Green Knight

Total Page:16

File Type:pdf, Size:1020Kb

Green Knight m.A- Sample file re --- _I_ GK 2723 CY Adventure ot the Tournament of Drea “I accept the challenge in the name of my King ail good Uncle, Arthur Pendragon. Let my sword cle his name forever of this vile accusation!’ What is “Pendragon”? King Arthur Pendragon, o ~ mdragon for short, is a roleplaying game wherein you ar your friends participate in heroic adventures set in King Arthur’s Britain. One player, the gamemaster, presents th story. Everyone else creates and plays a single character: a chivalric knight or lady from Arthur’s realm, a magicia or holy person, or someone from the Dark Ages cultures of Britain: Saxon, Irish, French, Roman or Pict. Thes become the heroes of your own tales of adventure. The gamemaster describes the setting, plot and other charal I ters the players encounter. Players respond with their own ideas, and resolve tests of their character’s skill and pe5 sonality using dice. With Pendragon, you can face the same adventures and perils that Arthur and Lancelot encoud h3ra.4 klll *hie Cim.. ...... rlrrirl.. I....... 4L- 4-1- -..Am1 I -or a FREE CATALOG of Green Knight MEMBER OF GREEh books and games, write to: 52095 SampleGreen Knight Publishing file 900 Murmansk Street, Suite 5 Oakland, CA 94607 I IFACTURRIS SOCIATION Visit our web site at gj http://www.greenknight.co King Arthur PendragonTM,or ren--=cion. IS 781928 999102 Green Knight Publishing’s roleplaying gal on 0699-GK2723 $20.95 ISBN 1-928999-10-’ the legends of King Arthur. -- Tales of mystic oumaments THE GREY KNIGHT, THE TOURNAMENT OF DREAMS, AND THE CIRCLE OF GOLD Larry DiTiIlio, Les Brooks, Sam Shirley, Greg Stafford, and Matt DeForrest Editing: Matthew DeForrest. Janice Sellers Cover Artwork: Randy Asplund Interior Artwork: Tina Druce-Hoffman, Drew Baker, Heather Bruton Proofreading: Ellen Robertson Production: Roderick Robertson GREEN KNIGHT Sample file 0 2000. Green Knight Publishing Talee of Elyetic Tournamente Credits: “Life at Court: Arrivals and Feasting” was originally written by Greg Stafford and appeared in the Knights Adventurous supplement for the third edition King Arthur Pendragon rules. It has been edited and amended by Matthew DeForrest. “The Adventure of the Grey Knight” was originally written by Larry DiTillio and and has been edited and amended by Matthew DeForrest. “Dreaming” was written by Matthew DeForrest. “The Adventure of the Tournament of Dreams” was originally written by Les Brooks and Sam Shirley. It has been edited and expanded by Matthew DeForrest “The Adventure of the Circle of Gold” was originally written by Greg Stafford and has been edited and amended by Matthew DeForrest. “Life at Court” and “Circle of Gold” artwork by Tina Druce-Hoffman “Grey Knight” artwork by Heather Bruton “Dreaming” and “Tournament of Dreams” artwork by Drew Baker Matthew DeForrest’s Acknowledgments: I would like to take a moment to offer special thanks to some indi- viduals who helped to speed this project along its way. I thank Peter Corless for allowing me to participate in bringing these adventures back into print and Roderick Robertson for his editorial work. Thanks to Charlie Krank and Eric Rowe at Chaosium for their patience in answering questions. To the members of the Pendragon e-mail list, especially Florian Edlbauer, Jeff Erwin, Marco Fabiani, Alex Ferguson, Timothy Ferguson, Todd Jensen, Elton Robb, and Michael Trout, I am grateful for your help and knowledge. Finally, I would like to thank Taura Napier, my fiancee, for her patience with me while I completed this project. Tales of Mystic Tournaments is published by Green Knight Publishing. Tales of Mystic Tournaments is 0 2000 by Green Knight Publishing; all rights reserved. Similarities between characters in Tales of Mystic Tournaments and persons living or dead are strictly coincidental. The cover painting is 0 2000 by Randy Faith. Except in this publication and related advertising, or unless otherwise agreed to, art work original to Tales of Mystic Tournaments remains the property of the artists, and is copyright by them under their separate copyrights. The reproduction of material from this book for the purposes of personal or corporate profit, by photographic, electronic or other methods of storage and retrieval, is prohibited. Address questions or comments concerning this book, as well as requests for notices of new publications by mail to Green Knight Publishing, 900 Murmansk St., Suite 5, Oakland, CA 94607. Green Knight Publishing products are distributed exclusively worldwide through Wizard’s Attic. For a free catalog of all Green Knight Publishing products, please write to Wizard’s Attic, 900 Murmansk St., Suite 7, Oakland, CA 94607 or call 