DOCSLIB.ORG

19Th Century and British Impressionist Art New Bond Street, London | 31 March 2021

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
19Th Century and British Impressionist Art New Bond Street, London | 31 March 2021 19th Century and British Impressionist Art New Bond Street, London | 31 March 2021 Bonhams 1793 Limited Registered No. 4326560 Registered Office: Montpelier Galleries Montpelier Street, London SW7 1HH +44 (0) 20 7393 3900 +44 (0) 20 7393 3905 fax 19th Century and British Impressionist Art New Bond Street, London | Wednesday March 31, 2021 at 2pm BONHAMS ENQUIRIES BIDS Please see back of catalogue 101 New Bond Street - Bid online/APP for important notice to bidders Register to bid online by visiting London W1S 1SR Peter Rees To submit a claim for refund of VAT, www.bonhams.com/26679 bonhams.com (Head of Sale) HMRC require lots to be exported +44 (0) 20 7468 8201 from the UK within strict deadlines. SALE NUMBER [email protected] Bid through the For lots on which Import VAT has app. Download now 26679 been charged (marked in the for android and iOS Lots 1 - 84 Charles O’Brien catalogue with a * or Ω) lots must (Head of Department) be exported within 30 days of +44 (0) 20 7468 8360 - Bid by telephone/absentee Bonhams’ receipt of payment and CATALOGUE: £25 [email protected] We require a completed Bidder within 3 months of the sale date. For Registration Form returned by all other lots export must take place ILLUSTRATIONS Martina Fusari email to [email protected]. within 3 months of the sale date. Front Cover: lot 32 +44 (0) 20 7468 8232 Inside Front Cover: lot 71 [email protected] The form can be found at the back Inside Rear Cover: lot 36 of every catalogue and on our Rear Cover: lot 78 Deborah Cliffe website at www.bonhams.com +44 (0) 20 7468 8337 [email protected] Please note we cannot guarantee IMPORTANT NOTICE bids within 24 hours of the sale. ABOUT COVID Alistair Laird Bonhams continues to hold +44 (0) 20 7468 8337 Bidding by telephone will only be viewings and sales in accordance to [email protected] accepted on a lot with a lower the government guidelines in each estimate in excess of £1,000. region. If local restrictions prevent US our salerooms from opening, the Rocco Rich - Bid in person sales will either be wholly online +1 (323) 436 5410 You can pre-register online at or livestreamed from the auction [email protected] Bonhams.com or obtain a paddle house. Bids will be accepted at our Registration Desk. online, on the Bonhams app, on the - New Bidders telephone and as absentee bids. You must provide proof of identity For up to date information and if you when submitting bids. A copy of a have any questions regarding an government- issued photo upcoming sale please contact Client identification (driving licence or Services on: passport) showing your full name +44 (0)20 7447 7447 or and date of birth, and, if not shown [email protected] on the ID document, proof of your current address (utility bill or bank statement). For company account or other entities, please contact us in relation to the documents you will need to provide. Failure to do this may result in your bids not being processed. For all other enquiries, contact our Client Services department on: +44 (0) 207 447 7447 or [email protected] Bonhams 1793 Limited Registered No. 4326560 Registered Office: Montpelier Galleries Montpelier Street, London SW7 1HH +44 (0) 20 7393 3900 +44 (0) 20 7393 3905 fax Sale Information BIDS BUYERS COLLECTION & STORAGE AND HANDLING VAT +44 (0) 20 7447 7447 STORAGE AFTER SALE CHARGES ON SOLD LOTS The following symbols are used To bid via the internet please visit All sold lots marked TP will be TRANSFERRED TO CADOGAN to denote that VAT is due on www.bonhams.com removed to Cadogan Tate, 241 TATE the hammer price and buyer’s Acton Lane, London, NW10 7NP premium. PAYMENTS on Thursday 1 April 2021 & will be Storage Buyers available for collection from 12pm Storage will be free of charge for † VAT 20% on hammer price and +44 (0) 20 7447 7447 Tuesday 6 April 2021 and then every the first 14 calendar days from & buyer’s premium working day between 9.30am and including the sale dates Wednesday Sellers 4.30pm by appointment only. 31 March 2021. * VAT on imported items at