The Celtic Elements in Sir Gawain and the Green Knight
Total Page:16
File Type:pdf, Size:1020Kb
Load more
Recommended publications
-
Queen Guinevere
Ingvarsdóttir 1 Hugvísindasvið Queen Guinevere: A queen through time B.A. Thesis Marie Helga Ingvarsdóttir June 2011 Ingvarsdóttir 2 Háskóli Íslands Hugvísindasvið Enskudeild Queen Guinevere: A queen through time B.A. Thesis Marie Helga Ingvarsdóttir Kt.: 060389-3309 Supervisor: Ingibjörg Ágústsdóttir June 2011 Ingvarsdóttir 3 Abstract This essay is an attempt to recollect and analyze the character of Queen Guinevere in Arthurian literature and movies through time. The sources involved here are Welsh and other Celtic tradition, Latin texts, French romances and other works from the twelfth and thirteenth centuries, Malory’s and Tennyson’s representation of the Queen, and finally Guinevere in the twentieth century in Bradley’s and Miles’s novels as well as in movies. The main sources in the first three chapters are of European origins; however, there is a focus on French and British works. There is a lack of study of German sources, which could bring different insights into the character of Guinevere. The purpose of this essay is to analyze the evolution of Queen Guinevere and to point out that through the works of Malory and Tennyson, she has been misrepresented and there is more to her than her adulterous relation with Lancelot. This essay is exclusively focused on Queen Guinevere and her analysis involves other characters like Arthur, Lancelot, Merlin, Enide, and more. First the Queen is only represented as Arthur’s unfaithful wife, and her abduction is narrated. We have here the basis of her character. Chrétien de Troyes develops this basic character into a woman of important values about love and chivalry. -
The Role of Cú Chulainn in Old and Middle Irish Narrative Literature with Particular Reference to Tales Belonging to the Ulster Cycle
The role of Cú Chulainn in Old and Middle Irish narrative literature with particular reference to tales belonging to the Ulster Cycle. Mary Leenane, B.A. 2 Volumes Vol. 1 Ph.D. Degree NUI Maynooth School of Celtic Studies Faculty of Arts, Celtic Studies and Philosophy Head of School: An tOllamh Ruairí Ó hUiginn Supervisor: An tOllamh Ruairí Ó hUiginn June 2014 Table of Contents Volume 1 Abstract……………………………………………………………………………1 Chapter I: General Introduction…………………………………………………2 I.1. Ulster Cycle material………………………………………………………...…2 I.2. Modern scholarship…………………………………………………………...11 I.3. Methodologies………………………………………………………………...14 I.4. International heroic biography………………………………………………..17 Chapter II: Sources……………………………………………………………...23 II.1. Category A: Texts in which Cú Chulainn plays a significant role…………...23 II.2. Category B: Texts in which Cú Chulainn plays a more limited role………...41 II.3. Category C: Texts in which Cú Chulainn makes a very minor appearance or where reference is made to him…………………………………………………...45 II.4. Category D: The tales in which Cú Chulainn does not feature………………50 Chapter III: Cú Chulainn’s heroic biography…………………………………53 III.1. Cú Chulainn’s conception and birth………………………………………...54 III.1.1. De Vries’ schema………………...……………………………………………………54 III.1.2. Relevant research to date…………………………………………………………...…55 III.1.3. Discussion and analysis…………………………………………………………...…..58 III.2. Cú Chulainn’s youth………………………………………………………...68 III.2.1 De Vries’ schema………………………………………………………………………68 III.2.2 Relevant research to date………………………………………………………………69 III.2.3 Discussion and analysis………………………………………………………………..78 III.3. Cú Chulainn’s wins a maiden……………………………………………….90 III.3.1 De Vries’ schema………………………………………………………………………90 III.3.2 Relevant research to date………………………………………………………………91 III.3.3 Discussion and analysis………………………………………………………………..95 III.3.4 Further comment……………………………………………………………………...108 III.4. -
The Death-Tales of the Ulster Heroes
