19Th Century and British Impressionist Art New Bond Street, London | 31 March 2021

19th Century and British Impressionist Art New Bond Street, London | 31 March 2021

Bonhams 1793 Limited Registered No. 4326560 Registered Office: Montpelier Galleries Montpelier Street, London SW7 1HH

+44 (0) 20 7393 3900 +44 (0) 20 7393 3905 fax 19th Century and British Impressionist Art New Bond Street, London | Wednesday March 31, 2021 at 2pm

BONHAMS ENQUIRIES BIDS Please see back of catalogue 101 New Bond Street - Bid online/APP for important notice to bidders Register to bid online by visiting London W1S 1SR Peter Rees To submit a claim for refund of VAT, www.bonhams.com/26679 bonhams.com (Head of Sale) HMRC require lots to be exported +44 (0) 20 7468 8201 from the UK within strict deadlines. SALE NUMBER [email protected] Bid through the For lots on which Import VAT has app. Download now 26679 been charged (marked in the for android and iOS Lots 1 - 84 Charles O’Brien catalogue with a * or Ω) lots must (Head of Department) be exported within 30 days of +44 (0) 20 7468 8360 - Bid by telephone/absentee Bonhams’ receipt of payment and CATALOGUE: £25 [email protected] We require a completed Bidder within 3 months of the sale date. For Registration Form returned by all other lots export must take place ILLUSTRATIONS Martina Fusari email to [email protected]. within 3 months of the sale date. Front Cover: lot 32 +44 (0) 20 7468 8232 Inside Front Cover: lot 71 [email protected] The form can be found at the back Inside Rear Cover: lot 36 of every catalogue and on our Rear Cover: lot 78 Deborah Cliffe website at www.bonhams.com +44 (0) 20 7468 8337 [email protected] Please note we cannot guarantee IMPORTANT NOTICE bids within 24 hours of the sale. ABOUT COVID Alistair Laird Bonhams continues to hold +44 (0) 20 7468 8337 Bidding by telephone will only be viewings and sales in accordance to [email protected] accepted on a lot with a lower the government guidelines in each estimate in excess of £1,000. region. If local restrictions prevent US our salerooms from opening, the Rocco Rich - Bid in person sales will either be wholly online +1 (323) 436 5410 You can pre-register online at or livestreamed from the auction [email protected] Bonhams.com or obtain a paddle house. Bids will be accepted at our Registration Desk. online, on the Bonhams app, on the - New Bidders telephone and as absentee bids. You must provide proof of identity For up to date information and if you when submitting bids. A copy of a have any questions regarding an government- issued photo upcoming sale please contact Client identification (driving licence or Services on: passport) showing your full name +44 (0)20 7447 7447 or and date of birth, and, if not shown [email protected] on the ID document, proof of your current address (utility bill or bank statement).

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West Acton Horn Lane Station 19th Century and British Impressionist Art Lots 1 - 84 THE FOLLOWING SIX LOTS ARE FROM A PRIVATE GERMAN COLLECTION

1 ANTONIETTA BRANDEIS (CZECH, 1849-1926) St. Mark’s Church, Venice signed ‘ABrandeis.’ (lower right) oil on board 16.5 x 23cm (6 1/2 x 9 1/16in).

£8,000 - 12,000 €9,300 - 14,000 US$11,000 - 17,000

For details of the charges payable in addition to the final Hammer Price of each Lot 6 | BONHAMS please refer to paragraphs 7 & 8 of the Notice to Bidders at the back of the catalogue. 2 ANTONIETTA BRANDEIS (CZECH, 1849-1926) On a Venetian backwater signed ‘ABrandeis’ (lower right) oil on board 16.5 x 23cm (6 1/2 x 9 1/16in).

£6,000 - 8,000 €7,000 - 9,300 US$8,400 - 11,000

For details of the charges payable in addition to the final Hammer Price of each Lot please refer to paragraphs 7 & 8 of the Notice to Bidders at the back of the catalogue. 19TH CENTURY ART | 7 3 ANTONIETTA BRANDEIS (CZECH, 1849-1926) Piazza San Marco, Venice signed ‘ABrandeis’ (lower left) oil on panel 16 x 23cm (6 5/16 x 9 1/16in).

£5,000 - 8,000 €5,800 - 9,300 US$7,000 - 11,000

For details of the charges payable in addition to the final Hammer Price of each Lot 8 | BONHAMS please refer to paragraphs 7 & 8 of the Notice to Bidders at the back of the catalogue. 4 ANTONIETTA BRANDEIS (CZECH, 1849-1926) The Campanile, Venice signed ‘ABrandeis’ (lower right) oil on panel 17 x 23.5cm (6 11/16 x 9 1/4in).

£8,000 - 12,000 €9,300 - 14,000 US$11,000 - 17,000

Provenance Willis Hudson & Co, Sheffield.

For details of the charges payable in addition to the final Hammer Price of each Lot please refer to paragraphs 7 & 8 of the Notice to Bidders at the back of the catalogue. 19TH CENTURY ART | 9 5 ANTONIETTA BRANDEIS (CZECH, 1849-1926) Palazzo on the Canal, Venice signed with monogram (lower right) oil on panel 21.5 x 12.5cm (8 7/16 x 4 15/16in).

£7,000 - 10,000 €8,100 - 12,000 US$9,800 - 14,000

For details of the charges payable in addition to the final Hammer Price of each Lot 10 | BONHAMS please refer to paragraphs 7 & 8 of the Notice to Bidders at the back of the catalogue. 6 ANTONIETTA BRANDEIS (CZECH, 1849-1926) St. Mark’s Square, Venice signed ‘ABrandeis.’ (lower right) oil on board 16.5 x 23cm (6 1/2 x 9 1/16in).

£6,000 - 8,000 €7,000 - 9,300 US$8,400 - 11,000

For details of the charges payable in addition to the final Hammer Price of each Lot please refer to paragraphs 7 & 8 of the Notice to Bidders at the back of the catalogue. 19TH CENTURY ART | 11 7

7 * FÉLIX FRANÇOIS GEORGES PHILIBERT ZIEM (FRENCH, 1821-1911) Promenade en gondole sur la lagune Literature signed ‘Ziem.’ (lower left) Anne Burdin-Hellebranth, Félix Ziem. 1821-1911, Belgium, 1998, vol. I, oil on panel p. 330, cat. no. 824, illustrated. 43.3 x 73cm (17 1/16 x 28 3/4in). We are grateful to The Association Félix Ziem, represented by £15,000 - 20,000 Mathias Ary Jan, David Pluskwa and Gérard Fabre, for confirming the €17,000 - 23,000 authenticity of this lot. A certificate is available upon request. US$21,000 - 28,000

Provenance Kuyper, Amsterdam. His sale, Muller, Amsterdam, 30 May 1911, lot 124. Steengracht, Amsterdam. His sale, Muller, Amsterdam, 20 June 1913, lot 238. Anon. sale, Muller, Amsterdam, 15 May 1917, lot 219. Anon. sale, Muller, Amsterdam, 3 June 1919, lot 128. Private collection, Italy.

For details of the charges payable in addition to the final Hammer Price of each Lot 12 | BONHAMS please refer to paragraphs 7 & 8 of the Notice to Bidders at the back of the catalogue. 8 FÉLIX FRANÇOIS GEORGES PHILIBERT ZIEM (FRENCH, 1821-1911) Pêcheurs et leur filets, quai des Esclavons Literature: signed ‘Ziem’ (lower left) Anne Burdin-Hellebranth, Félix Ziem. 1821-1911, vol. I, Belgium, 1998, oil on panel p. 140, cat. no. 338, illustrated. 35 x 53cm (13 3/4 x 20 7/8in). We are grateful to The Association Félix Ziem, represented by £10,000 - 15,000 Mathias Ary Jan, David Pluskwa and Gérard Fabre, for confirming the €12,000 - 17,000 authenticity of this lot. A certificate is available upon request. US$14,000 - 21,000

Provenance: Private collection, Florida. Their sale, Sotheby’s, New York, 26 May 1994, lot 218.

For details of the charges payable in addition to the final Hammer Price of each Lot please refer to paragraphs 7 & 8 of the Notice to Bidders at the back of the catalogue. 19TH CENTURY ART | 13 9 FÉLIX FRANÇOIS GEORGES PHILIBERT ZIEM (FRENCH, 1821-1911) Le bassin de Saint Marc signed ‘Ziem’ (lower right) oil on canvas 83.3 x 136.5cm (32 13/16 x 53 3/4in). Painted circa 1870-1875

£40,000 - 60,000 €46,000 - 70,000 US$56,000 - 84,000

Provenance Private collection, Italy.

Celebrated for his sparkling views of Venice, Ziem who was one of the most widely travelled artists of his generation, made the first of numerous trips to Italy in 1842. As a young man he had studied architecture, but by 1840 he had decided his passion was painting, both in oil and watercolour. A meticulous book-keeper, we have a fascinating insight into his business as a professional artist, as he kept records of his sales (year, name of purchaser and selling price) for over thirty years. He enjoyed huge success, counting Baron de Rothschild and The Duke of Devonshire amongst his patrons.

In this large canvas, the artist depicts a busy day on the Venetian Lagoon. Ziem is able to capture the effect of the flickering patterns of light on the water through vibrant brush strokes and a lively palette as a group of figures, possibly Arab traders, are being rowed across the water in a gondola, past a large masted boat at anchor, with a panoramic view of Venice beyond.

We are grateful to The Association Félix Ziem, represented by Mathias Ary Jan, David Pluskwa and Gérard Fabre, for confirming the authenticity of this lot. A certificate is available upon request.

For details of the charges payable in addition to the final Hammer Price of each Lot 14 | BONHAMS please refer to paragraphs 7 & 8 of the Notice to Bidders at the back of the catalogue. 19TH CENTURY ART | 15 10 ARCADI MAS Y FONDEVILA (SPANISH, 1852-1934) Caught! signed ‘Mas y Fondevila’ (lower left) oil on panel 30.5 x 45.5cm (12 x 17 15/16in).

£8,000 - 12,000 €9,300 - 14,000 US$11,000 - 17,000

Provenance MacConnal-Mason & Son, London. Private collection, UK.

For details of the charges payable in addition to the final Hammer Price of each Lot 16 | BONHAMS please refer to paragraphs 7 & 8 of the Notice to Bidders at the back of the catalogue. 11 ARCADI MAS Y FONDEVILA (SPANISH, 1852-1934) Fisherfolk on beach signed ‘Mas y Fondevila’ (lower right) oil on panel 29 x 44cm (11 7/16 x 17 5/16in).

£8,000 - 12,000 €9,300 - 14,000 US$11,000 - 17,000

Provenance Private collection, UK.

For details of the charges payable in addition to the final Hammer Price of each Lot please refer to paragraphs 7 & 8 of the Notice to Bidders at the back of the catalogue. 19TH CENTURY ART | 17 12 FEDERICO DEL CAMPO (PERUVIAN, 1837-1923) Capri signed, inscribed and dated ‘F. del Campo./CAPRI 1886’ (lower right) oil on canvas 39 x 66.5cm (15 3/8 x 26 3/16in).

£12,000 - 18,000 €14,000 - 21,000 US$17,000 - 25,000

Provenance M Newman Ltd., London. Private collection, UK.

For details of the charges payable in addition to the final Hammer Price of each Lot 18 | BONHAMS please refer to paragraphs 7 & 8 of the Notice to Bidders at the back of the catalogue. 19TH CENTURY ART | 19 13 GEORGES DE GEETERE (BELGIAN, 1859-1929) Maternal love Provenance signed ‘Georges De Geetere’ (lower right) Anon. sale, Sotheby’s, London, 25 November 1987, lot 2. oil on canvas Private collection. 171 x 112.5cm (67 5/16 x 44 5/16in). Exhibited £7,000 - 10,000 Brussels, Exposition générale des Beaux-Arts, no. 360 €8,100 - 12,000 (date unknown). US$9,800 - 14,000 The present lot probably depicts the artist’s wife and their child.

For details of the charges payable in addition to the final Hammer Price of each Lot 20 | BONHAMS please refer to paragraphs 7 & 8 of the Notice to Bidders at the back of the catalogue. 14 * ABEL DOMINIQUE BOYE (FRENCH, 1864-1934) Gathering flowers signed ‘Abel Boye’ (lower left) oil on canvas 98 x 71cm (38 9/16 x 27 15/16in).

£7,000 - 10,000 €8,100 - 12,000 US$9,800 - 14,000

15 NO LOT

For details of the charges payable in addition to the final Hammer Price of each Lot please refer to paragraphs 7 & 8 of the Notice to Bidders at the back of the catalogue. 19TH CENTURY ART | 21 16 FRANZ RICHARD UNTERBERGER (AUSTRIAN, 1838-1902) On the Lagoon, Venice signed ‘FRUnterberger’ (lower right) oil on panel 57.5 x 36cm (22 5/8 x 14 3/16in).

£12,000 - 18,000 €14,000 - 21,000 US$17,000 - 25,000

Provenance Little Winchester Gallery, London. Private collection, UK.

For details of the charges payable in addition to the final Hammer Price of each Lot 22 | BONHAMS please refer to paragraphs 7 & 8 of the Notice to Bidders at the back of the catalogue. 19TH CENTURY ART | 23 17 ABRAHAM HULK (DUTCH, 1813-1897) On the Scheldt, low tide; On the Scheldt, sunset a pair, both signed ‘A.Hulk’ (one lower left, the other lower right) oil on panel each 20.5 x 30.5cm (8 1/16 x 12in) (2)

£4,000 - 6,000 €4,600 - 7,000 US$5,600 - 8,400

Provenance MacConnal-Mason & Son, London. Private collection, UK.

For details of the charges payable in addition to the final Hammer Price of each Lot 24 | BONHAMS please refer to paragraphs 7 & 8 of the Notice to Bidders at the back of the catalogue. 18 WILLEM KOEKKOEK (DUTCH, 1839-1895) A busy street scene signed ‘W Koekkoek’ (lower right) oil on canvas 54 x 69cm (21 1/4 x 27 3/16in).

£10,000 - 15,000 €12,000 - 17,000 US$14,000 - 21,000

For details of the charges payable in addition to the final Hammer Price of each Lot please refer to paragraphs 7 & 8 of the Notice to Bidders at the back of the catalogue. 19TH CENTURY ART | 25 19 CORNELIS SPRINGER (DUTCH, 1817-1891) The entrance to St. Martin’s Church at the Balveren Chapel, Zaltbommel signed and dated ‘C. Springer 1860’ (lower right); with the artist’s seal (on the reverse) oil on canvas 47.5 x 58.5cm (18 11/16 x 23 1/16in).

£15,000 - 25,000 €17,000 - 29,000 US$21,000 - 35,000

Provenance J.C. van Pappelendam collection, Amsterdam (purchased directly from the artist, June 18th 1860, sold for Dfl. 325). Private collection, UK.

Literature W. Laanstra et al., Cornelis Springer, 1817-1891, Utrecht, 1984, p. 125, cat. no. 60-9, as De ingang van de Sint Maartenskerk bij de zogenaamde Balverenkapel te Zaltbommel.

For details of the charges payable in addition to the final Hammer Price of each Lot 26 | BONHAMS please refer to paragraphs 7 & 8 of the Notice to Bidders at the back of the catalogue. 19TH CENTURY ART | 27 20 HENRIETTE RONNER-KNIP (DUTCH, 1821-1909) A gentle provocation signed and dated ‘Henriette Ronner/99.’ (lower right); inscribed with title and artist’s name and address (on a label attached to the reverse) oil on panel 32 x 46cm (12 5/8 x 18 1/8in).

£10,000 - 15,000 €12,000 - 17,000 US$14,000 - 21,000

For details of the charges payable in addition to the final Hammer Price of each Lot 28 | BONHAMS please refer to paragraphs 7 & 8 of the Notice to Bidders at the back of the catalogue. 19TH CENTURY ART | 29 21 HENRY DAWSON (BRITISH, 1811-1878) Arcadian landscape with figures resting beside a river incised with initials and dated ‘H D/1846’ (lower left) oil on canvas 63.5 x 76.5cm (25 x 30 1/8in).

£1,500 - 2,500 €1,700 - 2,900 US$2,100 - 3,500

For details of the charges payable in addition to the final Hammer Price of each Lot 30 | BONHAMS please refer to paragraphs 7 & 8 of the Notice to Bidders at the back of the catalogue. 22 WILLIAM DUFFIELD (BRITISH, 1816-1863) Still life of fruit in a basket signed and dated ‘W. Duffield._/1852’ (lower right) oil on canvas, oval 83.5 x 72cm (32 7/8 x 28 3/8in).

£4,000 - 6,000 €4,600 - 7,000 US$5,600 - 8,400

23 ABRAHAM SOLOMON (BRITISH, 1824-1862) A Ballroom in the Year 1760 “Now let the youth to whose superior place Exhibited It first belongs the splendid ball to grace, etc.” London, Royal Academy, 1848, no. 1249. signed and dated ‘Abraham Solomon 1848’ (lower right) oil on canvas Literature 122.5 x 183.5cm (48 1/4 x 72 1/4in). Illustrated London News, 20 May 1848, p. 327. Athenaeum, 3 June 1848. £30,000 - 50,000 The Art Journal, 1862. €35,000 - 58,000 Solomon: A Family of Painters, exhibition catalogue, London, US$42,000 - 70,000 1985, p. 37. Wood-engraving by William Charles Harrison Provenance Private collection, UK since circa 1910. The subtitle of the painting comes from a poem The Art of Dancing by Soame Jenys:

‘Now let the youth to whose superior place It first belongs the splendid ball to grace With humble bow and ready hand, prepare Forth from the crowd to lead his chosen fair; the fair shall not his kind request deny But to the pleasing toil with equal ardour fly.’

For details of the charges payable in addition to the final Hammer Price of each Lot 32 | BONHAMS please refer to paragraphs 7 & 8 of the Notice to Bidders at the back of the catalogue. The present painting was praised in the Athenaeum’s review of unamused by the amorous gaze between the two lovers. Throughout the Royal Academy summer exhibition as a ‘leading attraction in the room numerous characters gossip and chatter as the news and the room properly devoted to architectural subjects...one of the scandal of the day is whispered back and forth. In the background best representations of its class. It has great amount and variety of an elegant young couple perform the latest dance accompanied by character, excellent and well contrasted action, much refinement, an orchestra crammed into the gallery above, as as group watch in and general promise of future improvement’.1 admiration. Through the large window a handsome classical building and a church can clearly be seen as the viewer is invited to participate The renowned art critic James Dafforne described the present lot as in the imagined scene in 18th Century London. This has echoes of ‘a large picture of numerous figures, grouped with much eloquence Hogarth’s Marriage à la mode (Scene II, The Marriage settlement) and spirit, and very brilliant in colour; the costumes of the period had (National Gallery, London). evidently been the subject of research and study’.2 The visitor to the Royal Academy in 1848 may well have been familiar A smaller version of the present composition is in the collection of the with this work before entering the exhibition as this brilliant scene Guildhall Gallery in London. was reproduced in The Illustrated London News on 20 May 1848. By the mid 1850s, Solomon had turned his hand to more contemporary One of eight children, Abraham Solomon was born in Bishopsgate in depiction of modern life, and in 1854 produced perhaps two of his 1823; his father was a successful merchant and aged 13 Abraham most famous works, First Class: The Meeting (National Gallery of was sent to Henry Sass’s School of Art in Bloomsbury. He entered Canada, Ottawa) and Second Class: The Parting (National Gallery of the Academy Schools in 1839 and first exhibited at the RA two years Australia, Canberra). In May 1860 Solomon married Ella Hart and spent later. In response to the taste of the period Solomon produced works some time travelling in the Pyrenees. On his return he joined the Artists derived from literary sources, such as Scott, Moliere and Goldsmith, Rifles with his younger brother Simeon, but by the autumn of 1862, his as well as anecdotal historical subjects such the present lot. declining health forced him to travel to Biarritz where sadly he died on 19 December aged just 39. This magnificent Royal Academy exhibit of 1848 shows the interior of a fashionable townhouse, as a multitude of characters enjoy the 1Athenaeum, 3 June 1848. evening. A young man invites a pretty girl, dressed in virginal white, 2James Dafforne, ‘British Artists: Their style and Character with to accompany him, as another young lady in an exquisite yellow silk engraved illustrations: no. LIX- Abraham Solomon’, The Art Journal, dress watches on jealously; her companion looks askance, clearly 1862, pp.73-5.

19TH CENTURY ART | 33 24 RICHARD ANSDELL, RA (BRITISH, 1815-1885) The Forester’s Pets signed and dated ‘R. Ansdell/1878’ (lower right), indistinctly inscribed (on old label on the reverse) oil on canvas 92.5 x 184.5cm (36 7/16 x 72 5/8in).

£20,000 - 30,000 €23,000 - 35,000 US$28,000 - 42,000

Exhibited London, Royal Academy, 1878, no. 520.

In the present lot, we see Richard Ansdell painting within a genre in Presented in a gilded Victorian exhibition frame, The Forester’s Pets which he felt totally at home. This lovely painting has all the hallmarks was painted at the height of Ansdell’s career and seven years after of a considered piece for inclusion in the Royal Academy exhibition of he became a Royal Academician. There is no hidden message or 1878. Victorian Academicians of the day relied heavily on the annual underlying brutality, and the work is sensitively portrayed with the exhibition which was a popular means for them to attract sponsors confidence of an artist sure of his technique and subject matter. It is a and purchasers and enabling them to keep up the momentum of being joyous painting, amalgamating many of the elements used successfully of a successful ‘modern’ artist. The all-important decision for each of during this period of Ansdell’s career. Here we see his trademark their paintings was whether they were hung above the line, below the cerulean blue sky, complete with the iconic circling birds and the light, line or on the line. Every artist aimed to get their paintings as near to slightly misty clouds which could either bring rain or sunshine to the the line (or at eye level) as possible. Scottish landscape. The lock below is calm and the surrounding hills benign. The central figure is silhouetted against the sky, a dramatic effect of which Ansdell was particularly fond: she is a favoured red-haired model who appeared in other major canvases. This is a romantic depiction of a young girl feeding a herd of deer hinds which couldn’t fail to please. Closer inspection of the beautifully proportioned animals and the meticulous detail in the flora will delight. The tri- coloured collie dog was one of Ansdell’s own pets which appeared in many of his paintings – the artist often found an excuse to include his beloved dog.

We are grateful to Sarah Jane de Montezuma Kellam, great, great granddaughter to Richard Ansdell, for her assistance in cataloguing this lot. See www.richardansdell.co.uk for more details.

For details of the charges payable in addition to the final Hammer Price of each Lot 34 | BONHAMS please refer to paragraphs 7 & 8 of the Notice to Bidders at the back of the catalogue. 19TH CENTURY ART | 35 25 * THOMAS SIDNEY COOPER, RA (BRITISH, 1803-1902) & FREDERICK RICHARD LEE, RA (BRITISH, 1798-1879) Mountain scenery, North Wales Exhibited signed ‘F. R. Lee/T. S. Cooper’ (lower right) London, Royal Academy, 1849, no. 455. oil on canvas (possibly) Liverpool, Liverpool Academy, 1849, no. 137, 127 x 162.5cm (50 x 64in). as Welsh Scenery.

£10,000 - 15,000 Literature €12,000 - 17,000 Illustrated London News, 26 May 1849, p.360, who noted ‘the usual US$14,000 - 21,000 excellences of both artists’. S. Sartin, Thomas Sidney Cooper, Leigh-on-Sea, 1976, p. 54, no. E134. Provenance Kenneth Westwood, Thomas Sidney Cooper, His life and work, David Trafalgar Galleries, London. Leathers, 2011, volume 2, cat. no. L/C 14, p. 9. Anon. sale, Christie’s, London, 2 November 1990, lot 245.

For details of the charges payable in addition to the final Hammer Price of each Lot 36 | BONHAMS please refer to paragraphs 7 & 8 of the Notice to Bidders at the back of the catalogue. Works from The Liverpool School Lots 26-30

In the middle years of the nineteenth century the city of Liverpool Another landscape specialist, and who like Williamson in the early saw the emergence of a remarkable group of artists, some born in 1860s aimed at the most minute detail in his landscapes but who the city while others had transferred there for professional reasons, subsequently broadened his handling to seek more atmospheric and who came retrospectively to be known as the Liverpool School. effects, was John Edward Newton. The work by him in the present The foremost source of information about this disparate circle, linked group is probably his 1864 Liverpool Academy exhibit View near principally by their association with the Liverpool Academy, is H.C. Sefton (lot 29). It shows a pond or stretch of slow-flowing river in the Marillier’s The Liverpool School of Painters, published in 1904. flat, fertile farming country close to Litherland to the north of Liverpool and through which the River Alt meanders. Newton lived in Litherland A leading figure among the painters of modern-life subjects based in for about a year from 1864 and painted the south Lancashire the North-West, James Campbell showed scenes set in the streets topography on several occasions (including some with interchangeable of Liverpool and Birkenhead, and rustic subjects done during painting or alternative titles leading to confusion as to which is which). expeditions in the countryside of the Wirral peninsular, north Wales and south Lancashire. Campbell lived in London as a young man but William Davis, who had been born in Ireland in 1812 had settled in returned to Liverpool in about 1851, enrolling as a probationer in the Liverpool by the mid-century. A leading figure in the context of the Liverpool Academy schools and later elected as a member of the Liverpool Academy, as an exhibitor and from 1856 head of the Academy. By the late 1850s he was regarded as the de facto leader drawing school there, he was an influential supporter of the Pre- of the progressive group of painters in the city and was at the same Raphaelite cause in the various acrimonious disputes that occurred time acknowledged more widely by being invited to show at the between the rival factions supporting either the progressive or a Russell Place exhibition of Pre-Raphaelite art in London in 1857 and in more conservative artistic tendencies in the period and which came the following year was asked to send works to the travelling exhibition to the fore in the matter of the awarding of prizes. The patron John of contemporary British held in New York, Philadelphia and Boston. Miller encouraged Davis to devote himself to landscape and formed Campbell’s The Fisherman’s Lesson (lot 27) appeared at the Liverpool a collection of his works including subjects local to Liverpool, Ireland Academy in 1861 and is typical of the figure subjects showing day- and the west of Scotland. to-day events in the lives of working-class folk for which the artist was known. According to Marillier, Campbell often painted at Eastham Davis was a friend of Ford Madox Brown and shared his view that Woods on the Cheshire shore of the Mersey and on other occasions the point of painting landscape was to capture the colour and texture at Bidston on the Wirral. It is likely that The Fisherman’s Lesson of a setting and that this might be found in the most obscure and records a visit to one or other of these places. Among the collectors unprepossessing spots. Davis’s command of the infinitely various tints of Campbell’s paintings in Liverpool John Miller was pre-eminent, while of foliage, sometimes broken by the colours of brickwork or masonry George Rae, of Birkenhead, and James Leathart, of Gateshead, were when architectural elements were introduced (he had a particular also notable enthusiasts for his distinctive works. fondness for mills) was entirely his own. On occasions he painted with Pre-Raphaelite inspired exactitude, but gradually shifted towards the A less well known but nonetheless remarkable painter who likewise handling of paint with instinctive freedom achieving effects that are specialised in subjects showing men and women struggling against strikingly impressionistic. Patches of wet paint run together and mix hardship was Joseph Edward Worrall. Omitted by Marillier, biographical on the canvas. Flashes of strong colour make the overall impression information for the artist is scarce. Nonetheless, we have here a vibrant and living. Parts of the landscape are seen deep in shadow delightful genre subject showing a young woman earning her living while in other areas the sun blazes down making the impact of these as a street-trader and which may be recognised as the work entitled utterly unpretentious landscapes overwhelming. Davis’s A Pond near Three-a-penny shown at the Liverpool Institution of Fine Arts in 1867 Highgate (lot 26) shows the narrow side-road that forms the eastern (lot 30). The woman has taken three oranges from her basket and boundary of Hampstead Heath close to the series of boating and offers them to the viewer. The wall before which she and her dog bathing lakes. Although without an inscribed date this painting will have stand consists of red sandstone, a building material frequently seen in been made after the artist’s move to London in 1870, and where he Liverpool and its environs. The open space behind and the church and spent the three last years of his life. neighbouring terraces that form the background are as yet unidentified but are likely to have been in the relatively genteel neighbourhood of Liverpool saw an extraordinary flowering of the arts in the middle years Upper Parliament Street, running from Liverpool eastwards towards of the nineteenth century, greater than any other British city outside Toxteth and where Worrall lived in the 1860s. London. There was a particular open-mindedness and generosity on the part of the munificent patrons in Liverpool and Birkenhead whose Careful attention to detail and the use of strong colour and a wealth derived from shipping and trade, banking and insurance. distinctive method whereby paint was applied in glazed surfaces Likewise, those who administered the city’s principal art institution, to give a luminous and transparent effect were recognisable the Liverpool Academy, the premises of which were in Old Post characteristics of the Liverpool artists’ work as landscapists. Office Place, believed in the importance of art which showed familiar Daniel Alexander Williamson was a member of a dynasty of artists places and people that were often unremarkable but which they made prominent in the city from early in the nineteenth century. Having extraordinary by the sincerity and originality of their vision. spent his early adult life in London, he returned to the North-West in about 1860, settling in the village of Warton in north Lancashire. We are grateful to Christopher Newall for compiling this introduction During the following few years, Williamson painted his most intense and for his assistance in cataloguing the following lots. and characteristic works and of which small group the work bearing the title Westmorland Hills - Effect before Rain (lot 28) is one. The view taken shows the blocks of limestone which form natural pavements on Warton Crag, while the distant horizon consists of the southern fells of the Lake District in Westmorland, seen beyond the out-of-view Morecambe Bay. The boy seen in the foreground gathers dry bracken, presumably so as to burn it and thus safeguard his flock as bracken is poisonous to sheep and cattle.

19TH CENTURY ART | 37 26 WILLIAM DAVIS (BRITISH, 1812-1873) Pond near Highgate signed ‘WDAVIS’ (lower left); indistinctly signed and inscribed with title (on the reverse) oil on canvas 30.5 x 45.5cm (12 x 17 15/16in).

£2,000 - 3,000 €2,300 - 3,500 US$2,800 - 4,200

Provenance Anon. sale, Sotheby’s Belgravia, 9 March 1976, lot 43. Julian Hartnoll, London. Private collection, UK (on loan to Williamson Art Gallery & Museum, Birkenhead).

The present lot probably depicts a pond at Millfield Lane, Highgate.

For details of the charges payable in addition to the final Hammer Price of each Lot 38 | BONHAMS please refer to paragraphs 7 & 8 of the Notice to Bidders at the back of the catalogue. 27 JAMES CAMPBELL (BRITISH, 1828-1893) The Fisherman’s Lesson Exhibited signed and dated ‘Campbell 1862’ (lower right) Liverpool, Liverpool Academy, 1861, no. 152. oil on canvas Liverpool, Walker Art Gallery, Pre-Raphaelites: Beauty 57 x 44cm (22 7/16 x 17 5/16in). and Rebellion, 2016.

£3,000 - 5,000 Although the present lot was exhibited in 1861 it is dated 1862. €3,500 - 5,800 Presumably the artist revisited the work following the exhibition. US$4,200 - 7,000

Painted circa 1861.

Provenance Private collection, UK (on loan to Williamson Art Gallery & Museum, Birkenhead).

