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The Garden Designs of William Stukeley (1687–1765)
2-4 GS Reeve + RS CORR NEW_baj gs 4/9/13 10:02 PM Page 9 The BRITISH ART Journal Volume XIII, No. 3 Of Druids, the Gothic, and the origins of architecture The garden designs of William Stukeley (1687–1765) Matthew M Reeve illiam Stukeley’s central place in the historiogra- phy of eighteenth-century England is hardly Winsecure.1 His published interpretations of the megalithic monuments at Avebury (1743) and Stonehenge (1740) earned him a prominent position in the history of archaeology, and his Vetusta Monumenta ensured his rep- utation as a draughtsman and antiquarian. Recent research has shown that Stukeley was a polymath, whose related interests in astrology, Newtonian natural history and theol- ogy formed part of a broader Enlightenment world view.2 Yet, in the lengthy scholarship on Stukeley, insufficient attention has been paid to his interest in another intellectu- al and aesthetic pursuit of eighteenth-century cognoscenti: garden design.3 Stukeley’s voluminous manuscripts attest to his role as an avid designer of gardens, landscapes and garden build- ings. His own homes were the subjects of his most interesting achievements, including his hermitages at Kentish Town (1760), Stamford (Barnhill, 1744 and Austin Street 1737), and Grantham (1727).4 In this, Stukeley can be located among a number of ‘gentleman gardeners’ in the first half of the eighteenth century from the middling classes and the aristocracy.5 He toured gardens regularly, and recorded many of them in his books, journals and cor- respondence. His 1724 Itinerarium Curiosum recounts his impressions of gardens, including the recent work at Blenheim Palace and the ‘ha-ha’ in particular, and his unpublished notebooks contain a number of sketches such as the gardens at Grimsthorpe, Lincs., where he was a reg- ular visitor.6 Stukeley also designed a handful of garden buildings, apparently as gifts for friends and acquaintances. -
Blackstone As Architect: Constructing the Commentaries
Blackstone as Architect: Constructing the Commentaries Wilfrid Prest* On January 28, 1746, as Cumberland's forces pursued the retreating Jacobite army into Scotland, a twenty-three year old newly-minted Bachelor of Civil Law and junior fellow of All Souls College sat down to write a characteristically cheerful letter to his lawyer uncle Seymour Richmond, shortly after reaching "my new Habitation (which is at Mr Stoke's a Limner in Arundel St)."' In the light of what is becoming clear about William Blackstone's own accomplishments and interests in draftsmanship and the visual arts, his choice of London lodgings was perhaps not entirely accidental. Be that as it may, this report on what was seemingly Blackstone's first serious encounter with the common law (even though he had by now accumulated a full five years' standing at the Middle Temple), exudes a jaunty self-confidence, couched in topically martial language: "I have stormed one Book of Littleton, & opened my Trenches before ye 2d; and I can with Pleasure say I have met with no Difficulty of Consequence...." Having established that even the * Australian Research Council Australian Professorial Fellow, University of Adelaide. This paper is part of William Blackstone. Life and Works, an Australian Research Council Discovery Project (DP0210901) at the University of Adelaide which aims to produce a full- length biography, together with annotated editions of Blackstone's correspondence and architectural writings. Preliminary versions were presented from 1998 onwards to audiences at the University of South Australia, the National Humanities Center, the Australian and New Zealand Law and History Conference, the Australian Modem British History Conference (La Trobe University), the British Legal History Conference (University of Wales, Aberystwyth), the Law and Public Affairs Seminar, Princeton University, the Yale Legal History Forum, and a conference on "Enlightenment Law and Lawyers" at Glasgow University. -
Hirers' Instruction Manual Heyford Base
