Traditional Vs. Digital Prepress

Total Page:16

File Type:pdf, Size:1020Kb

Traditional Vs. Digital Prepress Traditional vs. Digital Prepress Enter Sweepstakes! · Advertise on this site · Get Bargains You are here: About > Computing/Technology > Desktop Publishing Desktop Publishing One of Over 700 Sites with Guide Jacci Howard Bear Sites A to Z Bio | Contact Search for in Advertising AllBusiness.com Create your business plan. Subjects Here’s how. Getting Started Prepress Tasks Learning DTP win millions!! traditional vs. digital Just three easy steps can Teaching DTP make you a millionaire! Graphic Design Prepress is the process of taking a document from an idea Things to Design to a final product. It involves design including type and HotJobs.com Better Jobs for a Better Life Typography images, preparing files for output, proofing, revisions, Scanning and then finally printing the final publication. Win a piece of *NSYNC! Prepress Head to Alloy.com for a For many of us who might never have worked in chance to score your very PostScript own platinum copy of No Printing publishing prior to the advent of desktop publishing, Strings Attached! Career digital prepress may be the only type of prepress we know DTP in Canada or understand. But before PageMaker and laser printers there was a whole other industry (and a lot more people) Hardware involved in getting a book or a brochure published. Software Paper To help understand the differences and similarities in the Templates two processes, here is a brief rundown and comparison of Marketplace Free Clip Art conventional or traditional and digital prepress tasks. You - - free stuff - - Free Fonts may immediately notice how many different jobs the get a website$499 Free Photos designer takes on now that desktop publishing software long distance deal has replaced (or substantially changed) the job of the $$$$ win big $$$$ Adobe FrameMaker typesetter, paste-up professional, stripper, and others. cheap computers! Adobe InDesign free tech stuff TRADITIONAL DIGITAL high paying jobs Adobe PageMaker Task Corel Ventura PREPRESS PREPRESS quick jobs search MS PowerPoint free ebiz solutions MS Publisher looking for love? Microsoft Word ebusiness info QuarkXPress $50 off mp3 player discover romance Subject Library book club longdistancedeal All articles on this topic Bookstore http://www.desktoppub.about.com/compute/desktoppub/library/weekly/aa112499.htm (1 of 6) [9/13/2000 10:07:36 AM] Traditional vs. Digital Prepress Find books related to this Individual or a group Individual or a group Related sites topic Click Here choose the overall choose the overall look and feel, purpose, look and feel, on About Videostore budget, and the form purpose, budget, and Find videos related to this Amateur Photography topic Click Here of the publication. The the form of the Art/Technology designer may or may publication. The Computer Peripherals not be involved in the designer may or may Graphic Design ShoppingAbout conceptualizing. The not be involved in Your favorite products, right Graphics Software here Click Here designer then takes the conceptualizing. Photography the information and The designer then Publishing comes up with rough takes the Scrapbooking Stay up-to-date! Technical Writing Subscribe to our newsletter. sketches (generally information and Design more refined than just comes up with rough Web Design thumbnail sketches) representations done for the project which on the computer Do you like our sites? include measurements (they may do their Wish to share them with for specific elements own thumbnail others - and earn money? and type sketches initially). Become an Affiliate More Sites on this Topic specifications. These rough comps Wanted Fonts may use dummy (greeked) text and placeholder graphics. Several versions can be quickly turned out. The typesetter The designer has receives text and type complete control specifications from the over type -- digital designer. Typesetting type -- changing it that may have been on the fly, arranging done with lines of it on the page, metal type, later gave setting leading, way to type tracking, kerning, Type composition by etc. No typesetter, machine, such as no paste-up person. Linotype. The type then goes to the paste-up person who puts it on a paste-up board along with all the other elements of the publication. http://www.desktoppub.about.com/compute/desktoppub/library/weekly/aa112499.htm (2 of 6) [9/13/2000 10:07:36 AM] Traditional vs. Digital Prepress Images are The designer may photographed, take digital images cropped, enlarged, or or scan in images, do reduced using cropping, scaling, traditional photo enhancement Images photographic (including color processes. FPO boxes correction) in an (for position only) are image editor then placed on the paste-up place the actual board where images digital images into should appear. the publication. After text and FPO The designer places boxes are in place on everything in the the paste-up boards publication from text the pages are shot with to images, a camera, negatives rearranging as made. The stripper necessary. File takes these negatives