Payment of sale proceeds a preferential rate of 5% on +44 (0) 20 7447 7447 Collections: Charges will apply from 9am hammer price and the prevailing Strictly by appointment only. Friday 16 April 2021 rate on buyer’s premium VALUATIONS, Please send a booking email to TAXATION & HERITAGE [email protected] or Storage Charges Y These lots are subject to +44 (0) 20 7468 8340 telephone call to +44 (0)800 988 Large Pictures & CITES regulations, please read +44 (0) 20 7468 5860 fax 6100 to ensure lots are ready at Large Objects: the information in the back of [email protected] time of collection. £6.05 per day + VAT the catalogue. CATALOGUE SUBSCRIPTIONS Photographic ID will be required (Please note that charges Payment in Advance To obtain any Bonhams at time of collection. If a third apply every day including (Telephone to ascertain amount catalogue or to take out party is collecting for you written weekend & public holidays) due) by: cash, credit or debit card an annual subscription: authorisation is required in advance Subscriptions Department from you and photographic ID of the Handling Charges Payment at time of collection by: +44 (0) 1666 502 200 third party is requested at the time After the first 14 calendar days Cash, credit or debit card +44 (0) 1666 505 107 fax of collection. following the sale, the following [email protected] handling charges apply: POST BREXIT NOTICE FOR All visitors for collection will EU BUYERS SHIPPING SHIPPING have to call 0208-963-3935 / 4007 £22.50+VAT per lot for PURCHASED LOTS OUTSIDE For information and estimates at arrival. Pictures & Small Objects THE UK on domestic and international £45.00 +VAT per lot for Furniture, Please note that as of 1 January shipping as well as export All other sold lots will remain Large Pictures & Large Objects 2021 for Margin Scheme and licenses please contact Alban in the Collections room at New Imported Lots VAT on the Buyer’s Shipping on +44 (0) 1582 493 099 Bond Street free of charge until Loss and Damage Premium will be refunded by [email protected] 5.30pm Thursday 15 April 2021. Extended Liability cover for the Bonhams on valid proof of export of Lots not collected by this time will value of the Hammer Price will your Lot from the UK within 90 days Alban Shipping will be closed be returned back to the department. be charged at 0.6% but will not of full payment of your invoice. Friday 2 April 2021 and Monday Storage charges may apply. exceed the total value of all other 5 April 2021 for the Easter Collection are by appointment transfer and storage charges. What else has changed since Holiday and will re-open from only. Please call Client Services 1 January 2021 for EU Buyers? 9am Tuesday 6 April 2021. on (0) 207 447 7447 (Please note: Charges apply If you buy a Lot in this sale and every day including weekends intend to ship the Lot outside the Bonhams will be closed from and Public Holidays). UK, you will need to pay local Import 5.30pm Thursday 1 April 2021 Tax when you bring your Lot into the until 9am Tuesday 6 April 2021 Cadogan Tate will be closed country of destination. for the Easter Holiday. Friday 2 April 2021 and Monday 5 April 2021 for the Easter What do the Star (*) and Omega (Ω) Holiday and will re-open from symbols mean ? If you buy in this 9am Tuesday 6 April 2021 sale you will pay import VAT of 5% (* symbol) or 20% (Ω symbol) on the Hammer Price. As of 1 January 2021, for EU buyers shipping purchased Lots outside the UK, this tax will be refunded by Bonhams Central on valid proof of export of your Lot Middlesex Acton Ln Hospital Park Royal from the UK within 30 days of full Acton Ln payment of your invoice. Cadogan Tate Coronation Road W e d s P a te a o r r n R k A v e R e s A o 40 a y h a Park l C Royal iWestern Ave A40 R o Station a 0 d 0 Acton 0 North 4 Cemetery A Acton d Station a o R a i r o t c i V West Acton Horn Lane Station 19th Century and British Impressionist Art Lots 1 - 84 THE FOLLOWING SIX LOTS ARE FROM A PRIVATE GERMAN COLLECTION 1 ANTONIETTA BRANDEIS (CZECH, 1849-1926) St. Mark’s Church, Venice signed ‘ABrandeis.’ (lower right) oil on board 16.5 x 23cm (6 1/2 x 9 1/16in). £8,000 - 12,000 €9,300 - 14,000 US$11,000 - 17,000 For details of the charges payable in addition to the final Hammer Price of each Lot 6 | BONHAMS please refer to paragraphs 7 & 8 of the Notice to Bidders at the back of the catalogue. 2 ANTONIETTA BRANDEIS (CZECH, 1849-1926) On a Venetian backwater signed ‘ABrandeis’ (lower right) oil on board 16.5 x 23cm (6 1/2 x 9 1/16in). £6,000 - 8,000 €7,000 - 9,300 US$8,400 - 11,000 For details of the charges payable in addition to the final Hammer Price of each Lot please refer to paragraphs 7 & 8 of the Notice to Bidders at the back of the catalogue.
