.1.6 Saris 2.1.5.2 Lower garments 2.1.5.2.1 Paijama 2.1.5.2.2 Ghaghra 2.1.5.3 Headdress: Odhani 2.1.6 Children’s costume 2.1.7 Ceremonies and festivals of Rulers of Kachchh 2.2 Empirical review 2.2.1 Studies related to traditional costumes of rulers of India 2.1 Conceptual Review 2.1.1 History of Kachchh 2.1.1.1 The State Kachchh is the Princely State with 17 gun salute, 19 guns local. -
Historiography of Mughal Period-An Analytical Study
Imperial Journal of Interdisciplinary Research (IJIR) Vol-2, Issue-6, 2016 ISSN: 2454-1362, http://www.onlinejournal.in Historiography of Mughal Period-An Analytical Study Dr. Shahina Bano Department Of History, Assistant Professor, Maharni’s Arts College For Women-Bangalore-1 Abstract: In the Mughal period an innovative class Moghul Empire and great grandson of Timur. It is of historiography- that of official histories or an autobiographical work.It was originally written namah- came in to vogue in india under Persian in the Chagatai language, known to baburas influence.Akbar introduced the practice of “Turk”(meaning Turkic), the spoken language of commissioning officials or others to write the the Andijan-Timurids. Babur’s prose is highly history of his new empire giving them access for Persianised in its sentences structure, morphology, this purpose to state records.This practice and language. It is also contains many pharases and continued down to the reign of Aurangzeb who, smaller poems in Persian.During the Emperor’s however, stopped it in his eleventh regnal reign, the work was completely translated to year.Besides,, such official histories, biographical Persian by a Moghul courtier, Abdul Rahim, in works great historical interst were also produced (1589-90) during the period under survey. And we not entirely dependent upon chroniclers; we have in some Baburnamah can be divided into three Parts. The instances contemporary, independent historians. first part begins with his accession to the throne of The historians of the Mughal Period did not Fargana and ends with his driving out from his develop any philosophy of history from which flight to his last invasion of lndia. -
Francesca Galloway
FRANCESCA GALLOWAY INDIAN PAINTINGS 1450 -1850 Catalogue by JP Losty 11th June - 20th July 2018 It is our great pleasure to introduce this group, rich in the coming year is to be decided by God. It is per- in early Mughal and pre-Mughal paintings, many of haps telling that so much of the energy of the Mughal which come from an important private collection. art of this period (the mid-18th century), when the Among this group are three folios from the first il- empire is beginning to decentralize and to decline lustrated Baburnama (cat. 5 – 7) (also known as the politically and economically, can be seen to go into V&A Baburnama), an extraordinary memoir de- the lavish detailing of courtly celebration. This is tailing the nomadic life of the Central Asian prince reflected here in the sumptuous display of conspicu- Babur, displaced from his home and in search of ous wealth, with intricately illustrated fireworks and a kingdom fit for his Timurid ancestry – an ambi- hanging lakeside lanterns, a gaudy elephant-shaped tion realised at last with his conquest of Delhi and candelabra and attending musicians, in a scene full of founding of the Mughal empire. This particular copy opulent costumes, jewels and sweetmeats. was an important event in itself, commissioned by Babur’s grandson Akbar and translated into Persian There are several fine and characterful Pahari paint- for the first time in the 1580s. In a sense this was a ings. Cat. 20 sees Raja Mahendra Pal of Basohli political act, an illustrated manuscript to enact the setting out for an expedition with his man ladies. -
King of the Birds
KING OF THE BIRDS Print of a peacock. Catherine Hettler. SPRING 2020 50 KRISTEN HICKEY KING OF THE BIRDS: MAKING SYMBOL, SUBJECT, AND SCIENCE IN THE SKIES OF HINDUSTAN When the Mughals founded an empire in Hindustan, they sought to legitimize their budding dynasty through diverse sources of power. In the texts and art produced by emperors and their courts during the sixteenth and seventeenth centuries, these performances of power constantly featured birds. Birds, enfleshed and imagined, were used as motifs that positioned the Mughals as the cultural descendants of a long Islamic tradition of storytelling and spirituality. Wild and captive birds became an extension of the imperial court as emperors strove to model the legendary rule of King Solomon, who was renowned for his just power over all creatures. During this age of scientist-kings, avians also became catalysts for experimentation and the production of knowledge. This intricate relationship between birds and power reveals a Mughal conception of empire, defined by fluid boundaries between the human and animal kingdoms. Kristen Hickey Written for Ruling Hindustan (HIST 494) Dr. Lisa Balabanlilar In the Hindustani empire of the Mughals, birds were companions, partners in the hunt, playthings, and sources of great entertainment. They were fascinating airborne creatures, worthy of great scientific attention. The subject of unimaginable hours of artistic labor, they appeared in countless folios, with their feathers adorning the jeweled turbans of only the most powerful emperors.1 The presence of birds illuminated and defined the seat of the Mughal emperor as a ruler in an ancient tradition of powerful kingships. -
