Kodakery; Vol. 5, No. 42; Oct. 23, 1947
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2021 Catalog
2021 NEW PRODUCTS G-Power Flip and Punch Spin Bait Designed by Aaron Martens, Walleye anglers across the Midwest have become Gamakatsu has developed the dependent upon the spin style hooks for walleye rigs. new G-Power Heavy Cover Flip The Spin Bait hook can be rigged behind spinner & Punch Hook. A step up from blades, prop blades or used the G-Finesse Heavy Cover alone with just a simple Hook, for serious flipping and bead in front of them. It’s punching with heavy fluorocarbon and braid. The TGW (Tournament unique design incorporates Grade Wire) hook, paired with its welded eye, make this the strongest Gamakatsu swivels that is Heavy Cover hook in Gamakatsu’s G-Series lineup. Ideal for larger baits independent of the hook, giving the hook more freedom to spin while and weights, punching through grass mats and flipping into heavy reducing line twist. The Spin Bait hook features Nano Smooth Coat for timber. G-Power Flip and Punch ideally matches to all types of cover stealth presentations and unsurpassed hook penetration and the bait and able to withstand extreme conditions. Page 26 keeper barbs on the shank hold live and plastic baits on more securely. Page 48 G-Power Stinger Trailer Hook The new G-Power Stinger Trailer Hook Superline Offset Round Bend brilliance comes from Gamakatsu’s famous Gamakatsu’s Superline Offset Round B10S series of fly hooks and the expertise Bend is designed with a heavier of Professional Bass angler Aaron Martens. Superline wire best suited for heavy The Stinger Trailer has a strategically braided and fluorocarbon lines. -
International Journal of Textile Science and Engineering Chowdhary U
International Journal of Textile Science and Engineering Chowdhary U. Int J Text Sci Eng 3: 125. Review Article DOI: 10.29011/IJTSE-125/100025 Impact of Interfacings and Lining on Breaking Strength, Elongation and Duration of the Test for Knitted Wool Usha Chowdhary* Department of Human Environmental Studies Fashion Merchandising and Design, Central Michigan University, Mount Pleasant, Mich- igan, USA *Corresponding author: Usha Chowdhary, Department of Human Environmental Studies Fashion Merchandising and Design, Central Michigan University, Mount Pleasant, Michigan, USA. Email: [email protected] Citation: Chowdhary U (2019) Impact of Interfacings and Lining on Breaking Strength, Elongation and Duration of the Test for Knitted Wool. Int J Text Sci Eng 3: 125. DOI: 10.29011/IJTSE-125/100025 Received Date: March 5, 2019; Accepted Date: March 20, 2019; Published Date: March 29, 2019 Abstract The study examined breaking strength, elongation and time at break for 100% medium weight knitted wool with in- terfacings and lining. Several ASTM standards were used to measure structural and performance attributes. Fabric strength, elongation, and time taken to rupture for fabric exclusively and with interfacings and lining attached were measured for eight relationships. Hypotheses were tested using T-test analysis. Confidence level was established at 95%. Results revealed that majority of the hypotheses were accepted. Results for fusible and non-fusible interfacings varied. Adding fusible interfacing did not enhance strength in the lengthwise direction. Fusible and non-fusible interfacings did not differ for elongation. It took longer for fabric to break in lengthwise than the crosswise direction. Future research is needed to confirm the findings of this study for various fabrics, seam types, stitch types, fabric construction and fiber contents. -
Aic Paintings Specialty Group Postprints
