DOCSLIB.ORG

Ujiullrf]Li!Il S ~ NEWSLETTER : Ifiiirmn1lljia1s = the SOCIETY of ARCHITECTURAL HISTORIANS ~ Rillieiffiillislllffis ~ .Jo S · HMO · S U~ APRIL 1968 VOL

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
Ujiullrf]Li!Il S ~ NEWSLETTER : Ifiiirmn1lljia1s = the SOCIETY of ARCHITECTURAL HISTORIANS ~ Rillieiffiillislllffis ~ .Jo S · HMO · S U~ APRIL 1968 VOL C!:,_c HIT E C T U R.tf"' t!. UJiullrf]li!il s ~ NEWSLETTER : IFIIIRmn1llJIA1S = THE SOCIETY OF ARCHITECTURAL HISTORIANS ~ rilliEiffiilliSlllffiS ~ .jO S · HMO · S U~ APRIL 1968 VOL. XII NO. 2 PUBLISHED SIX TIMES A YEAR BY THE SOC:IETY OF ARCHITECTURAL HISTORIANS 1700 WALNUT STREET, PHILADELPHIA, PA. 19103 HENRY A. MILLON, PRESIDENT EDITOR: JAMES C. MASSEY, 614 S. LEE STREET, ALEXANDRIA, VIRGINIA 22314. ASSOCIATE EDITOR: MARIAN CARD DONNELLY, 2175 OLIVE STREET, EUGENE, OREGON 97405 SAH NOTICES of buildings in La Jolla designed by Irving Gill and other 1968 Annual Tour. Don't forget the tour of Newport, architects. Rhode Island (and vicinity), August 29 - September 1. University of Virginia. Adolf K. Placzek, Columbia Uni­ Notices reached the membership by May 1. versity, spoke to the Chapter on "Gems Among Modern 1969 Annual Tour. The Society will hold the 1969 annual Architectural Books," at Charlottesville on March 8. tour in Richmond, Virginia, October 15-20, at the invita­ Washington. On April 11, at 4:30 p.m. Eric Entwhistle tion of The Latrobe Theatre, Mrs. Lewis H. Bosher, Jr., spoke to the Chapter at the Smithsonian Institution on President (see enclosed brochure). Mrs. Douglas P. "Wallpaper from the Great Exhibition to Art Nouveau." Rucker will serve as Chairman of the Local Committee, The program, originally scheduled for 8:30 p.m., was which will be composed of representatives of local changed at the last minute to 4:30 due to the early closing organizations interested in architectural history and of the Institution during the Washington riots. Kenneth preservation. Hudson, Bath University of Technology, was the speaker on April 29 in a program jointly sponsored with the Smith­ CHAPTERS sonian Institution's Division of Mechanical and Civil Engineering. Mr. Hudson spoke on" Industrial 'Archeology: Chicago. In March the Chapter met in the Morton Audito­ Whose Responsibility, Whose Advantage." The meeting rium of the Art Institute of Chicago to hear Robert A. also served to open a joint SI·HABS industrial archaeology Kostka, University of Illinois at Chicago Circle, speak exhibit at the Institution. The next program will be a tour on Frank Lloyd Wright's Imperial Hotel, Tokyo, as well as to the picturesque Virginia Quaker village of Waterford on the Japanese art which influenced Wright's design. The May 19, under the direction of W. Brown Morton III, Na­ April meeting was addressed by Barbara Wriston, Art tional Park Service. Institute of Chicago, on "Spanish and Portuguese .Influ­ ences in Latin American Architecture.'' Dues are $3 and Western Reserve Architectural Historians. On March 17, should be sent to Treasurer Robert Jorgensen, 555 Walnut Henry Hawley, Cleveland Museum of Art, spoke on "The Street, Winnetka, Illinois. Revolt Against Historicism, 1850-1910" to a Chapter meeting held at the Cleveland Museum of Art. Missouri Valley. The Chapter, on March 23, 1968, held its annual social meeting at the home of Mr. and Mrs. Theodore Seligson, Kansas City, Mo., and slides were ORGANIZATIONS shown of the work of Richardson, Adler & Sullivan, Burn­ American Institute of Architects. The Institute's 1968 ham & Root, Holabird & Roche, and Frank Lloyd Wright. convention will be held in Portland, Oregon and Honolulu, New York. The New York Chapters' March 19 meeting was Hawaii, June 23-29, at which time Marcel Breuer will re­ devoted to a special panel program "Wright Redivivus: ceive the Institute's highest honor: its Gold Medal. Also The Buffalo Story." Frank Lloyd Wright's Buffalo work honored will be The Graham Foundation for Advanced was discussed by Edgar Tafel, Architect, and Mr. and Mrs. Eric Larrabee, New York State University at Buffalo, and Architect, respectively. Northern Pacific Coast. The Section held a meeting April 20 for the election of officers, and to discuss future plans for meetings. Prospective members should contact James R. Burch, 1531 Edith Street, Berkeley, Calif. 