Notes on Contributors / Remembering Roy Porter
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The Garden Designs of William Stukeley (1687–1765)
2-4 GS Reeve + RS CORR NEW_baj gs 4/9/13 10:02 PM Page 9 The BRITISH ART Journal Volume XIII, No. 3 Of Druids, the Gothic, and the origins of architecture The garden designs of William Stukeley (1687–1765) Matthew M Reeve illiam Stukeley’s central place in the historiogra- phy of eighteenth-century England is hardly Winsecure.1 His published interpretations of the megalithic monuments at Avebury (1743) and Stonehenge (1740) earned him a prominent position in the history of archaeology, and his Vetusta Monumenta ensured his rep- utation as a draughtsman and antiquarian. Recent research has shown that Stukeley was a polymath, whose related interests in astrology, Newtonian natural history and theol- ogy formed part of a broader Enlightenment world view.2 Yet, in the lengthy scholarship on Stukeley, insufficient attention has been paid to his interest in another intellectu- al and aesthetic pursuit of eighteenth-century cognoscenti: garden design.3 Stukeley’s voluminous manuscripts attest to his role as an avid designer of gardens, landscapes and garden build- ings. His own homes were the subjects of his most interesting achievements, including his hermitages at Kentish Town (1760), Stamford (Barnhill, 1744 and Austin Street 1737), and Grantham (1727).4 In this, Stukeley can be located among a number of ‘gentleman gardeners’ in the first half of the eighteenth century from the middling classes and the aristocracy.5 He toured gardens regularly, and recorded many of them in his books, journals and cor- respondence. His 1724 Itinerarium Curiosum recounts his impressions of gardens, including the recent work at Blenheim Palace and the ‘ha-ha’ in particular, and his unpublished notebooks contain a number of sketches such as the gardens at Grimsthorpe, Lincs., where he was a reg- ular visitor.6 Stukeley also designed a handful of garden buildings, apparently as gifts for friends and acquaintances. -
Blackstone As Architect: Constructing the Commentaries
Blackstone as Architect: Constructing the Commentaries Wilfrid Prest* On January 28, 1746, as Cumberland's forces pursued the retreating Jacobite army into Scotland, a twenty-three year old newly-minted Bachelor of Civil Law and junior fellow of All Souls College sat down to write a characteristically cheerful letter to his lawyer uncle Seymour Richmond, shortly after reaching "my new Habitation (which is at Mr Stoke's a Limner in Arundel St)."' In the light of what is becoming clear about William Blackstone's own accomplishments and interests in draftsmanship and the visual arts, his choice of London lodgings was perhaps not entirely accidental. Be that as it may, this report on what was seemingly Blackstone's first serious encounter with the common law (even though he had by now accumulated a full five years' standing at the Middle Temple), exudes a jaunty self-confidence, couched in topically martial language: "I have stormed one Book of Littleton, & opened my Trenches before ye 2d; and I can with Pleasure say I have met with no Difficulty of Consequence...." Having established that even the * Australian Research Council Australian Professorial Fellow, University of Adelaide. This paper is part of William Blackstone. Life and Works, an Australian Research Council Discovery Project (DP0210901) at the University of Adelaide which aims to produce a full- length biography, together with annotated editions of Blackstone's correspondence and architectural writings. Preliminary versions were presented from 1998 onwards to audiences at the University of South Australia, the National Humanities Center, the Australian and New Zealand Law and History Conference, the Australian Modem British History Conference (La Trobe University), the British Legal History Conference (University of Wales, Aberystwyth), the Law and Public Affairs Seminar, Princeton University, the Yale Legal History Forum, and a conference on "Enlightenment Law and Lawyers" at Glasgow University. -
A Chesapeake Falling Garden: Landon Carter's Sabine Hall Mollie Ridout, Director of Horticulture, Historic Annapolis, Inc