preparation involves plus the negatives of either preparing a all images previously digital file (insuring acquired and sized to that all digital fonts fit the FPO boxes. The and images are stripper checks correct and supplied everything then with the digital file File Prep assembles it all into or embedded as sheets or flats. These necessary) or flats are then imposed printing out a -- arranged in the "camera-ready" order in which they page. File prep may are to be printed include imposition, depending on how which can often be they will be folded, done totally within cut, and assembled. the software used to The imposed pages are create the made into plates from publication. which the publication is printed onto paper on the printing press. A possibly Because it is so time-consuming much easier to print process where pages out interim copies or are printed and proofs (to a desktop carefully proofread for printer, for instance) errors. Fixing errors many, many errors may involve making can be caught in this new negatives and way before the carefully replacing the publication gets to "bad" items in the the stage of making Proofing original making sure negatives, plates, they line up perfectly. and final prints. http://www.desktoppub.about.com/compute/desktoppub/library/weekly/aa112499.htm (3 of 6) [9/13/2000 10:07:36 AM] Traditional vs. Digital Prepress The new plates are created and the pages are printed again. Errors can creep in at many stages as there may be many different people working with individual elements of the publication. Paste-up to Film to The process may Flats for imposition (if remain the same or required) to Plates to similar (Laser Printing. Output to Film to Plates) but other Printing processes are possible including output directly to film from the digital file or directly from digital file to plate. Learn more about prepress and printing through my extensive collection of links devoted to topics such as camera-ready artwork, collection & preflight, imposition, and working with service bureaus. Jacci Howard Bear Your Guide to Desktop Publishing ICQ#10206585 Related reading Prepress jobs decline, Desktop Publishing on the rise Increased use of computers in typesetting and page layout will replace or force major changes in many prepress jobs. The U.S. Bureau of Labor Statistics projects declining job opportunities for prepress workers, typesetters, paste-up workers, film strippers, and most other printing workers. But a projected growth rate of 74% and 22,000 new jobs for Desktop Publishing specialists puts http://www.desktoppub.about.com/compute/desktoppub/library/weekly/aa112499.htm (4 of 6) [9/13/2000 10:07:36 AM] Traditional vs. Digital Prepress DTP in the top 10 of the fastest-growing professions. [Read full article] Subscribe to The Desktop Publishing Newsletter Name Email More articles Email this page! Sponsored Links Photo Cookie Greetings Imprint any image - photos, logos, products - on a cookie! 100% Edible! Custom imprinted tins are also available. http://www.eBake.com/ (Listing fee: $0.67) Hewlett-Packard's Small Business Web Site HP's Business Center is the spot to find online services and computing information for your small business. http://www.hp.com/ (Listing fee: $0.66) POWERFUL 13,000+ Work At Home JOBS Database The Independent Homeworkers Alliance posts telecommuting jobs daily, full benefits, chats, message boards and more. Get a free 2 week trial evaluation. http://www.homeworkers.org/ (Listing fee: $0.57) Cheap-Software-Online.Com Large selection of deeply discounted cdrom software, wholesale software both current and previous version. Free software CD with purchase. Major Credit Cards and electronic checks accepted. http://www.cheap-software-online.com/ (Listing fee: $0.55) Computer Training Videos & CD ROMs Planetlearn.com provides over 2000 self paced computer training programs available on video, cd rom, and online. http://www.planetlearn.com/ (Listing fee: $0.38) Sponsor this site More... http://www.desktoppub.about.com/compute/desktoppub/library/weekly/aa112499.htm (5 of 6) [9/13/2000 10:07:36 AM] Traditional vs. Digital Prepress Explore More On The About Network Search Arts/Humanities · Autos · Cities/Towns · Comedy · Computing/Technology · Cultures · For more information, visit Education · Food/Drink · Gadgets · Games · Health/Fitness · Hobbies · Home/Garden · Our Story, Be a Guide, or Advertise. For rules of use, Homework Help · Industry · Internet/Online · Jobs/Careers · Kids · Money · Movies · read our User Agreement and Music/Performing Arts · News/Issues · Parenting/Family · People/Relationships · Pets · Privacy & Kids Privacy Policy. Recreation/Outdoors · Real Estate · Religion/Spirtuality · Science · Shopping · Small Having a problem? Report it here. Business · Sports · Style · Teens · Travel · TV/Radio · About Canada · About UK Copyright © 2000 About.com, Inc. About and About.com are registered trademarks of About.com, Inc. The About logo is a trademark of About.com, Inc. All rights reserved. http://www.desktoppub.about.com/compute/desktoppub/library/weekly/aa112499.htm (6 of 6) [9/13/2000 10:07:36 AM].
