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Koel Chatterjee Phd Thesis
Bollywood Shakespeares from Gulzar to Bhardwaj: Adapting, Assimilating and Culturalizing the Bard Koel Chatterjee PhD Thesis 10 October, 2017 I, Koel Chatterjee, hereby declare that this thesis and the work presented in it is entirely my own. Where I have consulted the work of others, this is always clearly stated. Signed: Date: 10th October, 2017 Acknowledgements This thesis would not have been possible without the patience and guidance of my supervisor Dr Deana Rankin. Without her ability to keep me focused despite my never-ending projects and her continuous support during my many illnesses throughout these last five years, this thesis would still be a work in progress. I would also like to thank Dr. Ewan Fernie who inspired me to work on Shakespeare and Bollywood during my MA at Royal Holloway and Dr. Christie Carson who encouraged me to pursue a PhD after six years of being away from academia, as well as Poonam Trivedi, whose work on Filmi Shakespeares inspired my research. I thank Dr. Varsha Panjwani for mentoring me through the last three years, for the words of encouragement and support every time I doubted myself, and for the stimulating discussions that helped shape this thesis. Last but not the least, I thank my family: my grandfather Dr Somesh Chandra Bhattacharya, who made it possible for me to follow my dreams; my mother Manasi Chatterjee, who taught me to work harder when the going got tough; my sister, Payel Chatterjee, for forcing me to watch countless terrible Bollywood films; and my father, Bidyut Behari Chatterjee, whose impromptu recitations of Shakespeare to underline a thought or an emotion have led me inevitably to becoming a Shakespeare scholar. -
Download This Volume In
Sederi 29 2019 IN MEMORIAM MARÍA LUISA DAÑOBEITIA FERNÁNDEZ EDITOR Ana Sáez-Hidalgo MANAGING EDITOR Francisco-José Borge López REVIEW EDITOR María José Mora PRODUCTION EDITORS Sara Medina Calzada Tamara Pérez Fernández Marta Revilla Rivas We are grateful to our collaborators for SEDERI 29: Leticia Álvarez Recio (U. Sevilla, SP) Adriana Bebiano (U. Coimbra, PT) Todd Butler (Washington State U., US) Rui Carvalho (U. Porto, PT) Joan Curbet (U. Autònoma de Barcelona, SP) Anne Valérie Dulac (Sorbonne U., FR) Elizabeth Evenden (U. Oxford, UK) Manuel Gómez Lara (U. Seville, SP) Andrew Hadfield (U. Sussex, UK) Peter C. Herman (San Diego State U., US) Ton Hoensalars (U. Utrecth, NL) Douglas Lanier (U. New Hampshire, US) Zenón Luis Martínez (U. Huelva, SP) Willy Maley (U. Glasgow, UK) Irena R. Makaryk (U. Ottawa, CA) Jaqueline Pearson (U. Manchester, UK) Remedios Perni (U. Alicante, SP) Ángel Luis Pujante (U. Murcia, SP) Miguel Ramalhete Gomes (U. Lisboa, PT) Katherine Romack (U. West Florida, US) Mary Beth Rose (U. Illinois at Chicago, US) Jonathan Sell (U. Alcalá de Henares, SP) Alison Shell (U. College London, UK) Erin Sullivan (Shakespeare Institute, U. Birmingham, UK) Sonia Villegas (U. Huelva, SP) Lisa Walters (Liverpool Hope U., UK) J. Christopher Warner (Le Moyne College, US) Martin Wiggins (Shakespeare Institute, U. Birmingham, UK) R. F. Yeager (U. West Florida, US) Andrew Zurcher (U. Cambridge, UK) Sederi 29 (2019) Table of contents María Luisa Dañobeitia Fernández. In memoriam By Jesús López-Peláez Casellas ....................................................................... 5–8 Articles Manel Bellmunt-Serrano Leskov’s rewriting of Lady Macbeth and the processes of adaptation and appropriation .......................................................................................................... -
Shakespeare Survey 71 Volume 71 Index More Information