Load more

Recommended publications
  • SUMMER 2007 JOURNAL No. 92
    JOURNAL No. 92 SUMMER 2007 Kimono Mackintosh: A full house for the first major event after the refurbishment of the Mackintosh Church. In this issue: Director’s Report, Message from new Chair Evelyn Silber, The Refurbishment of The Mackintosh Church, Meeting Mr. Leiper, Mackintosh’s Ayrshire Connections, Reviews, Obituary, Future Exhibitions, News, Education and Learning for The Mackintosh Church, Summer Arts Workshop Festival, Exhibitions, Regional News, Diary Dates. DIRECTOR’S REPORT We are now settled in to our new surroundings after an extravaganza on Sunday 18 March. The Kimono extremely hectic period preparing The Mackintosh Mackintosh event was an interpretation of Mackintosh Church for the reopening in March. Our launch events by Scottish and Japanese Women. The day included: Tea were all extremely successful. ceremony, music performance, Japanese dance On Wednesday 28 February we held a special Press performance, Japanese food and drink tasting, Origami launch. Scottish Enterprise Glasgow has been very & Calligraphy workshop and Kimono Fashion Show. This supportive throughout the project and they commissioned was an extremely popular event with over 600 attending Matthews Marketing to work on the Marketing and Press on the day. Mr Takahashi the Consulate General of Japan coverage for the re-launch. The success of the campaign is keen to develop on this success and we hope this may resulted in excellent media coverage on prime time become an annual event. television and a good range of quality newspapers and As a result of the Mackintosh Festival, we held a small magazines. exhibition in April, Mackintosh Festival - City Style We were delighted that Patricia Ferguson, Minister Exhibition - City Style is an outreach programme that for Tourism, Culture & Sport was able to attend our VIP Impact Arts have delivered as part of the Glasgow event, along with our Honorary President, Lord Mackintosh Festival programme.
    [Show full text]
  • Newsletter Contents 07-08
    Newsletter No 28 Summer/Autumn 2008 He is currently working on a book on the nineteenth- From the Chair century travel photographer Baron Raimund von Stillfried. Welcome to the first of our new shorter-but- hopefully-more-frequent newsletters! The main casualty has been the listings section, which is no New SSAH Grant Scheme longer included. Apologies to those of you who found this useful but it takes absolutely ages to compile and As you’ll know from last issue, we recently launched a the information should all be readily available scheme offering research support grants from £50 to elsewhere. Otherwise you should still find the same £300 to assist with research costs and travel mix of SSAH news and general features – if you have expenses. We’re delighted to say that several any comments on the newsletter or would like to applications have already been received and so far we contribute to future issues, please let us know! have awarded five grants to researchers from around Now, let’s waste no more time and get on the world. Here we present the first two reports with the latest news… from grant recipients on how the money has been Matthew Jarron spent. Committee News Gabriel Montua, Humboldt-Universität Berlin, Germany As promised last issue, we present a profile of our newest committee member: The generous SSAH grant of £206.96 enabled me to cover my travel expanses to the Scottish National Luke Gartlan Gallery of Modern Art in Edinburgh, where I consulted item GMA A42/1/GKA008 from the Luke is a lecturer in the School of Art History at the Gabrielle Keiller Collection: letters exchanged University of St Andrews, where he currently teaches between Salvador Dalí and André Breton.