Recommended publications
  • Oral History Interview with Massimo Vignelli, 2011 June 6-7
    Oral history interview with Massimo Vignelli, 2011 June 6-7 Funding for this interview was provided by the Nanette L. Laitman Documentation Project for Craft and Decorative Arts in America. Contact Information Reference Department Archives of American Art Smithsonian Institution Washington. D.C. 20560 www.aaa.si.edu/askus Transcript Preface The following oral history transcript is the result of a tape-recorded interview with Massimo Vignelli on 2011 June 6-7. The interview took place at Vignelli's home and office in New York, NY, and was conducted by Mija Riedel for the Archives of American Art, Smithsonian Institution. This interview is part of the Nanette L. Laitman Documentation Project for Craft and Decorative Arts in America. Mija Riedel has reviewed the transcript and have made corrections and emendations. This transcript has been lightly edited for readability by the Archives of American Art. The reader should bear in mind that they are reading a transcript of spoken, rather than written, prose. Interview MIJA RIEDEL: This is Mija Riedel with Massimo Vignelli in his New York City office on June 6, 2011, for the Smithsonian Archives of American Art. This is card number one. Good morning. Let's start with some of the early biographical information. We'll take care of that and move along. MASSIMO VIGNELLI: Okay. MIJA RIEDEL: You were born in Milan, in Italy, in 1931? MASSIMO VIGNELLI: Nineteen thirty-one, a long time ago. MIJA RIEDEL: Okay. What was the date? MASSIMO VIGNELLI: Actually, 80 years ago, January 10th. I'm a Capricorn. MIJA RIEDEL: January 10th.
    [Show full text]
  • Introducing Opentype Ab
    UBS AG ab Postfach CH-8098 Zürich Tel. +41-44-234 11 11 Brand Management Visual Identity Stephanie Teige FG09 G5R4-Z8S Tel. +41-1-234 59 09 Introducing OpenType Fax +41-1-234 36 41 [email protected] July 2005 www.ubs.com OpenType is a new font format developed collaboratively by Adobe and Microsoft. OpenType enhances the TrueType and PostScript technologies and extends their capabilities. Most fonts today are released in the OpenType format, now considered the industry standard. The resulting new generation of UBSHeadline and Frutiger fonts offers improved typographic and layout features. 1. What is OpenType? Frutiger is not always Frutiger Due to the wide variety of Frutiger styles available world- A single font format wide, be sure to install and use only the client-specific UBS OpenType provides a single universally acceptable font licensed version of this font. Do not use any other versions format that can be used on any major operating system of Frutiger to create UBS media. and in any application. Using the client-specific UBS Frutiger guarantees access to Macintosh Windows UBS-relevant cuts. It also prevents changes to kerning and line-break in comparison to random Frutiger styles. UBSHeadline, Frutiger UBSHeadline, Frutiger (PostScript) (TrueType) Linotype Frutiger UBS Frutiger Frutiger LT 45 Light Frutiger 45 Light Macintosh and Frutiger LT 46 Light Italic Frutiger 45 Light Italic Windows Frutiger LT 55 Roman Frutiger 55 Roman Frutiger LT 56 Italic Frutiger 55 Roman Italic UBSHeadline, Frutiger Frutiger LT 65 Bold Frutiger 45 Light Bold (OpenType) Frutiger LT 75 Black Frutiger 55 Roman Bold Frutiger LT 47 Light Condensed Frutiger 47 Light CN Unicode OpenType supports Unicode, which allows much larger Comparison of common Linotype Frutiger versus UBS client- character sets – more than 65,000 glyphs per font in many specific Frutiger.