Cambridge University Press 978-1-108-47083-4 — Shakespeare Survey 71 Volume 71 Index More Information INDEX Aarons, Wendy 157n34 Arsi ´c,Branka 105–6 Barlow, Graham 138, 141 Aasand, Hardin L. 222n9, 228n39 Ashby, Stephen 338 Barnes, Jennifer 383, 384, 387 Abad, Ricardo 29, 30–1, 32 Ashcroft, Peggy 126 Barnes, Todd Landon 78n19 Abrams, David 161n51 Ashford, Rob 354, 358, 360 Barnfield, Richard 235 Abu Hassan 95n42 Ashton, Frederick 170, 175–6, 180–2, Barr, Gordon 345, 349 Ackermann, Zeno 89n3 183, 184–5, 352 Barrit, Desmond 115–16, 117Illus.17, Adamson, Matthew 277n10 Ashton, Louisa 316 123, 124Illus.23 Adegbola, Stefan 314 Askew, Marc 280n15, 280n16, 286n40, Bartels, Emily C. 269n11 Adelakun, Joseph 313Illus.53 289n48 Bartha, Katalin Agnes 94n38 Adorno, Theodor 166 Aspley, William 243, 244, 249 Bartlett, Mike 386 Aeschylus 238 al-Assadi, Jawad 37 Bartolovich, Crystal 372 Agamben, Giorgio 279, 291 Astington, John H. 156n32, 222n10, Bartoshevich, Aleksey 89, 97 Aitken, Charles 315 366–7, 376 al-Bassam, Sulayman 37, 38 Akala (rapper) 77 Atherton, Kristin 312, 313Illus.53 Bassi, Shaul 373, 376 Akane, Ryouhei 216 Atkins, Eileen 359 Basu, Dipannita 77n13 Akinlude, Layo-Christina 325Illus.58, Atkins, Robert 378, 379, 387 Bate, Jonathan 225n28, 231n53 325 Attenborough, Michael 123 Bauer, Jared 77 Alaimo, Stacey 156 Attwell, Harry 321 Beale, Simon Russell 356 Albanese, Denise 365 Auslander, Philip 168n15 Bealey, Chris 348 Albina, Nadia 318 Avramov, Roumen 93n28 Beau, Dicky 337–8 Alexander, Gavin 235, 240n45, 252 Beaumont, Francis 143n31, 145, 204, -
Audition Special Navigating the European Dance “ I Adored the Company Trail Partnership I Had with Robert My Memorable Curran...” – Lucinda Dunn, P
IssuE 192 JuNE / JuLy ’14 danceaustralia.cOm.Au Tamara Rojo, Carlos Acosta, Stephen McRae Guest stars in ‘Romeo & Juliet’ InspIrIng! The Youth America Grand Prix Well judged: SYTYCD’s Aaron Cash Audition speciAl Navigating the European dance “ I adored the company trail partnership I had with Robert My memorable Curran...” – Lucinda Dunn, p. 50 audition $7.95 / NZ $8.50 (incl. GST) PRINT POST APPROVED 100005330 04 9 770159 633008 22 / Feature auditions can be the most important event in a dancer’s career: the doorway to a new job, a new country, a new life. Below, dancers share their most memorable auditions with us. My MeMorable audition Brooke Widdison-Jacobs Principal Dancer West Australian Ballet I had been dancing in Europe for a few years when my travels took me to London to audition for the English National Ballet. As I stood amid the chaos of London commuters on the Piccadilly Line tube, I noticed sitting across from me another dancer, easily recognisable as he sat massaging his calf muscles! I quickly discovered that he was with the Royal Ballet of Flanders in Antwerp, Belgium. The company just happened to be performing at the Sadler’s Wells Theatre in London. It seemed meant to be, so the next day I found myself outside Sadler’s Wells waiting to join company class. As I had not contacted the company to pre-arrange my audition, the only way to get past security was to be smuggled into class between two racks of costumes. No easy task, but with a bit of distraction from the dancer I had met on the tube and the good fortune of incredibly large costumes, I successfully slipped right past all security checks and into what was already becoming my most memorable audition. -
A Note from Susan
THE NEWS JOURNAL of the Public Relations Division of the Association for Education in Journalism & Mass Communication PRUPDATE Vol. 48 • No. 1 • Winter 2013 A Note from Susan Dear Colleagues – ever to avail ourselves transition and the structure of our of the latest public conference planning will be vastly It is heartening to relations research, different. What will not change know that the public teaching strategies is the PRD’s focus on providing relations profession and networking opportunities to present research, is in a growth stage. opportunities that we learn from each other, and network The Bureau of Labor enjoy as PRD members. with our peers. Remember, we Statistics predicts a always need reviewers! If you are 21% growth rate in The chipping process for submitting a paper in one category, the public relations the 2013 PRD sessions at you are free to review in another profession over the PRD Head AEJMC is complete (see category or to review student- Susan Grantham next 8 years. Demand Denise Bortree’s article paper submissions. for additional public about chipping) and now relations courses and degrees will all that is left to be done is to assign Wishing you a productive and soon be reflected in our programs slots in the conference grid for the successful spring semester – if it isn’t already. Given this trend, research presentations. AEJMC’s it may be more important than conference scheduling process is in Susan Grantham Table of Contents Connect with us! A Note from Susan 1 Publishing Corner 11 http://aejmc.net/PR How to -