HIRERS’ INSTRUCTION MANUAL HEYFORD BASE BOATING INFORMATION & HANDOVER CERTIFICATES Please ensure that you bring this Manual with you on your holiday – your Handover Certificates are enclosed. (To print this document from your home printer, please select 2 pages to view per sheet. This document is set to A5 to reduce printing) 1 CONTENTS Page Welcome & Introduction 3 SECTION A – To be Read and Signed for before you Cast Off Our Commitment to You 4 Your Responsibilities 6 Safety on a Boating Holiday 9 What to do in Case of Accidents & Emergencies 12 Your Boat – How it Works, Daily Checks 14 Your Last Night on Board & Boat Return 17 Boat Acceptance Certificates 19 SECTION B – Useful Information Recommended Routes and Cruising Times 23 Northbound Southbound, including the Thames Water & Rubbish Points 27 Canalside Shops 28 Pubs & Restaurants 28 Places to Visit 28 Trouble-shooting Guide 30 Customer Comment Sheet 39 Please take the time to read everything in this booklet. We strongly recommend that you print/ keep a copy of this manual and bring it with you on your holiday – there is much useful information for you whilst cruising. We regret that we cannot be held responsible in any way for your holiday failing to meet your expectations if caused by failure to read our well-intentioned advice and recommendations… Please note that we will charge £2 should you arrive without this manual, or the Handover Certificates, to cover the printing costs of a replacement. 1. WELCOME ABOARD! Thank you for choosing to spend your holiday with us in the outstandingly pretty Cherwell Valley on the Cotswold borders. -
WIN a ONE NIGHT STAY at the OXFORD MALMAISON | OXFORDSHIRE THAMES PATH | FAMILY FUN Always More to Discover
WIN A ONE NIGHT STAY AT THE OXFORD MALMAISON | OXFORDSHIRE THAMES PATH | FAMILY FUN Always more to discover Tours & Exhibitions | Events | Afternoon Tea Birthplace of Sir Winston Churchill | World Heritage Site BUY ONE DAY, GET 12 MONTHS FREE ATerms precious and conditions apply.time, every time. Britain’sA precious time,Greatest every time.Palace. Britain’s Greatest Palace. www.blenheimpalace.com Contents 4 Oxford by the Locals Get an insight into Oxford from its locals. 8 72 Hours in the Cotswolds The perfect destination for a long weekend away. 12 The Oxfordshire Thames Path Take a walk along the Thames Path and enjoy the most striking riverside scenery in the county. 16 Film & TV Links Find out which famous films and television shows were filmed around the county. 19 Literary Links From Alice in Wonderland to Lord of the Rings, browse literary offerings and connections that Oxfordshire has created. 20 Cherwell the Impressive North See what North Oxfordshire has to offer visitors. 23 Traditions Time your visit to the county to experience at least one of these traditions! 24 Transport Train, coach, bus and airport information. 27 Food and Drink Our top picks of eateries in the county. 29 Shopping Shopping hotspots from around the county. 30 Family Fun Farm parks & wildlife, museums and family tours. 34 Country Houses and Gardens Explore the stories behind the people from country houses and gardens in Oxfordshire. 38 What’s On See what’s on in the county for 2017. 41 Accommodation, Tours Broughton Castle and Attraction Listings Welcome to Oxfordshire Connect with Experience Oxfordshire From the ancient University of Oxford to the rolling hills of the Cotswolds, there is so much rich history and culture for you to explore. -
A Chesapeake Falling Garden: Landon Carter's Sabine Hall Mollie Ridout, Director of Horticulture, Historic Annapolis, Inc
Magnolia grandiflora The Laurel Tree of Carolina Publication of the Southern Garden Catesby’s NaturalM History, 1743 agnoliaHistory Society Vol. XXIV No. 4 Fall 2011 A Chesapeake Falling Garden: Landon Carter's Sabine Hall Mollie Ridout, Director of Horticulture, Historic Annapolis, Inc. Terraced gardens are a tradition of landscape design extending backward in time wherever gardens have been created on hilly terrain. The Chesapeake falling garden can find its distant ancestors in classic gardens of Europe. Yet the Tidewater region brings much of its own character to M. Ridout by Photo Sabine Hall, central path on the parterre terrace. the garden, beginning with the name. The term falling garden, referring to the slopes designed layouts advocated by earlier writers. between the terraces or flats, is fairly localized. Its use The desire for a high order of control in the