ffVJU*S )UjfáZt ROYAL IRISH ACADEMY TODD LECTURE SERIES VOLUME XIV KUNO MEYER, Ph.D. THE DEATH-TALES OF THE ULSTER HEROES DUBLIN HODGES, FIGGIS, & CO. LTD. LONDON: WILLIAMS & NORGATE 1906 (Reprinted 1937) cJ&íc+u. Ity* rs** "** ROYAL IRISH ACADEMY TODD LECTURE SERIES VOLUME XIV. KUNO MEYER THE DEATH-TALES OF THE ULSTER HEROES DUBLIN HODGES, FIGGIS, & CO., Ltd, LONDON : WILLIAMS & NORGATE 1906 °* s^ B ^N Made and Printed by the Replika Process in Great Britain by PERCY LUND, HUMPHRIES &f CO. LTD. 1 2 Bedford Square, London, W.C. i and at Bradford CONTENTS PAGE Peeface, ....... v-vii I. The Death of Conchobar, 2 II. The Death of Lóegaire Búadach . 22 III. The Death of Celtchar mac Uthechaib, 24 IV. The Death of Fergus mac Róich, . 32 V. The Death of Cet mac Magach, 36 Notes, ........ 48 Index Nominum, . ... 46 Index Locorum, . 47 Glossary, ....... 48 PREFACE It is a remarkable accident that, except in one instance, so very- few copies of the death-tales of the chief warriors attached to King Conchobar's court at Emain Macha should have come down to us. Indeed, if it were not for one comparatively late manu- script now preserved outside Ireland, in the Advocates' Library, Edinburgh, we should have to rely for our knowledge of most of these stories almost entirely on Keating's History of Ireland. Under these circumstances it has seemed to me that I could hardly render a better service to Irish studies than to preserve these stories, by transcribing and publishing them, from the accidents and the natural decay to which they are exposed as long as they exist in a single manuscript copy only. -
Сest Romanz Fist Crestïens Chrétien De Troyes and the Birth of the French Novel
Natalia M. Dolgorukova СEST ROMANZ FIST CRESTÏENS CHRÉTIEN DE TROYES AND THE BIRTH OF THE FRENCH NOVEL BASIC RESEARCH PROGRAM WORKING PAPERS SERIES: LITERARY STUDIES WP BRP 24/LS/2017 This Working Paper is an output of a research project implemented at the National Research University Higher School of Economics (HSE). Any opinions or claims contained in this Working Paper do not necessarily reflect the views of HSE Natalia M. Dolgorukova1 СEST ROMANZ FIST CRESTÏENS CHRÉTIEN DE TROYES AND THE BIRTH OF THE FRENCH NOVEL2 The paper addresses three controversial issues in two romances by Chrétien de Troyes - Yvain, or the Knight with the Lion and Lancelot, or the Knight of the Cart. Both romances were written around 1176-1180 and because of their narrative continuity and complementarity could be considered as a diptych. First, we examine the evolution of Chretien’s conception of love, “mysteriously” changing from his first romances to Lancelot; then we enter into the debate between celtisants and their critics about the Celtic influence in Chretien and consider Celtic sources of the two romances; we conclude the article, tracing out the fairy tale paradigm in both romances, which helps us reveal new meanings of the cart and the lion, operating as magic agents in the romances. Keywords: Chrétien de Troyes, “Yvain, or the Knight with the Lion”, “Lancelot, or the Knight of the Cart”, fin’amors, Breton Cycle, Celtic material, troubadours, trouvères, V. Propp, Mabinogion, parody Jel: Z 1 National Research University Higher School of Economics. Faculty of Humanities, School of Philology. Senior Lecturer. E-mail: [email protected]. -
Definitive Version Thesis Kruithof FAYE.Pdf
War is (not) a board-game The function of medieval Irish board games and their players Bachelor’s thesis Kruithof, F.A.Y.E. Word count: 8188 16-10-2018 Supervisor: Petrovskaia, N. Celtic Languages and Culture Utrecht University List of content Abstract ...................................................................................................................................... 2 List of abbreviations .................................................................................................................. 3 Introduction ................................................................................................................................ 4 Previous research.................................................................................................................... 5 Theoretical framework ........................................................................................................... 