Romanian Users' Youtube “Shakespeares”: Digital Localities
humanities Article Romanian Users’ YouTube “Shakespeares”: Digital Localities in Global Fields Adriana Mihai English Department, Faculty of Foreign Languages and Literatures, University of Bucharest, 010451 Bucharest, Romania; [email protected] Received: 3 March 2019; Accepted: 17 April 2019; Published: 24 April 2019 Abstract: The cultural production of “Shakespeare” on the Internet has received growing attention in recent years, particularly in reference to newcomers in the field such as media users or “prosumers”. This is potentiated by the connectivity of digital platforms and growing access to digital means of production and distribution. From a field perspective on digital cultural production, participation online can be seen as a socially situated activity, often differentiated and marked by the habitus of digital media users. The present article aims firstly to discuss the utility of a field conceptualization of the cultural production of Shakespeare online, with reference to the work of Pierre Bourdieu. Secondly, through a critical framework derived from cultural and media economies, this article analyses Romanian appropriations of Shakespeare’s works on YouTube as cultural productions inscribed in both the global digital economy and also in the local cultural field. Thirdly, based on an overview of Romanian producers who have published Shakespeare videos and on the analysis of their visibility and circulation online, as well as their chosen genres and discourses, I argue that the Romanian digital (re)production of Shakespeare is situated at the periphery of both the national and the global digital field. User-made Shakespeare productions are yet to find valuation in the local cultural and media fields, being situated in an illegitimate location for appropriating Shakespeare. -
Case Report Persistent Eosinophilia: a Diagnostic Dilemma
Case Report DOI: 10.21276/APALM.2736 Persistent Eosinophilia: A Diagnostic Dilemma Hafsa Shabeer*, Chethana Mannem, Gayathri Bilagali Ramdas and Thejasvi Krishnamurthy Department of Pathology, Kempegowda Institute of Medical Sciences, Bangalore – 560004, Karnataka, India. ABSTRACT Chronic eosinophilic leukaemia-not otherwise specified (CEL-NOS) is a myeloproliferative neoplasm associated with an autonomous, clonal proliferation of eosinophilic precursors resulting in persistent eosinophilia. A 50-year-old female presented with easy fatiguability, cough and generalised swelling of the body. Investigations revealed anaemia with leucocytosis (56.150 x 103/ul) and 88% eosinophils (absolute eosinophil count was 49412/ul). Peripheral smear showed abnormal eosinophils exhibiting abnormal granulation and nuclear lobation. Reactive causes were ruled out and a bone marrow aspiration/biopsy revealed mildly hypercellular marrow with increased number of eosinophils and their precursors, 7% blasts along with dysplastic megakaryocytes - hypolobated and occasional segmented forms. Molecular studies including chromosomal and gene analysis were done. A combination of the clinical picture, laboratory and molecular studies led us to a diagnosis of CEL-NOS. The causes for eosinophilia are myriad and range from reactive causes like parasitic infestations to neoplasms in which eosinophils are a part of the neoplastic population/ are cytokine-mediated reactive component in the background of another neoplasm. The incidence of CEL-NOS is obscure due to significant overlap with Idiopathic Hypereosinophilic Syndrome (IHES). While CEL-NOS is a myeloproliferative neoplasm and its diagnosis can be made provided evidence of a clonality is present, IHES is a diagnosis of exclusion. It is important to differentiate the two entities as they carry different prognosis and modes of treatment. -
From Stories to Systems