For details of the charges payable in addition to the final Hammer Price of each Lot please refer to paragraphs 7 & 8 of the Notice to Bidders at the back of the catalogue. 19TH CENTURY ART | 39 28 DANIEL ALEXANDER WILLIAMSON (BRITISH, 1823-1903) Westmorland Hills - Effect before Rain signed with monogram and inscribed with title (on the reverse) oil on board 23 x 38.5cm (9 1/16 x 15 3/16in).

£6,000 - 8,000 €7,000 - 9,300 US$8,400 - 11,000

Provenance Private collection, UK (on loan to Williamson Art Gallery & Museum, Birkenhead).

Exhibited Liverpool, Walker Art Gallery, Pre-Raphaelites: Beauty and Rebellion, 2016.

For details of the charges payable in addition to the final Hammer Price of each Lot 40 | BONHAMS please refer to paragraphs 7 & 8 of the Notice to Bidders at the back of the catalogue. 19TH CENTURY ART | 41 29 JOHN EDWARD NEWTON, RI (BRITISH, ACTIVE 1835-1891) View near Sefton signed with initials and dated ‘JEN1863’ (lower left) oil on canvas 55 x 83cm (21 5/8 x 32 11/16in).

£10,000 - 15,000 €12,000 - 17,000 US$14,000 - 21,000

Provenance Alex R. Porter, 1908. Julian Hartnoll, London. Private collection, UK (on loan to Williamson Art Gallery & Museum, Birkenhead).

Exhibited (possibly) Liverpool, Liverpool Academy, 1864, no. 20. Liverpool, Walker Art Gallery, 1908, no. 1048. Paris, Galerie du Luxembourg, Le Paysage Anglais – des Préraphaélites aux Symbolistes, April 1974, no. 18. Liverpool, Walker Art Gallery, Pre-Raphaelites: Beauty and Rebellion, 2016.

For details of the charges payable in addition to the final Hammer Price of each Lot 42 | BONHAMS please refer to paragraphs 7 & 8 of the Notice to Bidders at the back of the catalogue. 19TH CENTURY ART | 43 PROPERTY FROM AN IMPORTANT PRIVATE COLLECTION

30 JOSEPH EDWARD WORRALL (BRITISH, 1829-1913) Three-a-penny signed and dated ‘JEWorrall. 1867-68’ (lower left) oil on panel 30.5 x 22.5cm (12 x 8 7/8in).

£15,000 - 20,000 €17,000 - 23,000 US$21,000 - 28,000

Provenance Boydell Galleries, Liverpool. Peter Nahum, London. Acquired from the above by the present owner, 15 March 1996.

Exhibited (possibly) Liverpool, Liverpool Institution of Fine Arts, 1867, no. 70.

For details of the charges payable in addition to the final Hammer Price of each Lot 44 | BONHAMS please refer to paragraphs 7 & 8 of the Notice to Bidders at the back of the catalogue. 19TH CENTURY ART | 45 OTHER PROPERTIES

31 JOHN BRETT, ARA (BRITISH, 1831-1902) The Rivals from Anglesey signed and dated ‘John Brett 1884’ (incised lower right) oil on canvas 62 x 122cm (24 7/16 x 48 1/16in).

£15,000 - 20,000 €17,000 - 23,000 US$21,000 - 28,000

Provenance Dr James Watt Black. Anon. sale, Christie’s, London, 24 May 1918, lot 95 sold to Amor for 80gs. Anon, sale, Christie’s, London, 18 November 1960, lot 159, sold to Ireland for 65gs. Anon. sale, Christie’s, London, 22 November 1963, lot 171, sold to Newman for 48gs. Edwards, March 1964. Anon. sale, Christie’s, London, 25 July 1975, sold for 320gs. Private collection, UK.

Exhibited London, Royal Academy, 1903, no. 147. Williamson Art Gallery, Berkenhead, 1998-1999 Cardiff, National Museum and Gallery, John Brett: a Pre-Raphaelite on the Shores of Wales, 2001, no.32.

Literature Ann Sumner (ed), John Brett: a Pre-Raphaelite on the Shores of Wales, exhibition catalogue, 2001, pp.103-104 illustrated. Christiana Payne, John Brett: Pre-Raphaelite Landscape Painter, Yale, 2010, p. 230, cat. no. 1109, illustrated.

According to Charles Brett’s catalogue, the genesis of the present lot was a series of pencil and oil sketches undertaken during the artist’s three month stay in north Wales in the Spring and Summer of 1885. Composed from the sand hills on the southern tip of Anglesey, the work looks across the Menai Straits towards Yr Eifl.

For details of the charges payable in addition to the final Hammer Price of each Lot 46 | BONHAMS please refer to paragraphs 7 & 8 of the Notice to Bidders at the back of the catalogue. 19TH CENTURY ART | 47 32 ALICE BOYD (BRITISH, 1823-1897) The Thames from Cheyne Walk, probably a view from Belle Vue House rescuing shipwrecked mariners in the Wallington Hall murals of signed with initials ‘AB’ (lower right), inscribed ‘CHELSEA/BELLE VUE Northumbrian history begun in 1856 and commissioned by the Trevelyan HOUSE’ (lower centre); indistinctly signed, inscribed and dated ‘Chel.../ family. Scott made his first visit to Penkill in 1860 where Spencer had ABoyd/1875’ on remnants of an old label (on the reverse) added a great tower with a circular staircase and so the Pre-Raphaelite oil on canvas association with Penkill began and the strange but seemingly happy 77 x 61cm (30 5/16 x 24in). ménage a trois between Scott, Letitia and Alice commenced. The Scotts unframed spent the summers at Penkill and Alice joined them in London in the winter firstly at Elgin Road, Notting Hill and later at 92 Cheyne Walk, £15,000 - 20,000 Chelsea, living in the same street as Dante Gabriel Rossetti. €17,000 - 23,000 US$21,000 - 28,000 In 1865, Spencer Boyd died suddenly of heart failure and Alice became the 15th Laird of Penkill. She continued the renovation work at Penkill Alice Boyd’s reputation as an artist has historically been intrinsically and added a great banqueting hall which doubled as a picture gallery. linked with that of the Pre-Raphaelite artist and poet, William Bell Scott In the same year Scott began the tower staircase murals based on the (1811-1890). Initially her tutor, Alice became Scott’s muse and lover, Scottish theme, The King’s Quair, a poem written by James I of and it could be said that her own talent as an artist has been subsumed Scotland. Pre-Raphaelite friends visited and posed as characters from into Scott’s formidable talent as a teacher, artist, poet, critic, and a the poem; Christina Rossetti as Lady Jane, Algernon Swinburn and member of the Pre-Raphaelite circle. In the Dictionary of Northumbrian William Rossetti as courtiers of Venus, Alice as Minerva, and Holman Artists, she is described as an ‘Amateur landscape and figure painter in Hunt as a castle guard. oil and watercolour’.1 Alice converted part of the stable block at Penkill into an artist’s studio Born in 1825 at Penkill Castle, Girvan, Ayrshire into an ancient Scottish (see The Studio at Penkill with Alice Boyd seated at an easel painting’ family, Alice appears to have followed the path of many ‘young ladies’ Christies, The Property of Elton E Eckstrand, Girvan, Ayrshire, 15 of fashionable society. Ellen Creathorne Clayton suggests that Alice December 1972, lot 172; also Steps to the Studio part of lot 33 in this inherited her ability to draw from her mother who was in the habit of sale) where she and Scott painted and sketched during the summer constantly sketching from nature. Alice was her mother’s constant months. Under Scott’s guidance, Alice’s talent as an artist flourished and sketching companion and was considered by Clayton to have extended to painting the walls of the turret room at Penkill (referred to as ‘command over the means of expression, correct drawing and Christina’s room) with windswept branches and leaves on a bended tree observation of characteristics.....’2 and particularly fine at painting birds, and in the Laird’s bedroom, where she painted the ceiling with vines over beasts and nature, all of which are ably demonstrated in the painting of trellises with dragonflies and swallows in summer clouds.6 The Thames from Cheyne Walk. Scott’s ambition and faith in Alice’s ability was part of a reciprocal The Thames from Cheyne Walk, probably a view from Belle Vue House appreciation with each artist supporting the other’s work. Collaborative is most likely to be the painting entitled, A Window at Chelsea projects included Alice’s illustration of Scott’s poem The Witches Ballad described in Clayton’s English Female Artists after a visit to Bell Scott where four witches brightly dressed and gaily garlanded walk up a and Alice’s studio at Bellevue House, Chelsea: ‘Miss Boyd paints street with baskets on their heads containing domestic fowl (see English landscape well, as her large oil picture of Chelsea Reach Christies, 7 November 1997, lot 51, and previously Sotheby’s, 15 July shows. This she calls ‘A Window at Chelsea’ because it had as 2008, lot 23). She also illustrated Scott’s poem, Taliessen the Bard foreground an interior with various accessories. It has not yet been (Christies, The property of Elton E Eckstrand, Girvan, Ayrshire, 15 exhibited. She also painted The Thames in Winter and the Chapel of December 1992, lot 151.). Ellen Clayton wrote effusively that ‘The most San Clemente, St. Marc’s, Venice’ (see lot 33).3 Ellen Clayton visited important picture yet done by Miss Boyd represents Talieson the Bard Bellevue House in November 1875 and came on the behest of William hearing his deceased master’s harp play as it hangs on the wall. This Bell Scott who had written requesting her to see Alice’s work after he difficult and interesting subject has been poetically treated by the artist, had heard about her forthcoming book. Alice was at Penkill and who shows the spirit of the master himself touching the strings. This therefore missed the visit but was kept informed by Scott in a letter work was not very well placed at the Dudley, but received favourable where he described Clayton as ‘the most singular little chatterbox I ever attention from the critics.’7 Christina Rosetti engaged Alice to illustrate met.’ Scott goes on to say that she was ‘delighted with everything and her nursery rhyme book Sing-Song (1872), but Alice’s drawings were if I will only write what I think I should be said about you and your art never used as Christina changed publishers from F. S. Ellis to Routledge she will be better pleased the longer it is.’4 who commission Arthur Hughes instead to be the illustrator.

The inference that Scott believed in Alice’s ability as an artist and took Alice Boyd exhibited one of her most important paintings at the Royal active pleasure in promoting her is further demonstrated by his Scottish Academy in 1864, The Incantation of Hervor recovering the involvement in the publication of her book A Robin’s Christmas Story Famous Sword of Tirsing and later a watercolour of The Wild Huntsman. published by Routledge. While Alice was at Penkill, Scott was involved She exhibited two paintings at the Royal Academy, Winter on the with the publisher in October 1873 and wrote almost a year later in Thames at Chelsea (1873) and A Scottish Glen (1880). In 1877, Bell September 1874 to Alice saying he had picked up three copies of the Scott wrote a pamphlet criticising the Royal Academy and in book to take with him to Scotland.5 consequence both artists began to send work to the Dudley Gallery in the Egyptian Hall, Piccadilly which became the vanguard of the Aesthetic Alice met William Bell Scott in 1859 when he was forty-eight and head movement. Alice, according to Marshall Hall in the Dictionary of of Newcastle School of Design. Alice and her brother Spencer were Northumbrian Artists also exhibited her work in Newcastle at the Arts living in Tyneside with their wealthy maternal grandfather, William Losh Association from 1878 and the Bewick Club from 1884. Alice’s work of Newcastle after the death of their mother in 1858. Their father had was praised by Rosetti who wrote that he believed her ‘to possess at died in 1827, when both children were in infancy and when Spencer least as much power in painting as any woman I know – even the best.’8 Boyd came of age and took up his mantle of 14th Laird of Penkill, he used money provided by his wealthy grandfather to renovate and The present lot is a wistful and enigmatic painting, contrasting the modernise Penkill Castle. Although Scott was already married albeit interior colours, clutter and sleeping cat with the grey palette of winter unhappily to Letitia Margery Norquoy, there must have been an on the Thames. It conveys an image of interior warmth and summer immediate attraction between Alice and the artist. From becoming with the bleakness of the winter day outside. It was a theme Alice Scott’s pupil, she became his muse and modelled for Grace Darling reworked on several occasions starting with her 1873, Winter on the

For details of the charges payable in addition to the final Hammer Price of each Lot 48 | BONHAMS please refer to paragraphs 7 & 8 of the Notice to Bidders at the back of the catalogue. Thames at Chelsea and seen in a sketch held at the Dick Institute, tranquillity of summers at Penkill and the painting is a wistful reminder Ayrshire, (Accession number KIMMG PX/X30) Lindsay Wharfe from of painting by the Penkill stable studio with Bell Scott in the sun with the Bellevue House, Chelsea illustrating a similarly wintery view of the colour of the parading peacocks. Thames waterway. The Thames by Moonlight (Christies, Penkill Castle, Girvan, Ayrshire sale, 15 December 1992, lot 146 the property of Elton 1Marshall Hall, Dictionary of Northumbrian Artists, 1982. E Eckstrand) is another variation of Lindsay Wharf in winter with the 2 Ellen C Clayton, English Female Artists,London, 1876, Vol II, pp. 47-50. same tall, spindly, barren tree as seen in the present lot. The painting is 3Clayton also not Alice’s first working of a view through a window; nearly ten 4Letter written 30 November; The Letters of Pictor Ignotus, William Bell years previously, she painted View from the Window of Balcony House, Tynemouth 1864 (Christie’s, London, 17 June 2014, lot 28). Alice was Scott’s letters to Alice Boyd 1859-1884, pp. 311 & 316-7 5 presumably well versed in the symbolism of her Pre-Raphaelite artist Ignotus 6 friends and the painting plays with ideas of symbolic contradiction; the Audrey Hickey, ‘The Pre-Raphaelite Connection with Penkill’, The Review window is open to the greyness of winter cold, yet the blue and white of the Pre-Raphaelite Society, Vol 1, No.2, Summer 1993, pp. 1-11. striped awning is sheltering the window from a non-existent sun. The 7Clayton butterfly is captured against a pane of glass but could so easily join the 8 L M Packer (ed), The Rosetti-Macmillan Letters, Cambridge, 1963 freedom of the songbird, on the delicate spiral of a bare clematis branch. The flourishing pot of cyclamen on the table in the window and the Calla Lilies and pink Camellias framing the window suggest the See also: products of a Victorian hot house in stark contrast to the desolate grey Don Skemer, William Bell Scott and the Pre-Raphaelite, Princeton riverscape outside. Would a cat curl up and sleep so comfortably in the University, William E Fredeman Collection of William Bell Scott, Scott draft of an open window? The painting could be considered an allegory Family and Alice Boyd. of Winter and Summer or perhaps more simply, Alice missed the Sara Grey, Dictionary of Women Artists, James Clarke & Co Ltd, 2009.

19TH CENTURY ART | 49 33 ALICE BOYD (BRITISH, 1823-1897) Steps to the studio, Penkill House; Cappella di S. Clemente, S. Marco two, the first signed with initials and dated ‘AB Jun 1875’ (lower right), the second inscribed with title in pencil (lower right); the second also inscribed ‘Chapel of San Clemente/S Marks, Venice/Painted by/Alice Boyd/Bellevue House/Chelsea’ (on a label attached to the reverse) watercolour, bodycolour and scratching out over traces of pencil the larger 35 x 25cm (13 3/4 x 9 13/16in) (2)

£1,500 - 2,000 €1,700 - 2,300 US$2,100 - 2,800

William Bell Scott (after Rossetti) - Portrait of Alice Boyd.

For details of the charges payable in addition to the final Hammer Price of each Lot 50 | BONHAMS please refer to paragraphs 7 & 8 of the Notice to Bidders at the back of the catalogue. Alice Boyd painted several watercolour studies outside the stable From May 26 to July 6, 1873, Alice, William Bell Scott, Letitia, William studio or in the grounds at Penkill Castle. For Alice and William Rosetti and Lucy Maddox Brown went on a European tour. A sketch Bell Scott, the summer months were spent painting at Penkill and book containing Alice’s drawings in the Dick Institute, Ayrshire entertaining friends from their circle including Dante Gabriel Rosetti (Accession number PK/U3) chronicles a pictorial journey through the and his sister Christina. In 1874, Lawrence and Laura Alma Tadema tour starting in Chambery, France and afterwards travelling through spent most of September with Alice and Scott and the watercolour Italy; Turin, Bay of Spezia, Rome, Venice, Verona, Lake Lugano, of the brightly plumed peacock amongst the roses of 1875 conveys Bodio and St. Gotthard. Ellen Clayton in her dictionary entry for Alice, hints of the Aesthetic movement combined with Alice’s natural talent mentions the painting Chapel of San Clemente, St Marc’s Venice in for painting wildlife. the artist’s studio.1 This was presumably the oil painting (63 x 58) The Church of St. Clemente, Venice 1873 which was sold by Christie’s at the Penkill Castle, Girvan, Ayrshire sale, (15 December 1992, lot 176), a fully worked up version of the present watercolour. William Bell Scott sketched a similar view of the Church of St Clemente (National Galleries of Scotland, Accession number D4715.28B). Drawn in pencil at a slightly different angle, it is described as The Interior of St. Marks.

1 Ellen C Clayton, English Female Artists, London, 1876, Vol II, pp. 47-50.

19TH CENTURY ART | 51 34 HELEN ALLINGHAM, RWS (BRITISH, 1848-1926) A Surrey cottage The name Helen Allingham will always be associated with signed ‘H.Allingham’ (lower left) paintings of Surrey cottages and farmhouses, however there is watercolour more to her paintings than meets the eye. They represent her 24.5 x 31.3cm (9 5/8 x 12 5/16in). concern for the future of the English countryside which was a topical subject at the time. £6,000 - 8,000 €7,000 - 9,300 It is likely that her friend and Surrey neighbour, Gertrude Jekyll, US$8,400 - 11,000 took the artist to see this 17th century cottage. Miss Jekyll wrote about, and recorded through her photographs, once common Provenance sights around her Godalming home. Her work was published in M Newman Ltd., London. 1904 under the title Old West Surrey. This cottage appeared in Private collection, UK. a photograph taken by Miss Jekyll in 1888 and it still stands in a remote part of Dunsfold. Literature Advertisement in Apollo magazine, December 1947 as The Cottage by We are grateful to Annabel Watts for her assistance in cataloguing the Wood. this lot.

For details of the charges payable in addition to the final Hammer Price of each Lot 52 | BONHAMS please refer to paragraphs 7 & 8 of the Notice to Bidders at the back of the catalogue. 35 MYLES BIRKET FOSTER, RWS (BRITISH, 1825-1899) Clovelly signed with monogram (lower left) watercolour heightened with touches of bodycolour 18 x 25cm (7 1/16 x 9 13/16in).

£4,000 - 6,000 €4,600 - 7,000 US$5,600 - 8,400

Provenance Thos. Agnew & Sons, Manchester. P. Polak, London. Property of a deceased’s estate.

For details of the charges payable in addition to the final Hammer Price of each Lot please refer to paragraphs 7 & 8 of the Notice to Bidders at the back of the catalogue. 19TH CENTURY ART | 53 36 GEORGE ELGAR HICKS, RBA (BRITISH, 1824-1914) Osier whitening or withy peeling During the nineteenth century, the growing of willows for making signed and dated ‘G.E. Hicks.1857.’ (lower right) baskets, wicker chairs and providing sways (lengths of willow laid oil on canvas horizontally under the thatch to hold each course of thatch in place) 50 x 90cm (19 11/16 x 35 7/16in). was an important rural industry. Harvesting was arduous work as the willows had to be stripped by hand until the process was mechanised £40,000 - 60,000 in the inter-war years. The willows were peeled using a willow stripper, €46,000 - 70,000 or brake, which can be clearly seen here, after which they were left in US$56,000 - 84,000 stacks to dry.

Provenance Hicks chose to depict this episode of rural life as his Royal Academy The artist. exhibit of 1857; in the words of the critic of the Athenaeum: ‘Mr G. Simms, Bathwick Hill, Bath, purchased from the above for £150.00. Hicks is as idyllic as ever...’1 and this idealised vision of labour is Hahn Gallery, by 1971. a link between the artist’s earlier landscapes and his depictions of Property of a deceased’s estate. modern day life which characterise his paintings of the late 1850s and 1860s. The arrangement of the figures anticipate works such as Exhibited Dividend Day which was one of six large paintings of modern life that London, Royal Academy, 1857, no. 409. Hicks produced between 1859 and 1865; works which were painted London, Geffrye Museum, George Elgar Hicks: Painter of Victorian in response to the growing demand for depictions of everyday life Life, 1 October 1982- 3 January 1983 (travelling to Southampton Art following the triumph of Sir William Powell Frith’s iconic Ramsgate Gallery, 17 January 1983 -22 February 1983), no. 16. Sands (Royal Collection) which was the sensation of the 1854 Royal Academy Summer exhibition. Literature Art Journal, 1 June 1857, p.172. In the present lot we see a frieze of characters hard at work as the Athenaeum, 23 May 1857, p.667. landowner surveys the scene. The majority of the workers at this Art Journal, 1 April 1872, p.97. stage of production were women, although Hicks has chosen the Rosemary Treble, George Elgar Hicks: Painter of Victorian Life, handsome couple in the centre of the composition as the main exhibition catalogue, London, 1982, p.21, cat. no. 16, illustrated. element of the narrative echoing the Victorian values of the reward of happiness for hard work and endeavour. Children are also helping When exhibited at the Royal Academy in 1857, the present lot was as a labourer approaches with a fresh bundle of reeds on the right subtitled ‘The preparation of the willow for making baskets is carried hand side of the composition. The village church can be seen beyond on in several countries of England during May and part of June.’ the withy beds in the distance, and the whole composition resonates with a bright palette reminiscent of the Pre-Raphaelite celebration of colour and detail.

1Athenaeum, 23 May 1857, p.667.

For details of the charges payable in addition to the final Hammer Price of each Lot 54 | BONHAMS please refer to paragraphs 7 & 8 of the Notice to Bidders at the back of the catalogue. 19TH CENTURY ART | 55 “A gipsy mother, with her babe at her breast and a girl at her side, sitting despondingly on a heath under lowering clouds, while the damp sticks under the camp kettle slowly ignite.”

(‘Dudley Art Gallery’, Illustrated London News, 30 November 1878 p. 518)

37 FREDERICK MORGAN, ROI (BRITISH, 1847-1927) Under a changeful sky During the winter of 1877/8 Morgan finalised his previous summer’s signed and dated ‘Fred Morgan/1878’ (lower left) paintings in his London studio. Two of them, Charity, and After the oil on canvas Reaper’s Work is done were sent to the Royal Academy along with 56.5 x 91.5cm (22 1/4 x 36in). Jealousy (The Pet Kitten) all of which were to find favour with the Academy hanging committee and were ‘hung on the line’. Before this £7,000 - 10,000 Fred decided to send the already completed Under a Changeful Sky to €8,100 - 12,000 the Spring Exhibition at the Institute of Fine Arts, Glasgow. It failed to US$9,800 - 14,000 find a Scottish buyer so he submitted it to the Dudley Gallery, London for their 1878 Winter exhibition “Cabinet Pictures in Oil”; although Provenance oversize for a conventional ‘cabinet picture’ it was included and Anon. sale, Sotheby’s, London, 2 October 1985. received praise from the critics. Private collection, UK. Morgan consigned his unsold exhibition works to auction in London, Exhibited but there is no further record of the present lot, until reappearing over Glasgow, Glasgow Institute of Fine Arts, Spring 1878, no. 1128, a hundred years later at Sotheby’s in 1985. price £130. London, Dudley Gallery, Winter 1878 no. 148, price £150. On exhibition, the work enjoyed positive critical notices; the Aberdeen Weekly Journal noting that ‘Fred Morgan enters on much more ‘In 1874, Mr. Morgan received the kindest encouragement from serious enterprise than usual in Under a Changeful Sky and he bears Messrs. Agnew and Sons, who purchased all he could do for his burden well. These poor vagrants of his attract our sympathy and several years; and during this period he produced many of his we shiver as we think of the life that lies before them.’3, while The most appreciated pictures, The Haymakers (RA, 1876), Emigrants’ Times commented that ‘F. Morgan’s Home through the Woodsand Departure, (RA, 1875), After the Reaper’s Work Is Done (RA, 1878), his vagrants resting by their black pot and handful of lighted sticks, School Belles (RA 1877), Charity (RA, 1878). All painted in or near the which he christens Under a Changeful Sky come more distinctly village of Shere, near Guildford, a favourite artists’ haunt. Here he had than any of the pictures we have as yet noticed under the head of the good fortune to meet such men as Frank Walton. P.R.I., John Reid, art manufacture. But of their kind they are pleasant, rich, glowing John White, and J.L. Pickering.’1 in colour, skilful in workmanship, and showing a keen and trained sense of the effective and picturesque.’4 Writing in The Era, one critic Following the opening of the Royal Academy Summer Show in May cites the present lot as ‘one of the best pictures in the gallery. It is many London based artists headed for the country to work on their well hung and deserves that privilege.5, while another notes ‘Mr. F. next exhibits. Shere was favoured partly due to its easy access by Morgan’s powerful ‘Under a Changeful Sky’ (148), in which a gipsy rail, and unlike today this part of Surrey was a poor, rurally depressed woman with a baby and girl seated on a wild common are superior to area. In 1875 Fred Morgan and his wife, fellow artist Alice Havers, were the heavy sky and thick atmosphere.’6 fortunate to find accommodation at Edmund’s Farm, in the middle of the adjacent village of Gomshall. They returned to the area for the next We are grateful to Terry Parker for his assistance in preparing this two summers, to the surroundings and people which inspired them catalogue entry. both to paint numerous works. 1 John Oldcastle, ‘The Art of Mr. Fred Morgan’, The Windsor Magazine, In a later interview Fred revealed the ‘for some years in his earlier life 1905, p. 15. he fell under the influence of Fred Walker, and essayed combination of 2 Frederick Dolman, ‘Pictures of Children’, The Lady’s Magazine, Vol. II, peasant life with landscape.’2 Fred Walker, ARA, lauded for his social no. 15 September 1901 p. 217. realism paintings, had died in June 1875 at the young age of thirty 3 ‘Art Gossip – The Dudley Gallery’, Aberdeen Weekly Journal, 27 five. Morgan’s Under a Changeful Sky was one of a series painted in November, 1878. homage to the master. 4 ‘The Dudley Gallery – Cabinet Pictures in Oil’, The Times, 28 November 1878 p. 4. 5 ‘The Dudley Gallery’, The Era, 1 December, 1878. 6 ‘Winter Exhibitions’, The Pall Mall Gazette, 5 December 1878.

For details of the charges payable in addition to the final Hammer Price of each Lot 56 | BONHAMS please refer to paragraphs 7 & 8 of the Notice to Bidders at the back of the catalogue. 19TH CENTURY ART | 57 38 * JOHN WILLIAM GODWARD, RBA (BRITISH, 1861-1922) Waiting for the Procession signed and dated ‘JW Godward 90’ (upper left) oil on canvas 107.3 x 71.1cm (42 1/4 x 28in).

£200,000 - 300,000 €230,000 - 350,000 US$280,000 - 420,000

Provenance Thomas McLean, London, sold 1890. Percy Polak Ltd., London, sold August 1949. Marshall Fields, Chicago, acquired October 1949 to January 1950. Father Sauer, Chicago. Lucille Katyll, Chicago, acquired from the above, 1960s. Thence by descent to the present owner. Private collection, USA.

Exhibited London, Thomas McLean, Winter Exhibition, 1890-91, no. 43.

Literature Thomas McLean (ec). Godward inventory list 1890-91, Milo-Turner collection. Illustrated London News, 15 Nov 1890, p. 467, illustrated. Percy Polak, his files. Vern Swanson, J.W.Godward 1861-1922: The eclipse of Classism, revised edition, Woodbridge, 2018, pp. 263-264, cat. no. 1890-19, illustrated p.43.

Described by Vern Swanson as ‘one of the artist’s seminal canvasses from his early period...a rare multifigured composition that seems to anticipate most of the artist’s mature style, subjects and technique’1, at the time the present painting was executed, Godward was painting at St. Leonard’s Studio, St. Leonard’s Terrace on Smith Street in Chelsea. While the Illustrated London News found the work ‘too large a canvas for such a slight theme’2, at £90 the painting was the largest and most expensive sold by the artist to date.

We are grateful to Vern Swanson for his assistance in cataloguing the present lot.

1Vern Swanson, J.W.Godward 1861-1922: The eclipse of Classism, revised edition, Woodbridge, 2018, p. 264. 2Illustrated London News, 15 Nov 1890, p. 467.

For details of the charges payable in addition to the final Hammer Price of each Lot 58 | BONHAMS please refer to paragraphs 7 & 8 of the Notice to Bidders at the back of the catalogue. 19TH CENTURY ART | 59 39 JOHN WILLIAM GODWARD, RBA (BRITISH, 1861-1922) Study for Amaryllis The present lot is a study for a larger work which was bought by A&F signed with monogram and dated ‘1903’ (lower left) Pears Ltd., and published as a chromolithographic print in the 1906 oil on panel Pears Annual. The finished composition was described as ‘a Greek 17.5 x 23cm (6 7/8 x 9 1/16in). classical subject. A fair-haired maiden, daintily robed in diaphanous warm- hued draperies, and holding in her left hand a capacious fan £12,000 - 18,000 of peacocks’ feathers, reclines on a deep marble seat, over which €14,000 - 21,000 tiger skin has been carelessly thrown. The face is full of radiance, the US$17,000 - 25,000 expression being one of sweet content and happy thoughts. A cluster of waving poppies nestles close to the seat, and in the middle distance Literature beyond. Beauty, grace, and splendour, nature, and art, mingle in an Vern Swanson, JW Godward: The Eclipse of Classicism, revised atmosphere of poetry, the whole constituting an exquisite example of edition, Woodbridge, 2018, p. 286, cat. no 1903-1, p. 286, illustrated. classical treatment.’ (Swanson, p. 286)

For details of the charges payable in addition to the final Hammer Price of each Lot 60 | BONHAMS please refer to paragraphs 7 & 8 of the Notice to Bidders at the back of the catalogue. 40 JOHN WILLIAM GODWARD, RBA (BRITISH, 1861-1922) After the serenade oil on panel 41 x 12.5cm (16 1/8 x 4 15/16in).

£8,000 - 12,000 €9,300 - 14,000 US$11,000 - 17,000

Literature Vern Swanson, JW Godward: The Eclipse of Classicism, revised edition, Woodbridge, 2018, p. 24, illustrated p. 256.

The present lot has recently been identified by Dr Vern Swanson as a very early Godward, painted in 1886, the very first year that the artist took up Neo-classicism. Swanson notes that Godward’s few pictures of that year- see also Flower Girl, illustrated in Swanson, p. 24- pull together elements from such masters as Alma-Tadema, Albert Moore and Edward John Poynter. These early works, Swanson notes, were ‘the launching pad for his career’.1

1Vern Swanson, JW Godward: The Eclipse of Classicism, revised edition, Woodbridge, 2018, p. 24.

For details of the charges payable in addition to the final Hammer Price of each Lot please refer to paragraphs 7 & 8 of the Notice to Bidders at the back of the catalogue. 19TH CENTURY ART | 61 41 EMILIO VASARRI (ITALIAN, 1862-1931) Chasing crabs signed ‘E. Vasarri’ (lower right) oil on canvas 61.5 x 106.5cm (24 3/16 x 41 15/16in).

£10,000 - 15,000 €12,000 - 17,000 US$14,000 - 21,000

Provenance Anon. sale, Sotheby’s, New York, 8 March 2000, lot 87. Private collection, UK.