1-800-213-1493. Visit our web sites at http://www.greenknight.com for information about Green Knight Publishing, and http://www.wizards- attic.com for the Wizard’s Attic online catalog. You can reach green Knight Publishing via email at [email protected]. Published May 2000. Green Knight Publishing publication GK2723 ISBN 1-928999-10-7 SamplePrinted in Canada. file Content6 Introductory Notes 4 Life at Court: Arrivals and Feasting 5 The Adventure of the Grey Knight 13 Dreaming and Dream Magic 59 The Adventure of the Tournament of Dreams 63 The Adventure of the Circle of Gold 92 I List of Shields and Characters Sir Aalar 108 Sir Caheris 20 Sir Agravaine 13 Sir Cawaine 18 Queen Arawn 44 Sir Craid 21 Lady Ariette 22.55 The Grey Knight 53 Sir Bedivere 17 Sir Criflet 22 King Belinans 70 Sir Cwaid 77 Sir Bercilak 42 Sir Kay 17 King Billis 44 The Lady of the Rock 67 Sir Blamore 95 The Lion Knight 37 Sir Cynwal 21 Sir Maristone 117 Sir Dodinas 82 Sir Marsden 71 Sir Dordracole 113 Sir Patrides 111 Sir Dorgane 101 Brother Tanicus 69 Lady Elavane 42 Sir Tor 22 Queen Elidia 73 Sir Vardilain 35 King Farion 120 Baron Varnangis 116 Sir Fitzroy 106 I L List of Monsters and Creatures Barguest 51 Neim Marbtac, greater hippogriff 83 Fachan 110 Panther 34 Fiends 102 Selemine, Fairy Horse 47 Cilegra the Raven Witch 50 Serpent 37 Goblin 102 Sluagh na Marbh 39 The Hag of the Cave 104 5 prigg ans 115 Kelpie 99 Succubus 34 LionSample 37 file Talc0 of myetic Tournsmcnte 3ntro6uctoty Eotae, The adventures in this book take place early in Faerie These adventures all have an element of the Other Arthur’s reign. The player knights will have the Side in them and can easily be played as adven- opportunity to meet and interact with many of the tures in fairyland. The ferryman in the Tournament “stars” of the Arthurian stories while they are still of Dreams was called the “fairyman” in one young. In “The Adventure of the Grey Knight” the playtest game, and crossing rivers is, indeed, a characters will meet the young nephews of Arthur method of crossing to Faerie in British folklore. (Gawaine, Agravaine and Gaheris), foil a plot by Likewise, the Enchanted Forest in the Circle of Morgan le Faye, and aid Merlin. The Gamemaster Gold could also be a borderland with Faerie. The can build on the initial impressions of the Orkney Gamemaster should determine ahead of time clan so that when, in 525, Lancelot comes to whether these adventures do in fact take place on court, the players may look on him as an interlop- the Other Side. er, or as a needed counterbalance to the wildness of Gawaine and his brothers. Bib I iogra phy In “The Adventure of the Tournament of Dreams” Black, Maggie, Food and Cooking in Medieval the knights will make friends - or enemies - with Britain: History and Recipes. Birmingham, UK: King Belinan of Powys, a powerful king in the hills English Heritage, 1985. of Cambria. Edwards, John (tr.), The Roman Cookery of Finally, in “The Adventure of the Circle of Gold” Apicius. London: Rider Books, 1984. the knights have the opportunity to win a king- dom - but the way is hard and fraught with peril. Welcome, friends, to adventure! Additional Material In addition to the King Arthur Pendragon rules, the following supplements can aid the Gamemaster in running these adventures, though none is required: The Boy King Blood and Lust Savage Mountains Perilous Forest New Rules A number of new rules are introduced in this sup- plement. They are the rules for hospitality and feasts (starting on page 7). dreams and dream magic (starting on page 59), damage from thrown rocks (page 46). exceptional beauty (page 72), and Sampletwo-weapon fighting (page 120). file Kife at Court Kife at Court: %Wvat~an6 5feaeting Thefeast, whether it be for a lord’s vassals, a vas- Hunger Strike sal’s lord, or a visiting knight, is an integral part of the Arthurian world. All feasts, however, are not A hunger strike is when, in protest of an action equal. Major feasts of many courses take time to or of inaction, an individual sits at the doorway plan and cook. Only in the major capitals of the of the ruler and refuses to eat. This is a direct world - fabled and famous places like Camelot: challenge to the ruler’s generosity and hospitali- Byzantium, capitol of the Roman Empire: ty. The gravity of the challenge - and the shame Alexandria, on the Nile Delta: Ctesiphon, capitol it brings to a ruler - means that it is used only in of the far-off Persian Empire: and the rumored city extreme cases. of Chang’an in the Far East - can an elaborate or major feast be planned and prepared in a single lved h that day. All other locations require the time to bring in lasts until the Winter Phase will prevent the lord special foods and spices, as well as drink.