Magnolia grandiflora The Laurel Tree of Carolina Publication of the Southern Garden Catesby’s NaturalM History, 1743 agnoliaHistory Society Vol. XXIV No. 4 Fall 2011 A Chesapeake Falling Garden: Landon Carter's Sabine Hall Mollie Ridout, Director of Horticulture, Historic Annapolis, Inc. Terraced gardens are a tradition of landscape design extending backward in time wherever gardens have been created on hilly terrain. The Chesapeake falling garden can find its distant ancestors in classic gardens of Europe. Yet the Tidewater region brings much of its own character to M. Ridout by Photo Sabine Hall, central path on the parterre terrace. the garden, beginning with the name. The term falling garden, referring to the slopes designed layouts advocated by earlier writers. between the terraces or flats, is fairly localized. Its use The desire for a high order of control in the landscape seems to be confined to the tidewater region of the may well be attributed to the ongoing struggle of Chesapeake, from the mid-eighteenth century into the American landowners to overcome the chaos of nature. early nineteenth century. We find Colonel William Byrd II No need for them to follow the style of their English using the term fall or falling garden as he describes notable counterparts by creating vast, and vastly expensive, Virginia gardens he has visited in the mid-eighteenth landscapes of wildness when original wildness was century. By the 1770s the term is familiar enough to apparent from their very doorsteps. When wild animals, be used in a Fredericksburg newspaper advertisement and in the early days, unfriendly native Indians as well describing a lot “already well improved with a good falling as unruly slaves and servants lurked about, a little show garden” (Sarudy, 29). -
Neo-Malthusianism, Anarchism and Resistance: World View and the Limits of Acceptance in Barcelona (1904-1914)
■ Article] ENTREMONS. UPF JOURNAL OF WORLD HISTORY Barcelona ﺍ Universitat Pompeu Fabra Número 4 (desembre 2012) www.entremons.org Neo-Malthusianism, Anarchism and Resistance: World View and the Limits of Acceptance in Barcelona (1904-1914) Daniel PARSONS Universitat Autònoma de Barcelona abstract This paper attempts to identify the barriers to the acceptance of Neo-Malthusian discourse among anarchists and sympathizers in the first years of the 20th century in Barcelona. Neo-Malthusian anarchists advocated the use and promotion of contraceptives and birth control as a way to achieve liberation while subscribing to a Malthusian perspective of nature. The revolutionary discourse was disseminated in Barcelona primarily by the journal Salud y Fuerza and its editor Lluis Bulffi from 1904-1914, at the same time sharing ideological goals with traditional anarchism while clashing with the conception of a beneficent and abundant nature which underpinned traditional anarchist thought. Given the cultural, social and political importance of anarchism to the history of Barcelona in particular and Europe in general, further investigation into Neo-Malthusianism and the response to the discourse is needed in order to understand better the generally accepted world-view among anarchists and how they responded to challenges to this vision. This is a topic not fully addressed by current historiography on Neo- Malthusian anarchism. This article is derived from my Master’s thesis in Contemporary History at the Universitat Autònoma de Barcelona entitled “Neomathusianismo, anarquismo y resistencias: Los límites de su aceptación en Cataluña”, which contains a further exposition of the ideas included herein, as well as a broader perspective on the topic. -
The Architecture of Joseph Michael Gandy (1771-1843) and Sir John Soane (1753-1837): an Exploration Into the Masonic and Occult Imagination of the Late Enlightenment
University of Pennsylvania ScholarlyCommons Publicly Accessible Penn Dissertations 2003 The Architecture of Joseph Michael Gandy (1771-1843) and Sir John Soane (1753-1837): An Exploration Into the Masonic and Occult Imagination of the Late Enlightenment Terrance Gerard Galvin University of Pennsylvania Follow this and additional works at: https://repository.upenn.edu/edissertations Part of the Architecture Commons, European History Commons, Social and Behavioral Sciences Commons, and the Theory and Criticism Commons Recommended Citation Galvin, Terrance Gerard, "The Architecture of Joseph Michael Gandy (1771-1843) and Sir John Soane (1753-1837): An Exploration Into the Masonic and Occult Imagination of the Late Enlightenment" (2003). Publicly Accessible Penn Dissertations. 