For details of the charges payable in addition to the final Hammer Price of each Lot 62 | BONHAMS please refer to paragraphs 7 & 8 of the Notice to Bidders at the back of the catalogue. 42 TP * HERBERT GUSTAVE SCHMALZ (BRITISH, 1856-1935) The Return from Calvary Schmalz’s early work is Pre-Raphaelite in style, but as he matured, signed ‘Herbert Schmalz’ (lower left) his work developed into a more Neo-Classical style with an emphasis oil on canvas on brooding light and atmosphere and proved popular with the public 193 x 279cm (76 x 109 13/16in). through reproductions in magazines and prints. unframed The present work is one of the artist’s most powerful Biblical images. £10,000 - 15,000 In the foreground can be seen the distraught figure of the Virgin Mary, €12,000 - 17,000 with St John and Mary Magdalene. Beyond them two more women US$14,000 - 21,000 can be seen, one of them looking back at the city of Jerusalem with Mount Golgotha in the far distance. The whole scene is overshadowed The present lot is a larger version of the work, painted in 1891, which by dark storm clouds, but there is a light breaking through symbolic of was sold in these rooms, 25 January 2012, lot 54. The subject was events to come. engraved and published in 1906 by Louis Wolff & Co, London. The critic George Moore wrote: ‘That Mr Schmalz’s picture is capable Herbert Gustave Schmalz was born near Newcastle in 1856 to a of exercising a profound effect on the uneducated mind there can be German father. Schmalz’s art training was fairly conventional. At no doubt. While I was there, a lady walked with stately tread into the the age of 17 he moved to London where he enrolled at the Royal next room, and seeing there nothing more exciting than rural scenes Academy Schools at the same time as Sir Frank Dicksee, Stanhope drawn in water-colour, exclaimed, “Trees, mere trees! what are trees Forbes and Arthur Hacker. At that time many artists undertook further after having had one’s soul elevated?” training abroad and Schmalz duly completed his education in Antwerp. The Academie in Antwerp combined elements of French, German and Schmalz enjoyed considerable success during his lifetime and was Flemish schools and introduced British artists to the broader currents great friends with Frederic, Lord Leighton PRA, who along with Holman in European painting. Hunt and Val Prinsep was a neighbour in Addison Road, Kensington.

On his return to London Schmalz established a reputation as a painter In 1900 Schmalz had a one-man show at The Fine Art Society where of classical, literary and historical subjects, but time spent in Jerusalem he exhibited 40 works and a book illustrating many of his works was in 1890, proved invaluable in his treatment of New Testament subjects. published in 1911. He died in 1935.

For details of the charges payable in addition to the final Hammer Price of each Lot please refer to paragraphs 7 & 8 of the Notice to Bidders at the back of the catalogue. 19TH CENTURY ART | 63 Charles Louis Michelez, Albums des salons du XIXe siècle ; salon de 1865, Album de photographies des oeuvres achetées par l'Etat…, ARCG0046, versements des ministères ; Beaux-Arts, F/21/7636, folio no. 26

PROPERTY FROM THE ESTATE OF THE LATE JOYCE MATTHEWS

43 HENRI GUILLAUME SCHLESINGER (FRENCH, 1814-1893) The Five Senses a set of five, one signed ‘H. Schlesinger’ (lower right) oil on canvas each 115.5 x 89.5cm (45 1/2 x 35 1/4in). (5)

£70,000 - 100,000 €81,000 - 120,000 US$98,000 - 140,000

For details of the charges payable in addition to the final Hammer Price of each Lot 64 | BONHAMS please refer to paragraphs 7 & 8 of the Notice to Bidders at the back of the catalogue. 19TH CENTURY ART | 65 From our research, it would appear likely that the provenance is Philippe de Chennevières, Souvenirs d’un directeur des beaux-arts, Paris, as follows: 1885, vol. 2, p. 4. Théophile Thoré, Les Salons: Salons de 1864-1868, Paris, 1893, p. 168. Provenance ‘Necrologie’, Bulletin des musées, 1893, p. 158. Acquired at the 1865 Salon by Emperor Napoleon III (25,000 francs). John Ingamells, The Wallace Collection, Catalogue of Pictures, London, The Empress Eugénie, Paris. 1985, vol. II p. 305. Sir Richard Wallace, Château de Bagatelle, Paris, 1871. Catherine Granger, L’Empereur et les Arts: la liste civile de Napoléon III, Sir Richard Wallace Collection, Sudbourne Hall, Suffolk. Paris, 2005, p. 189 (as location unknown). Lady Wallace, London, her bequest to Sir John Murray Scott, 1897. Mary Ann Bonino, The Doheny Mansion: A Biography of a Home, Los His sale, Christie’s, London, 24 June 1913, lot 82. Angeles, 2008, pp. 107 and 117. Bought at the above sale by Jones Brother’s, London (50 gns.). Mr John McCormack. Born in Frankfurt, Henri Schlesinger studied at the Fine Arts Academy His sale, 1945. in Vienna before moving to France where he resided until the end of Acquired at the above by Mr and Mrs Doheny, Los Angeles. his life. In Paris he exhibited regularly and successfully at the Salon Bernard and Joyce Matthews, Great Witchingham Hall, Norwich. between 1840 and 1890: this secured him a good success and visibility. He was awarded a bronze medal in 1840 and a silver medal Exhibited in 1847, and he received the Legion d’Honneur in 1866. Paris, Salon, 1865, no. 1946, as Les cinq sens. At the Salon of 1865, Schlesinger exhibited this set of five canvases, Paris, Exposition Universelle, no. 87, as Les cinq sens. Les Cinq Sens which was then acquired by Napoléon III for his London, Bethnal Green branch of the South Kensington museum, Sir private collection for the conspicuous sum of 25,000 francs. The Richard Wallace’s Loan Exhibition, June 1872-1875, nos. 330-334 set was very well-received by the public and the acquisition by the (lent by Sir Richard Wallace). Emperor received a lot of attention by the press of the time, which Ipswich, Ipswich Art Gallery, Ipswich Fine Art Club. First Loan commented largely on the impressive display of the works which Exhibition, June-August 1880, nos. 13, 19, 25, 40, 44 appeared framed all together and on the large sum paid for it (fig 1):

Literature ‘One of the canvases in front of which the public most willingly ‘Le Salon de 1865’, Revue contemporaine, 1865, vol. 80, p. 551. stops is the panel composed of several compartments, in which Mr. ‘Salon de 1865’, Revue artistique et littéraire, 1865, vol. 9, p. 58. Schlesinger has represented the Five Senses ... it reigns in all this ‘Salon de 1865’, La Semaine des familles: revue universelle composition a spirit and a verve of remarkable execution, and the hebdomadaire, 1865, p. 572. young girls who represent the Five Senses are so harmonious, so Nicolas François Louis Besson, Annales Franc-Comtoises, vol. 4, p. 369. elegant and so fresh, that we return with pleasure to this canvas, ‘Beaux-Arts. Les Allemands-Bavière-Prusse etc.’, Revue Moderne, 1867, a sort of oasis amid the mediocrities of the Salon’ (translated vol. 42, p. 178. from ‘Salon de 1865’, La Semaine des familles: revue universelle ‘Salon de 1865’, Almanach de la littérature du théatre et des beaux-arts, hebdomadaire, 1865, p. 572.) 1866, p. 69. ‘Sir Richard Wallace collection at the Bethnal Green Museum-III’, The In the present series of oils, two elegant and charming models are Building news, 26 July 1872, p. 56. illustrating the five senses. The set was acquired by Bernard and Marius Chaumelin , L’art contemporain, Paris, 1873, p. 21. Joyce Matthews to decorate Great Witchingham Hall, Norwich, ‘Souvenir d’un directeur des Beux-Arts’, L’Artiste, vol I, 1884, p. 9. possibly in the 1960s.

66 | BONHAMS 19TH CENTURY ART | 67 THE FOLLOWING TWO LOTS ARE PROPERTY FROM AN IMPORTANT PRIVATE COLLECTION

44 EVERT PIETERS (DUTCH, 1856-1932) The sculptor Alphonse van Beurden in his studio signed ‘Evert. Pieters’ (lower left) oil on panel 72 x 92cm (28 3/8 x 36 1/4in).

£10,000 - 15,000 €12,000 - 17,000 US$14,000 - 21,000

Provenance Private collection, France. Anon. sale, Sotheby’s, London, 12 June 1996, lot 157. Purchased at the above sale by the present owner.

Evert Pieters started his studies at the Academy in Antwerp, before moving to Amsterdam to enter the atelier of Theodoor Verstraete (1850-1907). The artist later travelled to Paris, London and Scotland before settling in Laren in 1917. The painter and the Belgian sculptor Alphonse van Beurden (1854-1938) were part of the same young art circle in Antwerp: Als Ik Kan.

For details of the charges payable in addition to the final Hammer Price of each Lot 68 | BONHAMS please refer to paragraphs 7 & 8 of the Notice to Bidders at the back of the catalogue. 19TH CENTURY ART | 69 45 PAUL MATHEY (FRENCH, 1844-1929) The Connoisseur, possibly Erastène Ramiro (1853-1928) signed ‘P. Mathey’ (lower left) oil on canvas 180.5 x 80cm (71 1/16 x 31 1/2in).

£15,000 - 25,000 €17,000 - 29,000 US$21,000 - 35,000

Provenance Max Rutherston, London.

The present painting possibly depicts Eugène Rodrigues-Henriques (known as Erastène Ramiro), lawyer, great art collector and publisher. Ramiro was famous for having published catalogues on the printed works by Félicien Rops and Louis Legrand.

For details of the charges payable in addition to the final Hammer Price of each Lot 70 | BONHAMS please refer to paragraphs 7 & 8 of the Notice to Bidders at the back of the catalogue. 19TH CENTURY ART | 71 PROPERTY OF A GENTLEMAN COLLECTOR lots 46 - 60

46 LOUIS AUGUSTE LAPITO (FRENCH, 1803-1874) Marina Piccola à Capri signed and inscribed ‘A. Lapito/Capri.’ (lower left) oil on paper laid on canvas 23.5 x 34cm (9 1/4 x 13 3/8in).

£1,000 - 1,500 €1,200 - 1,700 US$1,400 - 2,100

Provenance Sir Jack Baer, London.

For details of the charges payable in addition to the final Hammer Price of each Lot 72 | BONHAMS please refer to paragraphs 7 & 8 of the Notice to Bidders at the back of the catalogue. 47 GEORGE HEMING MASON (BRITISH, 1818-1872) Sketch for The Evening Hymn Literature oil on canvas George Heming Mason, exhibition catalogue to accompany a travelling 23.5 x 52cm (9 1/4 x 20 1/2in). exhibition, 1982, reproduced p.15 (not part of the exhibition).

£3,000 - 5,000 The present lot is a sketch for Mason’s Royal Academy exhibition €3,500 - 5,800 of 1868 (no. 329, whereabouts unknown). US$4,200 - 7,000

Provenance The Fine Art Society, Ltd., London, The Aesthetic Movement and the Cult of Japan, 3-27 October 1972, no. 29.

£8,000 - 12,000 €9,300 - 14,000 US$11,000 - 17,000

Provenance Fine Art Society, London, June 1974, no. 5661.

Exhibited Compton, Watts Gallery, The Vision of G. F. Watts, OM, RA (1817-1904), 2 July - 31 October 2004, no. 24.

Literature Veronica Franklin Gould (ed), The Vision of G.F.Watts OM RA (1817-1904), exhibition catalogue, Salisbury, 2004, p. 55, illustrated.

Writing the catalogue to accompany the Watts exhibition of 2004, the compilers note that the present lot was most likely painted around 1883-4, using drawings made in the late 1860s. The model for Hero is Madeline Wyndham, who Watts also depicted in a full length portrait (Grosvenor Gallery, 1877. no. 22).

For details of the charges payable in addition to the final Hammer Price of each Lot 74 | BONHAMS please refer to paragraphs 7 & 8 of the Notice to Bidders at the back of the catalogue. 19TH CENTURY ART | 75 49 LÉON AUGUSTIN LHERMITTE (FRENCH, 1844-1925) Vue à Cauterets, Pyrenees 1881 Provenance signed ‘L. Lhermitte’ (lower right) A gift from the artist to Mme Edwards, London. black chalk Hazlitt, Gooden & Fox, London, ‘Nineteenth Century French Drawings 52.5 x 41cm (20 11/16 x 16 1/8in). 19 May- 17 June, 1977, no. 69.

£5,000 - 7,000 Literature €5,800 - 8,100 Monique Le Pelley Fonteny, Léon Augustin Lhermitte (1844-1925), US$7,000 - 9,800 Paris, 1991, p. 446, cat. no. 703, illustrated.

Executed in 1881.

For details of the charges payable in addition to the final Hammer Price of each Lot 76 | BONHAMS please refer to paragraphs 7 & 8 of the Notice to Bidders at the back of the catalogue. 50 JAN VAN BEERS (BELGIAN, 1852-1927) Portrait of a man seated by a window signed, inscribed and dated ‘JAN VAN BEERS/SOUVENIR AFFECTUEUX A MA PETITE AMIE ANDREE WORTH/SURESNES 13 ET 14 JUILLET 1884’ (lower centre) oil on panel 30.5 x 35.5cm (12 x 14in).

£1,200 - 1,800 €1,400 - 2,100 US$1,700 - 2,500

Provenance Stefanie Maison, London.

For details of the charges payable in addition to the final Hammer Price of each Lot please refer to paragraphs 7 & 8 of the Notice to Bidders at the back of the catalogue. 19TH CENTURY ART | 77 51 52 EVELYN DE MORGAN (BRITISH, 1855-1919) PIERRE PUVIS DE CHAVANNES (FRENCH, 1824-1898) A study of shoulders and arms for a figure in St Christina Giving Garçon s’appuyant sur un âne her Father’s Jewels to the Poor signed with initials ‘P. De Ch.’ (lower left), also numbered ‘27’ pastel and chalk on brown paper (lower left) 32 x 22cm (12 5/8 x 8 11/16in). black chalk, squared in red and black for transfer 22.5 x 16.5cm (8 7/8 x 6 1/2in). £1,500 - 2,000 €1,700 - 2,300 £1,000 - 1,500 US$2,100 - 2,800 €1,200 - 1,700 US$1,400 - 2,100 Provenance Faerber & Maison Ltd., London. Provenance Hazlitt, Gooden & Fox, London, ‘Nineteenth Century French Drawings, The present lot relates to a work which was sadly destroyed 22 June - 22 July 1989, no. 25. in a fire in 1991.

We are grateful to Sarah Hardy, Curator-Manager of the De Morgan Foundation, for her assistance in cataloguing this lot.

For details of the charges payable in addition to the final Hammer Price of each Lot 78 | BONHAMS please refer to paragraphs 7 & 8 of the Notice to Bidders at the back of the catalogue. The present work is a preparatory drawing for the figure of the young man leaning on a donkey depicted in Puvis de Chavannes’ mural tryptic illustrating the life of the patron Saint of Paris, Sainte Geneviève (L’Enfance de sainte Geneviève -right hand section). Painted between 1874 and 1879, the cycle was later installed in the Church of Sainte Geneviève (today known as the Panthéon) in Paris. The present drawing can be dated circa 1875-76. The large canvases were commissioned three years after the violence of the Franco-Prussian War and the French Commune and were meant to celebrate the story of the founding of Paris.

We are grateful to the Pierre Puvis de Chavannes Committee for confirming the authenticity of the present lot.

Pierre Puvis de Chavannes (1824-1898), L’Enfance de sainte Geneviève, Frise supérieure : théories de saints de l’ancienne France, Paris, Panthéon, Photo © Musée d’Orsay, Dist. RMN-Grand Palais / Patrice Schmidt

19TH CENTURY ART | 79 53 ADOLPHE JOSEPH THOMAS MONTICELLI (FRENCH, 1824-1886) Light and shade signed ‘Monticelli’ (lower left) oil on canvas 53.5 x 103.5cm (21 1/16 x 40 3/4in).

£7,000 - 10,000 €8,100 - 12,000 US$9,800 - 14,000

Painted in 1860.

Provenance E.J. van Wisselingh & Co., Amsterdam. John Clark, Curling Hall, New Brunswick. His sale; Christie’s, 8 June 1895, lot 104. Acquired at the above sale by Tripp. W. A. Coats, 1904. Ian MacNicol, Glasgow. Acquired from the above by the present owner, 1970.

Exhibited London, The Royal Society of British Artists, The Collection of the late W.A. Coats, Esquire, January 1927, no. 115.

Literature Catalogue of the Collection of Pictures of the French Dutch British and other Schools belonging to W.A. Coats, Glasgow, 1904, no. XCIII illustrated. G. Arnaud d’Agnel and E. Isnard, Monticelli: sa vie et son oeuvre (1824-1886), Paris, 1926, p. 105 and p. 146, as: ‘Ombre et lumière’.

For details of the charges payable in addition to the final Hammer Price of each Lot 80 | BONHAMS please refer to paragraphs 7 & 8 of the Notice to Bidders at the back of the catalogue. 19TH CENTURY ART | 81 54 AR GEORGES PAUL LEROUX (FRENCH, 1877-1957) Concert Rouge, 1905 black chalk 32.5 x 52cm (12 13/16 x 20 1/2in).

£1,000 - 1,500 €1,200 - 1,700 US$1,400 - 2,100

Provenance Hazlitt, Gooden & Fox, Nineteenth Century Drawings, 15 June - 7 July 1995, no. 38.

For details of the charges payable in addition to the final Hammer Price of each Lot 82 | BONHAMS please refer to paragraphs 7 & 8 of the Notice to Bidders at the back of the catalogue. 55 AR LOUIS AUGUSTE MATHIEU LEGRAND (FRENCH, 1863-1951) L’apéritif signed and inscribed ‘Aperitif/Legrand’ (lower left) pencil and wash 19.5 x 28.5cm (7 11/16 x 11 1/4in).

£1,000 - 1,500 €1,200 - 1,700 US$1,400 - 2,100

Provenance Hazlitt, Gooden & Fox, London, Fin de Siecle, 16 June - 16 July 1999, no. 13.

For details of the charges payable in addition to the final Hammer Price of each Lot please refer to paragraphs 7 & 8 of the Notice to Bidders at the back of the catalogue. 19TH CENTURY ART | 83 56 AR FRANTISEK KUPKA (CZECH, 1871-1957) La femme et la terre signed with monogram (centre left); indistinctly inscribed in pencil ‘Epreuve...gravé/on indiquera les retouches’(under the mount) pen and black ink heightened with white sight size 17 x 19.5cm (6 11/16 x 7 11/16in).

£1,200 - 1,800 €1,400 - 2,100 US$1,700 - 2,500

Provenance Hazlitt, Gooden & Fox, London, Nineteenth Century French Drawings, 9-24 June 1994, no. 23.

The present composition was used as illustration for the frontispiece of the first volume of Élisée Reclus’s L’Homme et la Terre (The Earth and its Inhabitants, 1905–1908), a geo-historical encyclopaedia in six volumes published between 1905 and 1908.

The drawing was then engraved by Ernst Pierre Deloche. Kupka executed drawings for the beginning and ends of each chapter and studied sociology and ethnography in order to make his illustrations as pertinent and relevant as possible.

For details of the charges payable in addition to the final Hammer Price of each Lot 84 | BONHAMS please refer to paragraphs 7 & 8 of the Notice to Bidders at the back of the catalogue. 57 GEORGES JULES VICTOR CLAIRIN (FRENCH, 1843-1919) La coiffure exotique signed, indistinctly inscribed and dated ‘A Madamoiselle .../Hommage .../G Clairin/1901’ (centre right) black chalk 31.5 x 42.5cm (12 3/8 x 16 3/4in).

£1,000 - 1,500 €1,200 - 1,700 US$1,400 - 2,100

Provenance Hazlitt, Gooden & Fox, French Drawings, 19 June - 18 July 1986, no. 29.

For details of the charges payable in addition to the final Hammer Price of each Lot please refer to paragraphs 7 & 8 of the Notice to Bidders at the back of the catalogue. 19TH CENTURY ART | 85 58 EUGENE ALEXIS GIRARDET (FRENCH, 1853-1907) The Construction of the Grand Palais, Paris. 30 March 1900 signed, inscribed and dated ‘Eugene Girardet/30 Mars 1900. Vue du Chateau d’eau au Champs de Mars.’ (lower left) watercolour and pencil, heightened with white 24.5 x 38cm (9 5/8 x 14 15/16in).

£1,000 - 1,500 €1,200 - 1,700 US$1,400 - 2,100

Provenance Fine Art Society, London.

For details of the charges payable in addition to the final Hammer Price of each Lot 86 | BONHAMS please refer to paragraphs 7 & 8 of the Notice to Bidders at the back of the catalogue. 59 LUIGI LOIR (FRENCH, 1845-1916) Roulottes sous la Neige signed ‘. LOiR LUiGi-’ (lower right) watercolour and gouache 35.5 x 51cm (14 x 20 1/16in).

£3,000 - 5,000 €3,500 - 5,800 US$4,200 - 7,000

Provenance Hazlitt, Gooden & Fox, London, Nineteenth Century French Drawings, 10 June - 8 July 1982, no. 64.

For details of the charges payable in addition to the final Hammer Price of each Lot please refer to paragraphs 7 & 8 of the Notice to Bidders at the back of the catalogue. 19TH CENTURY ART | 87 60 ADOLF VON MENZEL (GERMAN, 1815-1905) Étude d’un homme alité: Richard von Menzel (1826-1865) the artist’s brother with the artist’s Estate stamp (on the reverse) pencil 8.5 x 13.5cm (3 3/8 x 5 5/16in).

£2,000 - 3,000 €2,300 - 3,500 US$2,800 - 4,200

Provenance The estate of the artist. Lucien Goldschmidt, New York, 1974. Mrs Maison. Hazlitt, Gooden & Fox, London, Nineteenth Century French Drawings and some sculpture, 15 June-14 July 2000, no. 23.

We are grateful to Marie Riemann-Reyher for confirming the attribution to Adolf von Menzel and for her assistance in cataloguing this lot.

For details of the charges payable in addition to the final Hammer Price of each Lot 88 | BONHAMS please refer to paragraphs 7 & 8 of the Notice to Bidders at the back of the catalogue. OTHER PROPERTIES

61 SIR EDWARD COLEY BURNE-JONES, BT., ARA, RWS (BRITISH, 1833-1898) Studies of Hands: stained glass designs for the three-light St. The present lot consists of two studies for the figure of Sibylla Matthew Window, the east wall south transept Jesus College Chapel, Persica (to the left of the page) and two for Sibylla Cumana Cambridge (to the right of the page). pencil 16 x 29cm (6 5/16 x 11 7/16in). It has also been suggested that the present lot may be studies made in preparation for a stained-glass window in three lights in the church £3,000 - 4,000 of St Edward the Confessor, Cheddleton, Staffordshire (see Sewter, €3,500 - 4,600 vol I, plate X.). US$4,200 - 5,600

Literature Burne-Jones catalogue raisonne (online) Albert Charles Sewter, The Stained Glass of William Morris and His Circle, 1974, vol I, plates 432-434, vol II p. 43.

62 ANTHONY FREDERICK AUGUSTUS SANDYS (BRITISH, 1829-1904) Portrait of Conrad Herbert Flower and Violet Flower signed, dated and inscribed ‘Conrad Herbert Flower Born 29 April. 1882/Violet Flower Born 12th July. 1880/P. Sandys. Dec.r 1885.’ (upper right) pastel and pencil on paper

£10,000 - 15,000 €12,000 - 17,000 US$14,000 - 21,000

Provenance Lord and Lady Battersea, Cyril and Constance Flower, Overstrand, Norfolk. Sale of contents of The Pleasaunce, Overstrand, A.D. Mackintosh & Co., 4 February 1935, lot 2264. Anon. sale, Worthing, Sussex, n.d. Elizabeth White, Brighton. Peter Rose and Albert Gallichan, Brighton. Anon. sale, Sotheby’s, London, 22 November 1983, lot 77. Anon. sale, Phillips Son & Neale, London, 13 April 1987, lot 78. J. S. Maas & Co., Ltd., London. Anon. sale, Sotheby’s, London, 20 June 1989, lot 77. Anon. sale, Doyle, New York, 30 September 2015, lot 28.

Exhibited London, Sotheby’s, Childhood (in aid of the Save the Children Fund), 2-27 January 1988, no. 245.

Literature Betty Elzea, Frederick Sandys, 1829-1904: A Catalogue Raisonné, Woodbridge, 2001, p. 272, cat. no 4.47, illustrated p. 75, pl. 61.

For details of the charges payable in addition to the final Hammer Price of each Lot 90 | BONHAMS please refer to paragraphs 7 & 8 of the Notice to Bidders at the back of the catalogue. 19TH CENTURY ART | 91 OTHER PROPERTIES

63 RAIMUNDO DE MADRAZO Y GARRETA (SPANISH, 1841-1920) Mi delirios sobre el chimborazo de Simón Bolívar signed ‘R Madrazo’ (lower left) oil on paper 55 x 41cm (21 5/8 x 16 1/8in). unframed

£10,000 - 15,000 €12,000 - 17,000 US$14,000 - 21,000

Born in Rome, Raimundo de Madrazo came from a distinguished I am more powerful than Death. I gaze upon the Past, the Future, and artistic dynasty which included his grandfather José de Madrazo through my hands goes the Present. Why think vain thoughts, you of (1781-1859), a neoclassical painter and his father Federico de the human race, whether you be young or old, sunk in obscurity or Madrazo (1814-1894) who trained in Paris with Franz-Xaver cast in heroic mold? Winterhalter (1805-1873) and was regarded as one of the best portrait painters in Spain. “Think you that this universe of yours is anything, that to fight your way to eminence on an atom of creation is to raise yourselves? Think After starting his career in the studio of his father and grandfather, you that the infinitesimal moments you call centuries can serve for Madrazo entered the Real Academia de Bellas Artes de San Fernando measuring my secrets? Think you that holy truth has been vouchsafed in Madrid. In 1862 he moved to Paris where he spent most of his life. to you? Think you in your madness that your actions have any value in Madrazo soon became famous and sought after for his stylish portraits my eyes? All about you is less than a dot in the presence of the Infinite, of members of the high society. who is my brother!” Filled with terror, I replied: “Surely, oh Time! the miserable mortal who The present work illustrates with fresh and bold colours Simón Bolívar’s has climbed this high must perish! All men have I surpassed in good feverish delirium on Chimborazo, an inactive volcano in Ecuador at the fortune, for I have raised myself above all. The earth lies at my feet; time considered to be the highest mountain of the world. On the 13th I touch Eternity; beneath me I feel the throbbing of Hell; beside me I of October 1822 in Loja it is told that Bolívar wrote the first version contemplate radiant planets, suns of infinite dimensions. I gaze upon of his prophetical poem Mi Delirio sobre el Chimborazo, text that the realms of space which enclose matter; I decipher, on your brow, should be considered one of the most important works of Venezuelan the history of the past and the thoughts of Destiny.” romantic literature. “Man!” spake Time to me. “Observe! Learn! Preserve before your mind what you have seen, trace for your fellow men the picture of the Bolívar wrote about his meeting with the god of Time. This encounter physical universe, of the moral universe. Hide not the secrets which opened his eyes and empowered him to continue his ‘march for Heaven has revealed to you! Speak the Truth to mankind!” freedom’ as he described it in the text. He wrote: (translation from T. R. Ybarra, The Passionate Warrior, pages 252-54)

‘A feverish delirium engulfed my mind. I felt as if inflamed by strange, Once the phantom disappeared, Bolívar remained in shock and supernatural fire. The God of Colombia had taken possession of me. unconscious for a long time. He wrote to have been awaken by the Suddenly Time stood before me-in the shape of a venerable old man, ‘ringing voice of Colombia’. Once opened his eyes he immediately bearing the weight of all the centuries, frowning, bent, bald, wrinkled, wrote down what he had experienced, his ‘Delirium’. The episode a scythe in the hand. “I am the Father of the Centuries! I am the strengthened Bolívar and released him from his doubts and fears, Guardian of fame and the secrets of life. My Mother was Eternity; the empowering him to lead his people to freedom from Spanish limits of My Empire are the Infinite. For me there is no tomb, because colonisation.

For details of the charges payable in addition to the final Hammer Price of each Lot 92 | BONHAMS please refer to paragraphs 7 & 8 of the Notice to Bidders at the back of the catalogue. 19TH CENTURY ART | 93 64 GIUSEPPE DE NITTIS (ITALIAN, 1846-1884) Westminster Bridge indistinctly signed ‘De Nittis’ (lower right); stamped with the Atelier stamp (twice, on the reverse) oil on panel 19 x 25cm (7 1/2 x 9 13/16in).

£25,000 - 35,000 €29,000 - 41,000 US$35,000 - 49,000

Provenance A. Sommaruga, Paris. Private collection, Milan. Anon. sale, Finarte, Milan, 26 March 1996, lot 124. Private collection, Italy.

Exhibited Naples, Società Promotrice Salvator Rosa, Mostra di Giuseppe De Nittis e dei Pittori della Scuola di Resina, 1963, no. 83.

Literature Mary Pittaluga & Enrico Piceni, De Nittis, Milan, 1963, cat. no. 461, illustrated. Enrico Piceni, De Nittis. L’uomo e l’opera, Busto Arsizio, 1979, no. 55. Piero Dini and Giuseppe Luigi Marini, De Nittis, Turin, 1990, vol. I, p. 405, no. 712, as Westminster Bridge, illustrated.

Giuseppe de Nittis made several trips to London between the early In the present lot, Westminster Bridge is depicted on a busy day 1870s and 1881, which resulted in some of his most celebrated with The Houses of Parliament outlined in the distance. Typical of works. A founding member of The Macchiaioli, the artist had moved many of the works by de Nittis the foreground is left empty, which to Paris in 1867, and the following year began to work for the dealer emphasises the bustle of the figures and carriages as they head to and Adolphe Goupil, producing costume pictures which the dealer could from the city. This movement is further suggested by the strong linear place easily. After a brief return to Italy in 1872, de Nittis travelled back brushstrokes which show the tracks of the horse drawn carriages and to Paris and became part of an artistic and literary circle that included draws the viewer in to the centre of the composition, highlighted by a Emile Zola and Édouard Manet; but it was Edgar Degas who invited small dot of red paint. him to participate in the Impressionist Exhibition at the Nadar Gallery in 1874. The following year, de Nittis broke his contract with Goupil and Although small, this exquisite panel articulates so much about the journeyed back to London. The foggy bustle of the metropolis perfectly artist, who sadly died at the age of only 38. It conveys his brilliant ability suited his personal form of Impressionism; often painting en plein air, to capture and record a scene sympathetically but with great bravura. he painted several views of Westminster Bridge (which were greatly Although clearly an ‘Impressionist’ de Nittis stands out as an artist with admired by Vincent van Gogh) and other London landmarks, such as a very personal and unique style. The Serpentine and Trafalgar Square.

For details of the charges payable in addition to the final Hammer Price of each Lot 94 | BONHAMS please refer to paragraphs 7 & 8 of the Notice to Bidders at the back of the catalogue. 19TH CENTURY ART | 95 65 AR KUNZ MEYER-WALDECK (GERMAN, 1859-1953) Pulling the boat ashore signed ‘KUNZ. MEYER-WALDECK.’ (lower left) oil on canvas 60.5 x 91cm (23 13/16 x 35 13/16in).

£5,000 - 7,000 €5,800 - 8,100 US$7,000 - 9,800

Provenance Anon. sale, Tajan, Paris, 23 November 2004, lot 106. Private collection, Greece.