94703. Philadelphia. On April 26 James C. Massey, National Park Service, spoke to the Philadelphia Chapter in the Board Room of the PSFS Building on "American Architec­ tural Drawings and City Plans in Foreign Collections." On May 25 there will be an excursion to "Fallingwater," on Bear Run near Ohiopyle, Pa., by bus. The cost will be $15.05. Write Mrs. Guy Lacy Schiess, 3926 Henry Avenue, Philadelphia, Pa. 19129, for information. Southern California. New officers have been installed as follows: President, Crombie Taylor, University of Southern California; Vice President, Sim Bruce Richards, Architect, La Jolla; Secretary, Thomas R. Owen, Los Angeles Cen­ tral Library; and Treasurer, Esther McCoy, University of California at Los Angeles. The next Chapter meeting Henry Russell Hitchcock and Nikolaus Pevsner, at the will be an ali-day visit to La Jolla on May 18 to hear Smith College program arranged in honor of Professor papers on San Diego area architecture, and to take a tour Hitchcock's retirement in June. Studies in the Fine Arts which will receive the citation in Painting." Introductory remarks were made by the for an organization. Under the leadership of Charles F. distinguished architect Philip Johnson, who was asso­ Murphy and John D. Entenza, Hon. AlA, the Foundation ciated with Mr. Hitchcock in the pioneering days of the is devoted to the fostering of architecture and its allied modern movement in architecture ... Frank J. Schmidt is arts. The Institute has also announced that one of the the Director of the new Bureau of Historic Sites and first recipients of its new Critics Medal for architectural Properties of the Pennsylvania Historical and Museum criticism has gone to SAH member Lewis Mumford. Commission, Harrisburg. He has been responsible for Columbia University. The University's Twentieth Annual the successful dismantling and re-erection of the Penn­ Bampton Lectures in America were given March 5-14 by sylvania-German Bertolett-Herbein log house at the Com­ Sir John Summerson on the general subject of "Victorian mission's Boone Farm in Berks County. The 1738 house Architecture: Four Studies in Evaluation.'' The lectures is considered to be one of the most authentic Germanic were "The Evaluation of Victorian Architecture," "Two log houses to s urvive in Pennsylvania ... Myron Bement Victorian Railway Stations," "Two Victorian Churches," Smith has received a grant from The National Endowment and "A Victorian Competition." for the Humanities to complete his study of Persian arches, vaults, and cupolas and their relationships to Latrobe Theatre. Plans are being made by The Latrobe such features in other architectures. He has also been Theatre, a new Richmond, Virginia organization, to build named Visiting Distinguished Professor of History of the theatre designed for Richmond by Benjamin Henry Architecture by The Pennsylvania State University. He Latrobe in 1797. Though never erected, Latrobe's fine is in need of a Research Assistant in the history of drawings are at the Library of Congress, and would facili­ Persian architecture. Command of the typewriter and of tate its construction. Of interest is Brooks McNamara's at least one European language are mandatory. Write article, "The English Playhouse in Eighteenth Century P.O. Box 21141, Washington, D.C. 20009 ... Architect America," in The Connoisseur for December, 1967 pp. Paul Thiry of Seattle has been appointed to the U.S. 262-7. Several of Latrobe's drawings are reproduced in Post Office Department's Research and Engineering Virginia Cavalcade, Summer 1966; pp. 43-7. Advisory Council. SAH-Great Britain. The Alice Davis Hitchcock Medallion for the year's best British architectural history book has PUBLICATIONS been awarded to Mark Girouard for his Robert Smythson C/HE. The Centro de