Oculus New York Chapter American Institute of Architects June 1962

Total Page:16

File Type:pdf, Size:1020Kb

Oculus New York Chapter American Institute of Architects June 1962 OCULUS NEW YORK CHAPTER AMERICAN INSTITUTE OF ARCHITECTS JUNE 1962 THE DALLAS CONVENTION: SURP.RISES, DISAPPOINTMENTS, AND DREAMS by Peter S. Van Bloem, Secretary Amid balmy breezes and 90 ° was given to a discussion of topics proportionate to the extreme. weather a contingent of 31 chap­ and candidates than is poss1ible at Each speaker talked with either ter delegates arrived in Dallas the regular meetings. such colloquial humor or ceremon­ early last month to attend the It was interesting to note that ious pomp that the business1 ses­ 1962 AIA Convention. this year the Chapter submitted sion was shortly used up. It also It was a time of some surprises more Special Resolutions than all took one hour for the tabulation and a few disappointments. other chapters combined. The ac­ of the votes by the "new" system With high hopes delegates cast tion taken by the Resolutions of counting. It is small wonder their 2.23 weighted ballots (the Committee was, on the whole, that at the business session on N.Y. Chapter had 69 votes) in an quite succes.sful: Friday there was not even a quo­ attempt to elect Robert W. Cutler 1. Revision to F.H.A. Standards rum to transact business. When Secretary of the Institute. En­ -referred to committee will the Board learn to put the couraged by 15 other chapters and 2. F.D.R. Competition-refer­ business session in the middle of their nomination seconds, it seem­ red to committee for nego­ the Convention? ed as if New York would, at long tiation with Fine Arts Com­ Between business meetings at last, get into the picture again. m1ss10n and Congressional the Dallas Memorial Auditorium The "smart money" had said committees. there were some very fine talks that the fact that Bob was from 3. Home Building Design-re­ including a keynote speech by a large firm, from New York, and f erred to committee. Dean Charles Colbert, presenta­ not fully experienced in Institute The proposed By-Law Changes tions of urban redevelopm€nt pro­ matters would count heavily were acted upon thusly: grams, by Institute members, pan­ against him. But when Fritz 1. First Vice-President to be­ el discussions led by Douglas Has­ Woodbridge made a fine, forceful come President-Designate - kell, Tom Creighton, and Emerson nominating statement and was approved. Goble, and the exhibition of the followed by three seconding speech­ 2. Professional Affiliates Dallas "Main Place" redevelop­ es, we were floating on air. Then tabled. ment by Columbia University. when we heard the nomination of The amount of time spent by There were, if anything, more Clinton Gamble, we could see we delegates trying to "kill" or "save" than the usual round of parties faced a worthy opponent. the Affiliates proposal was dis- and activities in and around the And so, it turned out, we lost. Statler Hilton hotel, home base for Our thanks to Bob and Max Ur­ most of the convention-goers. hahn, who helped greatly with the Some active members got to see campaign. Two other contested the "Madwoman of Chaillot" at positions resulted in Secretary Roy FLLW's Humphreys Theatre; a Carroll's win of the 1st Vice Pres­ good many visited Harwell Har­ idency over 2nd Vice President ris' remodeled Trade Mart. James Hunter (we hope that Jim will be appointed to a high post, Highlights, to this writer, were as he is far too valuable a man to the presentation of the Gold Medal lose) and Arthur G. Odell, Jr.'s to Mrs. Eero Saarinen and the victory over Albert S. Golemon parting speech of Philip Will at for 2nd Vice President. Elected the Annual Dinner. Will left a unopposed were Henry L. Wright, legacy which included the "ex­ President and Raymond Kasten­ panded services - affiliate" idea, dieck, Treasurer, and a number of and left members with a "dream" Regional Directors. Mrs. Max 0. Urhahn, newly elected Presi­ of tomorrow. We applaud a man A convention highlight for the dent of the Women's Architectural A uxil­ who has gone through two rigor­ Chapter was the caucus held Wed­ iary of the New York Chapter, with ous years at the head of the AIA President Frederick J. Woodbridge, at the nesday morning under Fritz Wood­ recent AIA Convention in Dallas. Photo and who can still talk about ideals bridge' s chairmanship. More time by E . James Gambaro, FA/A. and dreams. 2 -- IMPROVING NE"'V'V YORK DETRO·IT INSTRUCTOR OCULUS WIN1S BRUNNER A.WA.RD VOL. 34 - Number 3 As commencement approaches, The Chapter's Arnold W. Brunner AMERICAN INSTITUTE OF ARCHITECTS college seniors usually vote recog­ Scholarship has been presented NEW YORK CHAPTER nition to "the man who has. done this year to Denis Charles Schmie­ the most for the class" (and often deke, an instructor in architecture MARGOT A. HENKEL, Executive Secretary ballot, too, for "the man who has 115 East 40th Street at the University of Detroit, it New York 16, N. Y. done the class for the most") . was announced by Frederick J. MU,rray Hill 9-7969 When New York celebrates the Woodbridge, Chapter president. 