    [Show full text]
  • Photographs by Stefano Visintin Trieste
    7/3 Stars, a City of Trieste – Ad Formandum 12/5 Masters Illegio – Casa delle 8/6 Art to Art, Monfalcone – MUCA - Champions - headquarters - Esposizioni - reinterpreted by Ronchi dei Legionari - 15/9 photographs by Stefano A personal journey into the 6/10 An interesting exhibition 28/7 Vito Timmel Villa Vicentini Miniussi Visintin world of sport, following a path of forty-five paintings from all Creations of works by that is not entirely celebratory over Europe www.illegio.it Vito Timmel on a scale www.adformandum.org/ of 1:1 by students. 28/3 Lombard patterns Cividale – Monastery of Santa 18/5 “Tina Modotti. Tolmezzo 9/6 Cinema in Bikini. Lignano Sabbiadoro – - Maria in Valle - The new rose. An exhibition dedicated to - Italians by the Sea: Terrazza a Mare 27/10 A journey into the everyday life 25/8 Art, history and Tina Modotti. 17/7 posters 1949 - An exhibition of film of the Lombards through new humanity” Info: PIAT Tolmezzo 1999 posters from 1949 to fabrics, clothes and furniture. Tel. +39 0433 44898 1999 from Enrico Minisini's collection on www.cividale.net the theme of Italians by the sea. www.lignano.org 25/5 Gemona del Friuli – 9/6 Magnifici Ritorni. Aquileia Udine – Museo Etnografico - Palazzo Elti - Treasures of A journey through time Paintings, fabrics, items of 7/7 Maravee Object - A visionary landscape with a 20/10 Aquileia from the taking us to the Aquileia 9/4 Botany in decorating clothing, ceramics, furnishings, Green Breath taste of chlorophyll to Kunsthistorisches of 2,200 years ago and - objects a zither harp and previously address the relationship Museum of Vienna to Aquileia in the 19th 31/8 undisplayed objects between objects and the century www.civicimuseiudine.it body.
    [Show full text]
  • C O N N E C T I V I
    Generali Group Magazine since 1893 Number 6 – Series 13 – March 2017 CONNECTIVITY connectivity CONNECTIVITY Everything is shrouded in a cloud of data and we can be anywhere, anytime. The Internet has upended our lifestyle and our interactions with others, connecting us in real time with remote contexts and faraway cultures. We have torn down physical barriers and obtained access to products and services everywhere, and we have built virtual communities with people we have never met. As individuals, employees and consumers, we have gained access to extraordinary opportunities. All this is possible thanks to the ease and immediacy that enable us to share information. Perhaps now we are just beginning to recognize the huge changes that have happened since the invention of the Internet over 25 years ago. Are we sure we can anticipate where connectivity will lead us to in the near future? —ak. OPENING REMARKS OPENING REMARKS Connectivity 99% of interesting things have“ not yet been invented” by Simone Bemporad —Sebastian Thrun Editor in Chief Connectivity has caught us up in rise of China and India, once among But in the world of complex Some Luddites consider connectivity a revolution that has reshaped the world’s poorest nations. connection systems technology and digitalisation as threats to job everything about how we live, love, is constantly evolving as this special creation. That is not really true. work, play, shop and share – how our There are many countries that are in the issue of il bollettino will show. Value creation doesn’t come from very hearts and minds encounter the course of transforming from a wholly Devoted to the various aspects of routine tasks or monotonous repetition world around us.