Investigaciones Hist6ricas y Esteti­ and the Architecture of the Elizabethan Era. The volume cas of the Universidad Central de Venezuela issues an was published by Country Life in 1966. attractive and well-illustrated 142-page journal largely World Congress of Housing and Planning. The Congress devoted to architectural history. The Boletzn, of which will meet in Philadelphia, June 30 to July 6, with 1,500 eight numbers have appeared, is available in limited international planners, architects and scholars expected numbers and on exchange by request to Director Graziano to attend. SAH is a sponsoring organization of the Con­ Gasparini, CIHE, Universidad Central de Venezuela, gress and the program should be of particular interest to Caracas. SAH members concerned with Modern Architecture; for ICOMOS. The International Council of Monuments and information and registration contact P. Weinberg, Co­ Sites, sponsored by UNESCO, has issued the first number ordinator, 702 City Hall Annex, Philadelphia, Pa. 19107. of its journal, Monumentum. The large and well-illustrated NEWS OF MEMBERS semi-annual international review is available at $12 Walter L. Creese, University of Oregon, has received an ($8 to members) annually. Send fees to Compte No. 46851, award from the Arne ~can Council of Learned Societies for Ste Generale De Banque Leunen, Belgium. John C. Free­ research in the' 'History of the Effect of American Govern­ man, University of Victoria, has been named General ment on the American Arts from Washington's Time," as Editor of the American Life Foundation's series on Clas­ an ACLS Fellow in Residence at the Smithsonian Institu­ sic Guide Books to the Visual Arts. To this end, the tion . .. Leonard K. Eaton, University of Michigan, will Foundation's National Committee on the Decorative Arts teach this summer at the University of Victoria in British has initially recommended the compilation of an annotated Columbia ... Richard H. Howland, since 1960 Chairman union catalogue of books published to 1915 on North of the Smithsonian Institution's Department of Civil His­ American architecture, landscape gardening and city tory, has been appointed Special Assistant to the Secre­ planning. In conjunction with this bibliography, a number tary of the Smithsonian Institution.
Load more

Recommended publications
  • New Oral History Projects Launched!
    BOARD OF DIRECTORS Anthony C. Wood, Chair Elizabeth R. Jeffe, Vice-Chair Stephen Facey, Treasurer Lisa Ackerman, Secretary Daniel J. Allen Eric Allison Michele H. Bogart Joseph M. Ciccone Susan De Vries Amy Freitag Shirley Ferguson Jenks Otis Pratt Pearsall Duane A. Watson NEWSLETTER SPRING 2012 Welcome to the sixteenth edition of the newsletter of the New York Preservation Archive Project. The mission of the New York Preservation Archive Project is to protect and raise awareness of the narratives of historic preservation in New York. Through public programs, outreach, celebration, and the creation of public access to information, the Archive Project hopes to bring these stories to light. New Oral History Projects Launched! The Archive Project Embarks Upon Ambitious Array of Interviews with Preservation Leaders The New York Preservation Archive Project is from the Robert A. and Elizabeth R. Jeffe range of cultural, historical, and architectural thrilled to announce the launch of our newest Foundation. aspects of the city. Each individual house has oral history initiative, Leading the Movement: * * * a distinctive preservation history and a unique Interviews with Preservationist Leaders in New For the first time in our organization’s history, set of people who ensured its survival, whether York’s Civic Sector. The goal of this project is the Archive Project is teaming up with New they were concerned citizens, directors of civic to record oral histories with 15 key leaders in York University’s Museum Studies Program organizations, or descendents of the houses’ the preservation civic sector, capturing their to produce a series of oral histories focused original inhabitants.
