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The Poetics of Reflection in Digital Games
© Copyright 2019 Terrence E. Schenold The Poetics of Reflection in Digital Games Terrence E. Schenold A dissertation submitted in partial fulfillment of the requirements for the degree of Doctor of Philosophy University of Washington 2019 Reading Committee: Brian M. Reed, Chair Leroy F. Searle Phillip S. Thurtle Program Authorized to Offer Degree: English University of Washington Abstract The Poetics of Reflection in Digital Games Terrence E. Schenold Chair of the Supervisory Committee: Brian Reed, Professor English The Poetics of Reflection in Digital Games explores the complex relationship between digital games and the activity of reflection in the context of the contemporary media ecology. The general aim of the project is to create a critical perspective on digital games that recovers aesthetic concerns for game studies, thereby enabling new discussions of their significance as mediations of thought and perception. The arguments advanced about digital games draw on philosophical aesthetics, media theory, and game studies to develop a critical perspective on gameplay as an aesthetic experience, enabling analysis of how particular games strategically educe and organize reflective modes of thought and perception by design, and do so for the purposes of generating meaning and supporting expressive or artistic goals beyond amusement. The project also provides critical discussion of two important contexts relevant to understanding the significance of this poetic strategy in the field of digital games: the dynamics of the contemporary media ecology, and the technological and cultural forces informing game design thinking in the ludic century. The project begins with a critique of limiting conceptions of gameplay in game studies grounded in a close reading of Bethesda's Morrowind, arguing for a new a "phaneroscopical perspective" that accounts for the significance of a "noematic" layer in the gameplay experience that accounts for dynamics of player reflection on diegetic information and its integral relation to ergodic activity. -
Game Design Und Produktion“
Leseprobe zu „Game Design und Produktion“ von Gunther Rehfeld Print-ISBN: 978-3-446-46315-8 E-Book-ISBN: 978-3-446-46367-7 E-Pub-ISBN: 978-3-446-46645-6 Weitere Informationen und Bestellungen unter http://www.hanser-fachbuch.de/978-3-446-46315-8 sowie im Buchhandel © Carl Hanser Verlag, München Vorwort zur 2. Auflage Seit dem Erscheinen des Buchs vor mehr als sechs Jahren hat sich an der technologischen Front einiges geändert. Anderes ist beim Alten geblieben. So sind VR (Virtual Reality) und AR (Augmented Reality) zurzeit in aller Munde. Zudem nimmt der Vertrieb von Spielen über digitale Plattformen wie Steam immer mehr Raum ein. Die Game-Engines werden immer komplexer, gleichzeitig aber auch effizienter und einfacher zu bedienen. Virtual Reality (VR) ist zurzeit ein viel diskutierter Trend. Auf der anderen Seite ist das, was ein Spiel ausmacht, gleich geblieben. Die Grundlagen des Game Design werden sich ebenso wenig verändern wie der Prozess der Kreativität, der Umgang mit Spielelementen und -mechaniken, der Kern dessen, was eine gute Geschichte ausmacht etc. Sicherlich, immer neue Formate betreten den Markt. Oft als Moden, die 6 Vorwort zur 2. Auflage jedoch nicht nur auf den Bereich von Games (Computerspielen) beschränkt sind. Ein Beispiel hierfür sind die sogenannten Exit- oder Escape-Games. Sie erfreuen sich zurzeit sowohl digital, als auch als analoge Formate einer großen Beliebtheit. Nach wie vor treiben Games als gemeinschaftliche Interaktion die digitalen Märkte an. Mul- tiplayer-Survival-Titel wie Ark:Survival Evolved (Studio Wildcard, 2017), Blockbuster wie Fortnite (Epic Games, 2017) bis hin zu Browser-Games sind immer wieder an den Spitzen der Charts zu finden. -
CTIN 483 Intro to Game Development Syllabus 2013-1