    [Show full text]
  • Mostra “Fratelli
    FRATELLI A cura di Referenze fotografiche Progetto grafico catalogo I cinquant’anni degli Incontri Culturali Mitteleuropei Nicolò Fornasir Lo Studio Altran di Gorizia ha realizzato i servizi fotografici dei Silvia Klainscek Alessandra Martina primi e poi di gran parte degli Incontri Culturali Mitteleuropei Musei Provinciali di Gorizia Palazzo Attems Petzenstein Stampa catalogo 13 maggio - 12 giugno 2016 Consulenza storica Fototeca Musei Provinciali di Gorizia: pp. 74, 75, 194 Tipografia Ideago - Gorizia Sezione “Ungaretti soldato” all’interno della mostra “Soldati” Lucio Fabi Istituto per gli Incontri Culturali Mitteleuropei di Gorizia 20 aprile - 22 maggio 2016, Fondazione Cassa di Risparmio, via Carducci 2, Gorizia Iniziativa Isontina Ringraziamenti Consulenza archivistica Sergio Ambrosi Con il sostegno e il patrocinio di Annarita Lepre Centro Studi “Sen. A. Rizzatti” Renzo Boscarol Regione Friuli Venezia Giulia Marco Plesnicar Ministero dei beni e delle attività culturali e del turismo Francesca Boscarol Klinger Provincia di Gorizia Biblioteca Statale Isontina e Biblioteca Civica di Gorizia Luciana Cattaruzza Comune di Gorizia Testi autorizzazione alla riproduzione n. prot. 867 dd. 22.04.2016 Aron Coceancig Camera di Commercio di Gorizia Nicolò Fornasir di: Gli alunni italiani dell’VIII classe dello Staatsgymnasium di Roberto Collini Fondazione Cassa di Risparmio di Gorizia Alessandra Martina Gorizia, [Gorizia, giugno 1905]. Collocazione: FCM IX G-a (c. 7). Daniele Delbianco Si fa divieto di ulteriore riproduzione con qualsiasi mezzo Mirella Della Valle Terraneo Con il supporto logistico di Traduzioni della stessa, p. 68 Laura Delpin APT Gorizia Michele Calligaris Goriški muzej - Nova Gorica Ruggero Dipiazza Marianne Maier Sara Fornasir In collaborazione con Peter Szabo Studio fotografico Altran - Gorizia: pp.
    [Show full text]
  • The Fourth Earl of Cassillis in 1576
    Brennan, Brian (2019) A history of the Kennedy Earls of Cassillis before 1576. PhD thesis. https://theses.gla.ac.uk/70978/ Copyright and moral rights for this work are retained by the author A copy can be downloaded for personal non-commercial research or study, without prior permission or charge This work cannot be reproduced or quoted extensively from without first obtaining permission in writing from the author The content must not be changed in any way or sold commercially in any format or medium without the formal permission of the author When referring to this work, full bibliographic details including the author, title, awarding institution and date of the thesis must be given Enlighten: Theses https://theses.gla.ac.uk/ [email protected] A History of the Kennedy Earls of Cassillis before 1576 Brian Brennan BSc MA MLitt Submitted in fulfilment of the requirements for the Degree of Doctor of Philosophy (Arts) School of Humanities College of Arts University of Glasgow Abstract This thesis will study the Kennedy family, beginning with its origins as a minor cadet branch of the lineage that ruled Galloway in the twelfth century, and trace its history until the death of the fourth earl of Cassillis in 1576. A study of how the Kennedys extended their influence across south-west Scotland and acquired an earldom has never been undertaken. This thesis aims to fill the significant gap in our understanding of how lordship operated in this region. In particular, analysis of the interactions between the Kennedys and the earls of Carrick, usually the monarch or his heir, demonstrates that the key factor in their success was their policy of close alignment and support of the crown.