Recommended publications
  • The Fates of the Princes of Dyfed Cenydd Morus (Kenneth Morris) Illustrations by Reginald Machell
    Theosophical University Press Online Edition The Fates of the Princes of Dyfed Cenydd Morus (Kenneth Morris) Illustrations by Reginald Machell Copyright © 1914 by Katherine Tingley; originally published at Point Loma, California. Electronic edition 2000 by Theosophical University Press ISBN 1- 55700-157-x. This edition may be downloaded for off-line viewing without charge. For ease of searching, no diacritical marks appear in the electronic version of the text. To Katherine Tingley: Leader and Official Head of the Universal Brotherhood and Theosophical Society, whose whole life has been devoted to the cause of Peace and Universal Brotherhood, this book is respectfully dedicated Contents Preface The Three Branches of the Bringing-in of it, namely: The Sovereignty of Annwn I. The Council of the Immortals II. The Hunt in Glyn Cuch III. The Slaying of Hafgan The Story of Pwyll and Rhianon, or The Book of the Three Trials The First Branch of it, called: The Coming of Rhianon Ren Ferch Hefeydd I. The Making-known of Gorsedd Arberth, and the Wonderful Riding of Rhianon II. The First of the Wedding-Feasts at the Court of Hefeydd, and the Coming of Gwawl ab Clud The Second Branch of it, namely: The Basket of Gwaeddfyd Newynog, and Gwaeddfyd Newynog Himself I. The Anger of Pendaran Dyfed, and the Putting of Firing in the Basket II. The Over-Eagerness of Ceredig Cwmteifi after Knowledge, and the Putting of Bulrush-Heads in the Basket III. The Circumspection of Pwyll Pen Annwn, and the Filling of the Basket at Last The First Branch of it again: III.
    [Show full text]
  • Arawn Celtic God of the Otherworld
    Samhain ~ Full Moon in Scorpio 12th May 2017 On this night we will be connecting to the energy of the Scorpio Full Moon under the guidance of the God Arawn Celtic God of the Otherworld. This is the time of the year when the boundary is thinnest between the worlds of the living and the dead. The powers of divination, the Sight, and supernatural communication are stronger over this period and it is considered a potent time to communicate with those that inhabit the Other Worlds. Sydney Ritual Introduction Scorpio Full Moon: Scorpio energy is all about transformation and reaching higher levels of consciousness. In fact, Scorpio energy has the potential to reach Divine levels of consciousness, but at the same time, it also has the ability to reach extremely low levels of consciousness as well. No matter where you fall on the “consciousness spectrum” it is likely that this Full Moon is going to leave a lasting impact. It is also likely that this Full Moon is going to help open your consciousness to a new level so you can see things in a different light. Things may feel a little uneasy as changes may be in the air, but the best way to manage this energy moving forward is remembering your personal power. Very often we forget that we have a strength and power within us. This power gives us the ability to step up and take responsibility over our lives no matter what troubles woe find ourselves in. The minute we give away our power, it becomes very difficult to deal with the situations that life throws our way.