1991 AIC PAINTINGS SPECIALTY GROUP POSTPRINTS Papers presented at the Nineteenth Annual Meeting of the American Institute for Conservation of Historic and Artistic Works Albuquerque, New Mexico Saturday, June 8,1991. Compiled by Chris Stavroudis The Post-Prints of the Paintings Specialty Group: 1991 is published by the Paintings Specialty Group (PSG) of the American Institute for Conservation of Historical and Artistic Works (AIC). These papers have not been edited and are published as received. Responsibility for the methods and/or materials described herein rests solely with the contributors and these should not be considered official statements of the Paintings Specialty Group or the American Institute for Conservation. The Paintings Specialty Group is an approved division of the American Institute for Conservation of Historical and Artistic Works (AIC) but does not necessarily represent AIC policies or opinions. The Post-Prints of the Paintings Specialty Group: 1991 is distributed to members of the Paintings Specialty Group. Additional copies may be purchased from the American Institute for Conservation of Historical and Artistic Works; 1400 16th Street N.W., Suite 340; Washington, DC 20036. Volume designed on Macintosh using QuarkXPress 3.0 by Lark London Stavroudis. Text printed on Cross Pointe 60 lb. book, an acid-free, recycled paper (50% recycled content, 10% post-consumer waste). Printing and adhesive binding by the Mennonite Publishing House, Scottdale, Pennsylvania. TABLE OF CONTENT S Erastus Salisbury Field, American Folk Painter: 4 His Changing Style And Changing Techniques Michael L. Heslip and James S. Martin The Use of Infra-red Vidicon and Image Digitizing Software in 4 Examining 20th-century Works of Art James Coddington Paintings On Paper: Collaboration Between Paper 11 and Paintings Conservators Daria Keynan and Carol Weingarten Standard Materials for Analysis of Binding Media and 23 GCI Binding Media Library Dusan C. -
Buffalo Police All Season Jacket
Uniforms, Transit Operators CP82007 Page 1 of 48 Specifications Appendix B ----------------------------------------------------------------------------------------------------------------------------- -------------------- 100. SF MUNI GORE-TEX JACKET & LINER – UNISEX STYLE NUMBER: Flying Cross by Fechheimer Item: 79900GTXA 10 STYLE: Waist length style with 6 snap storm flap overlapping a 2 way zipper. Side vents for access to equipment. Front and back flapped yokes to accommodate drop down panels. Utility shoulder straps. Hide-away hood. OUTER SHELL: 100% Nylon, 3 ply Supplex, 3.7 oz per sq. yd., with water and stain repellency, uncoated. COLOR: Black DROP LINING: Made from waterproof, breathable, windproof 2 layer Gore-Tex. Face fabric: 100% Black Polyester. Membrane layer: bi-component PTFE membrane. ====================================================================================== 101. REMOVABLE INSULATED LINER ENDURANCE INSULATED BASE LAYER JACKET SPECIFICATIONS STYLE NUMBER: Flying Cross by Fechheimer 55100A 10 (Black) The shell fabric shall be 100% Nylon with 37.5 padding insulation, 2.9 oz. per sq. yd. STYLE: The jacket shall be manufactured from new up-to-date pattern with an articulated sleeve, gusseted underarms and mandarin style collar. The jacket shall have two (2) upper napoleon pockets and two (2) lower vertical pockets with hidden zippers. There shall be (2) side zippers with adjustable snap closure. Sleeve cuff has partial Nylon Spandex for a comfort fit. Loops at back sleeve cuff seam and outside neck seam shall coordinate with snap tabs on related outerwear styles (). POCKET LINING SLEEVE LINING: The upper napoleon pocket lining shall extend from the hem to the chest and from the side seam to the front zipper edge. Pocket lining shall consist of a Taffeta material. The lining shall extend across the back yoke and down the top sleeve. -
Info/How to Examine an Antique Painting.Pdf
How to Examine an Antique Painting by Peter Kostoulakos Before we can talk about the examination process, an overview of how to handle an oil painting is necessary to prevent damage to the work and liability for the appraiser. The checklist below is essential for beginning appraisers to form a methodical approach to examining art in the field without heavy, expensive equipment. Although the information may seem elementary for seasoned appraisers, it can be considered a review with a few tips to organize your observational skills. When inspecting an antique painting, as with any antique, a detailed on the spot, examination should take place. A small checklist covering composition, support, paint layers, varnish, and frame is necessary. Also, a few tools such as a UV lamp, magnifiers, camera, soft brush, cotton swabs, and tape measure are needed. A "behind the scenes" investigation can tell you a great deal about the painting. The name of the artist, title of the