    [Show full text]
  • Il Senso Del Viaggio
    Chiara Meriani IL SENSO DEL VIAGGIO Un percorso attraverso la storia del viaggio e la psicologia del viaggiatore La vita è un libro. Chi non viaggia ne legge una sola pagina. Sant'Agostino Indice Introduzione Perché l'uomo viaggia? Pag.6 Prima parte Dalle origini a oggi: come cambiano il concetto e il senso del viaggio Il viaggio nell'antichità Cap.1 Le società nomadi Pag.9 1.1 La struttura socio-politica delle società nomadi Pag.10 1.2 Società nomadi e società stanziali Pag.11 1.3 La percezione del tempo libero delle popolazioni nomadi Pag.12 1.4 Spiritualità e religiosità in viaggio Pag.12 Cap.2 Il viaggio nella mitologia antica Pag.14 2.1 L'eterno ritorno: l'epopea di Gilgamesh e il mito di Etana Pag.15 2.2 L'Odissea e il viaggio verso la scoperta Pag.19 Cap.3 "La via" nel pensiero greco Pag.20 3.1 Eraclito e il movimento Pag.21 3.2 Parmenide e la strada della verità Pag.21 3.3 Socrate: il viaggio è psiché Pag.22 3.4 Il mito della caverna di Platone Pag.22 Viaggiare nella fede Cap.4 Il significato del viaggio nelle religioni Pag.24 4.1 Stesse radici per tre grandi religioni "nomadi" Pag.26 4.2 Viaggiare nell'ebraismo Pag.27 4.2.1 Il concetto del viaggio nell'Antico Testamento Pag.27 4.2.2 Abramo conduce il suo popolo "di accampamento in accampamento" Pag.28 4.2.3 "Darò a te e alla tua discendenza tutto il paese di Canaan" Pag.30 4.2.4 L'esodo di Israele verso la Terra Promessa Pag.31 4.2.5 Dio, pastore di un popolo in eterna migrazione Pag.32 4.3 Viaggiare nel Cristianesimo Pag.34 4.3.1 "Io sono il buon pastore": origine ebraica del
    [Show full text]
  • WIND FARM DEVELOPMENT & TOURISM in STRAITON a Case-Study of Tourist Provision for the Galloway Forest Park and the Galloway
    WIND FARM DEVELOPMENT & TOURISM in STRAITON a case-study of tourist provision for the Galloway Forest Park and the Galloway Forest Dark Sky Park. a report by VisitStraiton REVISED 2nd EDITION June 2013 2 http://VisitStraiton.com April 2013 About VisitStraiton VisitStraiton was set up to give information to those visiting the lovely area around the conservation village of Straiton in South Ayrshire, and to encourage new visitors. Our principal project is the website http://VisitStraiton.com but we are interested in all aspects of tourism promotion in Straiton. Authors and Contributors Jonathan Meuli – Co-owns and manages Genoch cottage along with Liffy Grant. An artist and art historian. More at http://jonathanmeuli.com Bea Holden – owns and manages Holly Tree Cottage in Straiton, is a member of the community council, and has family connections with Straiton dating back to 1773. She has been active in promoting tourism in Straiton for some years. With Thanks to Liffy Grant Sir Patrick Hunter Blair Sara Rowden Alison Stokes All enquiries regarding this report should be addressed to: VisitStraiton 18 Main Street Straiton nr Maybole South Ayrshire KA19 7NF email: [email protected] Note on the Second Edition The second edition contains several minor corrections and clarifications. These are listed on page 52. Thanks to our readers and contributors for pointing them out. It also contains an addendum on the Galloway and South Ayrshire Biosphere Reserve on p. 53. With the exception of these new pages at the end, we have retained the same pagination as the first edition. Wind Farm Development & Tourism in Straiton 3 a case-study of tourist provision for the Galloway Forest Park & Dark Sky Park Contents Introduction .......................................................................................................