996. https://repository.upenn.edu/edissertations/996 This paper is posted at ScholarlyCommons. https://repository.upenn.edu/edissertations/996 For more information, please contact [email protected]. The Architecture of Joseph Michael Gandy (1771-1843) and Sir John Soane (1753-1837): An Exploration Into the Masonic and Occult Imagination of the Late Enlightenment Abstract In examining select works of English architects Joseph Michael Gandy and Sir John Soane, this dissertation is intended to bring to light several important parallels between architectural theory and freemasonry during the late Enlightenment. Both architects developed architectural theories regarding the universal origins of architecture in an attempt to establish order as well as transcend the emerging historicism of the early nineteenth century. There are strong parallels between Soane's use of architectural narrative and his discussion of architectural 'model' in relation to Gandy's understanding of 'trans-historical' architecture. The primary textual sources discussed in this thesis include Soane's Lectures on Architecture, delivered at the Royal Academy from 1809 to 1836, and Gandy's unpublished treatise entitled the Art, Philosophy, and Science of Architecture, circa 1826. -
Vida Y Obra De Anselmo Lorenzo Federica Montseny
VIDAVIDA YY OBRAOBRA DEDE ANSELMOANSELMO LORENZOLORENZO Biblioteca Virtual OMEGALFA 2021 Vida y obra de Anselmo Lorenzo Federica Montseny Fuente: Ediciones “Espoir· 1970 Digitalización y maquetación: Demófilo 2021 Fuente de las ilustraciones incorporadas al texto: Wikipedia Libros libres para una cultura libre H ____________________________ Biblioteca Libre OMEGALFA 2021 Ω VIDA Y OBRA DE ANSELMO LORENZO El hombre y la obra b Vida y obra de Anselmo Lorenzo - 2 - Anselmo Lorenzo Vida y obra de Anselmo Lorenzo - 3 - INTRODUCCIÓN Hemos creído conveniente proceder a la tercera edición de esta obrita, porque ella es la única biografía extensa escrita sobre Anselmo Lorenzo. Nunca como ahora se ha hecho sentir tanto la necesidad de la divulgación del nombre y la obra de nuestros precursores. Cuando este volumen fue escrito, en 1938, formaba parte de unas ediciones conjuntas CNT-UGT dedicadas a ilustrar a la juventud que se iba formando en plena Guerra Civil y en plena Revolución Española. Los dos primeros volúmenes fueron de- dicados, el uno a Pablo Iglesias, escrito por Julián Zugazagoi- tia, y el otro a Anselmo Lorenzo, que se encargó a Federica Montseny. De esas primeras ediciones se hicieron muchos mi- les de ejemplares. Hoy no se encuentra ninguno en España. Y hay, en cambio, otra juventud española sedienta de conocer a los grandes teóricos del sindicalismo y sobre todo del anarco- sindicalismo que constantemente nos visita y nos asedia con demandas. De ahí quen «Espoir» haya decidido la tercera edi- ción de este volumen, que, por su precio módico y su lectura fácil, será un auxiliar precioso para el conocimiento de la figura de Lorenzo y de cuanto, en el curso de su vida ejemplar, cons- tituyó el clima social, las luchas y los empeños de su existen- cia, así como la de los miles de obreros que con él los com- partieron. -
State of Ambiguity: Civic Life and Culture in Cuba's First Republic
STATE OF AMBIGUITY STATE OF AMBIGUITY CiviC Life and CuLture in Cuba’s first repubLiC STEVEN PALMER, JOSÉ ANTONIO PIQUERAS, and AMPARO SÁNCHEZ COBOS, editors Duke university press 2014 © 2014 Duke University Press All rights reserved Printed in the United States of America on acid-f ree paper ♾ Designed by Heather Hensley Typeset in Minion Pro by Tseng Information Systems, Inc. Library of Congress Cataloging-in-Publication Data State of ambiguity : civic life and culture in Cuba’s first republic / Steven Palmer, José Antonio Piqueras, and Amparo Sánchez Cobos, editors. pages cm Includes bibliographical references and index. isbn 978-0-8223-5630-1 (cloth : alk. paper) isbn 978-0-8223-5638-7 (pbk. : alk. paper) 1. Cuba—History—19th century. 2. Cuba—History—20th century. 3. Cuba—Politics and government—19th century. 4. Cuba—Politics and government—20th century. 5. Cuba— Civilization—19th century. 6. Cuba—Civilization—20th century. i. Palmer, Steven Paul. ii. Piqueras Arenas, José A. (José Antonio). iii. Sánchez Cobos, Amparo. f1784.s73 2014 972.91′05—dc23 2013048700 CONTENTS Introduction: Revisiting Cuba’s First Republic | 1 Steven Palmer, José Antonio Piqueras, and Amparo Sánchez Cobos 1. A Sunken Ship, a Bronze Eagle, and the Politics of Memory: The “Social Life” of the USS Maine in Cuba (1898–1961) | 22 Marial Iglesias Utset 2. Shifting Sands of Cuban Science, 1875–1933 | 54 Steven Palmer 3. Race, Labor, and Citizenship in Cuba: A View from the Sugar District of Cienfuegos, 1886–1909 | 82 Rebecca J. Scott 4. Slaughterhouses and Milk Consumption in the “Sick Republic”: Socio- Environmental Change and Sanitary Technology in Havana, 1890–1925 | 121 Reinaldo Funes Monzote 5. -