    [Show full text]
  • Robert Graves the White Goddess
    ROBERT GRAVES THE WHITE GODDESS IN DEDICATION All saints revile her, and all sober men Ruled by the God Apollo's golden mean— In scorn of which I sailed to find her In distant regions likeliest to hold her Whom I desired above all things to know, Sister of the mirage and echo. It was a virtue not to stay, To go my headstrong and heroic way Seeking her out at the volcano's head, Among pack ice, or where the track had faded Beyond the cavern of the seven sleepers: Whose broad high brow was white as any leper's, Whose eyes were blue, with rowan-berry lips, With hair curled honey-coloured to white hips. Green sap of Spring in the young wood a-stir Will celebrate the Mountain Mother, And every song-bird shout awhile for her; But I am gifted, even in November Rawest of seasons, with so huge a sense Of her nakedly worn magnificence I forget cruelty and past betrayal, Careless of where the next bright bolt may fall. FOREWORD am grateful to Philip and Sally Graves, Christopher Hawkes, John Knittel, Valentin Iremonger, Max Mallowan, E. M. Parr, Joshua IPodro, Lynette Roberts, Martin Seymour-Smith, John Heath-Stubbs and numerous correspondents, who have supplied me with source- material for this book: and to Kenneth Gay who has helped me to arrange it. Yet since the first edition appeared in 1946, no expert in ancient Irish or Welsh has offered me the least help in refining my argument, or pointed out any of the errors which are bound to have crept into the text, or even acknowledged my letters.
    [Show full text]
  • Sacrificing Agency for Romance in the Chronicles of Prydain
    Volume 33 Number 2 Article 8 4-15-2015 Isn't it Romantic? Sacrificing Agency for Romance in The Chronicles of Prydain Rodney M.D. Fierce Follow this and additional works at: https://dc.swosu.edu/mythlore Part of the Children's and Young Adult Literature Commons Recommended Citation Fierce, Rodney M.D. (2015) "Isn't it Romantic? Sacrificing Agency for Romance in The Chronicles of Prydain," Mythlore: A Journal of J.R.R. Tolkien, C.S. Lewis, Charles Williams, and Mythopoeic Literature: Vol. 33 : No. 2 , Article 8. Available at: https://dc.swosu.edu/mythlore/vol33/iss2/8 This Article is brought to you for free and open access by the Mythopoeic Society at SWOSU Digital Commons. It has been accepted for inclusion in Mythlore: A Journal of J.R.R. Tolkien, C.S. Lewis, Charles Williams, and Mythopoeic Literature by an authorized editor of SWOSU Digital Commons. An ADA compliant document is available upon request. For more information, please contact [email protected]. To join the Mythopoeic Society go to: http://www.mythsoc.org/join.htm Mythcon 51: A VIRTUAL “HALFLING” MYTHCON July 31 - August 1, 2021 (Saturday and Sunday) http://www.mythsoc.org/mythcon/mythcon-51.htm Mythcon 52: The Mythic, the Fantastic, and the Alien Albuquerque, New Mexico; July 29 - August 1, 2022 http://www.mythsoc.org/mythcon/mythcon-52.htm Abstract Addresses the vexed question of Princess Eilonwy’s gesture of giving up magic and immortality to be the wife of Taran and queen of Prydain. Was it a forced choice and a sacrifice of the capable and strong- willed girl’s agency and power, or does it proceed logically from her depiction throughout the series? Additional Keywords The Chronicles of Prydain This article is available in Mythlore: A Journal of J.R.R.
    [Show full text]
  • Homo Monstrosus: Lloyd Alexander's Gurgi and Other Shadow Figures Of
    Volume 3 Number 3 Article 9 1976 Homo Monstrosus: Lloyd Alexander’s Gurgi and Other Shadow Figures of Fantastic Literature Nancy-Lou Patterson Follow this and additional works at: https://dc.swosu.edu/mythlore Part of the Children's and Young Adult Literature Commons Recommended Citation Patterson, Nancy-Lou (1976) "Homo Monstrosus: Lloyd Alexander’s Gurgi and Other Shadow Figures of Fantastic Literature," Mythlore: A Journal of J.R.R. Tolkien, C.S. Lewis, Charles Williams, and Mythopoeic Literature: Vol. 3 : No. 3 , Article 9. Available at: https://dc.swosu.edu/mythlore/vol3/iss3/9 This Article is brought to you for free and open access by the Mythopoeic Society at SWOSU Digital Commons. It has been accepted for inclusion in Mythlore: A Journal of J.R.R. Tolkien, C.S. Lewis, Charles Williams, and Mythopoeic Literature by an authorized editor of SWOSU Digital Commons. An ADA compliant document is available upon request. For more information, please contact [email protected]. To join the Mythopoeic Society go to: http://www.mythsoc.org/join.htm Mythcon 51: A VIRTUAL “HALFLING” MYTHCON July 31 - August 1, 2021 (Saturday and Sunday) http://www.mythsoc.org/mythcon/mythcon-51.htm Mythcon 52: The Mythic, the Fantastic, and the Alien Albuquerque, New Mexico; July 29 - August 1, 2022 http://www.mythsoc.org/mythcon/mythcon-52.htm Abstract Discusses Gurgi as the shadow archetype in Alexander’s Prydain Cycle and compares him to examples in other literature. Additional Keywords Alexander, Lloyd—Jungian analysis; Alexander, Lloyd. The Prydain Cycle; Alexander, Lloyd. The Prydain Cycle—Characters—Gurgi; Shadow (Psychoanalysis); Joe R.