Introduction to Game Development – Spring, 2013 Syllabus USC School of Cinematic Arts, CTIN 483 (Sections 18354 & 18355) For any class questions, send email to: [email protected] Instructor: Student Assistant: Jeremy Gibson Will Hellwarth (434) 321-8624 (310) 422-3054 [email protected] [email protected] Course Rationale: Being a game designer requires an understanding of several different things, just a few of which are psychology, systems, fun, and storytelling. Each designer has different levels of expertise in each of these areas, and some only excel in one or two, but one thing that all designers need is the ability to communicate their ideas to others. Because games are a medium which, for the most part, must be experienced to be understood, rapid prototyping is often the best possible way to communicate your design ideas to others, and the ability of game designers to prototype can be thought of as equivalent to the ability of cinematographers to sketch; it's not the core skill of game design, but it does make it drastically easier for a game designer to communicate. This course will teach you the basic knowledge you need to be able to create digital prototypes of your own ideas. While you should not expect to come out of this course a great programmer, you will come out a better designer. This course is also required preparation for CTIN 484: Intermediate Game Development, in which students work in pairs to create a single, released game by the end of the semester. Course Description: This production class is focused on rapidly developing game prototypes. -
Family Friendly Magazine 129 in PDF Format
Family Friendly Gaming The VOICE of TM the FAMILY in GAMING Kingdom Hearts III, Ooblets, Monster Hunter World and more in this fabu- lous issue!! ISSUE #129 NI NO KUNI II REVENANT KING- DOM wants you to April 2018 role play. CONTENTS ISSUE #129 April 2018 CONTENTS Links: Home Page Section Page(s) Editor’s Desk 4 Female Side 5 Comics 7 Sound Off 8 - 10 Look Back 12 Quiz 13 Devotional 14 Helpful Thoughts 15 In The News 16 - 23 We Would Play That! 24 Reviews 25 - 37 Sports 38 - 41 Developing Games 42 - 67 Now Playing 68 - 83 Last Minute Tidbits 84 - 106 “Family Friendly Gaming” is trademarked. Contents of Family Friendly Gaming is the copyright of Paul Bury, and Yolanda Bury with the exception of trademarks and related indicia (example Digital Praise); which are prop- erty of their individual owners. Use of anything in Family Friendly Gaming that Paul and Yolanda Bury claims copyright to is a violation of federal copyright law. Contact the editor at the business address of: Family Friendly Gaming 7910 Autumn Creek Drive Cordova, TN 38018 [email protected] Trademark Notice Nintendo, Sony, Microsoft all have trademarks on their respective machines, and games. The current seal of approval, and boy/girl pics were drawn by Elijah Hughes thanks to a wonderful donation from Tim Emmerich. Peter and Noah are inspiration to their parents. Family Friendly Gaming Page 2 Page 3 Family Friendly Gaming Editor’s Desk FEMALE SIDE this instance I feel wonderful. God has given God is my prize and my goal. -
Annual Report & Accounts 2020
Sumo Group Annual Report & Accounts 2020 Sumo Report & Accounts Annual Group sumogroupplc.com Annual Report & Accounts 2020 We are one of the UK’s largest providers of end-to-end creative development and co-development services to the video games and entertainment industries. We make highly innovative games for the most prestigious publishers in the world, with an increasing number of titles based on original concepts developed by Sumo. Strategic Report Governance Financial Statements At a Glance 2 Introduction to Governance 45 Independent Auditor’s report 68 Chairman’s Statement 4 Corporate Governance 46 Consolidated Income Statement 76 Business Model 6 Board of Directors 50 Consolidated Statement of Our Businesses 14 Operating Board 52 Comprehensive Income 77 Our Markets 20 Audit and Risk Committee Report 54 Consolidated Balance Sheet 78 Our Strategy 22 Directors’ Remuneration Report 56 Consolidated Statement of Chief Executive’s review 23 Directors’ Report 64 Changes in Equity 79 Group Financial Review 29 Statement of Directors’ Consolidated Cash Flow Section 172 Statement 34 Responsibilities 66 Statement 80 Environmental, Social Notes to the Group Financial and Governance 38 Statements 81 Energy and Carbon Report 40 Parent Company Balance Sheet 114 Risks & Uncertainties 41 Parent Company Statement of Changes in Equity 115 Notes to the Parent Company Financial Statements 116 Financial Calendar and Company Information 119-120 Designed and printed by Perivan STRATEGICSTRATEGIC REPORTREPORT Highlights Our vision Achieving wonder together. Revenue £68.9m 2019: £49.0m +40.7% Gross profit Our mission £31.5m 2019: £23.9m Grow a sustainable business, providing security to our +31.5% people and shareholders, whilst delivering a first-class experience to our partners and players. -