painting, canvas maker, date of canvas and stretcher, exhibitions and former owners are some of the things that may be revealed upon close examination. Document your examination with notes and plenty of photographs. Handling Art Older paintings should be thought of as delicate babies. We need to think about the consequences before we pick one up. To prevent acidic oil from our skin to be transferred to paintings and frames, we must cover our hands with gloves. Museum workers have told me that they feel insecure using white, cotton gloves because their grip becomes slippery. I tried the ceremonial gloves used in the military to grip rifles while performing. -
Tailoring and Dressm King 5 LINING A. SKIRT Or DRESS Today's Fashions
tailoring and dressm king 5 LINING a. SKIRT or DRESS Today’s fashions and fabrics often call for linings. This raises questions among the home seamstresses regarding types of lining and how to attach these to the garment. Lining serves many purposes. It: 0 gives a professional 100k and adds quality 0 adds body and/or opacity to lightweight or thin fabric 0 gives roundness to structural lines where needed 0 prevents sagging, stretch or “sitting " out” in straight skirts (helps to preserve shape of garment) ' 0 gives longer service to the garment 0 helps to eliminate wrinkles A distinCtion should be made among four sometimes confusing terms: 1. Lining refers to a material that partially or entirely covers the inside of a garment. It is assembled separately as though it were a second garment. It finishes the wrong side of the garment as well as serving the purposes listed C above. For better fit and more strength it should be cut on the same grain as the outer fabric. 2. Underlining is a material which is cut in the shape of the garment pieces. The underlining sections are staystitched to- the corresponding outer fabric sections before any seams are joined. This is especially good for loosely woven or thin fabrics. This treatment is usually called “double fabric con- struction.” It is also called backing or underlay. 3. Interlining ,is usually thought of as giving warmth to a coat as well as giving some shape. The interlining is cut' to match the garment pieces and is placed between the lining and the outer fabric. -
Please Note: Vendor Must Provide One Sample of a Gold Badge for Sheriff and One Sample of a Silver Badge for Deputy
EL PASO COUNTY SHERIFF'S OFFICE DEPUTY BADGES C.W. Nielsen - Model #S-300 FINISH - Alloy either Alloy S or Alloy G depending on rank. BADGE is 3 inches point to point with floral design in each tip. Badge has a 1/4" dap and is struck from .064 material. LETTERING around badge circle is blue block: Deputy Sheriff (seal) El Paso County Lettering is separated by dot break points. The seal is a full color State of Texas seal 7/8" diameter with red rim blue center area and white star. A top the bade and straddling the top two tips is the title banner. It is affixed 1/8" above the top circle of the badge. The title banner is 5/6" wide. The titles are standing Roman letters in a field of blue enamel. All blue enamel colors are #643 blue. Attachments are B.A. Ballou #105 joint #68 catch with 2" foot pin. Gold Badges for the following officers: Sheriff Chief Deputy Commander Detective Lieutenant Sergeant Silver Badge for Deputy Please Note: Vendor must provide one sample of a Gold badge for Sheriff and one sample of a silver badge for Deputy. 5 EL PASO COUNTY SHERIFF’S OFFICE DETENTION OFFICER BADGE Badge Body Specifications: Diameter 72.4 mm or 2.82 inches Thickness 3.5 mm or .13 inches Material Brass Metal Plating TBD Silver for Detention Officer and Gold for Corporal and above Curvature 10 mm convex Fixture Vertical Safety Pin 2” Style Clasp (Welded) Enamel Genuine Cloisonne hard enamel lettering and state seal State Seal 3 D Rank Ribbon Specifications: Dimensions Approximately 50.46 X 18.46 mm “TBD upon final artwork Thickness 2mm Materials Brass Plating To match badge body determined by rank Lettering Genuine Cloisonne hard enamel lettering Bureau Ribbon Specifications: Dimensions Approximately 50.46 X 18.46 mm TBD upon final artwork approval Thickness 2 mm Material Brass Plating To match badge body DETENTION BUREAU Lettering Genuine Cloisonne hard enamel lettering All die charges one time only fee as long as there are no changes to the physical design. -