    [Show full text]
  • Early Arthurian Tradition and the Origins of the Legend
    Arthuriana Arthuriana Early Arthurian Tradition and the Origins of the Legend Thomas Green THE LINDES PRESS As with everything, so with this: For Frances and Evie. First published 2009 The Lindes Press Louth, Lincolnshire www.arthuriana.co.uk © Thomas Green, 2009 The right of Thomas Green to be identified as the Author of this work has been asserted in accordance with the Copyrights, Designs and Patents Act 1988. All rights reserved. No part of this book may be reprinted or reproduced or utilised in any form or by any electronic, mechanical or other means, now known or hereafter invented, including photocopying and recording, or in any information storage or retrieval system, without the permission in writing of the Author. A catalogue record for this book is available from the British Library. ISBN 978 1 4452 2110 6 Contents Preface vii 1 The Historicity and Historicisation of Arthur 1 2 A Bibliographic Guide to the Welsh Arthurian Literature 47 3 A Gazetteer of Arthurian Onomastic and Topographic Folklore 89 4 Lincolnshire and the Arthurian Legend 117 5 Arthur and Jack the Giant-Killer 141 a. Jack & Arthur: An Introduction to Jack the Giant-Killer 143 b. The History of Jack and the Giants (1787) 148 c. The 1711 Text of The History of Jack and the Giants 166 d. Jack the Giant Killer: a c. 1820 Penny Book 177 e. Some Arthurian Giant-Killings 183 6 Miscellaneous Arthuriana 191 a. An Arthurian FAQ: Some Frequently Asked Questions 193 b. The Monstrous Regiment of Arthurs: A Critical Guide 199 c. An Arthurian Reference in Marwnad Gwên? The Manuscript 217 Evidence Examined d.
    [Show full text]
  • The Mabinogi and Other Medieval Welsh Tales Pdf, Epub, Ebook
    THE MABINOGI AND OTHER MEDIEVAL WELSH TALES PDF, EPUB, EBOOK Patrick K. Ford | 224 pages | 24 Feb 2008 | University of California Press | 9780520253964 | English | Berkerley, United States The Mabinogi and Other Medieval Welsh Tales PDF Book Taliesin was brought into close connection to Arthur in the poems of Charles Williams, greatly admired by C. The only indication for the audience that the Otherworld is at hand is the color of the other hunter's hounds, for red and white are the colors of animals of the Otherworld in Celtic tradition. Feb 10, Joseph F. From "Culhwch and Olwen" How Culhwch got his name, which means swine or pig: "Cilydd son of Celyddon Wledig desired a woman as well-born as himself. It would have been far better, in my opinion, for Mr. I am re-reading this as it shows an oral tradition morphing into literature, with tales "branching" of in related episodes, the Four Branches of the Mabinogi. In the first thoroughly revised edition and translation of this world classic since Lady Charlotte Guest's famous Mabinogion went out of print, Mr. Because of that she was called Olwen White-track. Meanwhile, Pwyll, Prince of Dyfed, came to his realm and country. They are so powerful that they created a woman from flowers to give to Lleu after his mother cursed him to never take a wife among mortal women. As he was feeding the dogs, he saw a horseman coming up behind the pack on a large dapple-gray horse, a hunting horn about his neck, wearing a pale grey garment for hunting gear.