landscape seems to be confined to the tidewater region of the may well be attributed to the ongoing struggle of Chesapeake, from the mid-eighteenth century into the American landowners to overcome the chaos of nature. early nineteenth century. We find Colonel William Byrd II No need for them to follow the style of their English using the term fall or falling garden as he describes notable counterparts by creating vast, and vastly expensive, Virginia gardens he has visited in the mid-eighteenth landscapes of wildness when original wildness was century. By the 1770s the term is familiar enough to apparent from their very doorsteps. When wild animals, be used in a Fredericksburg newspaper advertisement and in the early days, unfriendly native Indians as well describing a lot “already well improved with a good falling as unruly slaves and servants lurked about, a little show garden” (Sarudy, 29). -
The Architecture of Joseph Michael Gandy (1771-1843) and Sir John Soane (1753-1837): an Exploration Into the Masonic and Occult Imagination of the Late Enlightenment
University of Pennsylvania ScholarlyCommons Publicly Accessible Penn Dissertations 2003 The Architecture of Joseph Michael Gandy (1771-1843) and Sir John Soane (1753-1837): An Exploration Into the Masonic and Occult Imagination of the Late Enlightenment Terrance Gerard Galvin University of Pennsylvania Follow this and additional works at: https://repository.upenn.edu/edissertations Part of the Architecture Commons, European History Commons, Social and Behavioral Sciences Commons, and the Theory and Criticism Commons Recommended Citation Galvin, Terrance Gerard, "The Architecture of Joseph Michael Gandy (1771-1843) and Sir John Soane (1753-1837): An Exploration Into the Masonic and Occult Imagination of the Late Enlightenment" (2003). Publicly Accessible Penn Dissertations. 996. https://repository.upenn.edu/edissertations/996 This paper is posted at ScholarlyCommons. https://repository.upenn.edu/edissertations/996 For more information, please contact [email protected]. The Architecture of Joseph Michael Gandy (1771-1843) and Sir John Soane (1753-1837): An Exploration Into the Masonic and Occult Imagination of the Late Enlightenment Abstract In examining select works of English architects Joseph Michael Gandy and Sir John Soane, this dissertation is intended to bring to light several important parallels between architectural theory and freemasonry during the late Enlightenment. Both architects developed architectural theories regarding the universal origins of architecture in an attempt to establish order as well as transcend the emerging historicism of the early nineteenth century. There are strong parallels between Soane's use of architectural narrative and his discussion of architectural 'model' in relation to Gandy's understanding of 'trans-historical' architecture. The primary textual sources discussed in this thesis include Soane's Lectures on Architecture, delivered at the Royal Academy from 1809 to 1836, and Gandy's unpublished treatise entitled the Art, Philosophy, and Science of Architecture, circa 1826. -
A Fairly Complete History and Tour of Aynho Village – Updated January 2017 Aynho Is a Two-Part Name
A Fairly Complete History and Tour of Aynho Village – updated January 2017 Aynho is a two-part name - ‘Ayn’ is either a corruption of a Saxon personal name, or more likely the Saxon word for a spring or stream. The ‘Hoh’ is a Saxon word for a promontory/projecting ridge of land standing on a plain as Aynho does. The earliest mention (in the Domesday Book) of an owner of the manor of Aynho is Asgar - a Danish thane (knight). He was standard bearer for Edward the Confessor who reigned from 1042 to 1066. (Edward was born at Islip about fifteen miles south east of Aynho, so he probably knew Asgar). The entry showed 3¼ hides (about 400 acres altogether), land for 8 ploughs, a mill and 20 acres of meadow. Why was Aynho so relatively important in the mid-ten hundreds? Probably because of its location high up overlooking the whole Cherwell valley. There were very few significant houses in existence within a radius of twenty miles at that time, and it is believed that Aynho had a substantial wooden Saxon manor house then. For example Oxford Castle was not built until 1073, Banbury Castle 1135, Broughton Castle 1300, Rousham House 1635 and Upton House 1695. The first proper Oxford College, University College, wasn’t founded until1249. Apart from Aynho north of Oxford only Sulgrave Manor is recorded as having an Anglo-Saxon Manor House around the late 9th century. William the Conqueror gave the village to one of his barons, Geoffrey de Mandeville, for helping him win the Battle of Hastings in 1066. -