    [Show full text]
  • Glossary 1 Terms Used in Graphic Design and Printing
    Computer Presentation of Data 121 GLOSSARY 1 GLOSSARY 1 TERMS USED IN GRAPHIC DESIGN AND PRINTING Words in italics are separately defmed. alphabet length The space occupied by the 26 lowercase letters in a given typeface and size, when they are set in a single line without spaces. alphanumerics Letters and numbers, as opposed to other kinds of symbol. artwork Text or graphics presented in a form suitable for reproduction. In desktop publishing, the artwork is usu­ ally in the form of output from a laser printer. ascender Thepartofalowercase letter, such as 'd' or'h', that rises above the x-height. asymmetrical layout A page layout that has no central axis. Typically, both headings and text would be ranged left. back-edge In a bound document, the edge of the page nearest to the binding. baseline An imaginary horizontal line with which the bases of most lowercase letters (i.e. those without descenders) are aligned. baseline-to-baseline measurement The measurement (usually in points) from the baseline of one line of type to the baseline of the next. See also: linefeed. body size The term originates from metal type and it refers to the size of the 'body' on which each character is cast. The body size, usually measured in points, is the vertical di­ mension of the surfaces carrying the characters. With digital type there is no physical body, so the term has little relevance. See also: point size. brightness The subjective impression caused by the lumi­ nance of an object. cap. height See: capital-letter height. capital-letter height The height of the capital letters in a given typeface and size, measured from the baseline to the capita/line.
    [Show full text]
  • Preparing Images for Delivery
    TECHNICAL PAPER Preparing Images for Delivery TABLE OF CONTENTS So, you’ve done a great job for your client. You’ve created a nice image that you both 2 How to prepare RGB files for CMYK agree meets the requirements of the layout. Now what do you do? You deliver it (so you 4 Soft proofing and gamut warning can bill it!). But, in this digital age, how you prepare an image for delivery can make or 13 Final image sizing break the final reproduction. Guess who will get the blame if the image’s reproduction is less than satisfactory? Do you even need to guess? 15 Image sharpening 19 Converting to CMYK What should photographers do to ensure that their images reproduce well in print? 21 What about providing RGB files? Take some precautions and learn the lingo so you can communicate, because a lack of crystal-clear communication is at the root of most every problem on press. 24 The proof 26 Marking your territory It should be no surprise that knowing what the client needs is a requirement of pro- 27 File formats for delivery fessional photographers. But does that mean a photographer in the digital age must become a prepress expert? Kind of—if only to know exactly what to supply your clients. 32 Check list for file delivery 32 Additional resources There are two perfectly legitimate approaches to the problem of supplying digital files for reproduction. One approach is to supply RGB files, and the other is to take responsibility for supplying CMYK files. Either approach is valid, each with positives and negatives.
    [Show full text]
  • Frequently Asked Prepress Questions
    Frequently Asked Prepress Questions What file formats do you accept? PDF only. That is the only format our workflow will accept. What is a PDF? PDF (or Portable Document Format) is a cross platform file format that anyone can read and print from any computer. PDFs are an excellent format for sending file to commercial printers. What are the most common problems with PDFs? A well made PDF is an amazing document. All the elements necessary for printing are contained in the PDF. It is compressed, making it easy to send electronically and it keeps its integrity so that what you see on your moni- tor is what will print on the page. However, not all PDFs are well made. The most common problems in creating PDFs for printing are: • Fonts are not embedded. This can cause output software to convert one font to another. • RGB color is used. This will cause output software to convert colors. • Low resolution photos are used. This affects reproduction quality. How do I create a PDF? It depends on the program you are using. We can supply print and export settings for commonly used programs. How do I get my files to you? Once your PDF is ready, you can use our FTP server to upload it to us. Each of our customers have their own dedicated, password protected, partitions on our server. If you are a new customer, you will receive instructions on how to upload files. How do I set up my publication for mailing? Postal regulations are very specific and often very confusing.