    [Show full text]
  • Chapter on History of the Otherworld
    PERCEPTIONS OF ANNWN: THE OTHERWORLD IN THE FOUR BRANCHES OF THE MABINOGI Rhian Rees MA Celtic Studies Dissertation Department of Welsh and Bilingual Studies Supervisor: Dr Jane Cartwright University of Wales Trinity Saint David, Lampeter 2012 2 ABSTRACT There is little description or positive information about the realm of Annwn in the Four Branches, and relatively few publications have explored the Otherworld in the Mabinogi in any depth. The redactor presumably did not deem such detail necessary since in his time the Otherworld was a place familiar to his audience from many other stories and folk-tales which have not survived to inform our own times. The objective of this thesis, therefore, is to establish the perceived location of the Celtic Otherworld, its nature and topography, and to obtain descriptions of its people, buildings and animals and any distinctive objects or characteristics pertaining to it. The ways in which Annwn influences each of the Four Branches are also considered. Some sketchy evidence is available in Welsh poetry, mostly various descriptive names reflecting different aspects of Annwn, but for more detailed information it is necessary to trawl the waters of early Irish literature. The Irish poems and stories give much fuller particulars of all characteristics of the Celtic Otherworld, though they do suggest that there was more than one such other world. Some parallels from Norse literature and the Lais of Marie de France also reinforce certain themes of this thesis, such as magical tumuli and magical bags and
    [Show full text]
  • Ethnic Ideals of the British Isles
    University of Nebraska - Lincoln DigitalCommons@University of Nebraska - Lincoln University of Nebraska Studies in Language, Literature, and Criticism English, Department of January 1920 Ethnic Ideals of the British Isles Constance Rummons University of Nebraska Follow this and additional works at: https://digitalcommons.unl.edu/englishunsllc Part of the English Language and Literature Commons Rummons, Constance, "Ethnic Ideals of the British Isles" (1920). University of Nebraska Studies in Language, Literature, and Criticism. 9. https://digitalcommons.unl.edu/englishunsllc/9 This Article is brought to you for free and open access by the English, Department of at DigitalCommons@University of Nebraska - Lincoln. It has been accepted for inclusion in University of Nebraska Studies in Language, Literature, and Criticism by an authorized administrator of DigitalCommons@University of Nebraska - Lincoln. UNIVERSITY OF NEBRASKA STUDIES IN LANGUAGE, LITERATURE, AND CRITICISM NUMBER 3 ETHNIC IDEALS OF THE BRITISH ISLES BY CONSTANCE RUMMONS, A. M. EDITORIAL COMMITTEE l,oul8Il POUND, Ph. D., Department of English B. B.Au:xANDIB, Ph. D., Department of Philosophy B. B. VAUGHAN, Ph. D., Department of Romance Lango..- LINCOLN l' 20 I ETHNIC IDEALS OF THE BRITISH ISLES INTRODUCTION 1. The history of a people can be read truly only in the light of its ideals. To study only the recorded acts of men is to see only a series of phenomena that are often in­ comprehensible and apparently erratic. What a mad affair the Crusades must seem to one who knows nothing of medi­ aeval religious ideals! How inexplicable would appear the courageous resistance of Belgium to a student in a later age who should have no knowledge of contemporary thought, and should be unable to see the principles for which she stood! Any judgment of a human action which leaves out of account the ideas which prompted it must be vain: it is only by m~ns of a sYmpathetic comprehension of men's ideals that we may justly estimate their achievements and their fail­ \lres.
    [Show full text]
  • Goddess, King, and Grail: Aspects of Sovereignty Within the Early Medieval Heroic Tradition of the British Isles Robert Bevill Clemson University, [email protected]
    Clemson University TigerPrints All Theses Theses 8-2009 Goddess, King, and Grail: Aspects of Sovereignty within the Early Medieval Heroic Tradition of the British Isles Robert Bevill Clemson University, [email protected] Follow this and additional works at: https://tigerprints.clemson.edu/all_theses Part of the Medieval Studies Commons Recommended Citation Bevill, Robert, "Goddess, King, and Grail: Aspects of Sovereignty within the Early Medieval Heroic Tradition of the British Isles" (2009). All Theses. 624. https://tigerprints.clemson.edu/all_theses/624 This Thesis is brought to you for free and open access by the Theses at TigerPrints. It has been accepted for inclusion in All Theses by an authorized administrator of TigerPrints. For more information, please contact [email protected]. GODDESS, KING, AND GRAIL: ASPECTS OF SOVEREIGNTY WITHIN THE EARLY MEDIEVAL HEROIC TRADITION OF THE BRITISH ISLES A Thesis Presented to The Graduate School of Clemson University In Partial Fulfillment Of the Requirements for the Degree Master of Arts English By Robert Scott Bevill July 2009 Accepted by: Dr. Barton Palmer, Committee Chair Dr. Susan Hilligoss Dr. Wayne Chapman ABSTRACT When studying the heroic tales and epics of medieval cultures, more questions about their origins and influences remain than answers. The search for sources for a single work, Beowulf, for example, can and has been examined within Germanic, Brittanic, Norse, and even Irish traditions. Scores of sources, parallels, and analogues have been found and analyzed, but so many possibilities may only serve to obfuscate the actual origins of the Beowulf poet’s myriad influences. However, the search for analogous works can build a stronger sense of context for certain motifs and greater themes within a large number of similar texts.