Harmon Tells Aircrafters
1111 > lVaVj. wi Vsurui I ft *^JM/ = AIRCRAFT EDITION = nil. -~*- B AMERICA FIRST IN THE AIR Vol.4 AKRON, OHIO, WEDNESDAY, FEBRUARY 9, 1944. No. 6 Victory Up To Workers on Production Line, "Tom" Harmon Tells Aircrafters » ■"»-"" "««. "" -^. o-vn"«"».**■"""». a" -tm "«*. "»■"», " "'^. "s-^.""■"^,"" '"a. ■» ""as,«» vi'X.ivi-x.ixh vmNi>v>ivn'viiXtPXii>.iiVii'xii'viF>..>virv BOND DRIVE Lieutenant "Tom" Harmon Shows Spot Where He Was "Lost" \ LIEUTENANT CASH SALES HERE WITH OVER $70,000 FILM STAR Employes On List As Members Of Captain Frank Baldwin Of "$1,000 Club" Jap Fighting Fame Aids "QuotaShip"Kickoff The Fourth War Loan drive SBBBBtM^H .MM SBBBsW at Aircraft is well on its way over the quota of 90 per cent Speaking with the "purjcji" participation, according to word and sincerity of men who aVOfjit from campaign headquarters. ally have met and beaten the As of Monday 85 per cent of finest pilots and planes the Axis the employes were on the has to offer, Lieutenant "Tom.'8 wagon," with 1,300 new sav" v3! IE V. ri "bond sW.\sO^H mW i If J Harmon, former All-Americah applicants for deductions, and football star, now of the army 7,000 already having increased ""' air forces, and Marine Captain their pledges. W* ssssssB*^* r sRK>Jaaaaaa<P ■ a^SBBBsi *' ,_^M■■ mmM Frank has Cash sales have been large RRRJ^TIF 'iS^H HP^: " ' -JlaaaRI mmmmmmW' a^aaaBBBBBBBBBBBBBBBBsi Baldwin, who com- so far in the campaign. The at- pleted 186 combat missions est figures show that over $70,- Vj|fl against the Japs, while flying 000 has been pledged withabout ssssssssl raK Corsairs, opened Plant D's Feb- 45 being of the $1,000 variety. -
Fiber-Level On-The-Fly Procedural Textiles
Eurographics Symposium on Rendering 2017 Volume 36 (2017), Number 4 P. Sander and M. Zwicker (Guest Editors) Fiber-Level On-the-Fly Procedural Textiles Fujun Luan1 Shuang Zhao2 Kavita Bala1 1Cornell University 2University of California, Irvine 10× 100× 400× 10× 100× 200× Figure 1: The new Sponza scene by Crytek with 12 procedural textile models substituted for the fabrics. These models together represent 33 thousand yarns, composed of 8 million procedurally described fibers. Insets on the right show zoomed versions of two subregions (indicated with white rectangles), demonstrating the level of fidelity and detail offered by these models. When fully realized, all the cloth models would take 867 GB of storage, and are practically unrenderable. We introduce a realization-minimizing technique to render such large-scale procedural textiles on a single computer. Abstract Procedural textile models are compact, easy to edit, and can achieve state-of-the-art realism with fiber-level details. However, these complex models generally need to be fully instantiated (aka. realized) into 3D volumes or fiber meshes and stored in memory, We introduce a novel realization-minimizing technique that enables physically based rendering of procedural textiles, without the need of full model realizations. The key ingredients of our technique are new data structures and search algorithms that look up regular and flyaway fibers on the fly, efficiently and consistently. Our technique works with compact fiber-level procedural yarn models in their exact form with no approximation imposed. In practice, our method can render very large models that are practically unrenderable using existing methods, while using considerably less memory (60–200× less) and achieving good performance. -
To Complete the Pattern Join Bodice #1 to #2 at Circle Front Bodice #1
To complete the pattern join bodice #1 to #2 at circle Chapter 2 Chapter 4 Chapter 6 Chapter 19 Front Bodice #1 1/2” FACING N CUT 1 FABRIC ON FOLD CUT 2 WITH FACING CUT 2 EXTENSIO INTERFACING USE FOR: GRAINLINE LAYOUT CUTTING FABRIC PATTERN MARKINGS DARTS SEAMS COLLARS CLOSURES CENTER FRONT FOLD To completeTo the pattern join bodice #1 to #2 at circle TO COMPLETE THE PATTERN JOIN BODICE #1 TO #2 AT CIRCLE STITCH TO MATCHPOINTS FOR DART TUCK FRONT BODICE #2 Front Bodice #2 Chapter 2 Chapter 4 Chapter 6 Chapter 19 STITCH TO MATCHPOINTS FOR DART TUCKS To complete the pattern join bodice #3 to #4 at circle Chapter 2 Chapter 4 Chapter 6 Back Bodice #3 