For details of the charges payable in addition to the final Hammer Price of each Lot 96 | BONHAMS please refer to paragraphs 7 & 8 of the Notice to Bidders at the back of the catalogue. 66 LÉON AUGUSTIN LHERMITTE (FRENCH, 1844-1925) Portrait de Madame Jean Lhermitte, née Lucie Megret Provenance: signed and dated ‘L. Lhermitte/1909.’ (lower right) From the artist’s family, thence by descent. pastel on paper laid down on canvas Private collection, Paris. 36.5 x 31.5cm (14 3/8 x 12 3/8in). Anon, sale, Bonhams, London, 28 April 2009, lot 199.

£3,000 - 5,000 Literature: €3,500 - 5,800 Monique Le Pelley Fonteny, Léon Augustin Lhermitte. Catalogue US$4,200 - 7,000 raisonné, Paris, 1991, p. 186, no. 134 (illustrated).

The sitter of the present lot is the first wife of the artist’s son.

For details of the charges payable in addition to the final Hammer Price of each Lot please refer to paragraphs 7 & 8 of the Notice to Bidders at the back of the catalogue. 19TH CENTURY ART | 97 67 VITO TIMMEL (AUSTRIAN, 1886-1949) Winter landscape Vito Timmel (born Vittorio von Thümmel) was born in Vienna in 1886. signed and dated ‘Timmel/XXVII-XII-XXVI.’ (lower left) He was the son of a German aristocrat, Raphael von Thümmel and oil on canvas an Italian Countess, Adele Scodellari. In 1890 the family relocated to 64 x 64cm (25 3/16 x 25 3/16in). Trieste where later Vito studied under the artist Eugenio Scomparini. In 1905 Timmel enrolled in the Kunstgewerbeschule in Vienna which £4,000 - 6,000 pushed his oeuvre and production towards symbolism and Art €4,600 - 7,000 Nouveau styles. US$5,600 - 8,400 After the First World War, when he fought for the Austro-Hungarian Provenance Empire, Timmel returned to Trieste. Then a very intense and creative Private collection, Greece. period started for the artist. Unfortunately however, his health began to suffer and deteriorated to the point that he had to be admitted to a Exhibited psychiatric hospital in 1946, where he passed away in 1949. Possibly Trieste, Padiglione Municipale del Giardino Pubblico, II Esposizione Sindacale di Belle Arti, as ‘Paesaggio invernale’. The present work was painted at the height of the artist’s career and encapsulates all the qualities that made Timmel famous: a subject Literature charged with mystical connotations, a bold symbolist style and a Possibly Silvio Benco, ‘La mostra regionale d ‘arte al Giardino . captivating narrative. Le opere degli scultori’, Il Piccolo, Trieste, 18 October 1928, as ‘Paesaggio invernale’.

For details of the charges payable in addition to the final Hammer Price of each Lot 98 | BONHAMS please refer to paragraphs 7 & 8 of the Notice to Bidders at the back of the catalogue. 68 FEDERICO BELTRÁN MASSES (SPANISH, 1885-1949) El nino de Caballo, Alfonso Cabeza de Vaca y Leighton, 11th Marqués de Portago signed ‘F. Beltran Masses’ (lower right); and inscribed ‘Portrait/Enfant a cheval/Londres’ (on the reverse) oil on canvas 148.5 x 153cm (58 7/16 x 60 1/4in).

£8,000 - 12,000 €9,300 - 14,000 US$11,000 - 17,000 Alfonso de Portago (ESP), Scuderia Provenace Ferrari, 1956 Formula One World The Artist’s estate. Championship. Contributor: Crash Thence by descent to his wife Sra. Irene Narezo de Beltrán. Media Group / Alamy Stock Photo And thence by descent to her heirs, Barcelona.

Federico Beltrán Masses was born in Cuba in 1885 and spent his The Marquis Alfonso de Portago (1928-1957) was a Spanish legendary childhood in Barcelona. He studied at the Escola de la Llotja in sportsman. Born in London, but educated in France, he was a godson Barcelona and trained in Madrid under Joaquín Sorolla y Bastida. In of King Alfonso XIII of Spain. He died in an accident aged 28 racing 1916 he moved to Paris, where he would reside for the next thirty the Mille Miglia, an Italian open-road endurance race over a thousand years. Masses was particularly known and celebrated as a portrait miles, in his Ferrari. This tragic episode would bring an end to the era painter of the rich and famous, depicting royals and leaders of high of long-distance racing on the open roads in Italy. During his life, he society. His distinctive and bold style made him very popular among competed in the Grand National, the Cresta Run and the Olympics. the high society and secured him important commissions.

For details of the charges payable in addition to the final Hammer Price of each Lot please refer to paragraphs 7 & 8 of the Notice to Bidders at the back of the catalogue. 19TH CENTURY ART | 99 69 * ISAAC ISRAELS (DUTCH, 1865-1934) Children in the park signed ‘ISAAC/ISRAELS’ (lower right) watercolour 34.5 x 50cm (13 9/16 x 19 11/16in).

£25,000 - 35,000 €29,000 - 41,000 US$35,000 - 49,000

We are grateful to Ivo Bouwman for confirming the attribution to Isaac Israels on the basis of photographs.

For details of the charges payable in addition to the final Hammer Price of each Lot 100 | BONHAMS please refer to paragraphs 7 & 8 of the Notice to Bidders at the back of the catalogue. 19TH CENTURY ART | 101 70 JOHN ATKINSON GRIMSHAW (BRITISH, 1836-1893) Scarborough from the seats near The Grand Hotel signed and dated ‘Atkinson Grimshaw. 1879’ (lower left), inscribed ‘Scarboro’ from seats near Grand Hotel/Atkinson Grimshaw 1878 +’ on reverse oil on canvas 50.7 x 76cm (19 15/16 x 29 15/16in).

£80,000 - 120,000 €93,000 - 140,000 US$110,000 - 170,000

Provenance Private collection, UK.

Literature Alexander Robertson, Atkinson Grimshaw, London, 2000, plate 67, illustrated in colour page 64, plate 51.

‘To those guests admiring the view, it is probably no more than picturesque, with the chance to wash the fishing fleet returning to port. Grimshaw combines these two kinds of activity, the watching and the working, in a composition which gives him the opportunity to portray different light effects, natural and man-made. Such paintings are the essence of Grimshaw, who presents to the spectator a scene of calm observation where the subject is given a poetic overlay by the use of light, usually moonlight.’ (Alexander Robertson, Atkinson Grimshaw, p. 67.)

For details of the charges payable in addition to the final Hammer Price of each Lot 102 | BONHAMS please refer to paragraphs 7 & 8 of the Notice to Bidders at the back of the catalogue. 19TH CENTURY ART | 103 71 JOHN ATKINSON GRIMSHAW (BRITISH, 1836-1893) Greenock Shipping signed and dated ‘Atkinson Grimshaw 1881+’ (lower right) oil on canvas 50.75 x 76.25cm (20 x 30in).

£150,000 - 200,000 €170,000 - 230,000 US$210,000 - 280,000

Provenance Anon. sale, Sotheby’s, London, 9 June 1994, lot 126. Richard Green Gallery, London. Private collection, UK. Anon. sale, Sotheby’s, London, 16 December 2010, lot 12. Haynes Fine Arts. Private collection, UK.

Depictions of the harbours, docks and streets of Britain’s Northern ports were a theme that Grimshaw returned to many times over his career. The artist’s ability to conjure the glowing atmosphere of the wet, misty streets was unparalleled; the elaborate rigging of the tall ships, the leaded windows, and the figures are brilliantly picked out by the glowing lights of the streetlamps and shop windows.

We are grateful to Alex Robertson for his assistance in cataloguing this lot.

For details of the charges payable in addition to the final Hammer Price of each Lot 104 | BONHAMS please refer to paragraphs 7 & 8 of the Notice to Bidders at the back of the catalogue. 19TH CENTURY ART | 105 72 * JAMES HARDY JNR. (BRITISH, 1832-1889) The day’s bag signed and dated ‘J.HARDY./83’ (lower left) oil on canvas 72.5 x 92cm (28 9/16 x 36 1/4in).

£8,000 - 12,000 €9,300 - 14,000 US$11,000 - 17,000

Provenance Frost & Reed Ltd. The Sporting Gallery & Bookshop, Inc., New York.

For details of the charges payable in addition to the final Hammer Price of each Lot 106 | BONHAMS please refer to paragraphs 7 & 8 of the Notice to Bidders at the back of the catalogue. 19TH CENTURY ART | 107 73 WRIGHT BARKER (BRITISH, 1863-1941) Good friends signed ‘Wright Barker.’ (lower right) oil on canvas 76 x 101.5cm (29 15/16 x 39 15/16in).

£8,000 - 12,000 €9,300 - 14,000 US$11,000 - 17,000

Provenance T. Richardson & Co., Hartlepool. Purchased in Leeds, 1954, by the late Mrs F. Polydoropoulou, thence by descent.

For details of the charges payable in addition to the final Hammer Price of each Lot 108 | BONHAMS please refer to paragraphs 7 & 8 of the Notice to Bidders at the back of the catalogue. 74 ARCHIBALD THORBURN (BRITISH, 1860-1935) Common Snipe nesting signed and dated ‘Archibald Thorburn 1911’ (lower right) watercolour and bodycolour 37 x 27.5cm (14 9/16 x 10 13/16in).

£15,000 - 25,000 €17,000 - 29,000 US$21,000 - 35,000

Provenance The Moorland Gallery, London. Private collection, UK.

For details of the charges payable in addition to the final Hammer Price of each Lot please refer to paragraphs 7 & 8 of the Notice to Bidders at the back of the catalogue. 19TH CENTURY ART | 109 75 ARCHIBALD THORBURN (BRITISH, 1860-1935) Common Snipe and Jack Snipe watering signed and dated ‘Archibald Thorburn/1913’ (lower right) watercolour and bodycolour 37 x 27cm (14 9/16 x 10 5/8in).

£15,000 - 25,000 €17,000 - 29,000 US$21,000 - 35,000

Provenance The Moorland Gallery, London. Private collection, UK.

For details of the charges payable in addition to the final Hammer Price of each Lot 110 | BONHAMS please refer to paragraphs 7 & 8 of the Notice to Bidders at the back of the catalogue. 76 ARCHIBALD THORBURN (BRITISH, 1860-1935) Common Snipe and Grey-Legged Partridge signed and dated ‘Archibald Thorburn/1914’ (lower left) watercolour and bodycolour 37 x 27cm (14 9/16 x 10 5/8in).

£15,000 - 25,000 €17,000 - 29,000 US$21,000 - 35,000

Provenance The Moorland Gallery, London. Private collection, UK.

For details of the charges payable in addition to the final Hammer Price of each Lot please refer to paragraphs 7 & 8 of the Notice to Bidders at the back of the catalogue. 19TH CENTURY ART | 111 “Brightworthy- evening....never have I known so uplifting, so inspiring, so healing an effect of happy, divine light from the blessed sun above. All day it has shone - pure, silvery... Over the hill the sky itself made an intense and yet more intense line of light.” (Alfred Munnings, The Finish.)

77 AR SIR ALFRED JAMES MUNNINGS, PRA, RWS (BRITISH, 1878-1959) Brightworthy Ford, Withypool, Exmoor signed ‘A. J. Munnings’ (lower right) oil on canvas 51 x 76.5cm (20 1/16 x 30 1/8in).

£15,000 - 20,000 €17,000 - 23,000 US$21,000 - 28,000

The present composition was a favourite for the artist; Munnings returned many times to his favourite spot along the river Barle, with a rolling landscape beyond. Munnings moved to Withypool in the early 1940s after Castle House, his home in Dedham, was requisitioned by the Army. The Munnings Museum has a number of similar compositions; see also Christie’s, London, 7 June 2002, lot 139.

Literature Marcia Whiting, Munnings and the River in his own words exhibition catalogue, 2017. Sir Alfred Munnings, The Finish, Bungay, p.70.

For details of the charges payable in addition to the final Hammer Price of each Lot 112 | BONHAMS please refer to paragraphs 7 & 8 of the Notice to Bidders at the back of the catalogue. 19TH CENTURY ART | 113 78 HAROLD HARVEY (BRITISH, 1874-1941) Boy at the Harbour, Mousehole signed and dated ‘Harold. Harvey. 18.’ (lower left) oil on canvas 50.5 x 45.5cm (19 7/8 x 17 15/16in).19 1/4 x 17 3/4 in.

£40,000 - 60,000 €46,000 - 70,000 US$56,000 - 84,000

Provenance Anon. sale, Christie’s, London, 21 November 1995, lot 95. Private collection, UK.

Literature Kenneth McConkey et al, Harold Harvey, Painter of Cornwall, Bristol, 2001, p.147, cat. no. 245.

For details of the charges payable in addition to the final Hammer Price of each Lot 114 | BONHAMS please refer to paragraphs 7 & 8 of the Notice to Bidders at the back of the catalogue. 19TH CENTURY ART | 115 79 HAROLD HARVEY (BRITISH, 1874-1941) The Vegetable Cart signed and dated ‘Harold.Harvey.1904.’ (lower left) oil on canvas laid down 31 x 40.5cm (12 3/16 x 15 15/16in).

£7,000 - 9,000 €8,100 - 10,000 US$9,800 - 13,000

We are grateful to Peter Risdon, who has confirmed the attribution to Harold Harvey on the basis of photographs.

For details of the charges payable in addition to the final Hammer Price of each Lot 116 | BONHAMS please refer to paragraphs 7 & 8 of the Notice to Bidders at the back of the catalogue. THE FOLLOWING TWO LOTS ARE PROPERTY FROM AN IMPORTANT PRIVATE COLLECTION

80 MORTIMER LUDDINGTON MENPES, RI, RBA, RE (BRITISH, 1855-1938) Japanese children by firelight signed ‘MENPES’ (lower left) oil on board 11.5 x 9cm (4 1/2 x 3 9/16in).

£3,000 - 5,000 €3,500 - 5,800 US$4,200 - 7,000

Provenance Anon. sale, Bonhams, London, 2 November 2004, lot 16.

In 1887 Menpes travelled to Japan and on his return held his first one-man show at Dowdeswell’s gallery in London. In 1901 he published Japan - A Record in Colour.

For details of the charges payable in addition to the final Hammer Price of each Lot please refer to paragraphs 7 & 8 of the Notice to Bidders at the back of the catalogue. 19TH CENTURY ART | 117 81 AR DOROTHEA SHARP, RBA, ROI (BRITISH, 1874-1955) Picking flowers on a clifftop (recto), Playing on the beach (verso) signed ‘DOROTHEA SHARP’ (lower left) oil on canvas 91.5 x 91.5cm (36 x 36in).

£30,000 - 50,000 €35,000 - 58,000 US$42,000 - 70,000

Provenance MacConnal-Mason & Son, London.

For details of the charges payable in addition to the final Hammer Price of each Lot 118 | BONHAMS please refer to paragraphs 7 & 8 of the Notice to Bidders at the back of the catalogue. 19TH CENTURY ART | 119 82 AR EDWARD SEAGO, RWS, RBA (BRITISH, 1910-1974) Low Tide on The Orwell signed ‘Edward Seago’ (lower left); inscribed with title (on the reverse) oil on board 66 x 91.5cm (26 x 36in).

£35,000 - 45,000 €41,000 - 52,000 US$49,000 - 63,000

Provenance P & D Colnaghi & Co. Ltd, Oil Paintings by Edward Seago, 4-27 November 1964, no. 37 (£257-5-00). Purchased from the above by the father of the present owner. Thence by descent.

For details of the charges payable in addition to the final Hammer Price of each Lot 120 | BONHAMS please refer to paragraphs 7 & 8 of the Notice to Bidders at the back of the catalogue. 19TH CENTURY ART | 121 83 * PHILIP ALEXIUS DE LÁSZLÓ, PRBA, RP, NPS (BRITISH, 1869-1937) Baroness Conrad von Meyendorff, née Nadine Vladimirnova De László painted a full length portrait of Baroness Meyendorff in 1908 Louguinine (110711). Her husband was also painted in 1916 in London wearing half-length to the left, head turned in three-quarter profile to the right, Russian naval uniform (4842). wearing a black coat with fur collar and black feathered hat, hands raised to a large red corsage at her shoulder, a large ring on the Nadezhda ‘Nadine’ Vladimirovna Louguinine was born 18 February smallest finger of her right hand 1881, the daughter of Vladimir Feodorovitch Louguinine (1834-1911) signed, inscribed and dated ‘P.A. de László / Paris 1914. January’ and his wife Maria Petrovna Minier. Her father was a scientist in the (lower left) field of thermodynamics and worked in Paris and St Petersburg. On oil on canvas 1 February 1903 she married Baron Conrad von Meyendorff (1880- 92 x 75.5cm (36 1/4 x 29 3/4in). 1945), an officer in the Russian Navy. There were two sons of the marriage: George (born 1904) and Vladimir (born 1906), both of whom £20,000 - 30,000 died in a tragic accident in 1924. The family lived at 10 Chesham €23,000 - 35,000 Street, London from 1911, while Baron Meyendorff served as a US$28,000 - 42,000 diplomatic attaché in the Russian Embassy.

Provenance Baroness Meyendorff and her husband were intrepid explorers. They Anon. sale, Castellana, Madrid, 26 February 2001, lot 142. spent their honeymoon on the Inca trails in Peru and Bolivia, where Anon. sale, Castellana, Madrid, 31 May 2001, lot 148. Nadine took some two hundred photographs and wrote a diary. These Private Collection. were published as L’Amazonie d’une baronne Russe, Des Andes à l’Atlantique en 1903. She and her husband collaborated on L’Empire Exhibited du Soleil: Pérou et Bolivie, published in 1909. London, Christie’s, A Brush with Grandeur, loan exhibition, 6-22 January 2004, cat. no. 63. Nadine was also a courageous and expert mountain climber. The family had a home at Chiètre, Switzerland, and by the time she was Literature eighteen she had completed climbs of the Alpes Vaudoises and the Sitters’ Book I, f. 95: Nadine de Meyendorff / January 1914 Dents du Midi. In 1925 she became the first woman to reach the peak Owen Rutter, Portrait of a Painter, London, 1939, p. 282. of Cerro Tolosa (5730m) in the Aconcagua Mountains in Argentina. Duff Hart-Davis, in collaboration with Caroline Corbeau-Parsons, De László: His Life and Art, Yale, 2010, p. 136. Nadine died in 1930, aged only forty-nine. Her husband survived her fifteen years and died in Madrid in 1945. De László regularly travelled to Paris to fulfill commissions and stayed with his friend and patron the Duc de Guiche at 42 avenue Henri We are grateful to Katherine Field for writing the catalogue Martin, near the Bois de Boulogne. He had use of a studio in the entry for this lot, which will be included in the Philip de László house and during his visit in early 1914 painted the present portrait catalogue raisonné, currently presented in progress online: www. and one of the sitter’s husband Baron Conrad de Meyendorff (inventory delaszlocatalogueraisonne.com number 111504), now untraced. The artist’s autobiography notes that he was ‘feted everywhere’ and his sitters included important figures in The Hon. Mrs de Laszlo and a team of editors are compiling the Parisian society: Vice-President Jean Dupuy (4479), M. and Mme de catalogue raisonné of the artist’s entire oeuvre. Katherine Field is Senior Bruyn (110548 & 4822), the Comtesse de Pourtalès (4848) and the Editor. Please see www.delaszloarchivetrust.com or contact catalogue@ Vicomtesse de Fontenay (4468). delaszlo.com for more information or to offer any contribution.

For details of the charges payable in addition to the final Hammer Price of each Lot 122 | BONHAMS please refer to paragraphs 7 & 8 of the Notice to Bidders at the back of the catalogue. 19TH CENTURY ART | 123 84 AR SIR WILLIAM RUSSELL FLINT RA, PRWS (BRITISH, 1880-1969) Cynthia signed ‘W. RUSSELL FLINT’ (lower left); signed and inscribed with title (in pencil, on the reverse) watercolour 37 x 57cm (14 9/16 x 22 7/16in).

£20,000 - 30,000 €23,000 - 35,000 US$28,000 - 42,000

Provenance Regents Studios, Leamington Spa. Private collection, UK, since circa 1968.

In a letter to the parents of the present owner, dated 21 April 1968, Flint writes: ‘I think your (my) “Cynthia” the best of my bunch! Ever!’ I hope to have a happy little meeting with you both at the R.A. Private view on May 3rd but I’m completely booked up for the afternoon. Next morning I start for France for my usual painting trips. So, alas, again I won’t have the pleasure of welcoming you here.’

For details of the charges payable in addition to the final Hammer Price of each Lot 124 | BONHAMS please refer to paragraphs 7 & 8 of the Notice to Bidders at the back of the catalogue. 19TH CENTURY ART | 125 NOTICE TO BIDDERS This notice is addressed by Bonhams to any person who may be Prices below and above the Estimates, so Estimates should not be solving any disputes which may arise in relation to bids made at the INDEX interested in a Lot, and to all persons participating in the auction relied on as an indication of the actual selling price or value of a Lot. Sale. At some Sales, for example, jewellery Sales, we may use screens process including auction attendees, Bidders and potential Bidders Estimates are in the currency of the Sale. on which images of the Lots will be projected. This service is provided (including any eventual Buyer of the Lot). For ease of reference we refer Condition Reports to assist viewing at the Sale. The image on the screen should be to such persons as “Bidders” or “you”. Our List of Definitions and In respect of most Lots, you may ask Bonhams for a Condition Report treated as an indication only of the current Lot. It should be noted that Glossary is incorporated into this Notice to Bidders. It is at Appendix 3 on the Lot’s general physical condition. If you do so, this will be all bids tendered will relate to the actual Lot number announced by A at the back of the Catalogue. Where words and phrases are used in provided by Bonhams on behalf of the Seller free of charge. As this is the Auctioneer. We do not accept any responsibility for any errors Allingham, Helen 34 Lhermitte, Léon Augustin 49, 66 this notice which are in the List of Definitions, they are printed in italics. offered additionally and without charge, Bonhams is not entering into a which may occur in the use of the screen. IMPORTANT: Additional information applicable to the Sale may be set contract with you in respect of the Condition Report and accordingly 5. BIDDING Ansdell, Richard 24 Loir, Luigi 59 out in the Catalogue for the Sale, in an insert in the Catalogue and/or in does not assume responsibility to you in respect of it. The Condition You must complete and deliver to us one of our Bidding Forms, either a notice displayed at the Sale venue and you should read them as well. Report represents Bonhams’ reasonable opinion as to the Lot’s general our Bidder Registration Form, Absentee Bidding Form or Telephone Announcements affecting the Sale may also be given out orally before condition in the terms stated in the particular report, and Bonhams Bidding Form in order to bid at our Sales. B M and during the Sale without prior written notice. You should be alert to does not represent or guarantee that a Condition Report includes all If you are a new client at Bonhams or have not recently updated your the possibility of changes and ask in advance of bidding if there have aspects of the internal or external condition of the Lot. Neither does the registration details with us, you must pre-register to bid at least two Barker, Wright 73 Madrazo y Garretta, Raimundo de 63 been any. Seller owe or agree to owe you as a Bidder or Buyer any obligation or working days before the Sale at which you wish to bid. You will be 1. OUR ROLE duty in respect of this free report about a Lot, which is available for your required to provide government-issued proof of identity and residence, Beers, Jan van 50 Mas y Fondevila, Arcadi 10, 11 In its role as Auctioneer of Lots, Bonhams acts solely for and in the own inspection or for inspection by an expert instructed by you. and if you are a company, your certificate of incorporation or equivalent interests of the Seller. Bonhams’ job is to sell the Lot at the highest The Seller’s responsibility to you documentation with your name and registered address, government Beltrán Masses, Federico 68 Mason, George Heming 47 price obtainable at the Sale to a Bidder. Bonhams does not act for The Seller does not make or agree to make any representation of fact issued proof of your current address, documentary proof of your Buyers or Bidders in this role and does not give advice to Buyers or or contractual promise, Guarantee or warranty and undertakes no beneficial owners and directors, and proof of authority to transact. Boyd, Alice 32, 33 Mathey, Paul 45 Bidders. When it or its staff make statements about a Lot or, if obligation or duty, whether in contract or in tort (other than to the We may also request a financial reference and /or deposit from you Boye, Abel Dominique 14 Menpes, Mortimer Luddington 80 Bonhams provides a Condition Report on a Lot it is doing that on eventual Buyer as set out above), in respect of the accuracy or before allowing you to bid. behalf of the Seller of the Lot. Bidders and Buyers who are themselves completeness of any statement or representation made by him or on We reserve the rights at our discretion to request further information in Brandeis, Antonietta 1, 2, 3, 4, 5, 6 Menzel, Adolf von 60 not expert in the Lots are strongly advised to seek and obtain his behalf, which is in any way descriptive of any Lot or as to the order to complete our client identification and to decline to register any independent advice on the Lots and their value before bidding for anticipated or likely selling price of any Lot. Other than as set out person as a Bidder, and to decline to accept their bids if they have Brett, John 31 Meyer-Waldeck, Kunz 65 them. The Seller has authorised Bonhams to sell the Lot as its agent on above, no statement or representation in any way descriptive of a Lot been so registered. We also reserve the rights to postpone completion its behalf and, save where we expressly make it clear to the contrary, or any Estimate is incorporated into any Contract for Sale between a of the Sale of any Lot at our discretion while we complete our Burne-Jones, Bt., Sir Edward Coley 61 Monticelli, Adolphe Joseph Thomas 53 Bonhams acts only as agent for the Seller. Any statement or Seller and a Buyer. registration and identification enquiries, and to cancel the Sale of any Morgan, Evelyn de 51 representation we make in respect of a Lot is made on the Seller’s Bonhams’ responsibility to you Lot if you are in breach of your warranties as Buyer, or if we consider C behalf and, unless Bonhams sells a Lot as principal, not on our behalf You have the opportunity of examining the Lot if you want to and the that such Sale would be unlawful or otherwise cause liabilities for the Morgan, Frederick 37 and any Contract for Sale is between the Buyer and the Seller and not Contract for Sale for a Lot is with the Seller and not with Bonhams; Seller or Bonhams or be detrimental to Bonhams’ reputation. Campbell, James 27 with us. If Bonhams sells a Lot as principal this will either be stated in Bonhams acts as the Seller’s agent only (unless Bonhams sells the Lot Bidding in person Munnings, Alfred James 77 the Catalogue or an announcement to that effect will be made by the as principal). So long as you have pre-registered to bid or have updated your Clairin, Georges Jules Victor 57 Auctioneer, or it will be stated in a notice at the Sale or an insert in the Bonhams undertakes no obligation to you to examine, investigate or existing registration recently, you should come to our Bidder registration Catalogue. carry out any tests, either in sufficient depth or at all, on each Lot to desk at the Sale venue and fill out a Registration and Bidding Form on Cooper, Thomas Sidney 25 N Bonhams does not owe or undertake or agree to any duty or establish the accuracy or otherwise of any Descriptions or opinions (or, if possible, before) the day of the Sale. The bidding number system responsibility to you in contract or tort (whether direct, collateral, given by Bonhams, or by any person on Bonhams’ behalf, whether in is sometimes referred to as “paddle bidding”. You will be issued with a Newton, John Edward 29 express, implied or otherwise). If you successfully bid for a Lot and buy the Catalogue or elsewhere. large card (a “paddle”) with a printed number on it. This will be D it, at that stage Bonhams does enter into an agreement with you as the You should not suppose that such examinations, investigations or tests attributed to you for the purposes of the Sale. Should you be a Nittis, Giuseppe de 64 Buyer. The terms of that contract are set out in our Buyer’s Agreement, have occurred. successful Bidder you will need to ensure that your number can be Davis, William 26 which you will find at Appendix 2 at the back of the Catalogue, and this Bonhams does not make or agree to make any representation of fact, clearly seen by the Auctioneer and that it is your number which is Dawson, Henry 21 will govern Bonhams’ relationship with the Buyer. and undertakes no obligation or duty (whether in contract or tort) in identified as the Buyer’s. You should not let anyone else use your P 2. LOTS respect of the accuracy or completeness of any statement or paddle as all Lots will be invoiced to the name and address given on del Campo, Federico 12 Pieters, Evert 44 Subject to the Contractual Description printed in bold letters in the representation made by Bonhams or on Bonhams’ behalf which is in your Bidder Registration Form. Once an invoice is issued it will not be Entry about the Lot in the Catalogue (see paragraph 3 below), Lots are any way descriptive of any Lot or as to the anticipated or likely selling changed. If there is any doubt as to the Hammer Price of, or whether Duffield, William 22 Puvis de Chavannes, Pierre 52 sold to the Buyer on an “as is” basis, with all faults and imperfections. price of any Lot. No statement or representation by Bonhams or on its you are the successful Bidder of, a particular Lot, you must draw this to Illustrations and photographs contained in the Catalogue (other than behalf in any way descriptive of any Lot or any Estimate is incorporated the attention of the Auctioneer before the next Lot is offered for Sale. At photographs forming part of the Contractual Description) or elsewhere into our Buyer’s Agreement. the end of the Sale, or when you have finished bidding please return F R of any Lots are for identification purposes only. A photograph or Alterations your paddle to the Bidder registration desk. illustration may not reflect an accurate reproduction of the colour(s) or Descriptions and Estimates may be amended at Bonhams’ discretion Bidding by telephone Flint, William Russell 84 Ronner-Knip, Henriette 20 true condition of the Lot. Lots are available for inspection prior to the from time to time by notice given orally or in If you wish to bid at the Sale by telephone, and have pre-registered to Foster, Myles Birket 35 Sale and it is for you to satisfy yourself as to each and every aspect of writing before or during a Sale. bid or have updated your existing registration details recently, please a Lot, including its authorship, attribution, condition, provenance, THE LOT IS AVAILABLE FOR INSPECTION AND YOU MUST FORM complete a Registration and Bidding Form, which is available from our S history, background, authenticity, style, period, age, suitability, quality, YOUR OWN OPINION IN RELATION TO IT. YOU ARE STRONGLY offices or in the Catalogue. Please then return it to the office Sandys, Anthony Frederick Augustus 62 roadworthiness (if relevant), origin, value and estimated selling price ADVISED TO EXAMINE ANY LOT OR HAVE IT EXAMINED ON YOUR responsible for the Sale at least 24 hours in advance of the Sale. It is G (including the Hammer Price). It is your responsibility to examine any BEHALF BEFORE THE SALE. your responsibility to check with our Bids Office that your bid has been Geetere, Georges de 13 Schlesinger, Henry Guillaume 43 Lot in which you are interested. It should be remembered that the 4. CONDUCT OF THE SALE received. Telephone calls will be recorded. The telephone bidding actual condition of a Lot may not be as good as that indicated by its Our Sales are public auctions which persons may attend and you facility is a discretionary service offered at no additional charge and Girardet, Eugene Alexis 58 Schmalz, Herbert Gustave 42 outward appearance. In particular, parts may have been replaced or should take the opportunity to do so. We reserve the right at our sole may not be available in relation to all Lots. We will not be responsible renewed and Lots may not be authentic or of satisfactory quality; the discretion to refuse admission to our premises or to any Sale and to for bidding on your behalf if you are unavailable at the time of the Sale Godward, John William 38, 39, 40 Seago, Edward 82 inside of a Lot may not be visible and may not be original or may be remove any person from our premises and Sales, without stating a or if the telephone connection is interrupted during bidding. Please damaged, as for example where it is covered by upholstery or material. reason. We have complete discretion as to whether the Sale proceeds, contact us for further details. Grimshaw, John Atkinson 70, 71 Sharp, Dorothea 81 Given the age of many Lots they may have been damaged and/or whether any Lot is included in the Sale, the manner in which the Sale is Bidding by post or fax Solomon, Abraham 23 repaired and you should not assume that a Lot is in good condition. conducted and we may offer Lots for Sale in any order we choose Absentee Bidding Forms can be found in the back of this Catalogue H Electronic or mechanical items or parts are sold for their artistic, historic notwithstanding the numbers given to Lots in the Catalogue. You and should be completed and sent to the office responsible for the Springer, Cornelis 19 or cultural interest and may not operate or may not comply with current should therefore check the date and starting time of the Sale, whether Sale, once you have pre-registered to bid or have updated your Hardy, James 72 statutory requirements. You should not assume that electrical items there have been any withdrawals or late entries. Remember that existing registration details recently. It is in your interests to return your designed to operate on mains electricity will be suitable for connection withdrawals and late entries may affect the time at which a Lot you are form as soon as possible, as if two or more Bidders submit identical Harvey, Harold 78, 79 T to the mains electricity supply and you should obtain a report from a interested is put up for Sale. We have complete discretion in which to bids for a Lot, the first bid received takes preference. In any event, all qualified electrician on their status before doing so. Such items which refuse any bid, to nominate any bidding increment we consider bids should be received at least 24 hours before the start of the Sale. Hicks, George Elgar 36 Thorburn, Archibald 74, 75, 76 are unsuitable for connection are sold as items of interest for display appropriate, to divide any Lot, to combine two or more Lots, to Please check your Absentee Bidding Form carefully before returning it purposes only. If you yourself do not have expertise regarding a Lot, withdraw any Lot from a Sale and, before the Sale has been closed, to to us, fully completed and signed by you. It is your responsibility to Hulk, Abraham 17 Timmel, Vito 67 you should consult someone who does to advise you. We can assist in put up any Lot for auction again. Auction speeds can exceed 100 Lots check with our Bids Office that your bid has been received. This arranging facilities for you to carry out or have carried out more detailed to the hour and bidding increments are generally about 10%; however, additional service is complimentary and is confidential. Such bids are inspections and tests. Please ask our staff for details. these do vary from Sale to Sale and from Auctioneer to Auctioneer. made at your own risk and we cannot accept liability for our failure to I U Any person who damages a Lot will be held liable for the Please check with the department organising the Sale for advice on receive and/or place any such bids. All bids made on your behalf will be Israels, Isaac 69 Unterberger, Franz Richard 16 loss caused. this. Where a Reserve has been applied to a Lot, the Auctioneer may, made at the lowest level possible subject to Reserves and other bids 3. DESCRIPTIONS OF LOTS AND ESTIMATES in his absolute discretion, place bids (up to an amount not equalling or made for the Lot. Where appropriate your bids will be rounded down to Contractual Description of a Lot exceeding such Reserve) on behalf of the Seller. We are not the nearest amount consistent with the Auctioneer’s bidding K V The Catalogue contains an Entry about each Lot. Each Lot is sold by responsible to you in respect of the presence or absence of any increments. New Bidders must also provide proof of identity and its respective Seller to the Buyer of the Lot as corresponding only with Reserve in respect of any Lot. If there is a Reserve it will be no higher address when submitting bids. Failure to do this will result in your bid Koekkoek, Willem 18 Vasarri, Emilio 41 that part of the Entry which is printed in bold letters and (except for the than the lower figure for any Estimate in the Catalogue, assuming that not being placed. colour, which may be inaccurately reproduced) with any photograph of the currency of the Reserve has not fluctuated adversely against the Bidding via the internet Kupka, Frantisek 56 the Lot in the Catalogue. The remainder of the Entry, which is not currency of the Estimate. The Buyer will be the Bidder who makes the Please visit our Website at http://www.bonhams.com for W printed in bold letters, represents Bonhams’ opinion (given on behalf of highest bid acceptable to the Auctioneer for any Lot (subject to any details of how to bid via the internet. Watts, George Frederic 48 the Seller) about the Lot only and is not part of the Contractual applicable Reserve) to whom the Lot is knocked down by the Bonhams will not be liable for service delays, interruptions or other L Description in accordance with which the Lot is sold by the Seller. Auctioneer at the fall of the Auctioneer’s hammer. Any dispute as to the failures to make a bid caused by losses of internet connection, fault or Lapito, Louis Auguste 46 Williamson, Daniel Alexander 28 Estimates highest acceptable bid will be settled by the Auctioneer in his absolute failure with the website or bidding process, or malfunction of any In most cases, an Estimate is printed beside the Entry. Estimates are discretion. All bids tendered will relate to the actual Lot number software or system, computer or mobile device. László, Philip Alexius de 83 Worrall, Joseph Edward 30 only an expression of Bonhams’ opinion made on behalf of the Seller of announced by the Auctioneer. An electronic currency converter may be Bidding through an agent the range where Bonhams thinks the Hammer Price for the Lot is likely used at the Sale. This equipment is provided as a general guide as to Bids will be treated as placed exclusively by and on behalf of the Legrand, Louis Auguste Mathieu 55 to fall; it is not an Estimate of value. It does not take into account any the equivalent amount in certain currencies of a given bid. We do not person named on the Bidding Form unless otherwise agreed by us in Z VAT or Buyer’s Premium payable or any other fees payable by the accept any responsibility for any errors which may occur in the use of writing in advance of the Sale. If you wish to bid on behalf of another Leroux, Georges Paul 54 Buyer, which are detailed in paragraph 7 of the Notice to Bidders, the currency converter. We may use video cameras to record the Sale person (your principal) you must complete the pre-registration Ziem, Félix François Georges Philibert 7, 8, 9 below. Prices depend upon bidding and lots can sell for Hammer and may record telephone calls for reasons of security and to assist in requirements set out above both on your own behalf and with full