    [Show full text]
  • Reinventing Graphic Design Software by Bridging the Gap Between Graphical User Interfaces and Programming
    Design Research Society DRS Digital Library DRS Biennial Conference Series DRS2018 - Catalyst Jun 25th, 12:00 AM Reinventing Graphic Design Software by Bridging the Gap Between Graphical User Interfaces and Programming Nolwenn Maudet The University of Tokyo Follow this and additional works at: https://dl.designresearchsociety.org/drs-conference-papers Citation Maudet, N. (2018) Reinventing Graphic Design Software by Bridging the Gap Between Graphical User Interfaces and Programming, in Storni, C., Leahy, K., McMahon, M., Lloyd, P. and Bohemia, E. (eds.), Design as a catalyst for change - DRS International Conference 2018, 25-28 June, Limerick, Ireland. https://doi.org/10.21606/drs.2018.611 This Research Paper is brought to you for free and open access by the Conference Proceedings at DRS Digital Library. It has been accepted for inclusion in DRS Biennial Conference Series by an authorized administrator of DRS Digital Library. For more information, please contact [email protected]. Reinventing Graphic Design Software by Bridging the Gap Between Graphical User Interfaces and Programming MAUDET Nolwenn The University of Tokyo [email protected] doi: 10.21606/drs.2018.611 Graphic Design Software Applications radically transformed the practice and the industry of graphic design. However, they barely evolved since their introduction, leading designers to question their ubiquity. In this paper, we explore this mismatch by analysing digital design tools through two lenses. We first investigate digital design tools from a “lineage” perspective: how they reproduced the pre -existing design tools and practices. We then use two familiar examples: the colour picker and the alignment and distribution commands to explore the vision of design that they promote.
    [Show full text]
  • INTRODUCTORY CONCEPTS Desktop Publishing Terms Overview
    INTRODUCTORY CONCEPTS Desktop Publishing Terms Overview GOAL: Produce a reference guide demonstrating desktop publishing (DTP) terms. Crosswalk Measurable Learner to Show-Me Instructional Activities Assessment Objectives Standards Define terms related to desktop CA1, 2.1 Accurately define at least 15 Use the Desktop Publishing Terms publishing. A1 alphabetized desktop publishing terms to assessment to evaluate the definitions Import text files and word CA1, 2.1 be used as a reference guide. Students provided of each term. Also evaluate processing documents into will select terms from a listing generated the ability to demonstrate the specified publications. C2 by the instructor or other provided terms; the use of appropriate desktop Set margins. B1 CA1, 2.1 source(s). The terms will be displayed publishing layout and design with text, Create columns. B2 CA1, 2.1 in an appropriate easy-to-read format graphics, columns, and gutters Set guttering. B3 CA1, 2.1 according to DTP concepts. Each effectively manipulated; the use of Create an effective focal point. CA1, 2.1 definition is to demonstrate the term appropriately selected graphics to B6 used, e.g., drop cap will begin with a represent definitions; proper font Utilize pasteboard. B7 CA1, 2.1 drop cap. Effective DTP layout and selection and sizing; and the use of the Import graphics from various CA3, 2.7 design are to be used in margins, focal number of terms and graphics specified. sources (e.g., software-specific point, columns and gutters, etc. A The ability to provide an error-free library, other applications, minimum of 5 related graphics are to be document will also be assessed.