    [Show full text]
  • Celtic Mythology and Myth-History
    Celtic Mythology and Myth-History There are more sources, and hence more names, for Irish mythology than for Welsh. Some of the figures are analogous, but the lateness of the Welsh sources obscures what common elements there may have been. There does not exist, in either case, the highly organized body of multiple stories associated with the "gods," nor are Celtic mythical figures as clearly delineated in terms of function as are the Greek, Roman, or Egyptian gods. In both groups, sacred space tends to be defined by natural phenomena, especially forests and groves. "Fairy" mounds, both natural and artificial also figure in both mythologies. The "Other World," almost always separated from the everyday world by the thinnest of boundaries, can be located either within a mound or across the sea. Irish The Irish Literary "Cycles": The Mythological Cycle (includes The Second Battle of Mag Tuired) The Ulster Cycle (includes the Táin Bó Cuailgne) The Finn Cycle (stories of Finn macCumaill; sometimes called the Ossianic cycle after Oisin, Finn's son) The Historical Cycle (assorted legends of kings) The Mythical Settlements of Ireland (From the Book of Invasions): Cessair Partholon Nemed (progenitor of the next two groups; opponent of the indigenous Fomorians) Fir Bolg (fled to the Aran Islands after the first Battle of Mag Tuired) Tuatha Dé Danann (fought the Fomorians in the Second Battle of Mag Tuired; retired to the sídh [fairy mounds]) Sons of Mil (Gaels) Important Persons of the Tuatha Dé: Lugh (called Lamfhada or "Long-Armed" and "Samildanach"
    [Show full text]
  • A Welsh Classical Dictionary
    A WELSH CLASSICAL DICTIONARY GADEON ap CYNAN. See Gadeon ab Eudaf Hen. GADEON ab EUDAF HEN. (330) Gadeon is probably the correct form of the name which appears in the tale of ‘The Dream of Macsen Wledig’ as Adeon ab Eudaf, brother of Cynan ab Eudaf. According to the tale, Adeon and Cynan followed Macsen to the continent and captured Rome for him. After that Macsen gave them permission to conquer lands for themselves, (see s.n. Cynan ab Eudaf), but Adeon returned to his own country (WM 187, 189-191, RM 88, 90-92). According to Jesus College MS.20 the wife of Coel Hen was the daughter of Gadeon ab Eudaf Hen (JC 7 in EWGT p.45), and this is probably correct although later versions make her the daughter of Gadeon (variously spelt) ap Cynan ab Eudaf, and she is given the name Ystradwel (variously spelt) (ByA §27a in EWGT p.90). Also in the various versions of the ancestry of Custennin ap Cynfor and Amlawdd Wledig we find Gadeon (variously spelt) ap Cynan ab Eudaf (JC 11, ByA §30b, 31, ByS §76 in EWGT pp.45, 93, 94, 65). Similarly in MG §5 in EWGT p.39, but Eudaf is misplaced. The various spellings show that the name was unfamiliar: Gadean, Gadvan, Gadiawn, Kadeaun, Cadvan, Kadien, Kadiawn. See EWGT passim. It seems probable that Gadeon ab Cynan is an error for Gadeon ab Eudaf, rather than to suppose two such persons (PCB). GAFRAN ab AEDDAN. He appears in Bonedd Gwŷr y Gogledd (§11 in EWGT p.73) as Gafran ab Aeddan Fradog ap Dyfnwal Hen.
    [Show full text]