    [Show full text]
  • Figure Dell'artista
    laboratorio dell’immaginario issn 1826-6118 FIGURE DELL’ARTISTA a cura di Eloisa Morra, Giacomo Raccis giugno 2021 rivista elettronica https://elephantandcastle.unibg.it/ INDICE 7 Editoriale ELOISA MORRA, GIACOMO RACCIS 25 Capolavori selvaggi. La leggenda dell’artista protomodernista in Manette Salomon dei fratelli Goncourt MARCELLO SESSA 58 Oltre il secondo spazio. Balzac, Henry James e altri pittori PIER GIOVANNI ADAMO 76 Pamela, Ginia e “la bella estate”. Figure dell’artista fra Cialente e Pavese FRANCESCA RUBINI 96 “Un personaggio forse troppo diletto”. La rappresentazione dell’artista nell’opera di Anna Banti EDOARDO BASSETTI 123 Creazione, aura, mercato. Dal romanzo d’artista al romanzo delle arti CARLO TIRINANZI DE MEDICI 151 Storie di pittori tra narrativa e teatro nella letteratura italiana degli anni Duemila FILIPPO MILANI 168 L’autorappresentazione dell’artista tra immagini, parole e sim- boli: Ebdòmero di Giorgio de Chirico MATTEO MOCA 189 Testo letterario e testo pittorico a confronto. Gli Appunti sulla pittura di Renato Guttuso per Il Selvaggio (1939-1941) VALENTINA RAIMONDO 212 Dall’autoritratto all’autocoscienza: la scrittura del riconosci- mento di Carla Lonzi SILVIA CUCCHI 234 Pontormo, lo schermo e la trasparenza. Diari d’artista nell’era digitale SAMUELE FIORAVANTI 255 Flavio Favelli, piegare il tempo con l’arte e la parola RICCARDO DONATI 279 Hans Ulrich Obrist: l’intervista d’artista al servizio della curatela SILVIA NERI 297 “Basta guardare”. Sullo scritto d’arte scritto dall’artista LAVINIA TORTI 321 Il genio emendato: Benvenuto Cellini tra letteratura popolare e scolastica nel secondo Ottocento italiano ALBERTO PIRRO 353 Dall’uomo scimmia a San Sebastiano.
    [Show full text]
  • Curriculum Vitae
    CURRICULUM VITAE Luca Caburlotto nato a Padova il 14 ottobre 1966 residente in via Ippolito Caffi 2, 35134 Padova Profilo professionale Dirigente storico dell'arte di livello non generale nei ruoli del Ministero per i beni e delle attività culturali dal 14 aprile 2010. Incarico dirigenziale attuale Soprintendente archivistico del Friuli Venezia Giulia dal 5 maggio 2020. Incarichi dirigenziali pregressi Soprintendente per i beni storici, artistici ed etnoantropologici del Friuli Venezia Giulia, 27 maggio 2010 - 8 marzo 2015; Soprintendente ad interim per i beni storici, artistici ed etnoantropologici per le province di Verona, Rovigo e Vicenza, 21 dicembre 2010 - 6 maggio 2012; Soprintendente ad interim per i beni storici, artistici ed etnoantropologici per le province di Venezia, Belluno, Padova e Treviso,16 marzo 2011 - 19 febbraio 2012; Direttore del Polo museale del Friuli Venezia Giulia, 9 marzo 2015 - 4 maggio 2020; Soprintendente archivistico ad interim del Friuli Venezia Giulia, 1 febbraio 2020 - 4 maggio 2020. Titoli di studio Laurea in Conservazione dei beni culturali, conseguita all’Università degli studi di Udine il 24 novembre 1993, argomento Giovanni Battista Bissoni, relatore prof. Ugo Ruggeri, con la votazione di 110 e lode su 110. Specializzazione in Storia dell’arte medievale e moderna, con attribuzione di borsa di studio triennale per graduatoria di merito alla prova di accesso, conseguita all’Università degli studi di Firenze il 3 dicembre 1996, argomento I fratelli Rossellino e il monumento a Filippo Lazzàri in San Domenico a Pistoia, relatore prof.ssa Mina Gregori, con la votazione di 70 e lode su 70. Dottorato di ricerca in Storia e critica delle arti, conseguito all’Università degli Studi di Venezia Ca’ Foscari il 6 marzo 2001, argomento Giovanni de Lazara (1744-1833) erudito, conoscitore e collezionista, tutore prof.