7 Approach and sources ............................................................................................................ 9 Chapter One: Players in the Ulster Cycle: Opponents ............................................................. 11 Eochaid Airem and Midir of Brí Leith ................................................................................. 11 Manannán mac Lir and Fand ................................................................................................ 12 Cú Chulainn and Láeg mac Riangabra ................................................................................. 13 Conchobar, -
Actions Héroïques
Shadows over Camelot FAQ 1.0 Oct 12, 2005 The following FAQ lists some of the most frequently asked questions surrounding the Shadows over Camelot boardgame. This list will be revised and expanded by the Authors as required. Many of the points below are simply a repetition of some easily overlooked rules, while a few others offer clarifications or provide a definitive interpretation of rules. For your convenience, they have been regrouped and classified by general subject. I. The Heroic Actions A Knight may only do multiple actions during his turn if each of these actions is of a DIFFERENT nature. For memory, the 5 possible action types are: A. Moving to a new place B. Performing a Quest-specific action C. Playing a Special White card D. Healing yourself E. Accusing another Knight of being the Traitor. Example: It is Sir Tristan's turn, and he is on the Black Knight Quest. He plays the last Fight card required to end the Quest (action of type B). He thus automatically returns to Camelot at no cost. This move does not count as an action, since it was automatically triggered by the completion of the Quest. Once in Camelot, Tristan will neither be able to draw White cards nor fight the Siege Engines, if he chooses to perform a second Heroic Action. This is because this would be a second Quest-specific (Action of type B) action! On the other hand, he could immediately move to another new Quest (because he hasn't chosen a Move action (Action of type A.) yet. -
The Fates of the Princes of Dyfed Cenydd Morus (Kenneth Morris) Illustrations by Reginald Machell
Theosophical University Press Online Edition The Fates of the Princes of Dyfed Cenydd Morus (Kenneth Morris) Illustrations by Reginald Machell Copyright © 1914 by Katherine Tingley; originally published at Point Loma, California. Electronic edition 2000 by Theosophical University Press ISBN 1- 55700-157-x. This edition may be downloaded for off-line viewing without charge. For ease of searching, no diacritical marks appear in the electronic version of the text. To Katherine Tingley: Leader and Official Head of the Universal Brotherhood and Theosophical Society, whose whole life has been devoted to the cause of Peace and Universal Brotherhood, this book is respectfully dedicated Contents Preface The Three Branches of the Bringing-in of it, namely: The Sovereignty of Annwn I. The Council of the Immortals II. The Hunt in Glyn Cuch III. The Slaying of Hafgan The Story of Pwyll and Rhianon, or The Book of the Three Trials The First Branch of it, called: The Coming of Rhianon Ren Ferch Hefeydd I. The Making-known of Gorsedd Arberth, and the Wonderful Riding of Rhianon II. The First of the Wedding-Feasts at the Court of Hefeydd, and the Coming of Gwawl ab Clud The Second Branch of it, namely: The Basket of Gwaeddfyd Newynog, and Gwaeddfyd Newynog Himself I. The Anger of Pendaran Dyfed, and the Putting of Firing in the Basket II. The Over-Eagerness of Ceredig Cwmteifi after Knowledge, and the Putting of Bulrush-Heads in the Basket III. The Circumspection of Pwyll Pen Annwn, and the Filling of the Basket at Last The First Branch of it again: III. -
Arawn Celtic God of the Otherworld