NTB/MAIN/V1/11.2020 NOTICE TO BIDDERS This notice is addressed by Bonhams to any person who may be Prices below and above the Estimates, so Estimates should not be solving any disputes which may arise in relation to bids made at the interested in a Lot, and to all persons participating in the auction relied on as an indication of the actual selling price or value of a Lot. Sale. At some Sales, for example, jewellery Sales, we may use screens process including auction attendees, Bidders and potential Bidders Estimates are in the currency of the Sale. on which images of the Lots will be projected. This service is provided (including any eventual Buyer of the Lot). For ease of reference we refer Condition Reports to assist viewing at the Sale. The image on the screen should be to such persons as “Bidders” or “you”. Our List of Definitions and In respect of most Lots, you may ask Bonhams for a Condition Report treated as an indication only of the current Lot. It should be noted that Glossary is incorporated into this Notice to Bidders. It is at Appendix 3 on the Lot’s general physical condition. If you do so, this will be all bids tendered will relate to the actual Lot number announced by at the back of the Catalogue. Where words and phrases are used in provided by Bonhams on behalf of the Seller free of charge. As this is the Auctioneer. We do not accept any responsibility for any errors this notice which are in the List of Definitions, they are printed in italics. offered additionally and without charge, Bonhams is not entering into a which may occur in the use of the screen. IMPORTANT: Additional information applicable to the Sale may be set contract with you in respect of the Condition Report and accordingly 5. BIDDING out in the Catalogue for the Sale, in an insert in the Catalogue and/or in does not assume responsibility to you in respect of it. The Condition You must complete and deliver to us one of our Bidding Forms, either a notice displayed at the Sale venue and you should read them as well. Report represents Bonhams’ reasonable opinion as to the Lot’s general our Bidder Registration Form, Absentee Bidding Form or Telephone Announcements affecting the Sale may also be given out orally before condition in the terms stated in the particular report, and Bonhams Bidding Form in order to bid at our Sales. and during the Sale without prior written notice. You should be alert to does not represent or guarantee that a Condition Report includes all If you are a new client at Bonhams or have not recently updated your the possibility of changes and ask in advance of bidding if there have aspects of the internal or external condition of the Lot. Neither does the registration details with us, you must pre-register to bid at least two been any. Seller owe or agree to owe you as a Bidder or Buyer any obligation or working days before the Sale at which you wish to bid. You will be 1. OUR ROLE duty in respect of this free report about a Lot, which is available for your required to provide government-issued proof of identity and residence, In its role as Auctioneer of Lots, Bonhams acts solely for and in the own inspection or for inspection by an expert instructed by you. and if you are a company, your certificate of incorporation or equivalent interests of the Seller. Bonhams’ job is to sell the Lot at the highest The Seller’s responsibility to you documentation with your name and registered address, government price obtainable at the Sale to a Bidder. Bonhams does not act for The Seller does not make or agree to make any representation of fact issued proof of your current address, documentary proof of your Buyers or Bidders in this role and does not give advice to Buyers or or contractual promise, Guarantee or warranty and undertakes no beneficial owners and directors, and proof of authority to transact. Bidders. When it or its staff make statements about a Lot or, if obligation or duty, whether in contract or in tort (other than to the We may also request a financial reference and /or deposit from you Bonhams provides a Condition Report on a Lot it is doing that on eventual Buyer as set out above), in respect of the accuracy or before allowing you to bid. behalf of the Seller of the Lot. Bidders and Buyers who are themselves completeness of any statement or representation made by him or on We reserve the rights at our discretion to request further information in not expert in the Lots are strongly advised to seek and obtain his behalf, which is in any way descriptive of any Lot or as to the order to complete our client identification and to decline to register any independent advice on the Lots and their value before bidding for anticipated or likely selling price of any Lot. Other than as set out person as a Bidder, and to decline to accept their bids if they have them. The Seller has authorised Bonhams to sell the Lot as its agent on above, no statement or representation in any way descriptive of a Lot been so registered. We also reserve the rights to postpone completion its behalf and, save where we expressly make it clear to the contrary, or any Estimate is incorporated into any Contract for Sale between a of the Sale of any Lot at our discretion while we complete our Bonhams acts only as agent for the Seller. Any statement or Seller and a Buyer. registration and identification enquiries, and to cancel the Sale of any representation we make in respect of a Lot is made on the Seller’s Bonhams’ responsibility to you Lot if you are in breach of your warranties as Buyer, or if we consider behalf and, unless Bonhams sells a Lot as principal, not on our behalf You have the opportunity of examining the Lot if you want to and the that such Sale would be unlawful or otherwise cause liabilities for the and any Contract for Sale is between the Buyer and the Seller and not Contract for Sale for a Lot is with the Seller and not with Bonhams; Seller or Bonhams or be detrimental to Bonhams’ reputation. with us. If Bonhams sells a Lot as principal this will either be stated in Bonhams acts as the Seller’s agent only (unless Bonhams sells the Lot Bidding in person the Catalogue or an announcement to that effect will be made by the as principal). So long as you have pre-registered to bid or have updated your Auctioneer, or it will be stated in a notice at the Sale or an insert in the Bonhams undertakes no obligation to you to examine, investigate or existing registration recently, you should come to our Bidder registration Catalogue. carry out any tests, either in sufficient depth or at all, on each Lot to desk at the Sale venue and fill out a Registration and Bidding Form on Bonhams does not owe or undertake or agree to any duty or establish the accuracy or otherwise of any Descriptions or opinions (or, if possible, before) the day of the Sale. The bidding number system responsibility to you in contract or tort (whether direct, collateral, given by Bonhams, or by any person on Bonhams’ behalf, whether in is sometimes referred to as “paddle bidding”. You will be issued with a express, implied or otherwise). If you successfully bid for a Lot and buy the Catalogue or elsewhere. large card (a “paddle”) with a printed number on it. This will be it, at that stage Bonhams does enter into an agreement with you as the You should not suppose that such examinations, investigations or tests attributed to you for the purposes of the Sale. Should you be a Buyer. The terms of that contract are set out in our Buyer’s Agreement, have occurred. successful Bidder you will need to ensure that your number can be which you will find at Appendix 2 at the back of the Catalogue, and this Bonhams does not make or agree to make any representation of fact, clearly seen by the Auctioneer and that it is your number which is will govern Bonhams’ relationship with the Buyer. and undertakes no obligation or duty (whether in contract or tort) in identified as the Buyer’s. You should not let anyone else use your 2. LOTS respect of the accuracy or completeness of any statement or paddle as all Lots will be invoiced to the name and address given on Subject to the Contractual Description printed in bold letters in the representation made by Bonhams or on Bonhams’ behalf which is in your Bidder Registration Form. Once an invoice is issued it will not be Entry about the Lot in the Catalogue (see paragraph 3 below), Lots are any way descriptive of any Lot or as to the anticipated or likely selling changed. If there is any doubt as to the Hammer Price of, or whether sold to the Buyer on an “as is” basis, with all faults and imperfections. price of any Lot. No statement or representation by Bonhams or on its you are the successful Bidder of, a particular Lot, you must draw this to Illustrations and photographs contained in the Catalogue (other than behalf in any way descriptive of any Lot or any Estimate is incorporated the attention of the Auctioneer before the next Lot is offered for Sale. At photographs forming part of the Contractual Description) or elsewhere into our Buyer’s Agreement. the end of the Sale, or when you have finished bidding please return of any Lots are for identification purposes only. A photograph or Alterations your paddle to the Bidder registration desk. illustration may not reflect an accurate reproduction of the colour(s) or Descriptions and Estimates may be amended at Bonhams’ discretion Bidding by telephone true condition of the Lot. Lots are available for inspection prior to the from time to time by notice given orally or in If you wish to bid at the Sale by telephone, and have pre-registered to Sale and it is for you to satisfy yourself as to each and every aspect of writing before or during a Sale. bid or have updated your existing registration details recently, please a Lot, including its authorship, attribution, condition, provenance, THE LOT IS AVAILABLE FOR INSPECTION AND YOU MUST FORM complete a Registration and Bidding Form, which is available from our history, background, authenticity, style, period, age, suitability, quality, YOUR OWN OPINION IN RELATION TO IT. YOU ARE STRONGLY offices or in the Catalogue. Please then return it to the office roadworthiness (if relevant), origin, value and estimated selling price ADVISED TO EXAMINE ANY LOT OR HAVE IT EXAMINED ON YOUR responsible for the Sale at least 24 hours in advance of the Sale. It is (including the Hammer Price). It is your responsibility to examine any BEHALF BEFORE THE SALE. your responsibility to check with our Bids Office that your bid has been Lot in which you are interested. It should be remembered that the 4. CONDUCT OF THE SALE received. Telephone calls will be recorded. The telephone bidding actual condition of a Lot may not be as good as that indicated by its Our Sales are public auctions which persons may attend and you facility is a discretionary service offered at no additional charge and outward appearance. In particular, parts may have been replaced or should take the opportunity to do so. We reserve the right at our sole may not be available in relation to all Lots. We will not be responsible renewed and Lots may not be authentic or of satisfactory quality; the discretion to refuse admission to our premises or to any Sale and to for bidding on your behalf if you are unavailable at the time of the Sale inside of a Lot may not be visible and may not be original or may be remove any person from our premises and Sales, without stating a or if the telephone connection is interrupted during bidding. Please damaged, as for example where it is covered by upholstery or material. reason. We have complete discretion as to whether the Sale proceeds, contact us for further details. Given the age of many Lots they may have been damaged and/or whether any Lot is included in the Sale, the manner in which the Sale is Bidding by post or fax repaired and you should not assume that a Lot is in good condition. conducted and we may offer Lots for Sale in any order we choose Absentee Bidding Forms can be found in the back of this Catalogue Electronic or mechanical items or parts are sold for their artistic, historic notwithstanding the numbers given to Lots in the Catalogue. You and should be completed and sent to the office responsible for the or cultural interest and may not operate or may not comply with current should therefore check the date and starting time of the Sale, whether Sale, once you have pre-registered to bid or have updated your statutory requirements. You should not assume that electrical items there have been any withdrawals or late entries. Remember that existing registration details recently. It is in your interests to return your designed to operate on mains electricity will be suitable for connection withdrawals and late entries may affect the time at which a Lot you are form as soon as possible, as if two or more Bidders submit identical to the mains electricity supply and you should obtain a report from a interested is put up for Sale. We have complete discretion in which to bids for a Lot, the first bid received takes preference. In any event, all qualified electrician on their status before doing so. Such items which refuse any bid, to nominate any bidding increment we consider bids should be received at least 24 hours before the start of the Sale. are unsuitable for connection are sold as items of interest for display appropriate, to divide any Lot, to combine two or more Lots, to Please check your Absentee Bidding Form carefully before returning it purposes only. If you yourself do not have expertise regarding a Lot, withdraw any Lot from a Sale and, before the Sale has been closed, to to us, fully completed and signed by you. It is your responsibility to you should consult someone who does to advise you. We can assist in put up any Lot for auction again. Auction speeds can exceed 100 Lots check with our Bids Office that your bid has been received. This arranging facilities for you to carry out or have carried out more detailed to the hour and bidding increments are generally about 10%; however, additional service is complimentary and is confidential. Such bids are inspections and tests. Please ask our staff for details. these do vary from Sale to Sale and from Auctioneer to Auctioneer. made at your own risk and we cannot accept liability for our failure to Any person who damages a Lot will be held liable for the Please check with the department organising the Sale for advice on receive and/or place any such bids. All bids made on your behalf will be loss caused. this. Where a Reserve has been applied to a Lot, the Auctioneer may, made at the lowest level possible subject to Reserves and other bids 3. DESCRIPTIONS OF LOTS AND ESTIMATES in his absolute discretion, place bids (up to an amount not equalling or made for the Lot. Where appropriate your bids will be rounded down to Contractual Description of a Lot exceeding such Reserve) on behalf of the Seller. We are not the nearest amount consistent with the Auctioneer’s bidding The Catalogue contains an Entry about each Lot. Each Lot is sold by responsible to you in respect of the presence or absence of any increments. New Bidders must also provide proof of identity and its respective Seller to the Buyer of the Lot as corresponding only with Reserve in respect of any Lot. If there is a Reserve it will be no higher address when submitting bids. Failure to do this will result in your bid that part of the Entry which is printed in bold letters and (except for the than the lower figure for any Estimate in the Catalogue, assuming that not being placed. colour, which may be inaccurately reproduced) with any photograph of the currency of the Reserve has not fluctuated adversely against the Bidding via the internet the Lot in the Catalogue. The remainder of the Entry, which is not currency of the Estimate. The Buyer will be the Bidder who makes the Please visit our Website at http://www.bonhams.com for printed in bold letters, represents Bonhams’ opinion (given on behalf of highest bid acceptable to the Auctioneer for any Lot (subject to any details of how to bid via the internet. the Seller) about the Lot only and is not part of the Contractual applicable Reserve) to whom the Lot is knocked down by the Bonhams will not be liable for service delays, interruptions or other Description in accordance with which the Lot is sold by the Seller. Auctioneer at the fall of the Auctioneer’s hammer. Any dispute as to the failures to make a bid caused by losses of internet connection, fault or Estimates highest acceptable bid will be settled by the Auctioneer in his absolute failure with the website or bidding process, or malfunction of any In most cases, an Estimate is printed beside the Entry. Estimates are discretion. All bids tendered will relate to the actual Lot number software or system, computer or mobile device. only an expression of Bonhams’ opinion made on behalf of the Seller of announced by the Auctioneer. An electronic currency converter may be Bidding through an agent the range where Bonhams thinks the Hammer Price for the Lot is likely used at the Sale. This equipment is provided as a general guide as to Bids will be treated as placed exclusively by and on behalf of the to fall; it is not an Estimate of value. It does not take into account any the equivalent amount in certain currencies of a given bid. We do not person named on the Bidding Form unless otherwise agreed by us in VAT or Buyer’s Premium payable or any other fees payable by the accept any responsibility for any errors which may occur in the use of writing in advance of the Sale. If you wish to bid on behalf of another Buyer, which are detailed in paragraph 7 of the Notice to Bidders, the currency converter. We may use video cameras to record the Sale person (your principal) you must complete the pre-registration below. Prices depend upon bidding and lots can sell for Hammer and may record telephone calls for reasons of security and to assist in requirements set out above both on your own behalf and with full