    [Show full text]
  • Discovery & Excavation in Scotland
    1991 DISCOVERY & EXCAVATION IN SCOTLAND An Annual Survey of Scottish Archaeological Discoveries. Excavation and Fieldwork EDITED BY COLLEEN E BATEY WITH JENNIFER BALL PUBLISHED BY THE COUNCIL FOR SCOTTISH ARCHAEOLOGY ISBN 0 901352 11 X ISSN 0419 -411X NOTES FOR CONTRIBUTORS 1 Contributions should be brief statements of work undertaken. 2 Each contribution should be on a separate page, typed or clearly hand-written and double spaced. Surveys should be submitted in summary form. 3 Two copies of each contribution are required, one for editing and one for NMRS. 4 The Editor reserves the right to shorten published contributions. The unabridged copy will be lodged with NMRS. 5 No proofs will be sent to Contributors because of the tight timetable and the cost. 6 Illustrations should be forwarded only by agreement with the Editor (and HS, where applicable). Line drawings should be supplied camera ready to suit page layout as in this volume. 7 Enquiries relating to published items should normally be directed to the Contributor, not the Editor. 8 The final date for receipt of contributions each year is 31 October, for publication on the last Saturday of February following. Contributions from current or earlier years may be forwarded at any time. 9 Contributions should be sent to Hon Editor, Discouery & Excavation in Scotland, CSA, c/o Royal Museum of Scotland, Queen Street, Edinburgh, EH2 1JD. Please use the following format:- REGION DISTRICT Site Name ( parish) Contributor Type of Site/Find NCR (2 letters, 6 figures) Report Sponsor: HS, Society, Institution, etc, as appropriate. Name of Contributor: (where more than one, please indicate which name should appear in the list of contributors) Address of main contributor.
    [Show full text]
  • Discovery & Excavation in Scotland
    1992 DISCOVERY & EXCAVATION IN SCOTLAND An Annual Survey of Scottish Archaeological Discoveries, Excavation and Fieldwork EDITED BY COLLEEN E BATEY PUBLISHED BY THE COUNCIL FOR SCOTTISH ARCHAEOLOGY ISBN 0901352 11 X ISSN 0419-41IX NOTES FOR CONTRIBUTORS 1 Contributions should be brief statements of work undertaken. 2 Each contribution should be on a separate page, typed or clearly hand-written and double spaced. Surveys should be submitted in summary form. 3 Two copies of each contribution are required, one for editing and one for NMRS. 4 The Editor reserves the right to shorten published contributions. The unabridged copy will be lodged with NMRS. 5 No proofs will be sent to Contributors because of the tight timetable and the cost 6 Illustrations should be forwarded only by agreement with the Editor (and HS, where applicable). Line drawings should be supplied camera ready to suit page layout as in this volume. 7 Enquiries relating to published items should normally be directed to the Contributor, not the Editor. 8 The final date for receipt of contributions each year is 31 October, for publication on the last Saturday of February following. Contributions from current or earlier years may be forwarded at any time. 9 Contributions should be sent to Hon Editor, Discouery & Excavation in Scotland, CSA, c/o National Museums of Scotland, Queen Street, Edinburgh, EH2 1JD. Please use the following format:- REGION DISTRICT Site Name ( parish) Contributor Type of Site/Find NCR (2 letters, 6 figures) Report Sponsor HS, Society, Institution, etc, as appropriate. Name of Contributor: (where more than one, please indicate which name should appear in the list of contributors) Address of main contributor.
    [Show full text]