Comissió Del Centenari De CNT (1910 - 2010) Comissió Permanent De Barcelona, CNT-Barcelona Pl
Comissió del Centenari de CNT (1910 - 2010) Comissió Permanent de Barcelona, CNT-Barcelona Pl. Duc de Medinaceli, nº 6 Entresòl 1ª, 08002 Barcelona C/ Joaquim Costa, nº 34 Baixos, 08001 Barcelona ALTERNATIVES TO CAPITALISM: SELF-MANAGEMENT IN THE SPOTLIGHT Within the framework of the CNT-AIT centenary (1910-2010), a series of conferences brought together under the name of “Alternatives to Capitalism: Self-management in the spotlight” will take place in Barcelona. These conferences will be held throughout april 2010. The contents will be organized in three blocks of lectures: theoretical, historical and a broader one, based in more current experiences. The theoretical block draws up a program of lectures on how the capitalist system works, focusing on the present moment of economic and social crisis. Anarcho-syndicalist proposals facing the crisis will also be debated. This theoretical perspective is completed with several papers which shall offer a wide vision of economic and social literature on the subject of socialism and libertarian-communism models. The historical block tries to put forward two strong models that may serve as an alternative to the capitalist system. On the one hand, that of the anarchist collectivization during the Spanish Civil War (1936-1939), for which lectures will be included to explain how it worked in the different regions where it was implemented (Catalonia, the Valencian Community, Aragon, Castile, Andalusia). On the other hand, explanations will be offered on the Yugoslav co-management model (1950-1990) with the purpose of assessing this experience both in the light of a possible model for the development of impoverished countries and from the limits imposed on socialism by the five-year plan, the market and the One Party State, along with a strictly libertarian vision of the whole process. -
Bajo Palabra Revista De Filosofía Monográfico
ISSN: 1576-3935 Depósito Legal: M-4343-2008 http://www.bajopalabra.es BAJO PALABRA REVISTA DE FILOSOFÍA MONOGRÁFICO La Violencia y sus Formas Dirigida y coordinada por la Asociación de Filosofía Bajo Palabra (AFBP) Edificio de la Facultad de Filosofía y Letras Mod. V, Universidad Autónoma de Madrid (UAM) Campus de Canto Blanco, 28049, Madrid. Telf. 600023291 E-mail: [email protected] – http://www.bajopalabra.es Editoras invitadas: Marta NOGUEROLES JOVÉ y Cristina HERMIDA DEL LLANO Publicación patrocinada por la Universidad Autónoma de Madrid a través de los siguientes órganos institucionales: Vicerrectorado de Estudiantes Vicedecanato de Estudiantes y Actividades Culturales Departamento de Antropología Social y Pensamiento Filosófico Español Departamento de Filosofía BAJO PALABRA. Revista de Filosofía II Época, Nº 15 (2017) ISSN: 1576-3935 Depósito Legal: M-4343-2008 http://www.bajopalabra.es BAJO PALABRA JOURNAL OF PHILOSOPHY SPECIAL ISSUE Violence and its Forms Edited and coordinated by the Bajo Palabra Philosophical Association (Asociación de Filosofía Bajo Palabra - AFBP) Address: Edificio de la Facultad de Filosofía y Letras Mod. V. Universidad Autónoma de Madrid (UAM) Campus de Canto Blanco, 28049, Madrid. Telf. 600023291 E-mail: [email protected] URL: http://www.bajopalabra.es Guest Editors: Marta NOGUEROLES JOVÉ and Cristina HERMIDA DEL LLANO A publication sponsored by the Autonomous University of Madrid in collaboration with the following institutional bodies: Vice-chancellor of Students Associate Dean of Students and Cultural Activities Department of Social Anthropology and Spanish Philosophical Thought Department of Philosophy BAJO PALABRA. Revista de Filosofía II Época, Nº 15 (2017) La revista Bajo Palabra ofrece a los autores la difusión de sus resultados de investigación principalmente a través del Portal de Revistas electrónicas de la UAM: https://revistas.uam.es/bajopalabra y de Biblos-e Archivo - Repositorio Institucional de la Universidad Autónoma de Madrid, así como a través de diferentes bases de datos, catálogos, etc. -
Pedro Esteve (Barcelona I865-Weehauken, N. J. I925): a Catalan Anarchist in the United States Joan Casanovas L Codina