Willis Papers INTRODUCTION Working
Willis Papers INTRODUCTION Working papers of the architect and architectural historian, Dr. Peter Willis (b. 1933). Approx. 9 metres (52 boxes). Accession details Presented by Dr. Willis in several instalments, 1994-2013. Additional material sent by Dr Willis: 8/1/2009: WIL/A6/8 5/1/2010: WIL/F/CA6/16; WIL/F/CA9/10, WIL/H/EN/7 2011: WIL/G/CL1/19; WIL/G/MA5/26-31;WIL/G/SE/15-27; WIL/G/WI1/3- 13; WIL/G/NA/1-2; WIL/G/SP2/1-2; WIL/G/MA6/1-5; WIL/G/CO2/55-96. 2103: WIL/G/NA; WIL/G/SE15-27 Biographical note Peter Willis was born in Yorkshire in 1933 and educated at the University of Durham (BArch 1956, MA 1995, PhD 2009) and at Corpus Christi College, Cambridge, where his thesis on “Charles Bridgeman: Royal Gardener” (PhD 1962) was supervised by Sir Nikolaus Pevsner. He spent a year at the University of Edinburgh, and then a year in California on a Fulbright Scholarship teaching in the Department of Art at UCLA and studying the Stowe Papers at the Huntington Library. From 1961-64 he practised as an architect in the Edinburgh office of Sir Robert Matthew, working on the development plan for Queen’s College, Dundee, the competition for St Paul’s Choir School in London, and other projects. In 1964-65 he held a Junior Fellowship in Landscape Architecture from Harvard University at Dumbarton Oaks Research Library and Collection in Washington, DC, returning to England to Newcastle University in 1965, where he was successively Lecturer in Architecture and Reader in the History of Architecture. -
Oxford Book Fair 5 Th- 5 Th April 515
oxford book fair 5 th- 5 th april 515 BERNARD QUARITCH Stand No 86 40 South Audley Street London W1K 2PR 020 7297 4888 [email protected] 1. DICKENS, Charles. The Nonesuch Dickens. The Complete Works of Charles Dickens. London, The Nonesuch Press, 1937-38. 8vo (255 x 158mm), 23 volumes and etched steel plate in box; uncut, volumes and box bound in original coloured full buckram by the Leighton-Straker Bookbinding Co., Ltd., gilt morocco lettering-pieces on spines, top edges gilt; a little light wear and occasional soiling, spines of a few volumes lightly sunned, Martin Chuzzlewit (supplied) sunned on spine and upper board with light wear to spine label; a very good set. £9,500 Limited edition of 877 sets, of which 66 were destroyed when a bomb hit the bindery in September 1940, so at most 811 complete sets survive (cf. Dreyfus, Nonesuch Press, 108). The steel plate included with this set is number 605, ‘Solemn reference is made to Mr. Bunsby’ from Dombey and Son (Chapter 23, facing p. 458), engraved by H. K. Browne (‘Phiz’), with the typed letter of authenticity on Chapman & Hall headed paper, signed by Arthur Waugh. Intended as a definitive edition of Dickens’ works the Nonesuch Press edition was printed using the original steel plates and woodblocks created by Chapman & Hall for the illustrations in the first editions of the books. Each set of the works was accompanied by one of the original engraved plates or woodblocks, of which there were 877. The original steel-engraved plate in this set is by ‘Phiz’ (Hablot Knight Browne), who was Dickens’ friend and the most highly regarded illustrator of his works. -
Notes on Contributors / Remembering Roy Porter