Samhain ~ Full Moon in Scorpio 12th May 2017 On this night we will be connecting to the energy of the Scorpio Full Moon under the guidance of the God Arawn Celtic God of the Otherworld. This is the time of the year when the boundary is thinnest between the worlds of the living and the dead. The powers of divination, the Sight, and supernatural communication are stronger over this period and it is considered a potent time to communicate with those that inhabit the Other Worlds. Sydney Ritual Introduction Scorpio Full Moon: Scorpio energy is all about transformation and reaching higher levels of consciousness. In fact, Scorpio energy has the potential to reach Divine levels of consciousness, but at the same time, it also has the ability to reach extremely low levels of consciousness as well. No matter where you fall on the “consciousness spectrum” it is likely that this Full Moon is going to leave a lasting impact. It is also likely that this Full Moon is going to help open your consciousness to a new level so you can see things in a different light. Things may feel a little uneasy as changes may be in the air, but the best way to manage this energy moving forward is remembering your personal power. Very often we forget that we have a strength and power within us. This power gives us the ability to step up and take responsibility over our lives no matter what troubles woe find ourselves in. The minute we give away our power, it becomes very difficult to deal with the situations that life throws our way. -
The Early Arthur: History and Myth
1 RONALD HUTTON The early Arthur: history and myth For anybody concerned with the origins of the Arthurian legend, one literary work should represent the point of embarkation: the Historia Brittonum or History of the British . It is both the earliest clearly dated text to refer to Arthur, and the one upon which most efforts to locate and identify a histor- ical fi gure behind the name have been based. From it, three different routes of enquiry proceed, which may be characterised as the textual, the folkloric and the archaeological, and each of these will now be followed in turn. The Arthur of literature Any pursuit of Arthur through written texts needs to begin with the Historia itself; and thanks primarily to the researches of David Dumville and Nicholas Higham, we now know more or less exactly when and why it was produced in its present form. It was completed in Gwynedd, the north-western king- dom of Wales, at the behest of its monarch, Merfyn, during the year 830. Merfyn was no ordinary Welsh ruler of the age, but an able and ruthless newcomer, an adventurer who had just planted himself and his dynasty on the throne of Gwynedd, and had ambitions to lead all the Welsh. As such, he sponsored something that nobody had apparently written before: a com- plete history of the Welsh people. To suit Merfyn’s ambitions for them, and for himself, it represented the Welsh as the natural and rightful owners of all Britain: pious, warlike and gallant folk who had lost control of most of their land to the invading English, because of a mixture of treachery and overwhelming numbers on the part of the invaders. -
Introduction: the Legend of King Arthur
Department of History University of Wisconsin-Eau Claire “HIC FACET ARTHURUS, REX QUONDAM, REXQUE FUTURUS” THE ANALYSIS OF ORIGINAL MEDIEVAL SOURCES IN THE SEARCH FOR THE HISTORICAL KING ARTHUR Final Paper History 489: Research Seminar Professor Thomas Miller Cooperating Professor: Professor Matthew Waters By Erin Pevan November 21, 2006 1 Copyright for this work is owned by the author. This digital version is published by McIntyre Library, University of Wisconsin – Eau Claire with the consent of the author. 