You are accessing the Digital Archive of the Esteu accedint a l'Arxiu Digital del Catalan Catalan Review Journal. Review By accessing and/or using this Digital A l’ accedir i / o utilitzar aquest Arxiu Digital, Archive, you accept and agree to abide by vostè accepta i es compromet a complir els the Terms and Conditions of Use available at termes i condicions d'ús disponibles a http://www.nacs- http://www.nacs- catalanstudies.org/catalan_review.html catalanstudies.org/catalan_review.html Catalan Review is the premier international Catalan Review és la primera revista scholarly journal devoted to all aspects of internacional dedicada a tots els aspectes de la Catalan culture. By Catalan culture is cultura catalana. Per la cultura catalana s'entén understood all manifestations of intellectual totes les manifestacions de la vida intel lectual i and artistic life produced in the Catalan artística produïda en llengua catalana o en les language or in the geographical areas where zones geogràfiques on es parla català. Catalan Catalan is spoken. Catalan Review has been Review es publica des de 1986. in publication since 1986. Pedro Esteve (Barcelona I865-Weehauken, N. J. I925): A Catalan Anarchist in the United States Joan Casanovas L Codina Catalan Review, Vol. V, number 1 (July, 1991), p. 57-77 PEDRO ESTEVE (BARCELONA r865-WEEHAUKEN, N. J. r925): A CATALAN ANARCHIST IN THE UNITED STATES JOAN CASANOV AS l CODINA PRELIMINARY NOTES' P edro Esteve was the most prominent anarchist to have corne from Spain to the U. S., where he was the editor of at least seven anarchist papers, a labor organizer and an orator in Spanish, Italian and English. -
Oxford Book Fair 5 Th- 5 Th April 515
oxford book fair 5 th- 5 th april 515 BERNARD QUARITCH Stand No 86 40 South Audley Street London W1K 2PR 020 7297 4888 [email protected] 1. DICKENS, Charles. The Nonesuch Dickens. The Complete Works of Charles Dickens. London, The Nonesuch Press, 1937-38. 8vo (255 x 158mm), 23 volumes and etched steel plate in box; uncut, volumes and box bound in original coloured full buckram by the Leighton-Straker Bookbinding Co., Ltd., gilt morocco lettering-pieces on spines, top edges gilt; a little light wear and occasional soiling, spines of a few volumes lightly sunned, Martin Chuzzlewit (supplied) sunned on spine and upper board with light wear to spine label; a very good set. £9,500 Limited edition of 877 sets, of which 66 were destroyed when a bomb hit the bindery in September 1940, so at most 811 complete sets survive (cf. Dreyfus, Nonesuch Press, 108). The steel plate included with this set is number 605, ‘Solemn reference is made to Mr. Bunsby’ from Dombey and Son (Chapter 23, facing p. 458), engraved by H. K. Browne (‘Phiz’), with the typed letter of authenticity on Chapman & Hall headed paper, signed by Arthur Waugh. Intended as a definitive edition of Dickens’ works the Nonesuch Press edition was printed using the original steel plates and woodblocks created by Chapman & Hall for the illustrations in the first editions of the books. Each set of the works was accompanied by one of the original engraved plates or woodblocks, of which there were 877. The original steel-engraved plate in this set is by ‘Phiz’ (Hablot Knight Browne), who was Dickens’ friend and the most highly regarded illustrator of his works. -
University Microfilms 300 North Zaeb Road Ann Arbor
INFORMATION TO USERS This dissertation was produced from a microfilm copy of the original document. While the most advanced technological means to photograph and reproduce this document have been used, the quality is heavily dependent upon the quality of the original submitted. The following explanation of techniques is provided to help you understand markings or patterns which may appear on this reproduction. 1. The sign or "target" for pages apparently lacking from the document photographed is "Missing Page(s)". If it was possible to obtain the missing page(s) or section, they are spliced into the film along with adjacent pages. This may have necessitated cutting thru an image and duplicating adjacent pages to insure you complete continuity. 2. When an image on the film is obliterated with a large round black mark, it is an indication that the photographer suspected that the copy may have moved during exposure and thus cause a blurred image. You will find a good image of the page in the adjacent frame. 3. When a map, drawing or chart, etc., was part of the material being photographed the photographer followed a definite method in "sectioning" the material. It is customary to begin photoing at the upper left hand corner of a large sheet and to continue photoing from left to right in equal sections with a small overlap. If necessary, sectioning is continued again — beginning below the first row and continuing on until complete. 4. The majority of users indicate that the textual content is of greatest value, however, a somewhat higher quality reproduction could be made from "photographs" if essential to the understanding of the dissertation.