    [Show full text]
  • FTA First Guide
    Design Guide An SPI Project DESIGN FLEXOGRAPHIC TECHNICAL ASSOCIATION FIRST 4.0 SUPPLEMENTAL FLEXOGRAPHIC PRINTING DESIGN GUIDE 1.0 Design Introduction 1 5.0 File Formats and Usage 30 1.1 Overview 2 5.1 Specified Formats 30 1.2 Responsibility 2 5.2 Portable Document Format (PDF) 30 1.3 Assumptions 3 5.3 Clip Art 31 5.4 Creating and Identifying FPO Continuous Tone Images 31 2.0 Getting Started 4 5.5 Special Effects 31 2.1 Recognizing Attributes of the Flexographic Process 4 5.6 Image Substitution – Automatic Image Replacement 32 2.2 Materials and Information Needed to Begin 5 5.7 File Transfer Recommendations 32 2.2.1 Template Layout / Die-Cut Specifications 55.8 Program Applications 32 2.3 File Naming Conventions 6 6.0 Preflight of Final Design Prior to Release 33 6 2.4 Types of Proofs 8 6.1 Documenting the Design 33 2.5 Process Control Test Elements 9 6.2 Release to Prepress 34 3.0 Type and Design Elements 9 3.1 Typography: Know the Print Process Capabilities 9 3.1.1 Registration Tolerance 12 3.1.2 Process Color Type 13 3.1.3 Process Reverse/Knockout 13 3.1.4 Line Reverse/Knockout 13 3.1.5 Drop Shadow 13 3.1.6 Spaces and Tabs 14 3.1.7 Text Wrap 14 3.1.8 Fonts 14 3.2 Custom and Special Colors 16 3.3 Bar Code Design Considerations 17 3.3.1 Bar Code Specifications 18 3.3.2 Designer Responsibilities 18 3.3.3 USPS Intelligent Mail Bar Code 22 3.4 Screen Ruling 22 3.5 Tints 23 3.6 Ink Colors 24 4.0 Document Structure 25 4.1 Naming Conventions 26 4.2 Document Size 26 4.3 Working in Layers 26 4.4 Auto-Traced / Revectorized Art 26 4.5 Blends, Vignettes, Gradations 27 4.6 Imported Images – Follow the Links 28 4.7 Electronic Whiteout 29 4.8 Image Capture Quality – Scanning Considerations 29 4.9 Scaling & Resizing 30 4.10 Color Space 30 FLEXOGRAPHIC IMAGE REPRODUCTION SPECIFICATIONS & TOLERANCES 1 DESIGN 1.0 DESIGN INTRODUCTION 1.1 Overview FIRST 4.0 is created to facilitate communication among all participants involved in the design, preparation and printing of flexographic materials.
    [Show full text]
  • Desktop Publishing: Page Layout Design Introduction
    M2: Desktop Publishing Objectives Desktop Publishing: Page Layout Design Introduction Discrete Documents Course: Master of Arts Softwares Course Name: Computer and Information Technology Course Code: HIND4014 Basic Tools Semester: II File Extension Session: 2019-20 Desktop Publishing Software: Adobe Pagemaker Mr. Joynath Mishra Introduction Assistant Professor (Guest) Importance Computer Science and Information Technology Coverpage Creation Mahatma Gandhi Central University Poster Creation Motihari, Bihar Exercise References April 6, 2020 . Outline M2: Desktop Publishing 1 Objectives Objectives 2 Introduction Introduction Discrete 3 Discrete Documents Documents Softwares 4 Softwares Basic Tools File Extension 5 Basic Tools Desktop Publishing Software: Adobe 6 File Extension Pagemaker Introduction Importance 7 Desktop Publishing Software: Adobe Pagemaker Introduction Coverpage Creation Importance Poster Creation Coverpage Creation Poster Creation Exercise References 8 Exercise 9 References . Objectives M2: Desktop Publishing Objectives Introduction Discrete Documents Softwares Objectives Basic Tools Study on Context of Desktop Publishing File Extension Importance of Desktop Publishing Desktop Publishing Study on creation of title/cover page, advertisement Software: Adobe Pagemaker Introduction Importance Coverpage Creation Poster Creation Exercise References . Introduction M2: Desktop Publishing Introduction Objectives Desktop publishing is a process to produce organized soft copy format of text and graphics in a single page/platform.
    [Show full text]
  • Prepress Supervisor
    Prepress Supervisor Job Description Reports To: President Location: Shelton, CT Job Summary: This position will oversee production of prepress department supporting 40” offset press and digital HP Indigo. Workflow is Heidelberg Prinect. All brand new equipment. The candidate must be able to prioritize workload, meet changing deadlines, effectively communicate verbally and electronically with coworkers and clients. Equipment includes brand new Heidelberg 40” sheetfed offset press, HP Indigo digital press, chemistry free platesetter. Job Responsibilities: • Review and plan job scheduling with other supervisors and with sales personnel to assure production goes according to customer need, including attendance of daily production meeting each morning. • Manage work pertaining to electronic and traditional prepress functions. Schedule the work flow through the department to assure efficiency and cost control. Make work assignments, give instructions pertaining to job and answer questions personnel have about their work. • Work closely with other managers in planning efficient prepress production. • See that employees are properly trained. Proactively seek new and better ways for employees to do their jobs, making the best use of human resources and technology. • Keep abreast of new methods, processes and procedures in order to keep up-to-date, and work closely with Systems Administrator in planning and implementation of new hardware/software, and general maintenance of computer system. • Frequently deal directly with customers in a consultant role to recommend how they should prepare their files for most efficient production; or choose the appropriate employee to do so. • Respond to suggestions from salespeople and others for customer service or product improvements. • Responsible for the control of loss and spoilage in the dept.