    [Show full text]
  • The Solomon R. Guggenheim Museum 1959 [ 1959]
    landmarks Preservation Commission August 14, 1990; Designation List 226 LP-1774 'IHE SQI.(M)N R. GUGGENHEIM MUSEUM, 1071 Fifth Avenue, Manhattan. Frank Lloyd Wright, Architect. Built 1956-59. landmark Site: Borough of Manhattan Tax Map Block 1500, I.ot 1. On December 12, 1989, the landmarks Preservation Commission held a public hearing on the proposed designation as a landmark of the Guggenheim Museum and the proposed designation of the related landmark Site (Item No. 38). 'lhe hearing had been duly advertised in accordance with the provisions of law. Twenty-seven witnesses, including three representatives of the Solomon R. Guggenheim Foundation and Musemns, spoke in favor of designation. No witnesses spoke in opposition to designation. The Commission has received many letters supporting designation. DFSCRIPI'ION AND ANALYSIS Surmrary The Guggenheim Museum, an internationally recognized building, is one of New York's most architecturally irrportant buildings; located on prestigious Fifth Avenue, it is a link in that thoroughfare's highly regarded ''Museum Mile." Founded by Solomon R. Guggenheim, it is the best known of the many institutions financed by the philanthropy of the Guggenheim family, whose extraordinary wealth and subsequent social prominence were derived primarily from its worldwide mining empire. Inspired and led by the painter and art patron Hilla Rebay, Guggenheim supported many avant-garde painters of "non-objective" art by purchasing their works and, in 1937, establishing a foundation to promote art and education in art and the enlightenment of the public. Rebay eventually convinced him to commission in 1943 America's preeminent architect, Frank Lloyd Wright, to design the museum.
    [Show full text]
  • Stabilizing the Falling of Fallingwater: a Structural Rehabilitation Proposal for the Master Terrace
    1999 ACSA-CIB TECHNOLOGY CONFERENCE MONTREAL 203 Stabilizing the Falling of Fallingwater: A Structural Rehabilitation Proposal for The Master Terrace THEODORE M. CERALDI, AIA Syracuse University INTRODUCTION The following introduction and summary of existing conditions is In the spring of 1997, the Western Pennsylvania Conservancy based on field observations, nondestructive testing, and computer moved on this recommendation by installing temporary steel shor- modeling performed by Robert Silman Associates, Consulting En- ing under the living room cantilever to the stream bed below. The gineers. The existing master terrace at Fallingwater was never Kaufmann House is a National Historic Landmark and as such any designed to carry itself as a true cantilever and must rely on the steel work performed on the structure must meet applicable federal "Tsections built into the living room window (South Elevation) to requirements. The cantilever deflections, therefore, can only be transfer the load to the four main cantilever beams which are a part stabilized and arrested in their present attitudes. This must be of the makeup of the living room floor structure. These sections were accomplished without changing the appearance of the architecture a working part of load transfer as indicated by the original design or compromising the historic value of the house.' Presented are two drawings produced by Wright.' The loads transferred by these possible solutions to resolve the stabilization of the master terrace. sections are greater than originally intended due to the failure of the east & west continuous beams of the master terrace. In essence a A HISTORY OF CIRCUMSTANCE plastic hinge has formed at the master terrace in each parapet beam.
    [Show full text]
  • Save the Date Wright & Like 2012
    VOLUME 17 ISSUE 1 FEBRUARY 2012 n NEWSLETTER OF FRANK LLOYD WRIGHT® WISCONSIN n SC Johnson Conserves FLLW Artifacts by Mark Hertzberg Seventy-five years after H. F. Johnson, Jr. met Frank Lloyd Wright and hired him to design his company’s new office building, Johnson’s grandson Fisk and the Frank Lloyd Wright Foundation have announced a 99-year loan agreement between SC Johnson and the Foundation for 60 artifacts from the Foundation’s archives. The loan grew out of discussions after the Foundation applied for a grant from the SC Johnson Fund for a fire suppression system for the archives at Taliesin West in Scottsdale, Arizona and explored ways to raise money for a building to house the archives. Last year Wright bloggers expressed concern about rumors that the archives might be sold to private interests and no longer be accessible to researchers. The Johnson loan agreement not only helps ensure the preservation of the artifacts, some of which are not stored in optimal conditions, but also makes them available to the public. SC Johnson will conserve the artifacts including china, a hanging lamp and windows from the Heath House in Frank Lloyd Wright and H. F. Johnson, Jr. Buffalo (1905), a wooden armchair from Taliesin West Photo Credit: Courtesy SC Johnson (1946), a slant-back dining room chair from the Hillside outside the SC Johnson Research Tower. Home School (1902), a reception chair from Wright’s Oak Park studio (1895), carpets, and a grand piano that The Johnson exhibition will focus on Wright’s influence belonged to one of Wright’s sisters.