India Guidebook: Delhi, Agra & Taj Mahal
PREVIEWCOPY Introduction Previewing this book? Please check out our enhanced preview, which offers a deeper look at this guidebook. Delhi and Agra are the former capitals of Islamic dynasties that controlled much of the In- dian subcontinent from the 13th-19th centuries. Together, the cities hold an unrivaled col- lection of art and architecture: mosques with towering minarets that call the faithful to prayer; gardens with designs that recreate Quranic paradise; and tombs with inlaid stone decoration that spark contemplation of the divine. Not to mention the culmination of it all: the Mughal dynasty’s famed Taj Mahal, an “equal to it the eye of the Age has not seen under these nine vaults of the enamel-blue sky.” It is yours to discover. What’s in this guidebook • Art and architecture review. We provide an overview of Indian Islamic art and architec- ture, isolating trademark features that you will see again and again while touring Delhi and Agra. To make things come alive, we have packed our review with high-resolution images. • Tour of the highlights. Following our tradition of being the most valuable resource for culture-focused travelers, we offer a tour of Delhi and Agra’s greatest Islamic monuments (see itinerary below). For each, we reveal its most important architectural and decorative features and offer a discussion that ties it all together. • Advice for getting the best cultural experience. To help you plan your visit, this guide- book supplies logistical advice, maps and links to online resources. Plus, we give our personal tips for getting the most from your experience while on location. -
Five Travelers by Nishant Batsha
Five Travelers by Nishant Batsha he history of India is in many ways a history of travelers. Some of these travelers came aboard tall-masted ships in the name of trade. Others arrived prepared for battle, with weaponry and T armies that stretched behind them for miles. And still others, like the artist Jan Serr, came to be inspired by a subcontinent so different and so unlike any other place. Truthfully, prior to the conveniences of modern travel, most visitors to India came as a mix, or as a result, of other categories. The curious could only come as a result of the conqueror. The conqueror carried with him a healthy amount of curiosity. The relationship between travel and event is so enmeshed that it becomes possible to pick four travelers and through them, find a history of India. Al-Bīrūnī “We must form an adequate idea of that which renders it so particularly difficult to penetrate to the essential nature of any Indian subject. First, they differ from us in everything which other nations have in common.” (Al-Bīrūnī, Alberuni’s India, 17). In the early eleventh century, Abū al-Rayhān Muhammad ibn Ahmad al-Bīrūnī (973–1048), commonly known as Al-Bīrūnī, sat down and wrote a history of India. He did so after watching, in horror, the pillaging of the country. Al-Bīrūnī was born in 973 in Khwarezm, near modern-day Khiva in Uzbekistan. His birth coincided with the nadir of the Samanid Empire, an empire that had made Bukhara and Samarkand—and to a lesser extent, Khwarezm—areas of intense learning in the arts, sciences, and humanities. -
Gendered 'Landscape': Jahanara Begum's Patronage, Piety and Self
DISSERTATION Titel der Dissertation ―Gendered ‗Landscapes‘: Jahan Ara Begum‘s (1614-1681) Patronage, Piety and Self-Representation in 17th C Mughal India‖ Band 1 von 1 Verfasser Afshan Bokhari angestrebter akademischer Grad Doktor der Philosophie (Dr. phil.) Wien, 2009 Studienkennzahl lt. Studienblatt: A 092315 Dissertationsgebiet lt. Studienblatt: Kunstgeschichte Betreuerin/Betreuer: Univ. Prof. Dr. Ebba Koch TABLE OF CONTENTS Title Page 0 Table of Contents 1-2 Curriculum Vitae 3-5 Acknowledgements 6-7 Abstract 8 List of Illustration 9-12 Introduction 13-24 Figures 313-358 Bibliography 359-372 Chapter One: 25-113 The Presence and Paradigm of The „Absent‟ Timurid-Mughal Female 1.1 Recent and Past Historiographies: Ruby Lal, Ignaz Goldziher, Leslie Pierce, Stephen Blake 1.2 Biographical Sketches: Timurid and Mughal Female Precedents: Domesticity and Politics 1.2.1 Timurid Women (14th-15th century) 1.2.2 Mughal Women (16th – 17th century) 1.2.3 Nur Jahan (1577-1645): A Prescient Feminist or Nemesis? 1.2.4 Jahan Ara Begum (1614-1681): Establishing Precedents and Political Propriety 1.2.5 The Body Politic: The Political and Commercial Negotiations of Jahan Ara‘s Well-Being 1.2.6 Imbuing the Poetic Landscape: Jahan Ara‘s Recovery 1.3 Conclusion Chapter Two: 114-191 „Visions‟ of Timurid Legacy: Jahan Ara Begum‟s Piety and „Self- Representation‟ 2.1 Risala-i-Sahibiyāh: Legacy-Building ‗Political‘ Piety and Sufi Realization 2.2 Galvanizing State to Household: Pietistic Imperatives Dynastic Legitimacy 2.3 Sufism, Its Gendered Dimensions and Jahan