    [Show full text]
  • Desktop Publishing Com O Scribus
    Desktop Publishing com o Scribus FABRÍCIO RIFF SILVA1 AND KÁTIA CILENE AMARAL UCHÔA2 1Secretaria de Estado de Educação de Minas Gerais Avenida Amazonas, 5855, Gameleira – CEP:30510-000 Belo Horizonte (MG) [email protected] 2Curso de Pós Graduação em Administração em Redes Linux - UFLA Caixa Postal 3037 – CEP 37.200-000 Lavras (MG) [email protected] Resumo: Este artigo apresenta um breve tutorial sobre Desktop Pu- blishing, com ênfase no software livre Scribus, através da criação de um exemplo prático que explora algumas de suas principais funcionalidades. Palavras-Chave: Desktop Publishing, Editoração Eletrônica. 1 Introdução Desktop Publishing (DTP) compreende a produção de documentos utilizando um com- putador desktop normal (KRUMM, 1990). (PEREIRA, 2002) afirma que é uma maneira de fazer publicação sobre a mesa, utilizando como equipamentos computadores, scan- ners, impressoras, programas de ilustração, programas de editoração, editores de ima- gens, fontes, imagesetters1, entre outros periféricos. Atualmente, DTP designa também equipamentos Direct To Plate Printer (Direto para Chapa /Impressora) (PEREIRA, 2002). Raskin em (RASKIN, 1993) destaca que a palavra desktop, em informática, designa todo o equipamento, sistema ou aplicação que possa ser implementado no espaço de uma mesa de trabalho, inclusive donde advém a interligação que originou esse termo DTP. Os benefícios advindos do domínio dessa técnica atingem diversos segmentos da so- ciedade, possibilitando a criação de peças gráficas com as mais variadas finalidades. Den- tre essas finalidades tem-se a publicação de revistas, jornais e demais meios de comunicação impressa, bem como ilustrar informações sobre produtos e serviços. Desktop Publishing pressupõe que se possa confeccionar publicações utilizando microcomputador mediante três estágios principais: criação, montagem e impressão.
    [Show full text]
  • Prepress Terms
    Prepress Terms Blueline Continuous-tone art and line art A diazo (UV-exposed and self-processed) Continuous-tone art is art, such as photo- photo print made to proof pagination, image graphs, that consists of shades of gray and position, and type. Bluelines have been made color gradations. It’s distinguished from line mostly obsolete by the digital revolution. art, such as a line drawing, which has no tonal variation. If you look closely at continuous- tone art, you can see that shades of gray or color blend smoothly without breaking into Camera-ready dots or other patterns. When the art is print- ed, the corresponding regions are reproduced Said of text or artwork ready to be photo- as arrays of different-sized dots printed in the graphed by a process camera. colors used on the press. DPI Dot gain An abbreviation for dots per inch. Refers Many variables—from ink to paper surface to the resolution at which a device, such and press used—affect the size of halftone as a monitor or printer, can display text dots. A certain amount of dot gain, or increase and graphics. in halftone dot size, occurs naturally when wet ink spreads as it’s absorbed by the paper. If too much dot gain occurs, images and colors print darker than specified. Dot gain is one of the characteristics taken into account when color-management sys- tems are applied. (See page 110 for more information on dot gain.) Line art Continuous-tone art Dot gain Halftone dots in Halftone dots a color proof after printing Halftone screens Ink is an all-or-nothing medium in the sense really looking at small printed black dots on that any spot on the paper is either inked a field of white paper.
    [Show full text]