    [Show full text]
  • The Architecture of Local Performance: Stages of the Taliesin Fellowship
    The Journal of American Drama and Theatre (JADT) https://jadtjournal.org The Architecture of Local Performance: Stages of the Taliesin Fellowship by Claudia Wilsch Case The Journal of American Drama and Theatre Volume 32, Number 2 (Spring 2020) ISNN 2376-4236 ©2020 by Martin E. Segal Theatre Center During the Great Depression, architect Frank Lloyd Wright founded the Taliesin Fellowship, an apprenticeship program for students of architecture and related trades that valued physical labor as an educational tool. Based at Wright’s family home and the adjacent former Hillside Home School in Spring Green, Wisconsin, and later expanding to Taliesin West near Scottsdale, Arizona, the Fellowship offered tuition-paying students a hands-on alternative to a college education by conveying Wright’s theory of organic architecture through practical experience. Echoing certain aspects of the British and American Arts and Crafts movements, the German Bauhaus, and the Eastern mystic Georges Gurdjieff’s Institute for the Harmonious Development of Man, the Taliesin Fellowship was an experiment in communal work, living, and learning. Like the collectives that inspired it, the Taliesin Fellowship engaged its members in a variety of artistic pursuits, and its amateur performing arts activities became cherished entertainment for local audiences. Beginning with apprentice-staged concerts, skits, and film screenings in the 1930s and presenting Gurdjieff-inspired physical movements in the 1950s, the Fellowship’s performances by the 1960s culminated in original dance dramas, written and choreographed by Wright’s daughter, Iovanna Lloyd Wright. Taking inspiration from Gurdjieff’s philosophy and from her father’s architectural concepts, Iovanna’s work, though created in isolation, echoes aspects of the physical culture movement and connects with twentieth-century expressive dance.
    [Show full text]
  • William Wesley Peters."
    WES PETERS – THE EARLY YEARS YOUTH William Wesley (Wes) Peters was born in Terra Haute, Indiana on June 12, 1912, the son of Frederick Romer Peters and Clara Margedant Peters. The Peters had one other child, Margedant. Mr. Peters was a newspaper reporter and the family soon moved to Indianapolis where Wes entered grade school in 1917 at School #66. In the 1920s, the family moved to Evansville, Indiana where Wes Peters’ father was offered a position with the Evansville Press. Of this period, Mr. Wright recalled "Who's Who says the editor was the man who drove the Ku Klux Klan out of Indiana. He did, practically single-handed." Wes attended Stanley Hall and then Benjamin Bosse High School in Evansville, graduating in June 1929. A solid B student, it is not surprising his best grade was a 95% in trigonometry, followed closely by a 93% in modern history. Math was his best subject overall. Over the four years he also took Latin, French, and German. COLLEGE For his first year of college (1929-1930), Wes stayed home and attended Evansville College, now the University of Evansville. Planning to pursue an education in architecture, Wes took as many math courses as allowed. The next fall Wes was accepted into the Massachusetts Institute of Technology, at the time considered the leading architectural school in the United States. Wes remained in the architectural program at MIT for the next two school years, including the summer of 1931. During that summer he worked in a local architectural office for credit, where he continued part time during his second year.
    [Show full text]
  • Taliesin Architects Reorganized
    the living legacy of Frank Lloyd Wright TALIESIN TaliesinArchitects FELLOWS Reorganized NEWSLETTER ® by CEO Jim Goulka, NUMBER 12, JULY 15, 2003 Frank Lloyd Wright Foundation oing architecture. Designing buildings. Improving the landscape by one’s own creations. Satisfying client needs. DDThat is what many people came to Taliesin to learn. Some were fortunate enough to learn directly from the master. Others learned at one remove from the architects who remained after 1959. But the point, for them, was to do architecture. Mr. Wright was emphatic that for an architectural design, there can only be one vision, one person responsible. Assistants could help, of course—Mr. Wright clearly needed the superb assistance from the apprentices to accomplish the prodigious output of the 1950s—but, at the top, architecture is a solo act. Many of the alumni have cited this reason for departing Taliesin, most notably The announcement of Taliesin Architects reorganization, the Edgar Tafel, as described in his book Apprentice to inevitable outcome of market economy, has sur- Genius. prised and shaken the organic architectural After Mr. Wright’s death, Taliesin Associated Architects completed Mr. Wright’s projects and led community. In business since the death of Frank the practice into the future. For many years, the firm Lloyd Wright in 1959, the eleven architects who was profitable and helped maintain the Foundation and School. Since the early 90’s however, the firm comprised the organization will now enter the has suffered; one or two major projects provided the field as private practioners albeit continuing in major income, but required additional staffing to complete.