2 Department of History University of Wisconsin-Eau Claire Abstract of: “HIC FACET ARTHURUS, REX QUONDAM, REXQUE FUTURUS” THE ANALYSIS OF ORIGINAL MEDIEVAL SOURCES IN THE SEARCH FOR THE HISTORICAL KING ARTHUR Final Paper History 489: Research Seminar Professor Thomas Miller Cooperating Professor: Matthew Waters By Erin Pevan November 21, 2006 The stories of Arthurian literary tradition have provided our modern age with gripping tales of chivalry, adventure, and betrayal. King Arthur remains a hero of legend in the annals of the British Isles. However, one question remains: did King Arthur actually exist? Early medieval historical sources provide clues that have identified various figures that may have been the template for King Arthur. Such candidates such as the second century Roman general Lucius Artorius Castus, the fifth century Breton leader Riothamus, and the sixth century British leader Ambrosius Aurelianus hold high esteem as possible candidates for the historical King Arthur. Through the analysis of original sources and authors such as the Easter Annals, Nennius, Bede, Gildas, and the Annales Cambriae, parallels can be established which connect these historical figures to aspects of the Arthur of literary tradition. -
The Wooing of Emer and Other Stories
The Ulster Cycle: The Wooing of Emer and other stories by Patrick Brown The fullest version of The Wooing of Emer is found in the Book of Leinster (c.1160) in a text dating from the tenth or eleventh century. An earlier, fragmentary version is found in several manuscripts, including Lebor na hUidre (the Book of the Dun Cow, c.1106). This retelling is based on both versions. Cú Chulainn’s Shield is an anecdote found in the manuscript H.3.17. This is my own translation, with thanks to Breandán Dalton, Dennis King, and especially David Stifter for their help and suggestions. The Death of Aífe’s Only Son is found in the Yellow Book of Lecan, compiled about 1390, but the language of the story dates from the ninth or tenth century. The Death of Derbforgaill is found in the Book of Leinster. The Elopement of Emer comes from the late 14th Century Stowe MS No 992. The Training of Cú Chulainn is a late, alternative version of Cú Chulainn’s travels and training. It is found in no less than eleven different manuscripts, the earliest being Egerton 106, dated to 1715. The Ulster Cycle: The Wooing of Emer and other stories © Patrick Brown 2002/2008 The Wooing of Emer A great and famous king, Conchobor son of Fachtna Fathach, once ruled in Emain Macha, and his reign was one of peace and prosperity and abundance and order. His house, the Red Branch, built in the likeness of the Tech Midchuarta in Tara, was very impressive, with nine compartments from the fire to the wall, separated by thirty-foot-high bronze partitions. -
The Heroic Biography of Cu Chulainn
THE HEROIC BIOGRAPHY OF CU CHULAINN. By Lisa Gibney B.A. NUl MAYNOOTH Ollicoil ni ft£ir«ann Mi ftuid FOR M.A IN MEDIEVAL IRISH HISTORY AND SOURCES, NUI MAYNOOTH, THE DEPARTMENT OF MEDIEVAL IRISH STUDIES, JULY 2004. DEPARTMENT HEAD: MCCONE, K SUPERVISOR: NI BHROLCHAIN,M 60094838 THE HEROIC BIOGRAPHY OF CU CHULAINN. By Lisa Gibney B.A. SPECIAL THANKS TO: Ann Gibney, Claire King, Mary Lenanne, Roisin Morley, Muireann Ni Bhrolchain, Mary Coolen and her team at the Drumcondra Physiotherapy Clinic. CONTENTS 1. Introduction 2 2. Heroic Biography 8 3. Conception and Birth: Compert Con Culainn 18 4. Youth and Life Endangered: Macgnimrada 23 Con Culainn 5. Acquires a wife: Tochmarc Emere 32 6. Visit to Otherworld, Exile and Return: 35 Tochmarc Emere and Serglige Con Culainn 7. Death and Invulnerability: Brislech Mor Maige 42 Muirthemne 8. Conclusion 46 9. Bibliogrpahy 47 i INTRODUCTION Early Irish literature is romantic, idealised, stylised and gruesome. It shows a tension between reality and fantasy ’which seem to me to be usually an irresolvable dichotomy. The stories set themselves in pre-history. It presents these texts as a “window on the iron age”2. The writers may have been Christians distancing themselves from past heathen ways. This backward glance maybe taken from the literature tradition in Latin transferred from the continent and read by Irish scholars. Where the authors “undertake to inform the audience concerning the pagan past, characterizing it as remote, alien and deluded”3 or were they diligent scholars trying to preserve the past. This question is still debateable. The stories manage to be set in both the past and the present, both historical Ireland with astonishingly accuracy and the mythical otherworld.