CUT 2 FABRIC USE FOR: CK SEAM GRAINLINE LAYOUT CUTTING FABRIC CK FOLD PATTERN MARKINGS DARTS SEAMS COLLARS CENTER BA CUT HERE FOR CENTER BA To completeTo the pattern join bodice #3 to #4 at circle STITCH TO MATCHPOINTS FOR DART TUCKS Back Bodice #4 Chapter 2 Chapter 4 Chapter 6 Chapter 4 Chapter 11 Chapter 14 Chapter 17 MATCHPOINT Front Skirt #5 CUT 1 FABRIC USE FOR: V SHAPED SEAM WAISTBAND WAIST FACING BIAS WAIST FINISH CURVED/ALINE HEM BIAS FALSE HEM CENTER FRONT FOLD Chapter 4 Chapter 11 Chapter 14 Front Yoke #6 CUT 1 FABRIC CUT 1 INTERFACING USE FOR: V SHAPE SEAM WAISTBAND WAIST FACING BIAS WAIST FINISH C. F. FOLD C. F. MATCHPOINT Chapter 4 Chapter 6 Chapter 10 Chapter 11 Chapter 14 Chapter 17 MARK DART POINT HERE Back Skirt #7 CUT 2 FABRIC USE FOR: SEAMS ZIPPERS WAISTBAND WAIST FACING BIAS WAIST FINISH CURVED ALINE HEM BIAS FALSE HEM Chapter 4 CUT ON FOLD Chapter 12 Chapter 17 H TC NO WHEN -
VTE Framework: Fashion Technology
Massachusetts Department of Elementary & Secondary Education Office for Career/Vocational Technical Education Vocational Technical Education Framework Business & Consumer Services Occupational Cluster Fashion Technology (VFASH) CIP Code 500407 June 2014 Massachusetts Department of Elementary and Secondary Education Office for Career/Vocational Technical Education 75 Pleasant Street, Malden, MA 02148-4906 781-338-3910 www.doe.mass.edu/cte/ This document was prepared by the Massachusetts Department of Elementary and Secondary Education Mitchell D. Chester, Ed.D. Commissioner Board of Elementary and Secondary Education Members Ms. Maura Banta, Chair, Melrose Ms. Harneen Chernow, Vice Chair, Jamaica Plain Mr. Daniel Brogan, Chair, Student Advisory Council, Dennis Dr. Vanessa Calderón-Rosado, Milton Ms. Karen Daniels, Milton Ms. Ruth Kaplan, Brookline Dr. Matthew Malone, Secretary of Education, Roslindale Mr. James O’S., Morton, Springfield Dr. Pendred E. Noyce, Weston Mr. David Roach, Sutton Mitchell D. Chester, Ed.D., Commissioner and Secretary to the Board The Massachusetts Department of Elementary and Secondary Education, an affirmative action employer, is committed to ensuring that all of its programs and facilities are accessible to all members of the public. We do not discriminate on the basis of age, color, disability, national origin, race, religion, sex, gender identity, or sexual orientation. Inquiries regarding the Department’s compliance with Title IX and other civil rights laws may be directed to the Human Resources Director, 75 Pleasant St., Malden, MA 02148-4906. Phone: 781-338-6105. © 2014 Massachusetts Department of Elementary and Secondary Education Permission is hereby granted to copy any or all parts of this document for non-commercial educational purposes. -
Daily Iowan (Iowa City, Iowa), 1944-06-24
"ATtON CALENDAR Rain PROCESSED Fe ODS blue sts,,,ps AS throu.h VB valld lndoll· tIllely; MEAT red . talOp. A8 through W8 valid Ind'flnlt~)I' SUGAR 5raduale . ,tamp 30. 31 (book 4) valid Indefinitely. stamp 40 for cannIn. su,ar THE 'DAILY IOWAN IOWA: Fair, CeeIH rxplr•• "eb. 28, 1045: SHOE .tamp. airplane .t.mps I and 2 (book S) valid Indt!lnllely: GASOLINE A· II coupon expire. June 22; ~ne Crash rumL OIL per. 4 and 5 coupon. expire Sept. 30. Iowa Cit y , s . M 0 r n I n g IN e w spa per ng the rescue 0/ t1VE CENTS TBI .U~OVIATID .D.I IOW.ft CITY, IOWA SATURDAY, JUNE 24,1944 VOLUME XIJV NUMBER 230 'ew In south Pl. 1, Lleut. (j. ') 6, co mmander of Soviet Army Opens lane, was kU'-! ina crashed ia B Fred w., Ambrose to Long-Expected Drive ink Immediatel,. e Jap Garrier Possibly Sunk; rred hundreds 01 e. Some of the Red Troops Smash ere aa ved, whUe Nazi Lines at Vitebsk red and were S.'U.I. Business Manager Evidently Lieu. In White Russia' knoc.ked uncon. • • JI.. , * * * LONDON, Saturday (AP)-The Yanks Hit Ch,erbourg line ash landing Bile! his ship. Thompson Red army crashed into German I, a graduate of lines on two sides of the fortified ho had been ov. city of Vitebsk in White Russia. Pori's Fall NNinth Straig.ht Nigh'- 30, 1943, 3ervJcl in Bermuda be. Student Dean yesterday, openinl( the long-ex- R k f States. He ~n . det training Mly ~~~tedea~~yVie~o::m~ros~:ns~v:~ Appe rs Near OZI oc e IS commisslonect Board of Education I nounced th;!t "pnormotls losses" a racksonvi UI\, FJa.