    [Show full text]
  • Wright in Your Own Backyard
    PRESERVATION - NEWSLETTER RACINE, INC. Fall 1988 Wright In Your Own Backyard Preservation-Racine's thirteenth annual Tour of Historic Places will provide lucky tour-goers with more to see in one afternoon than any of the dozen tours which have gone before it. Twelve buildings will be available to ticket holders to be walked through or visited on Sunday, October 2nd, between noon and 6 p.m. Notice that this year's tour is being held one week later than usual—on the first Sunday of October rather than the last Sunday of September. The change was necessary because Wingspread could not be made available on the traditional tour date. The theme this year is "Frank Lloyd Wright and Associates." Each of the buildings which are featured was designed either by Frank Lloyd Wright himself, by an architect who studied and worked with him, or by Taliesin Associated Architects—the firm which was established by Wright's widow, Olgivanna, to carry on his philosophy for living and his style in architecture. "WINGSPREAD" Designed in 1937 by Frank Lloyd Wright. /soBcer i/o/{AJVt£/i'~~ The centerpiece of the tour is "Wingspread" (1937), designed by Wright, named by him, and also deemed by him: "the last of the prairie houses." Built as a residence for Herbert F. Johnson, Wingspread was Wright's largest single family home. Its pinwheel plan—with an octagonal central section and wings that spread out from it in each of the points of the compass—accounts for its name. The long, low wings emphasize the horizontal line, which is the most immediately recog­ nizable characteristic of the Prairie Style; but the three-story living room at the center of the house, which Wright called "the wigwam," is its most dramatic feature.
    [Show full text]
  • 1. Name Historic Taliesin West And/Or Common Taliesin in the Desert; Taliesin on the Maricopa Mesa 2
    NW Form 10400 £XP. 12/31/84 United States Department of the Interior National Park Service National Register of Historic Place Inventory—Nomination Form See instructions in How to Complete National Register Forms Type ail entries—complete applicable sections_____________ 1. Name historic Taliesin West and/or common Taliesin in the Desert; Taliesin on the Maricopa Mesa 2. Location 1-3/4 miles north of the Intersection of Shea Blvd. and street & number 108th Street . not for publication city, town Scottsdale __ vicinity of state Arizona code 04 county Marlcopa code 013 3. Classification Category Ownership Status Present Use district JL public A occupied __ agriculture __ museum JL bulldlng(s) JL private —— unoccupied x commercial __ park __ structure both __ work in progress X educational X private residence __site Public Acquisition Accessible __ entertainment —— religious __ object __ in process X yes: restricted __ government __ scientific __ being considered __ yes: unrestricted __ industrial __ transportation __ no __ military __ other: 4. Owner of Property name See continuation sheet. street & number city, town __ vicinity of state 5. Location of Legal Description courthouse, registry of deeds, etc. Maricopa County Courthouse street & number 111 South Third Avenue city, town Phoenix .state Arizona 6. Representation in Existing Surveys title National Register of Historic Places has this property been determined eligible? __ yes no date 1977 . federal X state __ county local depository for survey records 440 G Street, NW city, town Washington state DC 7. Description Condition Chock ona Chock ono _ X_ excellent —— deteriorated _ unaltered __ original site ruins X altered moved date __ fair —— unexposed Daacribo the present and original (if known) physical appaaranca Summary Tallesin West is a complex of low-slung buildings designed by Frank Lloyd Wright as winter living and working quarters for his family and for the students of the Taliesin Fellowship, his school of architecture.