NTB/MAIN/V1/11.2020 details of your principal, and we will require written confirmation from 8. VAT Sale of any Lot if you are in breach of your warranties as Buyer, if we condition and without defects, repairs or restorations. Most clocks to retain their appearance. Bidders should be aware that Estimates Please see the Contract for Sale printed in this Catalogue. Because the principal confirming your authority to bid. The prevailing rate of VAT at the time of going to press is 20%, but this consider that such Sale would be unlawful or otherwise cause liabilities and watches have been repaired in the course of their normal lifetime assume that gemstones may have been subjected to such treatments. of the difficulty in determining whether an item of glass has been You are specifically referred to your due diligence requirements is subject to government change and the rate payable will be the rate for the Seller or Bonhams, or would be detrimental to Bonhams’ and may now incorporate parts not original to them. Furthermore, A number of laboratories issue certificates that give more detailed repolished, in our Catalogues reference is only made to visible chips concerning your principal and their source of funds, and the in force on the date of the Sale. reputation. Bonhams makes no representation or warranty that any clock or watch Descriptions of gemstones. However there may not be consensus and cracks. No mention is made of repolishing, severe or otherwise. warranties you give in the event you are the Buyer, which are The following symbols, shown beside the Lot number, are used to 10. COLLECTION AND STORAGE is in working order. As clocks and watches often contain fine and between different laboratories on the degrees, or types of treatment for 23. VEHICLES contained in paragraph 3 of the Buyer’s Agreement, set out at denote that VAT is due on the Hammer Price and Buyer’s Premium: The Buyer of a Lot will not be allowed to collect it until payment in full complex mechanisms, Bidders should be aware that a general service, any particular gemstone. In the event that Bonhams has been given or The Veteran Car Club of Great Britain Appendix 2 at the back of the Catalogue. † VAT at the prevailing rate on Hammer Price and and in cleared funds has been made (unless we have made a special change of battery or further repair work, for which the Buyer is solely has obtained certificates for any Lot in the Sale these certificates will be Dating Plates and Certificates Nevertheless, as the Bidding Form explains, any person placing a bid Buyer’s Premium arrangement with the Buyer). For collection and removal of purchased responsible, may be necessary. disclosed in the Catalogue. Although, as a matter of policy, Bonhams When mention is made of a Veteran Car Club Dating Plate or Dating as agent on behalf of another (whether or not he has disclosed that Ω VAT on imported items at the prevailing rate on Hammer Price Lots, please refer to Sale Information at the front of the Catalogue. Our 17. FIREARMS – PROOF, CONDITION AND CERTIFICATION endeavours to provide certificates from recognised laboratories for Certificate in this Catalogue, it should be borne in mind that the Veteran fact) will be jointly and severally liable with the principal to the Seller and and Buyer’s Premium offices are open 9.00am – 5pm Monday to Friday. Details relating to Proof of Firearms certain gemstones, it is not feasible to obtain certificates for each Lot. Car Club of Great Britain using the services of Veteran Car Company to Bonhams under any contract resulting from the acceptance of a bid. VAT on imported items at a preferential rate of 5% on Hammer the collection of a Lot, the storage of a Lot and our Storage Contractor The term “proof exemption” indicates that a firearm has been examined In the event that no certificate is published in the Catalogue, Bidders Ltd, does from time to time, review cars already dated and, in some * Equally, please let us know if you intend to nominate another person to Price and the prevailing rate on Buyer’s Premium after the Sale are set out in the Catalogue. at a Proof House, but not proved, as either (a) it was deemed of should assume that the gemstones may have been treated. Neither instances, where fresh evidence becomes available, the review can result bid on your behalf at the Sale unless this is to be carried out by us G Gold bullion exempt from VAT on the Hammer Price and subject 11. SHIPPING interest and not intended for use, or (b) ammunition was not available. Bonhams nor the Seller accepts any liability for contradictions or in an alteration of date. Whilst the Club and Veteran Car Company Ltd pursuant to a Telephone or Absentee Bidding Form that you have to VAT at the prevailing rate on the Buyer’s Premium For information and estimates on domestic and international shipping In either case, the firearm must be regarded as unsafe to fire unless differing certificates obtained by Buyers on any Lots subsequent to make every effort to ensure accuracy, the date shown on the Dating completed. If we do not approve the agency arrangements in writing • Zero rated for VAT, no VAT will be added to the Hammer Price or as well as export licenses please contact subsequently proved. Firearms proved for Black Powder should not be the Sale. Plate or Dating Certificate cannot be guaranteed as correct and intending before the Sale, we are entitled to assume that the person bidding at the Buyer’s Premium Alban Shipping on +44 (0) 1582 493 099 used with smokeless ammunition. Estimated Weights purchasers should make their own enquiries as to the date of the car. the Sale is bidding on his own behalf. Accordingly, the person bidding a Buyers from within the EU: VAT is payable at the prevailing rate [email protected] The term “Certificate of Unprovability” indicates that a firearm has been If a stone(s) weight appears within the body of the Description in capital 24. WINE at the Sale will be the Buyer and will be liable to pay the Hammer Price on just the Buyer’s Premium (NOT the Hammer Price). Buyers 12. EXPORT/TRADE RESTRICTIONS examined at a Proof House and is deemed both unsuitable for proof letters, the stone(s) has been unmounted and weighed by Bonhams. Lots which are lying under Bond and those liable to VAT may not be and Buyer’s Premium and associated charges. If we approve the from outside the EU: VAT is payable at the prevailing rate on It is your sole responsibility to comply with all export and import and use. Reproof is required before any such firearm is to be used. If the weight of the stone(s) is stated to be approximate and does not available for immediate collection. identity of your client in advance, we will be in a position to address the both Hammer Price and Buyer’s Premium. If a Buyer, having regulations relating to your purchases and also to obtain any relevant Guns Sold as Parts appear in capital letters, the stone(s) has been assessed by us within Examining the wines invoice to your principal rather than you. We will require proof of the registered under a non-EU address, decides that the item is not export and/or import licence(s). Export licences are issued by Arts Barrels of guns sold as parts will only be made available for sleeving its/their settings, and the stated weight is a statement of our opinion It is occasionally possible to provide a pre-Sale tasting for larger agent’s client’s identity and residence in advance of any bids made by to be exported from the EU, then he should advise Bonhams Council England and application forms can be obtained from its and measurements once rendered unserviceable according to the Gun only. This information is given as a guide and Bidders should satisfy parcels (as defined below). This is generally limited to more recent and the agent on his behalf. Please refer to our Conditions of Business and immediately. Export Licensing Unit. The detailed provisions of the export licensing Barrel Proof Act of 1968 to 1978 and the Rules of Proof. themselves with regard to this information as to its accuracy. everyday drinking wines. Please contact the department for details. contact our Customer Services Department for further details. In all other instances no VAT will be charged on the Hammer Price, arrangements can be found on the ACE website http://www. Condition of Firearms Signatures It is not our policy to inspect every unopened case. In the case of wines Bonhams undertakes Customer Due Diligence (CDD) into its Sellers and but VAT at the prevailing rate will be added to Buyer’s Premium which artscouncil.org.uk/what-we-do/supporting-museums/cultural-property/ Comment in this Catalogue is restricted, in general, to exceptional 1. A diamond brooch, by Kutchinsky older than 20 years the boxes will usually have been opened and levels Buyers as required by the Money Laundering, Terrorist Financing and will be invoiced on a VAT inclusive basis. export-controls/export-licensing/ or by phoning ACE on +44 (0)20 condition and to those defects that might affect the immediate safety of When the maker’s name appears in the title, in Bonhams’ opinion the and appearance noted in the Catalogue where necessary. You should Transfer of Funds (Information on the Payer) Regulations 2017 (“the 9. PAYMENT 7973 5188. The need for import licences varies from country to country a firearm in normal use. An intending Bidder unable to make technical piece is by that maker. make proper allowance for variations in ullage levels and conditions of Regulations”). Bonhams’ interpretation of the Regulations and Treasury It is of critical importance that you ensure that you have readily available and you should acquaint yourself with all relevant local requirements examinations and assessments is recommended to seek advice from a 2. A diamond brooch, signed Kutchinsky corks, capsules and labels. Approved industry Guidance is that CDD under the Regulations is not funds to pay the Purchase Price and the Buyer’s Premium (plus VAT and provisions. The refusal of any import or export licence(s) or gunmaker or from a modern firearms specialist. All prospective Bidders Has a signature that, in Bonhams’ opinion, is authentic but may contain Corks and Ullages required by Buyers into Sellers at Bonhams auctions or vice versa. and any other charges and Expenses to us)in full before making a bid any delay in obtaining such licence(s) shall not permit the rescission are advised to consult the ˚ of bore and wall-thickness measurements gemstones that are not original, or the piece may have been altered. Ullage refers to the space between the base of the cork and the wine. 6. CONTRACTS BETWEEN THE BUYER AND SELLER AND THE for the Lot. If you are a successful Bidder, payment will be due to us by of any Sale nor allow any delay in making full payment for the Lot. posted in the saleroom and available from the department. Bidders 3. A diamond brooch, mounted by Kutchinsky Ullage levels for Bordeaux shaped bottles are only normally noted BUYER AND BONHAMS 4.30 pm on the second working day after the Sale so that all sums are Generally, please contact our shipping department before the Sale if should note that guns are stripped only where there is a strong Has been created by the jeweller, in Bonhams’ opinion, but using when below the neck and for Burgundy, Alsace, German and Cognac On the Lot being knocked down to the Buyer, a Contract for Sale of cleared by the eighth working day after the Sale. Payments made by you require assistance in relation to export regulations. indication of a mechanical malfunction. Stripping is not, otherwise, stones or designs supplied by the client. shaped bottles when greater than 4 centimetres (cm). Acceptable the Lot will be entered into between the Seller and the Buyer on the anyone other than the registered Buyer will not be accepted. Bonhams 13. CITES REGULATIONS undertaken. Guns intended for use should be stripped and cleaned 20. PHOTOGRAPHS ullage levels increase with age; generally acceptable levels are as terms of the Contract for Sale set out in Appendix 1 at the back of the reserves the right to vary the terms of payment at any time. Please be aware that all Lots marked with the symbol Y are subject to beforehand. Hammer guns should have their rebound mechanisms Explanation of Catalogue Terms follows: Catalogue. You will be liable to pay the Purchase Price, which is the Bonhams’ preferred payment method is by bank transfer. CITES regulations when exporting these items outside the EU. These checked before use. The safety mechanisms of all guns must be tested • “Bill Brandt”: in our opinion a work by the artist. Under 15 years old – into neck or less than 4cm Hammer Price plus any applicable VAT. At the same time, a separate You may electronically transfer funds to our Account. If you do so, please regulations may be found at before use. All measurements are approximate. • “Attributed to Bill Brandt”: in our opinion probably a work by the 15 to 30 years old – top shoulder (ts) or up to 5cm contract is also entered into between us as Auctioneers and the Buyer. quote your paddle number and invoice number as the reference. Our http://www.defra.gov.uk/ahvla-en/imports-exports/cites/ or may be Original Gun Specifications Derived from Gunmakers artist, but less certainty to authorship is expressed than in the Over 30 years old – high shoulder (hs) or up to 6cm This is our Buyer’s Agreement, the terms of which are set out in Account details are as follows: requested from: The Sporting Gun Department endeavours to confirm a gun’s original preceding category. It should be noted that ullages may change between publication Appendix 2 at the back of the Catalogue. Please read the terms of the specification and date of manufacture with makers who hold their • “Signed and/or titled and/or dated and/or inscribed”: in our opinion of the Catalogue and the Sale and that corks may fail as a result of Animal Health and Veterinary Laboratories Agency (AHVLA) Wildlife Contract for Sale and our Buyer’s Agreement contained in the Bank: National Westminster Bank Plc original records. the signature and/or title and/or date and/or inscription are in the transporting the wine. We will only accept responsibility for Descriptions Licensing Catalogue in case you are the successful Bidder including the Address: PO Box 4RY Licensing Requirements artist’s hand. of condition at the time of publication of the Catalogue and cannot Floor 1, Zone 17, Temple Quay House warranties as to your status and source of funds. We may change the 250 Regent Street Firearms Act 1968 as amended • “Signed and/or titled and/or dated and/or inscribed in another accept responsibility for any loss resulting from failure of corks either 2 The Square, Temple Quay terms of either or both of these agreements in advance of their being London W1A 4RY Bonhams is constantly reviewing its procedures and would remind hand”: in our opinion the signature and/or title and/or date and/or before or after this point. BRISTOL BS1 6EB entered into, by setting out different terms in the Catalogue and/or by Account Name: Bonhams 1793 Limited you that, in the case of firearms or shotguns subject to certification, inscription have been added by Options to buy parcels Tel: +44 (0) 117 372 8774 placing an insert in the Catalogue and/or by notices at the Sale venue Account Number: 25563009 to conform with current legislation, Bonhams is required to see, as another hand. A parcel is a number of Lots of identical size of the same wine, bottle The refusal of any CITES licence or permit and any delay in obtaining and/or by oral announcements before and during the Sale. It is your Sort Code: 56-00-27 appropriate, your original registered firearms dealer’s certificate / shot • The date given is that of the image (negative). Where no further size and Description. The Buyer of any of these Lots has the option such licences or permits shall not give rise to the rescission or responsibility to ensure you are aware of the up to date terms of the IBAN Number: GB 33 NWBK 560027 25563009 gun certificate / firearm certificate / museum firearms licence / Section date is given, this indicates that the photographic print is vintage to accept some or all of the remaining Lots in the parcel at the same cancellation of any Sale, nor allow any delay in making full payment Buyer’s Agreement for this Sale. 5 authority or import licence (or details of any exemption from which (the term “vintage” may also be included in the Lot Description). A price, although such options will be at the Auctioneer’s sole discretion. for the Lot. 7. BUYER’S PREMIUM AND OTHER CHARGES PAYABLE BY If paying by bank transfer, the amount received after the you may benefit, for instance Crown servant status) for the firearm(s) vintage photograph is one which was made within approximately Absentee Bidders are, therefore, advised to bid on the first Lot in a 14. THE SELLERS AND/OR BONHAMS’ LIABILITY THE BUYER deduction of any bank fees and/or conversion of the currency of you have purchased prior to taking full payment of the amount 5-10 years of the negative. Where a second, later date appears, parcel. Other than any liability of the Seller to the Buyer of a Lot under the Under the Buyer’s Agreement, a premium (the Buyer’s Premium) is payment to pounds sterling must not be less than the sterling amount shown on your invoice. Should you not already be in possession of this refers to the date of printing. Where the exact printing date is Wines in Bond Contract for Sale, neither we nor the Seller are liable (whether in payable to us by the Buyer in accordance with the terms of the Buyer’s payable, as set out on the invoice. such an authority or exemption, you are required to initially pay a not known, but understood to be later, “printed later” will appear in Wines lying in Bond are marked Δ. All Lots sold under Bond, and negligence or otherwise) for any error or misdescription or omission Agreement and at rates set out below, calculated by reference to the deposit of 95% of the total invoice with the balance of 5% payable on the Lot Description. which the Buyer wishes to remain under Bond, will be invoiced without in any Description of a Lot or any Estimate in respect of it, whether Hammer Price and payable in addition to it. Payment may also be made by one of the following methods: presentation of your valid certificate or licence showing your authority • Unless otherwise specified, dimensions given are those of the piece VAT or Duty on the Hammer Price. If the Buyer wishes to take the Lot contained in the Catalogue or otherwise, whether given orally or in to hold the firearm(s) concerned. of paper on which the image is printed, including any margins. as Duty paid, UK Excise Duty and VAT will be added to the Hammer writing and whether given before or during the Sale. Neither we nor the For this Sale the following rates of Buyer’s Premium will be payable by Sterling personal cheque drawn on a UK branch of a bank or Please be advised that if a successful Bidder is then unable to produce Some photographs may appear in the Catalogue without margins Price on the invoice. Seller will be liable for any loss of Business, profits, revenue or income, Buyers on each Lot purchased: building society: all cheques must be cleared before you can collect the correct paperwork, the Lot(s) will be reoffered by Bonhams in the illustrated. Buyers must notify Bonhams at the time of the sale whether they wish or for loss of reputation, or for disruption to Business or wasted time on your purchases and should be made payable to Bonhams 1793 next appropriate Sale, on standard terms for Sellers, and you will be • All photographs are sold unframed unless stated in the Lot to take their wines under Bond or Duty paid. If a Lot is taken under the part of management or staff, or for indirect losses or consequential 27.5% of the Hammer Price on the first £10,000; plus Limited. responsible for any loss incurred by Bonhams on the original Sale to Description. Bond, the Buyer will be responsible for all VAT, Duty, clearance and damages of any kind, irrespective in any case of the nature, volume or 25% of the Hammer Price from £10,001 and up to £450,000; plus you. 21. PICTURES other charges that may be payable thereon. source of the loss or damage alleged to be suffered, and irrespective 20% of the Hammer Price from £450,001 and up to £4,500,000; plus Cash: you may pay for Lots purchased by you at this Sale In the case of RFD certificates and Section 5 authorities, we wish Explanation of Catalogue Terms Buyers outside the UK must be aware that any forwarding agent of whether the said loss or damage is caused by or claimed in respect 14.5% of the Hammer Price above £4,500,000 with notes or coins in the currency in which the Sale is conducted to keep an up-to-date copy on file. Please supply us with a Fax or The following terms used in the Catalogue have the following meanings appointed to export their purchases must have a movement certificate of any negligence, other tort, breach of contract (if any) or statutory (but not any other currency) provided that the total amount payable photocopy. It would be helpful if you could send us an updated copy but are subject to the general provisions relating to Descriptions for Lots to be released under Bond. duty, restitutionary claim or otherwise. In any circumstances where Storage and handling charges may also be payable by the Buyer by you in respect of all Lots purchased by you at the Sale does not whenever your certificate or authority is renewed or changed. contained in the Contract for Sale: Bottling Details and Case Terms we and/or the Seller are liable in relation to any Lot or any Description as detailed on the specific Sale Information page at the front of the exceed £3,000, or the equivalent in the currency in which the Sale is Lots marked ‘S1´ and bearing red labels are Section 1 firearms and • “Jacopo Bassano”: in our opinion a work by the artist. When the The following terms used in the Catalogue have the following or Estimate made of any Lot, or the conduct of any Sale in relation catalogue. conducted, at the time when payment is made. If the amount payable require a valid British Firearms certificate, RFD Licence or import artist’s forename(s) is not known, a series of asterisks, followed by meanings: to any Lot, whether in damages, for an indemnity or contribution, by you for Lots exceeds that sum, the balance must be paid otherwise licence. the surname of the artist, whether preceded by an initial or not, CB – Château bottled or for a restitutionary remedy or otherwise, our and/or the Seller’s The Buyer’s Premium and all other charges payable to us by the Buyer than in coins or notes; this limit applies to both payment at our Lots marked ‘S2’ and bearing blue labels are Section 2 firearms and indicates that in our opinion the work is by the artist named; DB – Domaine bottled liability (combined, if both we and the Seller are liable) will be limited are subject to VAT at the prevailing rate, currently 20%. premises and direct deposit into our bank account. require a valid British Shotgun certificate, RFD licence or import licence. • “Attributed to Jacopo Bassano”: in our opinion probably a work by EstB – Estate bottled to payment of a sum which will not exceed by way of maximum the Lots marked ‘S5´ and bearing specially marked red labels are Section the artist but less certainty as to authorship is expressed than in the BB – Bordeaux bottled amount of the Purchase Price of the Lot irrespective in any case of VAT may also be payable on the Hammer Price of the Lot, where 5 prohibited firearms and require a valid Section 5 Authority or import preceding category; BE – Belgian bottled Debit cards issued in the name of the Buyer (including China Union the nature, volume or source of any loss or damage alleged to be indicated by a symbol beside the Lot number. See paragraph 8 below licence. • “Studio/Workshop of Jacopo Bassano”: in our opinion a work by FB – French bottled Pay (CUP) cards and debit cards issued by Visa and MasterCard suffered or sum claimed as due, and irrespective of whether the liability for details. There is no limit on payment value if payment is made in person Lots marked with a ‘S58´ and bearing yellow labels are for obsolete an unknown hand in a studio of the artist which may or may not GB – German bottled only). arises from any negligence, other tort, breach of contract (if any) or using Chip & Pin verification. calibres and no licence is required unless ammunition is held. have been executed under the artist’s direction; OB – Oporto bottled statutory duty or otherwise. Nothing set out above will be construed On certain Lots, which will be marked “AR” in the Catalogue and Unmarked Lots require no licence. • “Circle of Jacopo Bassano”: in our opinion a work by a hand closely UK – United Kingdom bottled as excluding or restricting (whether directly or indirectly) our liability or which are sold for a Hammer Price of €1,000 or greater (converted into may also be accepted up to £5,000, subject to Please do not hesitate to contact the Modern Sporting Gun associated with a named artist but not necessarily his pupil; owc – original wooden case Payment by telephone excluding or restricting any person’s rights or remedies in respect of (i) the currency of the Sale using the European Central Bank Reference appropriate verification procedures, although this facility is not available Department should you have any queries. • “Follower of Jacopo Bassano”: in our opinion a work by a painter iwc – individual wooden case fraud, or (ii) death or personal injury caused by our negligence (or by rate prevailing on the date of the Sale), the Additional Premium will for first time buyers. If the amount payable by you for Lots exceeds that Taxidermy and Related Items working in the artist’s style, contemporary or nearly contemporary, oc – original carton the negligence of any person under our control or for whom we are be payable to us by the Buyer to cover our Expenses relating to the sum, the balance must be paid by other means. On behalf of the Seller of these articles, Bonhams undertakes to but not necessarily his pupil; SYMBOLS legally responsible), or (iii) acts or omissions for which we are liable payment of royalties under the Artists Resale Right Regulations 2006. comply fully with Cites and DEFRA regulations. Buyers are advised • “Manner of Jacopo Bassano”: in our opinion a work in the style of THE FOLLOWING SYMBOLS ARE USED TO DENOTE under the Occupiers Liability Act 1957, or (iv) any other liability to the The Additional Premium will be a percentage of the amount of the to inform themselves of all such regulations and should expect the the artist and of a later date; Credit cards issued in the name of the Buyer (including China Union extent the same may not be excluded or restricted as a matter of law Y Subject to CITES regulations when exporting these items outside Hammer Price calculated in accordance with the table below, and shall exportation of items to take some time to arrange. • “After Jacopo Bassano”: in our opinion, a copy of a known work of Pay (CUP) cards and credit cards issued by Visa and MasterCard or (v) our undertakings under paragraphs 9 (in relation to specialist the EU, see clause 13. not exceed €12,500 (converted into the currency of the Sale using 18. FURNITURE the artist; only). There is a £5,000 limit on payment value if payment is made in Stamp or Book Sales only) and 10 of the Buyer’s Agreement. The same TP Objects displayed with a TP will be located at the Cadogan the European Central Bank Reference rate prevailing on the date of Upholstered Furniture • “Signed and/or dated and/or inscribed”: in our opinion the signature person using Chip & Pin verification. applies in respect of the Seller, as if references to us in this paragraph Tate warehouse and will only be available for collection from this the Sale). Whilst we take every care in cataloguing furniture which has been and/or date and/or inscription are from the hand of the artist; were substituted with references to the Seller. location. It may be advisable to notify your debit or credit card provider of your upholstered we offer no Guarantee as to the originality • “Bears a signature and/or date and/or inscription”: in our opinion 15. BOOKS W Objects displayed with a w will be located in the Bonhams Hammer Price Percentage amount of the wood covered by fabric or upholstery. the signature and/or date and/or inscription have been added by intended purchase in advance to reduce delays caused by us having to As stated above, all Lots are sold on an “as is” basis, subject to all Warehouse and will only be available for collection from this From €0 to €50,000 4% 19. JEWELLERY another hand. seek authority when you come to pay. faults, imperfections and errors of Description save as set out below. location. From €50,000.01 to €200,000 3% Gemstones 22. PORCELAIN AND GLASS However, you will be entitled to reject a Book in the circumstances set Δ Wines lying in Bond. From €200,000.01 to €350,000 1% Historically many gemstones have been subjected to a variety of Damage and Restoration Note: only one debit or credit card may be used for payment of an out in paragraph 11 of the Buyers Agreement. Please note that Lots AR An Additional Premium will be payable to us by the Buyer to From €350,000.01 to €500,000 0.5% treatments to enhance their appearance. Sapphires and rubies are For your guidance, in our Catalogues we attempt to detail, as far account balance. If you have any questions with regards to card comprising printed Books, unframed maps and bound manuscripts are cover our Expenses relating to payment of royalties under the Exceeding €500,000 0.25% routinely heat treated to improve their colour and clarity, similarly as practicable, all significant defects, cracks and restoration. Such payments, please contact our Customer Services Department. not liable to VAT on the Buyer’s Premium. Artists Resale Right Regulations 2006. See clause 7 for details. emeralds are frequently treated with oils or resin for the same purpose. practicable Descriptions of damage cannot be definitive, and in We reserve the rights to investigate and identify the source of any funds ○ The Seller has been guaranteed a minimum price for the Lot, 16. CLOCKS AND WATCHES Other treatments such as staining, irradiation or coating may have providing Condition Reports, we cannot Guarantee that there are no received by us, to postpone completion of the sale of any Lot at our All Lots are sold “as is”, and the absence of any reference to the either by Bonhams or a third party. This may take the form of an been used on other gemstones. These treatments may be permanent, other defects present which have not been mentioned. Bidders should discretion while we complete our investigations, and to cancel the condition of a clock or watch does not imply that the Lot is in good irrevocable bid by a third party, who may make a financial gain on whilst others may need special care or re-treatment over the years satisfy themselves by inspection, as to the condition of each Lot.

NTB/MAIN/V1/11.2020 NTB/MAIN/V1/11.2020 condition and without defects, repairs or restorations. Most clocks to retain their appearance. Bidders should be aware that Estimates Please see the Contract for Sale printed in this Catalogue. Because and watches have been repaired in the course of their normal lifetime assume that gemstones may have been subjected to such treatments. of the difficulty in determining whether an item of glass has been and may now incorporate parts not original to them. Furthermore, A number of laboratories issue certificates that give more detailed repolished, in our Catalogues reference is only made to visible chips Bonhams makes no representation or warranty that any clock or watch Descriptions of gemstones. However there may not be consensus and cracks. No mention is made of repolishing, severe or otherwise. is in working order. As clocks and watches often contain fine and between different laboratories on the degrees, or types of treatment for 23. VEHICLES complex mechanisms, Bidders should be aware that a general service, any particular gemstone. In the event that Bonhams has been given or The Veteran Car Club of Great Britain change of battery or further repair work, for which the Buyer is solely has obtained certificates for any Lot in the Sale these certificates will be Dating Plates and Certificates responsible, may be necessary. disclosed in the Catalogue. Although, as a matter of policy, Bonhams When mention is made of a Veteran Car Club Dating Plate or Dating 17. FIREARMS – PROOF, CONDITION AND CERTIFICATION endeavours to provide certificates from recognised laboratories for Certificate in this Catalogue, it should be borne in mind that the Veteran Proof of Firearms certain gemstones, it is not feasible to obtain certificates for each Lot. Car Club of Great Britain using the services of Veteran Car Company The term “proof exemption” indicates that a firearm has been examined In the event that no certificate is published in the Catalogue, Bidders Ltd, does from time to time, review cars already dated and, in some at a Proof House, but not proved, as either (a) it was deemed of should assume that the gemstones may have been treated. Neither instances, where fresh evidence becomes available, the review can result interest and not intended for use, or (b) ammunition was not available. Bonhams nor the Seller accepts any liability for contradictions or in an alteration of date. Whilst the Club and Veteran Car Company Ltd In either case, the firearm must be regarded as unsafe to fire unless differing certificates obtained by Buyers on any Lots subsequent to make every effort to ensure accuracy, the date shown on the Dating subsequently proved. Firearms proved for Black Powder should not be the Sale. Plate or Dating Certificate cannot be guaranteed as correct and intending used with smokeless ammunition. Estimated Weights purchasers should make their own enquiries as to the date of the car. The term “Certificate of Unprovability” indicates that a firearm has been If a stone(s) weight appears within the body of the Description in capital 24. WINE examined at a Proof House and is deemed both unsuitable for proof letters, the stone(s) has been unmounted and weighed by Bonhams. Lots which are lying under Bond and those liable to VAT may not be and use. Reproof is required before any such firearm is to be used. If the weight of the stone(s) is stated to be approximate and does not available for immediate collection. Guns Sold as Parts appear in capital letters, the stone(s) has been assessed by us within Examining the wines Barrels of guns sold as parts will only be made available for sleeving its/their settings, and the stated weight is a statement of our opinion It is occasionally possible to provide a pre-Sale tasting for larger and measurements once rendered unserviceable according to the Gun only. This information is given as a guide and Bidders should satisfy parcels (as defined below). This is generally limited to more recent and Barrel Proof Act of 1968 to 1978 and the Rules of Proof. themselves with regard to this information as to its accuracy. everyday drinking wines. Please contact the department for details. Condition of Firearms Signatures It is not our policy to inspect every unopened case. In the case of wines Comment in this Catalogue is restricted, in general, to exceptional 1. A diamond brooch, by Kutchinsky older than 20 years the boxes will usually have been opened and levels condition and to those defects that might affect the immediate safety of When the maker’s name appears in the title, in Bonhams’ opinion the and appearance noted in the Catalogue where necessary. You should a firearm in normal use. An intending Bidder unable to make technical piece is by that maker. make proper allowance for variations in ullage levels and conditions of examinations and assessments is recommended to seek advice from a 2. A diamond brooch, signed Kutchinsky corks, capsules and labels. gunmaker or from a modern firearms specialist. All prospective Bidders Has a signature that, in Bonhams’ opinion, is authentic but may contain Corks and Ullages are advised to consult the ˚ of bore and wall-thickness measurements gemstones that are not original, or the piece may have been altered. Ullage refers to the space between the base of the cork and the wine. posted in the saleroom and available from the department. Bidders 3. A diamond brooch, mounted by Kutchinsky Ullage levels for Bordeaux shaped bottles are only normally noted should note that guns are stripped only where there is a strong Has been created by the jeweller, in Bonhams’ opinion, but using when below the neck and for Burgundy, Alsace, German and Cognac indication of a mechanical malfunction. Stripping is not, otherwise, stones or designs supplied by the client. shaped bottles when greater than 4 centimetres (cm). Acceptable undertaken. Guns intended for use should be stripped and cleaned 20. PHOTOGRAPHS ullage levels increase with age; generally acceptable levels are as beforehand. Hammer guns should have their rebound mechanisms Explanation of Catalogue Terms follows: checked before use. The safety mechanisms of all guns must be tested • “Bill Brandt”: in our opinion a work by the artist. Under 15 years old – into neck or less than 4cm before use. All measurements are approximate. • “Attributed to Bill Brandt”: in our opinion probably a work by the 15 to 30 years old – top shoulder (ts) or up to 5cm Original Gun Specifications Derived from Gunmakers artist, but less certainty to authorship is expressed than in the Over 30 years old – high shoulder (hs) or up to 6cm The Sporting Gun Department endeavours to confirm a gun’s original preceding category. It should be noted that ullages may change between publication specification and date of manufacture with makers who hold their • “Signed and/or titled and/or dated and/or inscribed”: in our opinion of the Catalogue and the Sale and that corks may fail as a result of original records. the signature and/or title and/or date and/or inscription are in the transporting the wine. We will only accept responsibility for Descriptions Licensing Requirements artist’s hand. of condition at the time of publication of the Catalogue and cannot Firearms Act 1968 as amended • “Signed and/or titled and/or dated and/or inscribed in another accept responsibility for any loss resulting from failure of corks either Bonhams is constantly reviewing its procedures and would remind hand”: in our opinion the signature and/or title and/or date and/or before or after this point. you that, in the case of firearms or shotguns subject to certification, inscription have been added by Options to buy parcels to conform with current legislation, Bonhams is required to see, as another hand. A parcel is a number of Lots of identical size of the same wine, bottle appropriate, your original registered firearms dealer’s certificate / shot • The date given is that of the image (negative). Where no further size and Description. The Buyer of any of these Lots has the option gun certificate / firearm certificate / museum firearms licence / Section date is given, this indicates that the photographic print is vintage to accept some or all of the remaining Lots in the parcel at the same 5 authority or import licence (or details of any exemption from which (the term “vintage” may also be included in the Lot Description). A price, although such options will be at the Auctioneer’s sole discretion. you may benefit, for instance Crown servant status) for the firearm(s) vintage photograph is one which was made within approximately Absentee Bidders are, therefore, advised to bid on the first Lot in a you have purchased prior to taking full payment of the amount 5-10 years of the negative. Where a second, later date appears, parcel. shown on your invoice. Should you not already be in possession of this refers to the date of printing. Where the exact printing date is Wines in Bond such an authority or exemption, you are required to initially pay a not known, but understood to be later, “printed later” will appear in Wines lying in Bond are marked Δ. All Lots sold under Bond, and deposit of 95% of the total invoice with the balance of 5% payable on the Lot Description. which the Buyer wishes to remain under Bond, will be invoiced without presentation of your valid certificate or licence showing your authority • Unless otherwise specified, dimensions given are those of the piece VAT or Duty on the Hammer Price. If the Buyer wishes to take the Lot to hold the firearm(s) concerned. of paper on which the image is printed, including any margins. as Duty paid, UK Excise Duty and VAT will be added to the Hammer Please be advised that if a successful Bidder is then unable to produce Some photographs may appear in the Catalogue without margins Price on the invoice. the correct paperwork, the Lot(s) will be reoffered by Bonhams in the illustrated. Buyers must notify Bonhams at the time of the sale whether they wish next appropriate Sale, on standard terms for Sellers, and you will be • All photographs are sold unframed unless stated in the Lot to take their wines under Bond or Duty paid. If a Lot is taken under responsible for any loss incurred by Bonhams on the original Sale to Description. Bond, the Buyer will be responsible for all VAT, Duty, clearance and you. 21. PICTURES other charges that may be payable thereon. In the case of RFD certificates and Section 5 authorities, we wish Explanation of Catalogue Terms Buyers outside the UK must be aware that any forwarding agent to keep an up-to-date copy on file. Please supply us with a Fax or The following terms used in the Catalogue have the following meanings appointed to export their purchases must have a movement certificate photocopy. It would be helpful if you could send us an updated copy but are subject to the general provisions relating to Descriptions for Lots to be released under Bond. whenever your certificate or authority is renewed or changed. contained in the Contract for Sale: Bottling Details and Case Terms Lots marked ‘S1´ and bearing red labels are Section 1 firearms and • “Jacopo Bassano”: in our opinion a work by the artist. When the The following terms used in the Catalogue have the following require a valid British Firearms certificate, RFD Licence or import artist’s forename(s) is not known, a series of asterisks, followed by meanings: licence. the surname of the artist, whether preceded by an initial or not, CB – Château bottled Lots marked ‘S2’ and bearing blue labels are Section 2 firearms and indicates that in our opinion the work is by the artist named; DB – Domaine bottled require a valid British Shotgun certificate, RFD licence or import licence. • “Attributed to Jacopo Bassano”: in our opinion probably a work by EstB – Estate bottled Lots marked ‘S5´ and bearing specially marked red labels are Section the artist but less certainty as to authorship is expressed than in the BB – Bordeaux bottled 5 prohibited firearms and require a valid Section 5 Authority or import preceding category; BE – Belgian bottled licence. • “Studio/Workshop of Jacopo Bassano”: in our opinion a work by FB – French bottled Lots marked with a ‘S58´ and bearing yellow labels are for obsolete an unknown hand in a studio of the artist which may or may not GB – German bottled calibres and no licence is required unless ammunition is held. have been executed under the artist’s direction; OB – Oporto bottled Unmarked Lots require no licence. • “Circle of Jacopo Bassano”: in our opinion a work by a hand closely UK – United Kingdom bottled Please do not hesitate to contact the Modern Sporting Gun associated with a named artist but not necessarily his pupil; owc – original wooden case Department should you have any queries. • “Follower of Jacopo Bassano”: in our opinion a work by a painter iwc – individual wooden case Taxidermy and Related Items working in the artist’s style, contemporary or nearly contemporary, oc – original carton On behalf of the Seller of these articles, Bonhams undertakes to but not necessarily his pupil; SYMBOLS comply fully with Cites and DEFRA regulations. Buyers are advised • “Manner of Jacopo Bassano”: in our opinion a work in the style of THE FOLLOWING SYMBOLS ARE USED TO DENOTE to inform themselves of all such regulations and should expect the the artist and of a later date; Y Subject to CITES regulations when exporting these items outside exportation of items to take some time to arrange. • “After Jacopo Bassano”: in our opinion, a copy of a known work of the EU, see clause 13. 18. FURNITURE the artist; TP Objects displayed with a TP will be located at the Cadogan Upholstered Furniture • “Signed and/or dated and/or inscribed”: in our opinion the signature Tate warehouse and will only be available for collection from this Whilst we take every care in cataloguing furniture which has been and/or date and/or inscription are from the hand of the artist; location. upholstered we offer no Guarantee as to the originality • “Bears a signature and/or date and/or inscription”: in our opinion W Objects displayed with a w will be located in the Bonhams of the wood covered by fabric or upholstery. the signature and/or date and/or inscription have been added by Warehouse and will only be available for collection from this 19. JEWELLERY another hand. location. Gemstones 22. PORCELAIN AND GLASS Δ Wines lying in Bond. Historically many gemstones have been subjected to a variety of Damage and Restoration AR An Additional Premium will be payable to us by the Buyer to treatments to enhance their appearance. Sapphires and rubies are For your guidance, in our Catalogues we attempt to detail, as far cover our Expenses relating to payment of royalties under the routinely heat treated to improve their colour and clarity, similarly as practicable, all significant defects, cracks and restoration. Such Artists Resale Right Regulations 2006. See clause 7 for details. emeralds are frequently treated with oils or resin for the same purpose. practicable Descriptions of damage cannot be definitive, and in ○ The Seller has been guaranteed a minimum price for the Lot, Other treatments such as staining, irradiation or coating may have providing Condition Reports, we cannot Guarantee that there are no either by Bonhams or a third party. This may take the form of an been used on other gemstones. These treatments may be permanent, other defects present which have not been mentioned. Bidders should irrevocable bid by a third party, who may make a financial gain on whilst others may need special care or re-treatment over the years satisfy themselves by inspection, as to the condition of each Lot.