Notes on Contributors / Remembering Roy Porter Not only was Roy Porter a brilliant scholar and a dedicated colleague, he was also a remarkable, generous and idiosyncratic individual – in fact, he was exactly the kind of person about whom Roy himself loved to write. We were all lucky that our lives were enriched by his presence. In this section, conventionally reserved for descriptions of ourselves, many of us have also added favourite memories of Roy, or moments when his influence shaped our ideas and careers. Roberta Bivins is Wellcome Lecturer in the History of Medicine at Cardiff University. The topic of her most recent book,Alternative Medicine? A Global Approach (2007), was suggested to her by Roy Porter many years ago. She is now studying the reciprocal impact of immigration and medical research/healthcare delivery in the US and UK since the Second World War. ‘As a nervous PhD student, I came to Roy via the most tenuous of connections: my American supervisor happened to know Roy’s wife. It is typical of his generosity that Roy invited me to London sight unseen, simply as a favour to his wife’s acquaintance. Dutifully, he scheduled regular lunches with me to check on my progress. Alongside the sandwiches and the inspiration, Roy offered me, in his inimitable way, a much- needed sense of belonging. One lunchtime, he dropped into his chair, grinned, and reported: “My mother has a question for you: did the royals use acupuncture?” I was surprised – but the idea that Roy’s mum knew all about my dissertation suddenly made me feel right at home in London. -
University Microfilms 300 North Zaeb Road Ann Arbor
INFORMATION TO USERS This dissertation was produced from a microfilm copy of the original document. While the most advanced technological means to photograph and reproduce this document have been used, the quality is heavily dependent upon the quality of the original submitted. The following explanation of techniques is provided to help you understand markings or patterns which may appear on this reproduction. 1. The sign or "target" for pages apparently lacking from the document photographed is "Missing Page(s)". If it was possible to obtain the missing page(s) or section, they are spliced into the film along with adjacent pages. This may have necessitated cutting thru an image and duplicating adjacent pages to insure you complete continuity. 2. When an image on the film is obliterated with a large round black mark, it is an indication that the photographer suspected that the copy may have moved during exposure and thus cause a blurred image. You will find a good image of the page in the adjacent frame. 3. When a map, drawing or chart, etc., was part of the material being photographed the photographer followed a definite method in "sectioning" the material. It is customary to begin photoing at the upper left hand corner of a large sheet and to continue photoing from left to right in equal sections with a small overlap. If necessary, sectioning is continued again — beginning below the first row and continuing on until complete. 4. The majority of users indicate that the textual content is of greatest value, however, a somewhat higher quality reproduction could be made from "photographs" if essential to the understanding of the dissertation. -
GT News 8 Autumn 2018
GT news 8 Autumn 2018 Dude, who stole my park? Leaving a gift to The Gardens Trust If you are thinking of remembering The Gardens Trust in your Will and would like to discuss the proposed legacy with us, or have www.thegardenstrust.org already left the Trust a legacy in your Will you may wish to advise us — if so, you can use this The Gardens Trust head office form and send it (or a copy of it) to: 70 Cowcross Street, London EC1M 6EJ phone: 020 7608 2409 The Honorary Treasurer, general email: [email protected] The Gardens Trust Company number: 03163187 70 Cowcross Street, Registered Charity number: 1053446 London EC1M 6EJ — and we will then contact you. GT news 8 Autumn 2018 old numbering: news 104 Autumn 2018 I have already included a legacy to The Gardens Trust in my Will contents news and campaigns I have instructed my solicitor to include a Humphry Happpened! 3 legacy to The Gardens Trust in my Will National Trust: Review of Appointing Bodies 4 Celebrating Repton 4 I would like to discuss a legacy to Save Our Parks: The Parks Charter 6 The Gardens Trust with you Dawn of the Dark Ages: Public Parks At Risk 7 Reports from the AGM 2018 8 GT Historic Landscape Project update 16 Name: ......................................................................................... Historic Landscapes Assembly report 16 Address: ..................................................................................... GT Events programme 19 GT Winter lecture Series: London 19 ........................................................................................................