    [Show full text]
  • CURRICULUM VITAE BOTOND BOGNAR Hom Professor And
    CURRICULUM VITAE BOTOND BOGNAR Home: 2204 Fletcher St Professor and Edgar Tafel Endowed Chair in Architecture Associate, Center for Advanced Study University Scholar Associate, Center for East Asian and Pacific Studies Associate, Institute for East Asian Architecture and Urbanism (AIEAAU) Laureate, Cultural Appreciation Prize of the Architectural Institute of Japan (AIJ) School of Architecture and Center for East Asian and Pacific Studies University of Illinois University of Illinois Urbana, IL 61801-6915 117 Temple H Buell Hall 230 International Studies Building Champaign, IL 61820 Champaign, IL 61820 Tel: (217) 333-1883 Tel: (217) 333-7273 Fax: (217) 244-2900 E-Mail: [email protected] Home: 2204 Fletcher St, Urbana, IL 61801 (217) 384-0675 EDUCATION: MA in Architecture and Urban Planning. Graduate School of Architecture and Urban Planning (GSAUP), University of California, Los Angeles (UCLA). September 1981. Postgraduate Study: Department of Architecture, Tokyo Institute of Technology, Japan. October 1973 - April 1975. MArch Architectural Masters School, Budapest Technical University (in collaboration with the Hungarian Institute of Architects), Budapest, Hungary, September 1972. BArch (First Professional Degree), School of Architecture, Budapest Technical University, Budapest, Hungary. July 1968. (1963-1968) ADDITIONAL STUDIES: School of Human Behavior, United States International University, San Diego. Non-degree Status. No degree obtained; January 1979 - June 1979. Computer Programming, Basic Course, Fujitsu Company, Ltd., Tokyo,
    [Show full text]
  • Fllw General
    Stanford University Libraries iiL§19£,J25 779 186 m //i 'if' <i( tkm ram Frank Lloyd Wright Collection wm D Gift of Professor and Mrs. Paul R. Hanna IH9H OBJwaBBkYiJ'M'.s WmBBA maBM ill HWHBmmL Jtf.' //: mMmm HH ,.,.7v£fiK fii'MM W >-v$iV3 dmftf iffjfi MyJJi(7Jtiw/7?amm WmSBm V It 4ZJ/'I*WJfl vv. I i i • BBk #2w Mm WKEMSmWwBmm BHH HHL EH. >»&$$%, ffinEH Bfl Ml '''' i\ UHBHHmH ' HiBSPWB US ilii Frank Lloyd Wright Collection Gift of Professor and Mrs. Paul R. Hanna Stanford University Libraries FRANK LLOYD WRIGHT GENERAL VOLUME 6 January, 1970 Through November, 1974 I I IU THE CIVIC CENTER MARIN COUNTY CALIFORNIA In 1956 the Marin County Board of Supervisors authorized an ex- penditure of $511,000 for the purchase of a 140 acre site about three miles north of San Rafael for development of a civic cen- ter complex and county fairgrounds. Coupling the seat of county government with the necessary facilities to make the selected site into a center of community activity had long been the dream of many far-sighted citizens. World famous architect Frank Lloyd Wright was engaged by the Board of Supervisors to prepare a Mas- ter Plan to encompass the elements of this daring concept. In March 1957 Mr. Wright present- ed plans for the first construc- tion phase - the Administration Building. A year later he added plans for the fairgrounds pavil- ion, playgrounds, lagoon and gen- eral civic areas. The Master Plan connected gently sloping hills with graceful hori- zontal buildings springing in great arches over entrance road- ways between the hills.
    [Show full text]
  • Cynthia Nixon Comes to 69 Charles Street!
    The Voice of the West Village WestView News VOLUME 14, NUMBER 9 SEPTEMBER 2018 $1.00 Cynthia Nixon Comes to 69 Charles Street! tion ending with, “what would you do about this when you become Governor?” But when I talked about seniors in rent-stabilized apartments being evicted, there was a quick change in her expression, and she spoke rapidly of her and her mother living in an upper west side Manhattan continued on page 4 The Price of Immortality “OK, give me a business plan,” Steve Witkoff ordered, as he finished agreeing with Sarah Jessica Parker that St. Veronica should offer something for everybody, not only seniors, but young people and even kids. When I sat down to write the “Business Plan” I was stuck. How do you write a business plan to cre- ate a community concert hall? We’re talking about a recently closed church, closed because it did not have enough parishioners to even pay the heat bill. How do you turn that near abandoned church into a com- munity concert hall with free concerts for seniors? I mean, a business plan is for a business. How much money do you have to spend before there is even a business. And! We want to give seats away to seniors for free—not very business-like. No, the only way this is going to work is if we get a couple of big donors, like Langone, who gave mil- lions and they named the hospital after him—NYU CYNTHIA VISITS WESTVIEW AFTER COUMO SLAM: Following the one and only debate, Cynthia Nixon visits WestView to Langone.
    [Show full text]