Table of Contents !! ! 01 Imaginaton Requested 03 The Five Discoveries 07 Why Narratve Systems? 09 Seeding Narratve Systems 11 How Narratve Systems Work 23 The System Framework 24 The Road Ahead 25 Epilogue: Questons to Consider 26 Appendix: Field and Funder Contributors ! POP CULTURE COLLABORATIVE - FROM STORIES TO SYSTEMS Prologue The Pop Culture Collaborative was founded in October 2016 by a network of philanthropic leaders—primarily women of color—led by Unbound Philanthropy, Nathan Cummings Foundation, and Ford Foundation, who came together to imagine what might be possible if they expanded the impact of their grantmaking by pooling their resources, strategic thinking, and leadership influence to dramatically increase philanthropic investment in the pop culture for social change field. After many years of experimental funding at the intersection of art, media, and social change, they recognized that due to a lack of infrastructure, networks, and financial support, many past grantmaking strategies (e.g., support for specific creative projects or campaigns) had been implemented in silos. While some funded projects succeeded in creating awakenings in individuals or smaller audiences, they seldom reached mass audience scale. Because they were also rarely implemented within a long-term culture change strategy, most projects were not durable enough to achieve long-term, sustainable shifts in some of the deeply entrenched values and norms that characterize American culture. These funders realized that they were, in essence, squeezing drops of justice into an ocean largely composed of unjust ideas, rather than supporting a field of practitioners to holistically transform these narrative waters. The Pop Culture Collaborative was imagined as a laboratory environment for the pop culture for social change field, designed to create an immersive learning and testing environment that could enable funders and field members to discover, together, how best to achieve this depth and scale of narrative transformation in the United States. -
EMPIRE CHESS Summer 2015 Volume XXXVIII, No
Where Organized Chess in America Began EMPIRE CHESS Summer 2015 Volume XXXVIII, No. 2 $5.00 Honoring Brother John is the Right Move. Empire Chess P.O. Box 340969 Brooklyn, NY 11234 Election Issue – Be Sure to Vote! 1 NEW YORK STATE CHESS ASSOCIATION, INC. www.nysca.net The New York State Chess Association, Inc., America‘s oldest chess organization, is a not-for-profit organization dedicated to promoting chess in New York State at all levels. As the State Affiliate of the United States Chess Federation, its Directors also serve as USCF Voting Members and Delegates. President Bill Goichberg PO Box 249 Salisbury Mills, NY 12577 Looking for Hall of Famers. [email protected] Vice President Last year’s Annual Meeting asked for new ideas on how the New York Polly Wright State Chess Association inducts members into its Hall of Fame. 57 Joyce Road Eastchester, NY 10709 [email protected] One issue NYSCA would like to address is how to evaluate many of the historical figures that have participated in chess in New York. NYSCA Treasurer Karl Heck started its Hall of Fame with contemporaries, and while there are players 5426 Wright Street, CR 67 with long careers in the Hall of Fame, true players of the historical past East Durham, NY 12423 aren’t in our Hall of Fame. [email protected] Membership Secretary For example, it is almost infathomable that Frank Marshall, a former New Phyllis Benjamin York State Champion and namesake and founder of the State’s most famous P.O. Box 340511 chess club, is not in our Hall of Fame. -
Eosinophilia with Organ Involvement in 3 Siblings
Jpn. J. Clin. Immunol., 35 (6) 533～538 (2012)2012 The Japan Society for Clinical Immunology 533533 Case Report Eosinophilia with organ involvement in 3 siblings Mineto OTA1, Kenchi TAKENAKA1,MafuyuTAKAHASHI2 and Kenji NAGASAKA1 1Department of Rheumatology, Ome Municipal General Hospital 2Department of Neurology, Ome Municipal General Hospital (Received June 11, 2012) summary We describe 3 siblings who suŠered from marked eosinophilia with organ involvement. One sibling, who ex- perienced cervical lymphadenopathy and peripheral neuropathy with eosinophilia (5,834 cells/mL) following bronchial asthma, was diagnosed with Churg-Strauss syndrome (CSS) according to the criteria of the American College of Rheumatology. Another sibling, who suŠered from severe asthma with persistent polyarthritis and eosinophilia (2,496 cells/mL), was also diagnosed with CSS according to the criteria of the Japanese Ministry of Health, Labour and Wel- fare. The remaining sibling, who had eosinophilic pleuritis with peripheral blood eosinophilia (699 cells/mL), did not fulˆll the widely used criteria for CSS or hypereosinophilic syndrome (HES) ; however, he ˆt the newly proposed criteria for HES. Glucocorticoid treatment relieved their symptoms. Although the diagnoses and the criteria used for diagnosis diŠered between the siblings, all 3 patients showed common features such as eosinophilia with organ involve- ment that required treatment, indicating the possibility of familial eosinophilia (FE).Furthermore,theclinicalfea- tures observed diŠered substantially from those of previously reported FE patients, therefore, these 3 siblings may be aŠected by a type of FE distinguishable from those previously described. Key words―Churg-Strauss syndrome; hypereosinophilic syndrome; familial eosinophilia and Welfare9). The other sibling, who had pleuritis Introduction accompanied by eosinophil inˆltration, did not fulˆll Eosinophilia may be caused by several factors, in- the advocated criteria for CSS8～10) or HES11,12). -
Familial Eosinophilia: Clinical and Laboratory Results on a U.S. Kindred
American Journal of Medical Genetics 76:229–237 (1998) Familial Eosinophilia: Clinical and Laboratory Results on a U.S. Kindred Albert Y. Lin,1,4* Thomas B. Nutman,3 David Kaslow,3 John J. Mulvihill,5 Laura Fontaine,6 Beverly J. White,7 Turid Knutsen,2 Karl S. Theil,8 P.K. Raghuprasad,9 Alisa M. Goldstein,1 and Margaret A. Tucker1 1Genetic Epidemiology Branch, National Cancer Institute, Bethesda, Maryland 2Medicine Branch, National Cancer Institute, Bethesda, Maryland 3Laboratory of Parasitic Disease, National Institute of Allergy and Infectious Disease, National Institutes of Health, Bethesda, Maryland 4Division of Hematology/Oncology, Department of Medicine, Santa Clara Valley Medical Center, San Jose, California 5Department of Human Genetics, University of Pittsburgh, Pittsburgh, Pennsylvania 6Westat Inc., Rockville, Maryland 7Department of Cytogenetics, Corning Nichols Institute, San Juan Capistrano, California 8Division of Cytogenetics, Department of Pathology, The Ohio State University Medical Center, Columbus, Ohio 9Allergy and Asthma Center, Odessa, Texas We describe a five-generation kindred with findings for ova and parasites. Among eight familial eosinophilia (FE; MIM131400), char- affected persons who had peripheral blood acterized by the occurrence of sustained eo- or bone marrow karyotype analysis, two sinophilia of unidentifiable cause in mul- carried the same chromosome abnormality, tiple relatives. The inheritance pattern is a pericentric inversion of chromosome 10, consistent with an autosomal dominant pat- inv (10) (p11.2q21.2). A gene mapping study tern. Among 52 related subjects studied, 19 is currently underway to study the underly- were affected and 33 were unaffected. Ten ing genetic mechanism(s) of this syndrome. unaffected spouses were also evaluated. -
2016 Annual Report
2016 Annual Report PRINCIPAL PARTNER Contents section one COMPANY OVERVIEW 3 REPORTS 4 Chair’s Report 5 Artistic Director’s Report 6 Executive Director’s Report 8 KEY FOCUS AREAS 9 1. Artistry 10 2. Access 13 3. Activation 15 HIGHLIGHTS 19 International Touring 20 KEY PERFORMANCE INDICATORS 21 1. Seasons and Repertoire 22 2. Artistic Vibrancy 26 3. Access 26 4. Performances and Attendance 27 5. Income 29 DIRECTORS, SUPPORTERS AND COMPANY DETAILS 31 Board Directors 32 Committees 35 Private Giving 36 Corporate Partners 38 Company Details 39 section two 2016 FINANCIAL REPORT 41 134 Whatley Crescent, Maylands WA 6051 PO Box 604, Maylands WA 6931 P: +61 8 9214 0707 F: +61 8 9481 0710 [email protected] waballet.com.au ABN: 55 023 843 043 Cover: Photo Sergey Pevnev. SECTION ONE Company PATRON Her Excellency the Hon. Kerry Sanderson AC, Overview Governor of Western Australia PRIVATE GIVING PATRON Mrs Alexandra Burt PROFILE West Australian Ballet (WAB) is the State ballet company for Western Australia, based in Perth, and is proud of its heritage as Australia’s first ballet company – established in 1952. WAB boasts a full time professional troupe of dancers, and presents a diverse repertoire of full-length ballets and modern repertoire locally, nationally and internationally. MISSION To enrich people’s lives through dance. VISION To be recognised for exceptional ballet experiences and leadership within our communities, locally and globally. GOALS West Australian Ballet will achieve its VISION by: • Positioning the company as Australia’s most