NTB/MAIN/V1/11.2020 a successful Sale or a financial loss if unsuccessful. or Bonhams and whether made prior to or during the Sale, is not 8.1.2 to resell the Lot by auction, private treaty or any other means on ▲ Bonhams owns the Lot either wholly or partially or may otherwise part of the Contractual Description upon which the Lot is sold. giving seven days’ written notice to you of the intention to resell; have an economic interest. 3.2 Except as provided in paragraph 2.1.5, the Seller does 8.1.3 to retain possession of the Lot; Ф This lot contains or is made of ivory. The United States not make or give and does not agree to make or give any 8.1.4 to remove and store the Lot at your expense; Government has banned the import of ivory into contractual promise, undertaking, obligation, guarantee, 8.1.5 to take legal proceedings against you for any sum due under the the USA. warranty, or representation of fact, or undertake any duty of Contract for Sale and/or damages for breach of contract; •, †, *, G, Ω, a see clause 8, VAT, for details. care, in relation to any Description of the Lot or any Estimate 8.1.6 to be paid interest on any monies due (after as well as before DATA PROTECTION – USE OF YOUR INFORMATION in relation to it, nor of the accuracy or completeness of any judgement or order) at the annual rate of 5% per annum above Where we obtain any personal information about you, we shall only Description or Estimate which may have been Bonhams. No the base rate of National Westminster Bank Plc from time to use it in accordance with the terms of our Privacy Policy (subject to such Description or Estimate is incorporated into this Contract time to be calculated on a daily basis from the date upon which any additional specific consent(s) you may have given at the time for Sale. such monies become payable until the date of actual payment; your information was disclosed). A copy of our Privacy Policy can be 4 FITNESS FOR PURPOSE AND SATISFACTORY QUALITY 8.1.7 to repossess the Lot (or any part thereof) which has not become found on our Website www.bonhams.com or requested by post from 4.1 The Seller does not make and does not agree to make any your property, and for this purpose (unless the Buyer buys the Customer Services Department, 101 New Bond Street, London, W1S contractual promise, undertaking, obligation, guarantee, Lot as a Consumer from the Seller selling in the course of a 1SR or by email from [email protected] warranty, or representation of fact in relation to the satisfactory Business) you hereby grant an irrevocable licence to the Seller quality of the Lot or its fitness for any purpose. by himself and to his servants or agents to enter upon all or APPENDIX 1 4.2 The Seller will not be liable for any breach of any undertaking, any of your premises (with or without vehicles) during normal whether implied by the Sale of Goods Act 1979 or otherwise, Business hours to take possession of the Lot or part thereof; BUYERS SALE CONTRACT WITH SELLER as to the satisfactory quality of the Lot or its fitness for any 8.1.8 to retain possession of any other property sold to you by the purpose. Seller at the Sale or any other auction or by private treaty until IMPORTANT: These terms may be changed in advance of the 5 RISK, PROPERTY AND TITLE all sums due under the Contract for Sale shall have been paid in Sale of the Lot to you, by the setting out of different terms 5.1 Risk in the Lot passes to you after 7 days from the day upon full in cleared funds; in the Catalogue for the Sale and/or by placing an insert in which it is knocked down to you on the fall of the Auctioneer’s 8.1.9 to retain possession of, and on three months’ written notice the Catalogue and/or by notices at the Sale venue and/or on hammer in respect of the Lot, or upon collection of the Lot to sell, Without Reserve, any of your other property in the Bonhams’ website, and/or by oral announcements before and if earlier. The Seller will not be responsible thereafter for the possession of the Seller and/or of Bonhams (as bailee for the during the Sale at the Sale venue. You should be alert to this Lot prior to you collecting it from Bonhams or the Storage Seller) for any purpose (including, without limitation, other goods possibility of changes and ask in advance of bidding if there Contractor, with whom you have separate contract(s) as Buyer. sold to you) and to apply any monies due to you as a result of have been any. You will indemnify the Seller and keep the Seller fully indemnified such Sale in satisfaction or part satisfaction of any amounts Under this contract the Seller’s liability in respect of the quality from and against all claims, proceedings, costs, expenses owed to the Seller or to Bonhams; and of the Lot, it’s fitness for any purpose and its conformity with and losses arising in respect of any injury, loss and damage 8.1.10 so long as such goods remain in the possession of the Seller any Description is limited. You are strongly advised to examine caused to the Lot beyond 7 days from the day of the fall of the or Bonhams as its bailee, to rescind the contract for the Sale of the Lot for yourself and/or obtain an independent examination Auctioneer’s hammer until you obtain full title to it. any other goods sold to you by the Seller at the Sale or at any of it before you buy it. 5.2 Title to the Lot remains in and is retained by the Seller until: (i) the other auction or by private treaty and apply any monies received 1 THE CONTRACT Purchase Price and all other sums payable by you to Bonhams from you in respect of such goods in part or full satisfaction of 1.1 These terms and the relevant terms for Bidders and Buyers in in relation to the Lot have been paid in full to and received in any amounts owed to the Seller or to Bonhams by you. the Notice to Bidders govern the Contract for Sale of the Lot by cleared funds by Bonhams, and (ii) Bonhams has completed its 8.2 You agree to indemnify the Seller against all legal and other the Seller to the Buyer. investigations pursuant to clause 3.11 of the Buyer’s Agreement costs of enforcement, all losses and other expenses and costs 1.2 The Definitions and Glossary contained in Appendix 3 in the with Bonhams set out in Appendix 2 in the catalogue. (including any monies payable to Bonhams in order to obtain Catalogue are incorporated into this Contract for Sale and a 6 PAYMENT the release of the Lot) incurred by the Seller (whether or not separate copy can also be provided by Bonhams on request. 6.1 Your obligation to pay the Purchase Price arises when the Lot is court proceedings will have been issued) as a result of Bonhams Where words and phrases are used which are in the List of knocked down to you on the fall of the Auctioneer’s hammer in taking steps under this paragraph 8 on a full indemnity basis Definitions, they are printed in italics. respect of the Lot. together with interest thereon (after as well as before judgement 1.3 The Seller sells the Lot as the principal to the Contract for Sale, 6.2 Time will be of the essence in relation to payment of the or order) at the rate specified in paragraph 8.1.6 from the date such contract being made between the Seller and you through Purchase Price and all other sums payable by you to Bonhams. upon which the Seller becomes liable to pay the same until Bonhams which acts in the sole capacity as the Seller’s agent Unless agreed in writing with you by Bonhams on the Seller’s payment by you. and not as an additional principal. However, if the Catalogue behalf (in which case you must comply with the terms of that 8.3 On any resale of the Lot under paragraph 8.1.2, the Seller will states that Bonhams sells the Lot as principal, or such a agreement), all such sums must be paid to Bonhams by you in account to you in respect of any balance remaining from any statement is made by an announcement by the Auctioneer, the currency in which the Sale was conducted by not later than monies received by him or on his behalf in respect of the Lot, or by a notice at the Sale, or an insert in the Catalogue, then 4.30pm on the second working day following the Sale and you after the payment of all sums due to the Seller and to Bonhams, Bonhams is the Seller for the purposes of this agreement. must ensure that the funds are cleared by the seventh working within 28 days of receipt of such monies by him or on his behalf. 1.4 The contract is made on the fall of the Auctioneer’s hammer in day after the Sale. Payment must be made to Bonhams by one 9 THE SELLER’S LIABILITY respect of the Lot when it is knocked down to you. of the methods stated in the Notice to Bidders unless otherwise 9.1 The Seller will not be liable for any injury, loss or damage caused 2 SELLER’S WARRANTIES AND UNDERTAKINGS agreed with you in writing by Bonhams. If you do not pay in full by the Lot after the fall of the Auctioneer’s hammer in respect of 2.1 The Seller undertakes to you that: any sums due in accordance with this paragraph, the Seller will the Lot. 2.1.1 the Seller is the owner of the Lot or is duly authorised to sell the have the rights set out in paragraph 8 below. 9.2 Subject to paragraph 9.3 below, except for breach of the Lot by the owner; 7 COLLECTION OF THE LOT express undertaking provided in paragraph 2.1.5, the Seller 2.1.2 save as disclosed in the Entry for the Lot in the Catalogue, the 7.1 Unless otherwise agreed in writing with you by Bonhams, will not be liable for any breach of any term that the Lot will Seller sells the Lot with full title guarantee or, where the Seller the Lot will be released to you or to your order only when: (i) correspond with any Description applied to it by or on behalf of is an executor, trustee, liquidator, receiver or administrator, with Bonhams has received cleared funds to the amount of the the Seller, whether implied by the Sale of Goods Act 1979 or whatever right, title or interest he may have in the Lot; full Purchase Price and all other sums owed by you to the otherwise. 2.1.3 except where the Sale is by an executor, trustee, liquidator, Seller and to Bonhams and (ii) Bonhams has completed its 9.3 Unless the Seller sells the Lot in the course of a Business and receiver or administrator the Seller is both legally entitled to investigations pursuant to clause 3.11 of the Buyer’s Agreement the Buyer buys it as a Consumer, sell the Lot, and legally capable of conferring on you quiet with Bonhams set out in Appendix 2 in the catalogue. 9.3.1 the Seller will not be liable (whether in negligence, other tort, possession of the Lot and that the Sale conforms in every 7.2 The Seller is entitled to withhold possession from you of any breach of contract or statutory duty or in restitution or under the respect with the terms implied by the Sale of Goods Act 1979, other Lot he has sold to you at the same or at any other Sale Misrepresentation Act 1967, or in any other way) for any lack of Sections 12(1) and 12(2) (see the Definitions and Glossary); and whether currently in Bonhams’ possession or not, until conformity with, or inaccuracy, error, misdescription or omission 2.1.4 the Seller has complied with all requirements, legal or otherwise, payment in full and in cleared funds of the Purchase Price and in any Description of the Lot or any Entry or Estimate in relation relating to any export or import of the Lot, and all duties and all other sums due to the Seller and/or Bonhams in respect of to the Lot made by or on behalf of the Seller (whether made in taxes in respect of the export or import of the Lot have (unless the Lot. writing, including in the Catalogue, or on the Website, or orally, stated to the contrary in the Catalogue or announced by the 7.3 You should note that Bonhams has reserved the right not to or by conduct or otherwise) and whether made before or after Auctioneer) been paid and, so far as the Seller is aware, all third release the Lot to you until its investigations under paragraph this agreement or prior to or during the Sale; parties have complied with such requirements in the past; 3.11 of the Buyers’ Agreement set out in Appendix 2 have been 9.3.2 the Seller will not be liable for any loss of Business, Business 2.1.5 items consigned for sale by the Seller are not connected with or completed to Bonhams’ satisfaction. profits or revenue or income or for loss of reputation or for derived from any criminal activity, including without limitation tax 7.4 You will collect and remove the Lot at your own expense disruption to Business or wasted time on the part of the Buyer evasion, money laundering, terrorist financing or breach of any from Bonhams’ custody and/ or control or from the Storage or of the Buyer’s management or staff or, for any indirect losses applicable international trade sanctions; Contractor’s custody in accordance with Bonhams’ instructions or consequential damages of any kind, irrespective in any case 2.1.6 subject to any alterations expressly identified as such made by or requirements. of the nature, volume or source of the loss or damage alleged to announcement or notice at the Sale venue or by the Notice to 7.5 You will be wholly responsible for packing, handling and be suffered, and irrespective of whether the said loss or damage Bidders or by an insert in the Catalogue or on the Bonhams transport of the Lot on collection and for complying with all is caused by or claimed in respect of any negligence, other website, the Lot corresponds with the Contractual Description import or export regulations in connection with the Lot. tort, breach of contract, statutory duty, restitutionary claim or of the Lot, being that part of the Entry about the Lot in the 7.6 You will be wholly responsible for any removal, storage or other otherwise; Catalogue which is in bold letters and (except for colour) with charges or expenses incurred by the Seller if you do not remove 9.3.3 in any circumstances where the Seller is liable to you in respect any photograph of the Lot in the Catalogue. the Lot in accordance with this paragraph 7 and will indemnify of the Lot, or any act, omission, statement, or representation 3 DESCRIPTIONS OF THE LOT the Seller against all charges, costs, including any legal costs in respect of it, or this agreement or its performance, and 3.1 Paragraph 2.1.5 sets out what is the Contractual Description and fees, expenses and losses suffered by the Seller by reason whether in damages, for an indemnity or contribution or for of the Lot. In particular, the Lot is not sold as corresponding of your failure to remove the Lot including any charges due a restitutionary remedy or in any way whatsoever, the Seller’s with any part of the Entry in the Catalogue which is not printed under any Storage Contract. All such sums due to the Seller will liability will be limited to payment of a sum which will not exceed in bold letters, the remainder of which Entry merely sets out be payable on demand. by way of maximum the amount of the Purchase Price of the (on the Seller’s behalf) Bonhams’ opinion about the Lot and 8 FAILURE TO PAY FOR THE LOT Lot irrespective in any case of the nature, volume or source which is not part of the Contractual Description upon which 8.1 If the Purchase Price for a Lot is not paid to Bonhams in full in of any loss or damage alleged to be suffered or sum claimed the Lot is sold. Any statement or representation other than that accordance with the Contract for Sale, the Seller will be entitled, as due, and irrespective of whether the liability arises from part of the Entry referred to in paragraph 2.1.5 (together with with the prior written agreement of Bonhams but without further any negligence, other tort, breach of contract, statutory duty, any express alteration to it as referred to in paragraph 2.1.5), notice to you, to exercise one or more of the following rights bailee’s duty, restitutionary claim or otherwise. including any Description or Estimate, whether made orally or in (whether through Bonhams or otherwise): 9.4 Nothing set out in paragraphs 9.1 to 9.3 above will be writing, including in the Catalogue or on Bonhams’ Website, or by 8.1.1 to terminate immediately the Contract for Sale of the Lot for construed as excluding or restricting (whether directly or conduct, or otherwise, and whether by or on behalf of the Seller your breach of contract; indirectly) any person’s liability or excluding or restricting any

NTB/MAIN/V1/11.2020 person’s rights or remedies in respect of (i) fraud, or (ii) death are used in this agreement, they are printed in italics. Reference under investigation for neither have been charged nor convicted or personal injury caused by the Seller’s negligence (or any is made in this agreement to information printed in the Notice to in connection with any criminal activity. person under the Seller’s control or for whom the Seller is legally Bidders, printed in the Catalogue for the Sale, and where such 3.10 Where you are acting as agent for another party (“your responsible), or (iii) acts or omissions for which the Seller is liable information is referred to it is incorporated into this agreement. Principal”), you undertake and warrant that: under the Occupiers Liability Act 1957, or (iv) any other liability 1.3 Except as specified in paragraph 4 of the Notice to Bidders the 3.10.1 you have conducted suitable customer due diligence into to the extent the same may not be excluded or restricted as a Contract for Sale of the Lot between you and the Seller is made your Principal under applicable Sanctions and Anti-Money matter of law. on the fall of the Auctioneer’s hammer in respect of the Lot, Laundering laws and regulations; 10 MISCELLANEOUS when it is knocked down to you. At that moment a separate 3.10.2 your Principal is not a Sanctioned Party and not owned, partially 10.1 You may not assign either the benefit or burden of the Contract contract is also made between you and Bonhams on the terms owned or controlled by a Sanctioned Party, and you have no for Sale. in this Buyer’s Agreement. reason to suspect that your Principal has been charged or 10.2 The Seller’s failure or delay in enforcing or exercising any power 1.4 We act as agents for the Seller and are not answerable or convicted with, money laundering, terrorism or other crimes; or right under the Contract for Sale will not operate or be personally responsible to you for any breach of contract or other 3.10.3 funds used for your or your Principal’s purchase are not deemed to operate as a waiver of his rights under it except to default by the Seller, unless Bonhams sells the Lot as principal. connected with or derived from any criminal activity, including the extent of any express waiver given to you in writing. Any 1.5 Our personal obligations to you are governed by this agreement without limitation tax evasion, money laundering or terrorist such waiver will not affect the Seller’s ability subsequently to and we agree, subject to the terms below, to the following financing; enforce any right arising under the Contract for Sale. obligations: 3.10.4 items purchased by you and your Principal through Bonhams 10.3 If either party to the Contract for Sale is prevented from 1.5.1 we will, until the date and time specified in the Notice to Bidders are not being purchased or to be used in any way connected performing that party’s respective obligations under the Contract or otherwise notified to you, store the Lot in accordance with with or to facilitate breaches of applicable Tax, Anti-Money for Sale by circumstances beyond its reasonable control or paragraph 5; Laundering or Anti-Terrorism laws and regulations; and if performance of its obligations would by reason of such 1.5.2 subject to any power of the Seller or us to refuse to release 3.10.5 that you consent to Bonhams relying upon your customer due circumstances give rise to a significantly increased financial the Lot to you, we will release the Lot to you in accordance diligence, undertaking to retain records of your due diligence cost to it, that party will not, for so long as such circumstances with paragraph 4 once you have paid to us, in cleared funds, for at least 5 years and to make such due diligence records prevail, be required to perform such obligations. This paragraph everything due to us and the Seller and following completion of available for inspection by an independent auditor in the event does not apply to the obligations imposed on you by paragraph our enquiries pursuant to paragraph 3.11; we request you to do so. 6. 1.5.3 we will provide guarantees in the terms set out in paragraphs 9 3.11 We reserve the rights to make enquiries about any person 10.4 Any notice or other communication to be given under the and 10. transacting with us and to identify the source of any funds Contract for Sale must be in writing and may be delivered by 1.6 We do not make or give and do not agree to make or give received from you. In the event we have not completed our hand or sent by first class post or air mail or fax transmission, if to any contractual promise, undertaking, obligation, Guarantee, investigations in respect of anti-terrorism financing, anti-money the Seller, addressed c/o Bonhams at its address or fax number warranty, representation of fact in relation to any Description laundering or other financial and identity checks concerning in the Catalogue (marked for the attention of the Company of the Lot or any Estimate in relation to it, nor of the accuracy either you or the Seller, to our satisfaction at our discretion, Secretary), and if to you to the address or fax number of the or completeness of any Description or Estimate which may we shall be entitled to retain Lots and/or proceeds of Sale, Buyer given in the Bidding Form (unless notice of any change of have been made by us or on our behalf or by or on behalf postpone or cancel any sale and to take any other actions address is given in writing). It is the responsibility of the sender of the Seller (whether made orally or in writing, including in required or permitted under applicable law, without liability to of the notice or communication to ensure that it is received in a the Catalogue or on Bonhams’ Website, or by conduct, or you. legible form within any applicable time period. otherwise), and whether made before or after this agreement or 4 COLLECTION OF THE LOT 10.5 If any term or any part of any term of the Contract for Sale prior to or during the Sale. No such Description or Estimate is 4.1 Subject to any power of the Seller or us to refuse to release is held to be unenforceable or invalid, such unenforceability incorporated into this agreement between you and us. Any such the Lot to you, once you have paid to us, in cleared funds, or invalidity will not affect the enforceability and validity of the Description or Estimate, if made by us or on our behalf, was everything due to the Seller and to us, and once we have remaining terms or the remainder of the relevant term. (unless Bonhams itself sells the Lot as principal) made as agent completed our investigations under paragraph 3.11, we will 10.6 References in the Contract for Sale to Bonhams will, where on behalf of the Seller. release the Lot to you or as you may direct us in writing. The appropriate, include reference to Bonhams’ officers, employees 2 PERFORMANCE OF THE CONTRACT FOR SALE Lot will only be released on production of a buyer collection and agents and to any subsidiary of Bonhams Holdings Limited You undertake to us personally that you will observe and comply document, obtained from our cashier’s office. and to its officers, employees and agents. with all your obligations and undertakings to the Seller under the 4.2 You must collect and remove the Lot at your own expense by 10.7 The headings used in the Contract for Sale are for convenience Contract for Sale in respect of the Lot. the date and time specified in the Notice to Bidders, or if no only and will not affect its interpretation. 3 PAYMENT AND BUYER WARRANTIES date is specified, by 4.30pm on the seventh day after the Sale. 10.8 In the Contract for Sale “including” means “including, without 3.1 Unless agreed in writing between you and us or as otherwise 4.3 For the period referred to in paragraph 4.2, the Lot can be limitation”. set out in the Notice to Bidders, you must pay to us by not later collected from the address referred to in the Notice to Bidders 10.9 References to the singular will include reference to the plural than 4.30pm on the second working day following the Sale: for collection on the days and times specified in the Notice to (and vice versa) and reference to any one gender will include 3.1.1 the Purchase Price for the Lot; Bidders. Thereafter, the Lot may be removed elsewhere for reference to the other genders. 3.1.2 a Buyer’s Premium in accordance with the rates set out in the storage and you must enquire from us as to when and where 10.10 Reference to a numbered paragraph is to a paragraph of the Notice to Bidders on each lot, and you can collect it, although this information will usually be set Contract for Sale. 3.1.3 if the Lot is marked [AR], an Additional Premium which is out in the Notice to Bidders. 10.11 Save as expressly provided in paragraph 10.12 nothing in the calculated and payable in accordance with the Notice to 4.4 If you have not collected the Lot by the date specified in the Contract for Sale confers (or purports to confer) on any person Bidders together with VAT on that sum if applicable so that all Notice to Bidders, you authorise us, acting in this instance as who is not a party to the Contract for Sale any benefit conferred sums due to us are cleared funds by the seventh working day your agent and on your behalf, to enter into a contract (the by, or the right to enforce any term of, the Contract for Sale. after the Sale. “Storage Contract”) with the Storage Contractor for the storage 10.12 Where the Contract for Sale confers an immunity from, and/or 3.2 You must also pay us on demand any Expenses payable of the Lot on the then current standard terms and conditions an exclusion or restriction of, the responsibility and/or liability pursuant to this agreement. agreed between Bonhams and the Storage Contractor (copies of the Seller, it will also operate in favour and for the benefit of 3.3 All payments to us must be made in the currency in which the of which are available on request). If the Lot is stored at our Bonhams, Bonhams’ holding company and the subsidiaries Sale was conducted, using, unless otherwise agreed by us in premises storage fees at our current daily rates (currently a of such holding company and the successors and assigns of writing, one of the methods of payment set out in the Notice to minimum of £3 plus VAT per Lot per day) will be payable from Bonhams and of such companies and of any officer, employee Bidders. Our invoices will only be addressed to the registered the expiry of the period referred to in paragraph 4.2. These and agent of Bonhams and such companies, each of whom Bidder unless the Bidder is acting as an agent for a named storage fees form part of our Expenses. will be entitled to rely on the relevant immunity and/or exclusion principal and we have approved that arrangement, in which 4.5 Until you have paid the Purchase Price and any Expenses in and/or restriction within and for the purposes of Contracts case we will address the invoice to the principal. full the Lot will either be held by us as agent on behalf of the (Rights of Third Parties) Act 1999, which enables the benefit of 3.4 Unless otherwise stated in this agreement all sums payable to Seller or held by the Storage Contractor as agent on behalf of a contract to be extended to a person who is not a party to the us will be subject to VAT at the appropriate rate and VAT will be the Seller and ourselves on the terms contained in the Storage contract, and generally at law. payable by you on all such sums. Contract. 11 GOVERNING LAW 3.5 We may deduct and retain for our own benefit from the monies 4.6 You undertake to comply with the terms of any Storage All transactions to which the Contract for Sale applies and paid by you to us the Buyer’s Premium, the Commission Contract and in particular to pay the charges (and all costs of all connected matters will be governed by and construed in payable by the Seller in respect of the Lot, any Expenses and moving the Lot into storage) due under any Storage Contract. accordance with the laws of that part of the United Kingdom VAT and any interest earned and/or incurred until payment to You acknowledge and agree that you will not be able to collect where the Sale takes place and the Seller and you each submit the Seller. the Lot from the Storage Contractor’s premises until you have to the exclusive jurisdiction of the courts of that part of the 3.6 Time will be of the essence in relation to any payment payable paid the Purchase Price, any Expenses and all charges due United Kingdom, save that the Seller may bring proceedings to us. If you do not pay the Purchase Price, or any other sum under the Storage Contract. against you in any other court of competent jurisdiction to due to us in accordance with this paragraph 3, we will have the 4.7 You will be wholly responsible for packing, handling and the extent permitted by the laws of the relevant jurisdiction. rights set out in paragraph 7 below. transport of the Lot on collection and for complying with all Bonhams has a complaints procedure in place. 3.7 Where a number of Lots have been knocked down to you, any import or export regulations in connection with the Lot. monies we receive from you will be applied firstly pro-rata to pay 4.8 You will be wholly responsible for any removal, storage, or other APPENDIX 2 the Purchase Price of each Lot and secondly pro-rata to pay all charges for any Lot not removed in accordance with paragraph amounts due to Bonhams. 4.2, payable at our current rates, and any Expenses we incur BUYER’S AGREEMENT WITH BONHAMS 3.8 You warrant that neither you nor - if you are a company, (including any charges due under the Storage Contract), all of IMPORTANT: These terms may be changed in advance of the Sale your directors, officers or your owner or their directors or which must be paid by you on demand and in any event before of the Lot to you, by the setting out of different terms in the shareholders - are an individual or an entity that is, or is owned any collection of the Lot by you or on your behalf. Catalogue for the Sale and/or by placing an insert in the or controlled by individuals or entities that are: 5 STORING THE LOT Catalogue and/or by notices at the Sale venue and/or by oral 3.8.1 the subject of any sanctions administered or enforced by the We agree to store the Lot until the earlier of your removal of the announcements before and during the Sale at the Sale venue. U.S. Department of the Treasury’s Office of Foreign Assets Lot or until the time and date set out in the Notice to Bidders, You should be alert to this possibility of changes and ask in Control, the U.S. Departure of State, the United Nations Security on the Sale Information Page or at the back of the catalogue (or advance of bidding if there have been any. Council, the European Union, Her Majesty’s Treasury, or other if no date is specified, by 4.30pm on the seventh day after the 1 THE CONTRACT relevant sanctions authority (“Sanctions” and a “Sanctioned Sale) and, subject to paragraphs 3, 6 and 10, to be responsible 1.1 These terms govern the contract between Bonhams personally Party”); or as bailee to you for damage to or the loss or destruction of the and the Buyer, being the person to whom a Lot has been 3.8.2 located, organised or resident in a country or territory that is, Lot (notwithstanding that it is not your property before payment knocked down by the Auctioneer. or whose government is, the subject of Sanctions, including of the Purchase Price). If you do not collect the Lot before the 1.2 The Definitions and Glossary contained in Appendix 3 to the without limitation, Iran, North Korea, Sudan and Syria. time and date set out in the Notice to Bidders (or if no date Catalogue for the Sale are incorporated into this agreement and 3.9 You warrant that the funds being used for your purchase have is specified, by 4.30pm on the seventh day after the Sale) we a separate copy can also be provided by us on request. Where no link with criminal activity including without limitation money may remove the Lot to another location, the details of which words and phrases which are defined in the List of Definitions laundering, tax evasion or terrorist financing, and that you not will usually be set out in the relevant section of the Catalogue. If

NTB/MAIN/V1/11.2020 you have not paid for the Lot in accordance with paragraph 3, 8.1.1 retain the Lot to investigate any question raised or reasonably where we are liable to you in respect of a Lot, or any act, and the Lot is moved to any third party’s premises, the Lot will expected by us to be raised in relation to the Lot; and/or omission, statement, representation in respect of it, or this be held by such third party strictly to Bonhams’ order and we 8.1.2 deliver the Lot to a person other than you; and/or agreement or its performance, and whether in damages, for an will retain our lien over the Lot until we have been paid in full in 8.1.3 commence interpleader proceedings or seek any other order of indemnity or contribution or for a restitutionary remedy or in any accordance with paragraph 3. any court, mediator, arbitrator or government body; and/or way whatsoever, our liability will be limited to payment of a sum 6 RESPONSIBILITY FOR THE LOT 8.1.4 require an indemnity and/or security from you in return for which will not exceed by way of maximum the amount of the 6.1 Title (ownership) in the Lot passes to you (i) on payment of pursuing a course of action agreed to by you. Purchase Price of the Lot plus Buyer’s Premium (less any sum the Purchase Price to us in full in cleared funds and (ii) when 8.2 The discretion referred to in paragraph 8.1: you may be entitled to recover from the Seller) irrespective in investigations have been completed to our satisfaction under 8.2.1 may be exercised at any time during which we have actual or any case of the nature, volume or source of any loss or damage paragraph 3.11. constructive possession of the Lot, or at any time after such alleged to be suffered or sum claimed as due, and irrespective 6.2 Please note however, that under the Contract for Sale, the risk in possession, where the cessation of such possession has of whether the liability arises from negligence, other tort, breach the Lot passes to you after 7 days from the day upon which occurred by reason of any decision, order or ruling of any court, of contract, statutory duty, bailee’s duty, a restitutionary claim it is knocked down to you or upon collection of the Lot if mediator, arbitrator or government body; and or otherwise. earlier, and you are advised to obtain insurance in respect of the 8.2.2 will not be exercised unless we believe that there exists a You may wish to protect yourself against loss by obtaining insurance. Lot as soon as possible after the Sale. serious prospect of a good arguable case in favour of the claim. 10.4 Nothing set out above will be construed as excluding or 7 FAILURE TO PAY OR TO REMOVE THE LOT AND PART 9 FORGERIES restricting (whether directly or indirectly) any person’s liability PAYMENTS 9.1 We undertake a personal responsibility for any Forgery in or excluding or restricting any person’s rights or remedies in 7.1 If all sums payable to us are not so paid in full at the time they accordance with the terms of this paragraph 9. respect of (i) fraud, or (ii) death or personal injury caused by our are due and/or the Lot is not removed in accordance with 9.2 Paragraph 9 applies only if: negligence (or any person under our control or for whom we are this agreement, we will (without further notice to you unless 9.2.1 your name appears as the named person to whom the original legally responsible), or (iii) acts or omissions for which we are otherwise provided below), be entitled to exercise one or more invoice was made out by us in respect of the Lot and that liable under the Occupiers Liability Act 1957, or (iv) any other of the following rights (without prejudice to any rights we may invoice has been paid; and liability to the extent the same may not be excluded or restricted exercise on behalf of the Seller): 9.2.2 you notify us in writing as soon as reasonably practicable after as a matter of law, or (v) under our undertaking in paragraph 9 7.1.1 to terminate this agreement immediately for your breach of you have become aware that the Lot is or may be a Forgery, of these conditions. contract; and in any event within one year after the Sale, that the Lot is a 11 BOOKS MISSING TEXT OR ILLUSTRATIONS 7.1.2 to retain possession of the Lot; Forgery; and Where the Lot is made up wholly of a Book or Books and 7.1.3 to remove, and/or store the Lot at your expense; 9.2.3 within one month after such notification has been given, you any Book does not contain text or illustrations (in either case 7.1.4 to take legal proceedings against you for payment of any sums return the Lot to us in the same condition as it was at the time referred to as a “non-conforming Lot”), we undertake a personal payable to us by you (including the Purchase Price) and/or of the Sale, accompanied by written evidence that the Lot is responsibility for such a non-conforming Lot in accordance with damages for breach of contract; a Forgery and details of the Sale and Lot number sufficient to the terms of this paragraph, if: 7.1.5 to be paid interest on any monies due to us (after as well as identify the Lot. the original invoice was made out by us to you in respect of the before judgement or order) at the annual rate of 5% per annum 9.3 Paragraph 9 will not apply in respect of a Forgery if: Lot and that invoice has been paid; and above the base lending rate of National Westminster Bank Plc 9.3.1 the Entry in relation to the Lot contained in the Catalogue you notify us in writing as soon as reasonably practicable after from time to time to be calculated on a daily basis from the reflected the then accepted general opinion of scholars and you have become aware that the Lot is or may be a non- date upon which such monies become payable until the date of experts or fairly indicated that there was a conflict of such conforming Lot, and in any event within 20 days after the Sale actual payment; opinion or reflected the then current opinion of an expert (or such longer period as we may agree in writing) that the Lot is 7.1.6 to repossess the Lot (or any part thereof) which has not become acknowledged to be a leading expert in the relevant field; or a non-conforming Lot; and your property, and for this purpose (unless you buy the Lot as 9.3.2 it can be established that the Lot is a Forgery only by means of within 20 days of the date of the relevant Sale (or such longer a Consumer) you hereby grant an irrevocable licence to us, by a process not generally accepted for use until after the date on period as we may agree in writing) you return the Lot to us in the ourselves, our servants or agents, to enter upon all or any of which the Catalogue was published or by means of a process same condition as it was at the time of the Sale, accompanied by your premises (with or without vehicles) during normal business which it was unreasonable in all the circumstances for us to written evidence that the Lot is a non-conforming Lot and details hours to take possession of any Lot or part thereof; have employed. of the Sale and Lot number sufficient to identify the Lot.but not if: 7.1.7 to sell the Lot Without Reserve by auction, private treaty or any 9.4 You authorise us to carry out such processes and tests on the Entry in the Catalogue in respect of the Lot indicates that the other means on giving you three months’ written notice of our the Lot as we in our absolute discretion consider necessary to rights given by this paragraph do not apply to it; or intention to do so; satisfy ourselves that the Lot is or is not a Forgery. the Entry in the Catalogue in respect of the Lot reflected the 7.1.8 to retain possession of any of your other property in our 9.5 If we are satisfied that a Lot is a Forgery we will (as principal) then accepted general opinion of scholars and experts or fairly possession for any purpose (including, without limitation, other purchase the Lot from you and you will transfer the title to the indicated that there was a conflict of such opinion; or goods sold to you or with us for Sale) until all sums due to us Lot in question to us, with full title guarantee, free from any liens, it can be established that the Lot is a non-conforming Lot only have been paid in full; charges, encumbrances and adverse claims, in accordance with by means of a process not generally accepted for use until after 7.1.9 to apply any monies received from you for any purpose whether the provisions of Sections 12(1) and 12(2) of the Sale of Goods the date on which the Catalogue was published or by means of at the time of your default or at any time thereafter in payment Act 1979 and we will pay to you an amount equal to the sum of a process which it was unreasonable in all the circumstances for or part payment of any sums due to us by you under this the Purchase Price, Buyer’s Premium, VAT and Expenses paid us to have employed; or agreement; by you in respect of the Lot. the Lot comprises atlases, maps, autographs, manuscripts, 7.1.10 on three months’ written notice to sell, Without Reserve, any of 9.6 The benefit of paragraph 9 is personal to, and incapable of extra illustrated books, music or periodical publications; or your other property in our possession or under our control for assignment by, you. the Lot was listed in the Catalogue under “collections” or any purpose (including other goods sold to you or with us for 9.7 If you sell or otherwise dispose of your interest in the Lot, all “collections and various” or the Lot was stated in the Catalogue Sale) and to apply any monies due to you as a result of such rights and benefits under this paragraph 9 will cease. to comprise or contain a collection, issue or Books which are Sale in payment or part payment of any amounts owed to us; 9.8 Paragraph 9 does not apply to a Lot made up of or including a undescribed or the missing text or illustrations are referred to 7.1.11 refuse to allow you to register for a future Sale or to reject a bid Chinese painting or Chinese paintings, a motor vehicle or motor or the relevant parts of the Book contain blanks, half titles or from you at any future Sale or to require you to pay a deposit vehicles, a Stamp or Stamps or a Book or Books. advertisements. before any bid is accepted by us at any future Sale in which 10 OUR LIABILITY If we are reasonably satisfied that a Lot is a non- conforming case we will be entitled to apply such deposit in payment or part 10.1 We will not be liable whether in negligence, other tort, breach Lot, we will (as principal) purchase the Lot from you and you payment, as the case may be, of the Purchase Price of any Lot of contract or statutory duty or in restitution or under the will transfer the title to the Lot in question to us, with full title of which you are the Buyer. Misrepresentation Act 1967 or in any other way for lack of guarantee, free from any liens, charges, encumbrances and 7.1.12 having made reasonable efforts to inform you, to release your conformity with or any inaccuracy, error, misdescription or adverse claims and we will pay to you an amount equal to the name and address to the Seller, so they might take appropriate omission in any Description of the Lot or any Entry or Estimate sum of the Purchase Price and Buyer’s Premium paid by you in steps to recover the amounts due and legal costs associated in respect of it, made by us or on our behalf or by or on respect of the Lot. with such steps. behalf of the Seller (whether made in writing, including in the The benefit of paragraph 10 is personal to, and incapable of 7.2 You agree to indemnify us against all legal and other costs, all Catalogue, or on the Bonhams’ Website, or orally, or by conduct assignment by, you and if you sell or otherwise dispose of your losses and all other Expenses (whether or not court proceedings or otherwise) and whether made before or after this agreement interest in the Lot, all rights and benefits under this paragraph will have been issued) incurred by us as a result of our taking or prior to or during the Sale. will cease. steps under this paragraph 7 on a full indemnity basis together 10.2 Our duty to you while the Lot is at your risk and/or your property 12 MISCELLANEOUS with interest thereon (after as well as before judgement or order) and in our custody and/or control is to exercise reasonable care 12.1 You may not assign either the benefit or burden of this agreement. at the rate specified in paragraph 7.1.5 from the date upon in relation to it, but we will not be responsible for damage to the 12.2 Our failure or delay in enforcing or exercising any power or right which we become liable to pay the same until payment by you. Lot or to other persons or things caused by: under this agreement will not operate or be deemed to operate 7.3 If you pay us only part of the sums due to us such payment 10.2.1 handling the Lot if it was affected at the time of Sale to you by as a waiver of our rights under it except to the extent of any shall be applied firstly to the Purchase Price of the Lot (or woodworm and any damage is caused as a result of it being express waiver given to you in writing. Any such waiver will not where you have purchased more than one Lot pro-rata towards affected by woodworm; or affect our ability subsequently to enforce any right arising under the Purchase Price of each Lot) and secondly to the Buyer’s 10.2.2 changes in atmospheric pressure; nor will we be liable for: this agreement. Premium (or where you have purchased more than one Lot 10.2.3 damage to tension stringed musical instruments; or 12.3 If either party to this agreement is prevented from performing pro-rata to the Buyer’s Premium on each Lot) and thirdly to any 10.2.4 damage to gilded picture frames, plaster picture frames or that party’s respective obligations under this agreement other sums due to us. picture frame glass; and if the Lot is or becomes dangerous, by circumstances beyond its reasonable control (including 7.4 We will account to you in respect of any balance we hold we may dispose of it without notice to you in advance in any without limitation governmental intervention, industrial action, remaining from any monies received by us in respect of any manner we think fit and we will be under no liability to you for insurrection, warfare (declared or undeclared), terrorism, power Sale of the Lot under our rights under this paragraph 7 after the doing so. failure, epidemic or natural disaster) or if performance of its payment of all sums due to us and/or the Seller within 28 days 10.3.1 We will not be liable to you for any loss of Business, Business obligations would by reason of such circumstances give rise of receipt by us of all such sums paid to us. profits, revenue or income or for loss of Business reputation to a significantly increased financial cost to it, that party will 8 CLAIMS BY OTHER PERSONS IN RESPECT OF THE LOT or for disruption to Business or wasted time on the part of the not, for so long as such circumstances prevail, be required to 8.1 Whenever it becomes apparent to us that the Lot is the subject Buyer’s management or staff or, if you are buying the Lot in the perform such obligations. This paragraph does not apply to the of a claim by someone other than you and other than the course of a Business, for any indirect losses or consequential obligations imposed on you by paragraph 3. Seller (or that such a claim can reasonably be expected to be damages of any kind, irrespective in any case of the nature, 12.4 Any notice or other communication to be given under this made), we may, at our absolute discretion, deal with the Lot in volume or source of the loss or damage alleged to be suffered, agreement must be in writing and may be delivered by hand any manner which appears to us to recognise the legitimate and irrespective of whether the said loss or damage is caused or sent by first class post or air mail or fax transmission (if to interests of ourselves and the other parties involved and lawfully by or claimed in respect of any negligence, other tort, breach Bonhams marked for the attention of the Company Secretary), to protect our position and our legitimate interests. Without of contract, statutory duty, bailee’s duty, a restitutionary claim to the address or fax number of the relevant party given in the prejudice to the generality of the discretion and by way of or otherwise. Contract Form (unless notice of any change of address is given example, we may: 10.3.2 Unless you buy the Lot as a Consumer, in any circumstances in writing). It is the responsibility of the sender of the notice or