Copyright Issues and Fair Use in Youtube "Let's Plays" and Video Game Livestreams
Intellectual Property Brief Volume 7 Issue 1 Article 1 2020 Fair Play: Copyright Issues and Fair Use in Youtube "Let's Plays" and Video Game Livestreams Sebastian C. Mejia Follow this and additional works at: https://digitalcommons.wcl.american.edu/ipbrief Part of the Intellectual Property Law Commons Recommended Citation Mejia, Sebastian C. (2020) "Fair Play: Copyright Issues and Fair Use in Youtube "Let's Plays" and Video Game Livestreams," Intellectual Property Brief: Vol. 7 : Iss. 1 , Article 1. Available at: https://digitalcommons.wcl.american.edu/ipbrief/vol7/iss1/1 This Article is brought to you for free and open access by the Washington College of Law Journals & Law Reviews at Digital Commons @ American University Washington College of Law. It has been accepted for inclusion in Intellectual Property Brief by an authorized editor of Digital Commons @ American University Washington College of Law. For more information, please contact [email protected]. Fair Play: Copyright Issues and Fair Use in Youtube "Let's Plays" and Video Game Livestreams This article is available in Intellectual Property Brief: https://digitalcommons.wcl.american.edu/ipbrief/vol7/iss1/1 FAIR PLAY: COPYRIGHT ISSUES AND FAIR USE IN YOUTUBE "LET'S PLAYS" AND VIDEOGAME LIVESTREAMS SEBASTIAN C. MEJIA INTRODUCTION While videogames used to be a small, niche hobby, they have become a worldwide, multi-billion dollar industry.' Games like Call of Duty: Black Ops II and Grand Theft Auto V are not only the biggest sellers in the videogame industry, but are also among the biggest entertainment properties in the world, both reaching the $1 billion sales milestone in record times.2 The high level of success has caused the growth of a large * J.D. -
Think Global Go Local
THINK GLOBAL GO LOCAL Altagram Group Company Deck Company History Founded by Marie Amigues, Altagram rapidly Year 2013 established itself in the gaming industry with a reputation for high-quality multilingual game localization. The company had already tripled in size, and Marie was named one of the top 10 women Year 2017 entrepreneurs in the gaming industry in Germany. The Korean office in Seoul opened its doors to better cater to the specific needs of Altagram’s Asian clients. Altagram expanded into North America, opening an Year 2018 office in Montréal – dedicated for QA. Altagram develops the first all-in-one culturalization Year 2019 platform – with the Horizon 2020 EU grant of 2M€. Europe’s Horizon2020 SME-Instrument Phase 2 Champion Awarded “Best for Employee Well-being” Our Values It takes passion and expertise to achieve the quality that will make your game different! • Consistent high quality • Passion for games • Drive for constant innovation Proud member of: Our Solutions A dedicated team specialized in every type of game— the key to successful game localization! Game Text Localization In-game, UI, manuals, marketing text, packaging, app store text Game Culturalization Cultural consultation, graphics & mechanics localization, store features, ASO, SEO Multilingual Voice-Over Multilingual voice-over, pre/post-production, SFX, casting Testing Linguistic (LQA), functional (FQA), testing Quality Evaluation (LQE) We cover all markets for the video game industry, Game Markets working into 50+ target languages. Western Europe Eastern -
SUMO FINAL RESULTS 2020 Sumo Group, T
31 March 2021 SUMO GROUP PLC (“Sumo Group”, the “Group” or the “Company”) AIM: SUMO FINAL RESULTS 2020 Sumo Group, the award-winning provider of creative and development services to the video games and entertainment industries, announces its final results for the year ended 31 December 2020 (“FY20”), which show substantial growth in revenue and Adjusted EBITDA and further outperform consensus market expectations for FY20, which were upgraded in January 2021 following the Group’s positive trading update. Financials Reported results 2020 2019 Change Revenue £68.9m £49.0m + 40.7% Gross profit £31.5m £23.9m + 31.5% Gross margin 45.7% 48.9% Profit before taxation1 £0.9m £7.4m Cash flow from operations £13.0m £14.4m Net cash £6.8m £12.9m Basic earnings per share 1.08p 5.19p Diluted earnings per share 1.01p 5.07p Underlying results 2020 2019 Change Adjusted gross profit2 £31.7m £25.2m + 25.8% Adjusted gross margin3 41.8% 44.8% Adjusted EBITDA4 £16.5m £14.1m + 17.1% 1 The statutory profit before taxation of £0.9m in 2020 is stated after charging an amount of £7.3m arising on the acquisition of Pipeworks consisting of the £2.7m fair value loss on contingent consideration, £1.7m of amortisation of customer contracts and customer relationships and £2.9m of transactions costs on that acquisition. In addition, the statutory profit before taxation is stated after charging exceptional items other than the costs incurred on the acquisition of Pipeworks of £1.2m (2019: £0.5m) and the share-based payment charge of £5.0m (2019: £2.7m) and the unrealised gain on foreign currency derivative contracts of £1.0m. -
Annual Review
annual review 2017 our board Ukie Annual Review 2016/17 contents 02 foreword 04 Noirin Carmody - Chair Harvey Eagle chair’s report Owner and COO Xbox UK Marketing Director Our initiatives Revolution Software Microsoft 06 ceo’s report Ian Livingstone CBE - Vice Chair Miles Jacobson OBE Chairman Studio Director Playmob Sports Interactive 08 a year in westminster and brussels askaboutgames Dave Gould - Treasurer Veronique Lallier askaboutgames.com Snr Director of Sales UK & Export European Managing Director 12 Take 2 Interactive Hi-Rez Studios research and analysis Without house background Simon Barratt Warwick Light 16 Director UK Managing Director and Vice President ukie’s year in numbers Sony Interactive Entertainment Barog Game Labs INSPIRATIONAL COMPUTING 18 Katherine Bidwell Phil Mansell Digital Schoolhouse acting locally thinking globally Co-Founder CEO digitalschoolhouse.org.ukWith house background State of Play Games Jagex 20 ukie’s global trade programme Neil Boyd Andy Payne OBE INSPIRATIONAL COMPUTING European Anti-Piracy Counsel CEO Nintendo Europe AppyNation 22 the digital schoolhouse Shaun Campbell Kirsty Rigden Games London UK Country Manager Operations Director games.london 24 Electronic Arts FuturLab inspiring talent John Clark Ella Romanos 26 Senior Vice President, Commercial Director promoting a positive image Publishing Rocket Lolly Games SEGA Europe Students 27 Rob Cooper Roy Stackhouse making the most of your IP Managing Director Northern Europe and Vice President - UK, Ireland & Benelux Ukie Students Export Territories -
Minerva: the Curse of ECDSA Nonces Systematic Analysis of Lattice Attacks on Noisy Leakage of Bit-Length of ECDSA Nonces
Minerva: The curse of ECDSA nonces Systematic analysis of lattice attacks on noisy leakage of bit-length of ECDSA nonces Ján Jančár1, Vladimír Sedláček12, Petr Švenda1 and Marek Sýs1 1 Masaryk University, 2 Ca’ Foscari University of Venice {j08ny,vlada.sedlacek}@mail.muni.cz;{svenda,syso}@fi.muni.cz Abstract. We present our discovery1 of a group of side-channel vulnerabilities in imple- mentations of the ECDSA signature algorithm in a widely used Atmel AT90SC FIPS 140-2 certified smartcard chip and five cryptographic libraries (libgcrypt, wolfSSL, MatrixSSL, SunEC/OpenJDK/Oracle JDK, Crypto++). Vulnerable implementations leak the bit-length of the scalar used in scalar multiplication via timing. Using leaked bit-length, we mount a lattice attack on a 256-bit curve, after observing enough signing operations. We propose two new methods to recover the full private key requiring just 500 signatures for simulated leakage data, 1200 for real cryptographic library data, and 2100 for smartcard data. The number of signatures needed for a successful attack depends on the chosen method and its parameters as well as on the noise profile, influenced by the type of leakage and used computation platform. We use the set of vulnerabilities reported in this paper, together with the recently published TPM-FAIL vulnerability [MSE+20] as a basis for real-world benchmark datasets to systematically compare our newly proposed methods and all previously published applicable lattice-based key recovery methods. The resulting exhaustive comparison highlights the methods’ sensitivity to its proper parametrization and demonstrates that our methods are more efficient in most cases. For the TPM-FAIL dataset, we decreased the number of required signatures from approximately 40000 to mere 900. -