NTB/MAIN/V1/11.2020 communication to ensure that it is received in a legible form “Conditions of Sale” the Notice to Bidders, Contract for Sale, Buyer’s “Specialist Examination” a visual examination of a Lot by a specialist Registration and Bidding Form within any applicable time period. Agreement and Definitions and Glossary. on the Lot. (Attendee / Absentee / Online / Telephone Bidding) 12.5 If any term or any part of any term of this agreement is held to “Consignment Fee” a fee payable to Bonhams by the Seller “Stamp” means a postage Stamp offered for Sale at a Specialist Paddle number (for office use only) be unenforceable or invalid, such unenforceability or invalidity calculated at rates set out in the Conditions of Business. Stamp Sale. Please circle your bidding method above. will not affect the enforceability and validity of the remaining “Consumer” a natural person who is acting for the relevant purpose “Standard Examination” a visual examination of a Lot by a non- terms or the remainder of the relevant term. outside his trade, Business or profession. specialist member of Bonhams’ staff. This sale will be conducted in accordance with 12.6 References in this agreement to Bonhams will, where “Contract Form” the Contract Form, or vehicle Entry form, as “Storage Contract” means the contract described in paragraph Sale title: Sale date: appropriate, include reference to Bonhams’ officers, employees applicable, signed by or on behalf of the Seller listing the Lots to be 8.3.3 of the Conditions of Business or paragraph 4.4 of the Buyer’s Bonhams’ Conditions of Sale and bidding and buying and agents. offered for Sale by Bonhams. Agreement (as appropriate). at the Sale will be regulated by these Conditions. You 12.7 The headings used in this agreement are for convenience only “Contract for Sale” the Sale contract entered into by the Seller with “Storage Contractor” means the company identified as such in the should read the Conditions in conjunction with the Sale no. Sale venue: and will not affect its interpretation. the Buyer (see Appendix 1 in the Catalogue). Catalogue. Sale Information relating to this Sale which sets out the 12.8 In this agreement “including” means “including, without “Contractual Description” the only Description of the Lot (being “Terrorism” means any act or threatened act of terrorism, whether charges payable by you on the purchases you make If you are not attending the sale in person, please provide details of the Lots on which you wish to bid at least 24 hours limitation”. that part of the Entry about the Lot in the Catalogue which is in bold any person is acting alone or on behalf of or in connection with any and other terms relating to bidding and buying at the 12.9 References to the singular will include reference to the plural letters, any photograph (except for the colour) and the contents of any organisation(s) and/or government(s), committed for political, religious prior to the sale. Bids will be rounded down to the nearest increment. Please refer to the Notice to Bidders in the catalogue Sale. You should ask any questions you have about the (and vice versa) and reference to any one gender will include Condition Report) to which the Seller undertakes in the Contract of or ideological or similar purposes including, but not limited to, the for further information relating to Bonhams executing telephone, online or absentee bids on your behalf. Bonhams will reference to the other genders. Sale the Lot corresponds. intention to influence any government and/or put the public or any Conditions before signing this form. These Conditions endeavour to execute these bids on your behalf but will not be liable for any errors or failing to execute bids. 12.10 Reference to a numbered paragraph is to a paragraph of this “Description” also contain certain undertakings by bidders and buyers any statement or representation in any way descriptive section of the public into fear. General Bid Increments: agreement. of the Lot, including any statement or representation relating to its “VAT” value added tax at the prevailing rate at the date of the Sale in and limit Bonhams’ liability to bidders and buyers. 12.11 Save as expressly provided in paragraph 12.12 nothing in this authorship, attribution, condition, provenance, authenticity, style, the United Kingdom. £10 - 200 ...... by 10s £10,000 - 20,000 ...... by 1,000s agreement confers (or purports to confer) on any person who period, age, suitability, quality, origin, value, estimated selling price “Website” Bonhams Website at www.bonhams.com Data protection – use of your information £200 - 500 ...... by 20 / 50 / 80s £20,000 - 50,000 ...... by 2,000 / 5,000 / 8,000s is not a party to this agreement any benefit conferred by, or the (including the Hammer Price). “Withdrawal Notice” the Seller’s written notice to Bonhams revoking Where we obtain any personal information about you, we £500 - 1,000 ...... by 50s £50,000 - 100,000 ...... by 5,000s right to enforce any term of, this agreement. “Entry” a written statement in the Catalogue identifying the Lot and its Bonhams’ instructions to sell a Lot. shall only use it in accordance with the terms of our Privacy £1,000 - 2,000 ...... by 100s £100,000 - 200,000 .....by 10,000s 12.12 Where this agreement confers an immunity from, and/or an Lot number which may contain a Description and illustration(s) relating “Without Reserve” where there is no minimum price at which a Lot Policy (subject to any additional specific consent(s) you may £2,000 - 5,000 ...... by 200 / 500 / 800s above £200,000 ...... at the auctioneer’s discretion exclusion or restriction of, the responsibility and/or liability to the Lot. may be sold (whether at auction or by private treaty). have given at the time your information was disclosed). A of Bonhams, it will also operate in favour and for the benefit “Estimate” a statement of our opinion of the range within which the £5,000 - 10,000 ...... by 500s GLOSSARY copy of our Privacy Policy can be found on our website of Bonhams’ holding company and the subsidiaries of such hammer is likely to fall. The following expressions have specific legal meanings with which you The auctioneer has discretion to split any bid at any time. holding company and the successors and assigns of Bonhams “Expenses” charges and Expenses paid or payable by Bonhams may not be familiar. The following glossary is intended to give you an (www.bonhams.com) or requested by post from Customer and of such companies and of any officer, employee and in respect of the Lot including legal Expenses, banking charges and understanding of those expressions but is not intended to limit their Services Department, 101 New Bond Street, London W1S agent of Bonhams and such companies, each of whom will be Expenses incurred as a result of an electronic transfer of money, legal meanings: 1SR United Kingdom or by e-mail from [email protected]. Customer Number Title entitled to rely on the relevant immunity and/or exclusion and/ charges and Expenses for loss and damage cover, insurance, “artist’s resale right”: the right of the creator of a work of art to receive We may disclose your personal information to any member of or restriction within and for the purposes of Contracts (Rights of Catalogue and other reproductions and illustrations, any customs a payment on Sales of that work subsequent to the original Sale of our group which means our subsidiaries, our ultimate holding First Name Last Name Third Parties) Act 1999, which enables the benefit of a contract duties, advertising, packing or shipping costs, reproductions rights’ that work by the creator of it as set out in the Artists Resale Right company and its subsidiaries (whether registered in the UK or to be extended to a person who is not a party to the contract, fees, taxes, levies, costs of testing, searches or enquiries, preparation Regulations 2006. elsewhere). We will not disclose your data to anyone outside Company name (if applicable) and generally at law. of the Lot for Sale, storage charges, removal charges, removal charges “bailee”: a person to whom goods are entrusted. our group but we may from time to time provide you with 13 GOVERNING LAW or costs of collection from the Seller as the Seller’s agents or from a “indemnity”: an obligation to put the person who has the benefit Company Registration number (if applicable) All transactions to which this agreement applies and all defaulting Buyer, plus VAT if applicable. of the indemnity in the same position in which he would have been, information about goods and services which we feel maybe of interest to you including those provided by third parties. connected matters will be governed by and construed in “Forgery” an imitation intended by the maker or any other person to had the circumstances giving rise to the indemnity not arisen and the Address accordance with the laws of that part of the United Kingdom deceive as to authorship, attribution, origin, authenticity, style, date, expression “indemnify” is construed accordingly. If you do not want to receive such information (except for where the Sale takes (or is to take) place and we and you each age, period, provenance, culture, source or composition, which at the “interpleader proceedings”: proceedings in the Courts to determine information you specifically requested) please tick this box City submit to the exclusive jurisdiction of the courts of that part date of the Sale had a value materially less than it would have had if the ownership or rights over a Lot. Would you like to receive e-mailed information from us? if so of the United Kingdom, save that we may bring proceedings Lot had not been such an imitation, and which is not stated to be such “knocked down”: when a Lot is sold to a Bidder, indicated by the fall please tick this box against you in any other court of competent jurisdiction to an imitation in any description of the Lot. A Lot will not be a Forgery by of the hammer at the Sale. Post / Zip code County / State the extent permitted by the laws of the relevant jurisdiction. reason of any damage to, and/or restoration and/ or modification work “lien”: a right for the person who has possession of the Lot to retain Bonhams has a complaints procedure in place. (including repainting or over painting) having been carried out on the possession of it. Notice to Bidders. At least 24 hours before the Sale, clients must provide Telephone (mobile) Country DATA PROTECTION – USE OF YOUR INFORMATION Lot, where that damage, “risk”: the possibility that a Lot may be lost, damaged, destroyed, government or state issued photographic proof of ID and date Where we obtain any personal information about you, we shall only restoration or modification work (as the case may be) does not stolen, or deteriorate in condition or value. Telephone (landline) use it in accordance with the terms of our Privacy Policy (subject to substantially affect the identity of the Lot as one conforming to the “title”: the legal and equitable right to the ownership of a Lot. of birth e.g. - passport, driving licence - and if not included in any additional specific consent(s) you may have given at the time Description of the Lot. “tort”: a legal wrong done to someone to whom the wrong doer has ID document, proof of address e.g - utility bill, bank or credit your information was disclosed). A copy of our Privacy Policy can be “Guarantee” the obligation undertaken personally by Bonhams to the a duty of care. card statement etc. Corporate clients should also provide a E-mail (in capitals) found on our Website www.bonhams.com or requested by post from Buyer in respect of any Forgery and, in the case of specialist Stamp “warranty”: a legal assurance or promise, upon which the person to copy of their articles of association / company registration Please answer all questions below Customer Services Department, 101 New Bond Street, London W1S Sales and/or specialist Book Sales, a Lot made up of a Stamp or whom the warranty was given has the right to rely. documents, and the entities name and registered address, 1SR, United Kingdom or by email from [email protected]. Stamps or a Book or Books as set out in the Buyer’s Agreement. SALE OF GOODS ACT 1979 documentary proof of its beneficial owners and directors, 1. ID supplied: Government issued ID and (if the ID does not confirm your address) current utility bill/ bank statement. “Hammer Price” the price in the currency in which the Sale is The following is an extract from the Sale of Goods Act 1979: together with a letter authorising the individual to bid on the If a corporate entity, please provide the Certificate of Incorporation or Partnership Deed and a letter authorising you to act. APPENDIX 3 conducted at which a Lot is knocked down by the Auctioneer. “Section 12 Implied terms about title, etc “Loss and Damage Warranty” company’s behalf. Failure to provide this may result in your means the warranty described in (1) In a contract of sale, other than one to which subsection (3) below 2. Are you representing the Bidder? If yes, please complete question 3. DEFINITIONS AND GLOSSARY paragraph 8.2 of the Conditions of Business. applies, there is an implied term on the part of the seller that in the bids not being processed or completed. For higher value lots you may also be asked to provide a bank reference. Where these Definitions and Glossary are incorporated, the following “Loss and Damage Warranty Fee” means the fee described in case of a sale he has a right to sell the goods, and in the case of 3. Bidder's name, address and contact details (phone and email): words and phrases used have (unless the context otherwise requires) paragraph 8.2.3 of the Conditions of Business. an agreement to sell he will have such a right at the time when the the meanings given to them below. The Glossary is to assist you to “Lot” any item consigned to Bonhams with a view to its Sale at auction property is to pass. If successful Bidder’s ID: Government issued ID and (if the ID does not confirm their address) current utility bill/bank statement understand words and phrases which have a specific legal meaning or by private treaty (and reference to any Lot will include, unless the (2) In a contract of sale, other than one to which subsection (3) below I will collect the purchases myself with which you may not be familiar. context otherwise requires, reference to individual items comprised in a applies, there is also an implied term that- Are you acting in a business capacity? If registered for VAT in the EU please enter your registration here: LIST OF DEFINITIONS group of two or more items offered for Sale as one Lot). (a) the goods are free, and will remain free until the time Please arrange shippers to contact me with Yes No / - - “Account” the bank account of Bonhams into which all sums received “Motoring Catalogue Fee” a fee payable by the Seller to Bonhams in when the property is to pass, from any charge or a quote and I agree that you may pass them in respect of the Purchase Price of any Lot will be paid. consideration of the additional work undertaken by Bonhams in respect encumbrance not disclosed or known to the buyer my contact details. “Additional Premium” a premium, calculated in accordance with of the cataloguing of motor vehicles and in respect of the promotion of before the contract is made, and Please note that all telephone calls are recorded. the Notice to Bidders, to cover Bonhams’ Expenses relating to the Sales of motor vehicles. (b) the buyer will enjoy quiet possession of the goods MAX bid in GBP Telephone or payment of royalties under the Artists Resale Right Regulations 2006 “New Bond Street” means Bonhams’ saleroom at 101 New Bond except in so far as it may be disturbed by the owner or Lot no. Brief description (excluding premium Covering bid which is payable by the Buyer to Bonhams on any Lot marked [AR] Street, London W1S 1SR. other person entitled to the benefit of any charge or Absentee (T / A) which sells for a Hammer Price which together with the Buyer’s “Notional Charges” the amount of Commission and VAT which would encumbrance so disclosed or known. & VAT) * Premium (but excluding any VAT) equals or exceeds 1000 euros have been payable if the Lot had been sold at the Notional Price. (3) This subsection applies to a contract of sale in the case of which (converted into the currency of the Sale using the European Central “Notional Fee” the sum on which the Consignment Fee payable to there appears from the contract or is to be inferred from its Bank Reference rate prevailing on the date of the Sale). Bonhams by the Seller is based and which is calculated according to circumstances an intention that the seller should transfer only such “Auctioneer” the representative of Bonhams conducting the formula set out in the Conditions of Business. title as he or a third person may have. the Sale. “Notional Price” the latest in time of the average of the high and low “Bidder” Any person considering, attempting or making a Bid, Estimates given by us to you or stated in the Catalogue or, if no such (4) In a contract to which subsection (3) above applies there is an including those who have completed a Bidding Form. Estimates have been given or stated, the Reserve applicable to the Lot. implied term that all charges or encumbrances known to the seller “Bidding Form” our Bidding Registration Form, our Absentee Bidding “Notice to Bidders” the notice printed at the back or front of our and not known to the buyer have been disclosed to the buyer Form or our Telephone Bidding Form. Catalogues. before the contract is made. “Bonhams” Bonhams 1793 Limited or its successors or assigns. “Purchase Price” the aggregate of the Hammer Price and VAT on the (5) In a contract to which subsection (3) above applies there is also an Bonhams is also referred to in the Buyer’s Agreement, the Conditions Hammer Price (where applicable), the Buyer’s Premium and VAT on the implied term that none of the following will disturb the buyer’s quiet of Business and the Notice to Bidders by the words “we”, “us” and Buyer’s Premium and any Expenses. possession of the goods, namely: “our”. “Reserve” the minimum price at which a Lot may be sold (whether at (a) the seller; “Book” a printed Book offered for Sale at a specialist Book Sale. auction or by private treaty). (b) in a case where the parties to the contract intend “Business” includes any trade, Business and profession. “Sale” the auction Sale at which a Lot is to be offered for Sale by that the seller should transfer only such title as a third “Buyer” the person to whom a Lot is knocked down by the Bonhams. person may have, that person; FOR WINE SALES ONLY Auctioneer. The Buyer is also referred to in the Contract for Sale and “Sale Proceeds” the net amount due to the Seller from the Sale of a (c) anyone claiming through or under the seller or that third the Buyer’s Agreement by the words “you” and “your”. Lot, being the Hammer Price less the Commission, any VAT chargeable person otherwise than under a charge or encumbrance Please leave lots “available under bond” in bond Please include delivery charges (minimum charge of £20 + VAT) “Buyer’s Agreement” the contract entered into by Bonhams with the thereon, Expenses and any other amount due to us in whatever disclosed or known to the buyer before the contract is Buyer (see Appendix 2 in the Catalogue). capacity and howsoever arising. made. “Buyer’s Premium” the sum calculated on the Hammer Price at the “Seller” the person who offers the Lot for Sale named on the Contract (5A) As regards England and Wales and Northern Ireland, the term BY SIGNING THIS FORM YOU AGREE THAT YOU HAVE SEEN THE CATALOGUE AND HAVE READ AND UNDERSTOOD OUR CONDITIONS OF SALE INCLUDING BUYER’S WARRANTIES AND WISH rates stated in the Notice to Bidders. Form. Where the person so named identifies on the form another implied by subsection (1) above is a condition and the terms TO BE BOUND BY THEM, AND AGREE TO PAY THE BUYER’S PREMIUM, VAT AND ANY OTHER CHARGES MENTIONED IN THE NOTICE TO BIDDERS. THIS AFFECTS YOUR LEGAL RIGHTS. “Catalogue” the Catalogue relating to the relevant Sale, including any person as acting as his agent, or where the person named on the implied by subsections (2), (4) and (5) above are warranties.” representation of the Catalogue published on our Website. Contract Form acts as an agent for a principal (whether such agency is “Commission” the Commission payable by the Seller to Bonhams disclosed to Bonhams or not), “Seller” includes both the agent and the Bidder/Agent’s (please delete one) signature: Date: calculated at the rates stated in the Contract Form. principal who shall be jointly and severally liable as such. The Seller “Condition Report” a report on the physical condition of a Lot provided is also referred to in the Conditions of Business by the words “you” Covering Bid: A maximum bid (exclusive of Buyers Premium and VAT) to be executed by Bonhams only if we are unable to contact you by telephone, or should the connection be lost during bidding. to a Bidder or potential Bidder by Bonhams on behalf of the Seller. and “your”. NB.* Payment will only be accepted from an account in the same name as shown on the invoice and Auction Registration form. Please email or fax the completed Auction Registration form and requested information to: NTB/MAIN/V1/11.2020 Bonhams, Customer Services, 101 New Bond Street, London, W1S 1SR. Tel: +44 (0) 20 7447 7447 Fax: +44 (0) 20 7447 7401, [email protected] Bonhams 1793 Limited. Montpelier Street, London SW7 1HH. Incorporated in England. Company Number 4326560. UK/08/19 Registration and Bidding Form (Attendee / Absentee / Online / Telephone Bidding) Please circle your bidding method above. Paddle number (for office use only)

This sale will be conducted in accordance with 19th Century and British Impressionist Art Wednesday March 31, 2021 Bonhams’ Conditions of Sale and bidding and buying Sale title: Sale date: at the Sale will be regulated by these Conditions. You should read the Conditions in conjunction with the Sale no. 26679 Sale venue: New Bond Street, London Sale Information relating to this Sale which sets out the charges payable by you on the purchases you make If you are not attending the sale in person, please provide details of the Lots on which you wish to bid at least 24 hours and other terms relating to bidding and buying at the prior to the sale. Bids will be rounded down to the nearest increment. Please refer to the Notice to Bidders in the catalogue Sale. You should ask any questions you have about the for further information relating to Bonhams executing telephone, online or absentee bids on your behalf. Bonhams will Conditions before signing this form. These Conditions endeavour to execute these bids on your behalf but will not be liable for any errors or failing to execute bids. also contain certain undertakings by bidders and buyers and limit Bonhams’ liability to bidders and buyers. General Bid Increments: £10 - 200 ...... by 10s £10,000 - 20,000 ...... by 1,000s Data protection – use of your information £200 - 500 ...... by 20 / 50 / 80s £20,000 - 50,000 ...... by 2,000 / 5,000 / 8,000s Where we obtain any personal information about you, we £500 - 1,000 ...... by 50s £50,000 - 100,000 ...... by 5,000s shall only use it in accordance with the terms of our Privacy £1,000 - 2,000 ...... by 100s £100,000 - 200,000 .....by 10,000s Policy (subject to any additional specific consent(s) you may £2,000 - 5,000 ...... by 200 / 500 / 800s above £200,000 ...... at the auctioneer’s discretion have given at the time your information was disclosed). A £5,000 - 10,000 ...... by 500s copy of our Privacy Policy can be found on our website (www.bonhams.com) or requested by post from Customer The auctioneer has discretion to split any bid at any time. Services Department, 101 New Bond Street, London W1S 1SR United Kingdom or by e-mail from [email protected]. Customer Number Title We may disclose your personal information to any member of our group which means our subsidiaries, our ultimate holding First Name Last Name company and its subsidiaries (whether registered in the UK or elsewhere). We will not disclose your data to anyone outside Company name (if applicable) our group but we may from time to time provide you with information about goods and services which we feel maybe of Company Registration number (if applicable) interest to you including those provided by third parties. If you do not want to receive such information (except for Address information you specifically requested) please tick this box City Would you like to receive e-mailed information from us? if so please tick this box Post / Zip code County / State Notice to Bidders. At least 24 hours before the Sale, clients must provide Telephone (mobile) Country government or state issued photographic proof of ID and date of birth e.g. - passport, driving licence - and if not included in Telephone (landline) ID document, proof of address e.g - utility bill, bank or credit card statement etc. Corporate clients should also provide a E-mail (in capitals) copy of their articles of association / company registration Please answer all questions below documents, and the entities name and registered address, documentary proof of its beneficial owners and directors, 1. ID supplied: Government issued ID and (if the ID does not confirm your address) current utility bill/ bank statement. together with a letter authorising the individual to bid on the If a corporate entity, please provide the Certificate of Incorporation or Partnership Deed and a letter authorising you to act. company’s behalf. Failure to provide this may result in your bids not being processed or completed. For higher value lots 2. Are you representing the Bidder? If yes, please complete question 3. you may also be asked to provide a bank reference. 3. Bidder's name, address and contact details (phone and email): If successful Bidder’s ID: Government issued ID and (if the ID does not confirm their address) current utility bill/bank statement I will collect the purchases myself Are you acting in a business capacity? If registered for VAT in the EU please enter your registration here: Please arrange shippers to contact me with Yes No - - a quote and I agree that you may pass them / my contact details. Please note that all telephone calls are recorded. MAX bid in GBP Telephone or Lot no. Brief description (excluding premium Absentee (T / A) Covering bid & VAT) *

FOR WINE SALES ONLY

Please leave lots “available under bond” in bond Please include delivery charges (minimum charge of £20 + VAT)

BY SIGNING THIS FORM YOU AGREE THAT YOU HAVE SEEN THE CATALOGUE AND HAVE READ AND UNDERSTOOD OUR CONDITIONS OF SALE INCLUDING BUYER’S WARRANTIES AND WISH TO BE BOUND BY THEM, AND AGREE TO PAY THE BUYER’S PREMIUM, VAT AND ANY OTHER CHARGES MENTIONED IN THE NOTICE TO BIDDERS. THIS AFFECTS YOUR LEGAL RIGHTS.

Bidder/Agent’s (please delete one) signature: Date:

Covering Bid: A maximum bid (exclusive of Buyers Premium and VAT) to be executed by Bonhams only if we are unable to contact you by telephone, or should the connection be lost during bidding. NB.* Payment will only be accepted from an account in the same name as shown on the invoice and Auction Registration form. Please email or fax the completed Auction Registration form and requested information to: Bonhams, Customer Services, 101 New Bond Street, London, W1S 1SR. Tel: +44 (0) 20 7447 7447 Fax: +44 (0) 20 7447 7401, [email protected] Bonhams 1793 Limited. Montpelier Street, London SW7 1HH. Incorporated in England. Company Number 4326560. UK/08/19 Registration and Bidding Form (Attendee / Absentee / Online / Telephone Bidding) Please circle your bidding method above. Paddle number (for office use only)

This sale will be conducted in accordance with Wednesday March 31, 2021 Bonhams’ Conditions of Sale and bidding and buying Sale title: Sale date: at the Sale will be regulated by these Conditions. You should read the Conditions in conjunction with the Sale no. Sale venue: New Bond Street, London Sale Information relating to this Sale which sets out the charges payable by you on the purchases you make If you are not attending the sale in person, please provide details of the Lots on which you wish to bid at least 24 hours and other terms relating to bidding and buying at the prior to the sale. Bids will be rounded down to the nearest increment. Please refer to the Notice to Bidders in the catalogue Sale. You should ask any questions you have about the for further information relating to Bonhams executing telephone, online or absentee bids on your behalf. Bonhams will Conditions before signing this form. These Conditions endeavour to execute these bids on your behalf but will not be liable for any errors or failing to execute bids. also contain certain undertakings by bidders and buyers and limit Bonhams’ liability to bidders and buyers. General Bid Increments: £10 - 200 ...... by 10s £10,000 - 20,000 ...... by 1,000s Data protection – use of your information £200 - 500 ...... by 20 / 50 / 80s £20,000 - 50,000 ...... by 2,000 / 5,000 / 8,000s Where we obtain any personal information about you, we £500 - 1,000 ...... by 50s £50,000 - 100,000 ...... by 5,000s shall only use it in accordance with the terms of our Privacy £1,000 - 2,000 ...... by 100s £100,000 - 200,000 .....by 10,000s Policy (subject to any additional specific consent(s) you may £2,000 - 5,000 ...... by 200 / 500 / 800s above £200,000 ...... at the auctioneer’s discretion have given at the time your information was disclosed). A £5,000 - 10,000 ...... by 500s copy of our Privacy Policy can be found on our website (www.bonhams.com) or requested by post from Customer The auctioneer has discretion to split any bid at any time. Services Department, 101 New Bond Street, London W1S 1SR United Kingdom or by e-mail from [email protected]. Customer Number Title We may disclose your personal information to any member of our group which means our subsidiaries, our ultimate holding First Name Last Name company and its subsidiaries (whether registered in the UK or elsewhere). We will not disclose your data to anyone outside Company name (if applicable) our group but we may from time to time provide you with information about goods and services which we feel maybe of Company Registration number (if applicable) interest to you including those provided by third parties. If you do not want to receive such information (except for Address information you specifically requested) please tick this box City Would you like to receive e-mailed information from us? if so please tick this box Post / Zip code County / State Notice to Bidders. At least 24 hours before the Sale, clients must provide Telephone (mobile) Country government or state issued photographic proof of ID and date of birth e.g. - passport, driving licence - and if not included in Telephone (landline) ID document, proof of address e.g - utility bill, bank or credit card statement etc. Corporate clients should also provide a E-mail (in capitals) copy of their articles of association / company registration Please answer all questions below documents, and the entities name and registered address, documentary proof of its beneficial owners and directors, 1. ID supplied: Government issued ID and (if the ID does not confirm your address) current utility bill/ bank statement. together with a letter authorising the individual to bid on the If a corporate entity, please provide the Certificate of Incorporation or Partnership Deed and a letter authorising you to act. company’s behalf. Failure to provide this may result in your bids not being processed or completed. For higher value lots 2. Are you representing the Bidder? If yes, please complete question 3. you may also be asked to provide a bank reference. 3. Bidder's name, address and contact details (phone and email): If successful Bidder’s ID: Government issued ID and (if the ID does not confirm their address) current utility bill/bank statement I will collect the purchases myself Are you acting in a business capacity? If registered for VAT in the EU please enter your registration here: Please arrange shippers to contact me with Yes No - - a quote and I agree that you may pass them / my contact details. Please note that all telephone calls are recorded. MAX bid in GBP Telephone or Lot no. Brief description (excluding premium Absentee (T / A) Covering bid & VAT) *

FOR WINE SALES ONLY

Please leave lots “available under bond” in bond Please include delivery charges (minimum charge of £20 + VAT)

Bidder/Agent’s (please delete one) signature: Date:

Bonhams 101 New Bond Street London, W1S 1SR

+44 (0) 20 7447 7447 bonhams.com

AUCTIONEERS SINCE 1793