Nintendo Eshop
Nintendo eShop Last Updated on October 2, 2021 Title Publisher Qty Box Man Comments #RaceDieRun QubicGames 1-2-Switch Nintendo 10-in-1: Arcade Collection Gamelion Studios 101 DinoPets 3D Selectsoft 2 Fast 4 Gnomz QubicGames 2048 Cosmigo 3D Fantasy Zone Sega 3D Fantasy Zone II Sega 3D Game Collection Joindots 3D MahJongg Joindots 3D Out Run Sega 3D Solitaire Zen Studios 3D Sonic The Hedgehog Sega 3D Sonic The Hedgehog 2 Sega 3D Thunder Blade Sega 80's Overdrive Insane Code A Short Hike Whippoorwill Limited A-Train 3D: City Simulator Natsume Abyss EnjoyUp Games ACA NeoGeo: Alpha Mission II Hamster ACA NeoGeo: Baseball Stars 2 Hamster ACA NeoGeo: Blazing Star Hamster ACA NeoGeo: Cyber-Lip Hamster ACA NeoGeo: Garou - Mark of the Wolves Hamster ACA NeoGeo: Gururin HAMSTER, Co. ACA NeoGeo: King of Fighters '98, The HAMSTER, Co. ACA NeoGeo: Last Resort Hamster ACA NeoGeo: Magical Drop II HAMSTER, Co. ACA NeoGeo: Magical Drop III HAMSTER, Co. ACA NeoGeo: Money Puzzle Exchanger Hamster ACA NeoGeo: Neo Turf Masters Hamster ACA NeoGeo: Ninja Combat Hamster ACA NeoGeo: Ninja Commando Hamster ACA NeoGeo: Prehistoric Isle 2 Hamster ACA NeoGeo: Pulstar Hamster ACA NeoGeo: Puzzle Bobble 2 HAMSTER, Co. ACA NeoGeo: Puzzled HAMSTER, Co. ACA NeoGeo: Sengoku Hamster ACA NeoGeo: Sengoku 2 Hamster ACA NeoGeo: Sengoku 3 Hamster ACA NeoGeo: Shock Troopers Hamster ACA NeoGeo: Top Hunter - Roddy & Cathy Hamster ACA NeoGeo: Twinkle Star Sprites Hamster ACA NeoGeo: Waku Waku 7 Hamster ACA NeoGeo: Zed Blade Hamster ACA NeoGeo: Zupapa! Hamster Advance Wars Nintendo Adventure Bar Story CIRCLE Ent. Adventure Labyrinth Story CIRCLE Entertainment Adventure Time: Hey Ice King! Why'd you steal our garbage?!! D3 Publisher Adventures of Elena Temple, The GrimTalin Adventures of Elena Temple, The: Definitive Edition: Switch Grimtalin Aero Porter Level-5 AeternoBlade Corecell Technology This checklist is generated using RF Generation's Database This checklist is updated daily, and it's completeness is dependent on the completeness of the database. -
Theindiegamedeveloperhandbook.Pdf
THE INDIE GAME DEVELOPER HANDBOOK This page intentionally left blank THE INDIE GAME DEVELOPER HANDBOOK Richard Hill-Whittall First published 2015 by Focal Press 70 Blanchard Road, Suite 402, Burlington, MA 01803 and by Focal Press 2 Park Square, Milton Park, Abingdon, Oxon OX14 4RN Focal Press is an imprint of the Taylor & Francis Group, an informa business © 2015 Taylor & Francis The right of Richard Hill-Whittall to be identified as the author of this work has been asserted by him in accordance with sections 77 and 78 of the Copyright, Designs and Patents Act 1988. All rights reserved. No part of this book may be reprinted or reproduced or utilised in any form or by any electronic, mechanical, or other means, now known or hereafter invented, including photocopying and recording, or in any information storage or retrieval system, without permission in writing from the publishers. Notices Knowledge and best practice in this field are constantly changing. As new research and experience broaden our understanding, changes in research methods, professional practices, or medical treatment may become necessary. Practitioners and researchers must always rely on their own experience and knowledge in evaluating and using any information, methods, compounds, or experiments described herein. In using such information or methods they should be mindful of their own safety and the safety of others, including parties for whom they have a professional responsibility. Product or corporate names may be trademarks or registered trademarks, and are used only for identification and explanation without intent to infringe. Library of Congress Cataloging-in-Publication Data Hill-Whittall, Richard.