300th Anniversary of its founding The $5,000 scholarship award FREDERICK J. WOODBRIDGE .................... .. President two years from now, however, it will be used to investigate and de­ DAVID L. EGGERS ·······················-··········· Vice President will not be necessary to go to the velop more efficient means of vis­ C. GATES BECKWITH .......................................... Secretary polls to find the city's "man who". ual communication which will im­ ALBERT H. SWANKE ·········· ··· ·························-····· Treasurer He is currently at work at Flush­ plement and faciliate architectural ing Meadow preparing a big show PUBLICATION COMMITTEE design, preparation of construc­ for the occasion, a show dedicated tion documents, and the process of PHILIP M. CHU ......................................................... Chairman to-among other things.-the real­ JAMES L. CADY .......................................... Vice Chairman construction. ization of a great arterial road pro­ OGDEN TANNER ·····-··········-····-··········· Associate Editor gram for a great metropolis. The study is expected to pro­ JAN WHITE ·····-····-····-····-················-····· Associate Editor Cynics have questioned the need duce methods of communication for this Fair, and impecunious cor­ which will reduce production costs porations have hesitated, but Mr. of architectural service, while ex­ Moses, as usual, has taken on all panding its extent. For the build­ comers. He has rejected the coun­ ing trades, it will clarify the ar­ As various Chapter committees sel of his architectural planning chitect's intent and produce more take stock and lay plans for the committee, shrugged off the with­ efficient construction methods. coming year, the Publication Com­ holding of approval by the inter­ And, since it will facilitate rapid mittee urges members to consider national body, publicly chided the comprehension of the nature and joining its ranks and/or becoming largest exibitors into the fold, and scope of a building project, it will part-time contributors to OCU­ gotten his theme structure as a benefit government agencies, mort­ L US. This monthly bulletin, with present. The Federal Government gage institutions, etc. a circulation of well over 1,400 is still a holdout, but what out­ belongs to all Chapter members, come can there be but that Wash­ GA.RMENDIA NAMED TO and depends on them to be a true ington, too, will come to the Fair? STEWARDSON FELLO·WSHIP for um of events, opinions, and From the outset, the architec­ ideas. Always welcome are sugges­ tural profession has been piqued The Jam es Stewardson Fellowship, tions and contributions for feature at Mr. Moses' decision to retain the a $2,000 grant made annually by articles ; coverage of Chapter and basic plan of twenty-five years ago. the New York Chapter, has been other pertinent New York events; The professional journals have awarded this year to Nesbitt A. book reviews., committee activity scoffed, and have ridiculed the un­ Garmendia, who will use the Fel­ reports, items for "Improving imaginative Unisphere. Lately, lowship to travel and study at first New York". Please contact Chair­ however, the tune has changed a hand the architecture of Greece. man Philip Chu at MU 5-1272. bit. Many architectural commis­ A draftsman with the architec­ * * * sions hay_e been awarded, and the tural firm of Oppenheimer, Brady Once again, the Publication Com­ caliber of the published designs is & Lehrecke, Mr. Garmendia is the mittee wishes to thank Carlson rising. It looks1 as though there second winner of the Stewardson Press for the fine services it has really is going to be a F'air on grant. Last year's award, the first rendered in publishing OCULUS April 22, 1964, and some of its one to be made under the endow­ during the past year. As usual, parts may exceed the whole. ment, went to Edward T. Schiff er Miss Emma Carlson and her staff S. Hart Moore of New York for a projected study have been most cooperative, effi­ of prefabrication techniques in cient, and reliable. LE'1'TERS Europe. The Fellowship was made pos­ NEEDED: SUMMER JO·BS Sirs: sible through a bequest to the Regarding the Cadman Plaza Pro­ Chapter by James Stewardson, an Architectural firms with opportun­ ject (OCULUS, May '62), we wish architect and a citizen of England, ities for summer employment of to call to your attention that we who spent most of his professional students are cordially requested to are the architects for that portion life in New York City. He speci­ contact the Columbia School of of the project shown in the right fied that the award be made an­ Architecture, Room 405, A very hand half of the rendering, en­ nually "to a worthy architectural Hall.
Recommended publications
  • New Oral History Projects Launched!
    BOARD OF DIRECTORS Anthony C. Wood, Chair Elizabeth R. Jeffe, Vice-Chair Stephen Facey, Treasurer Lisa Ackerman, Secretary Daniel J. Allen Eric Allison Michele H. Bogart Joseph M. Ciccone Susan De Vries Amy Freitag Shirley Ferguson Jenks Otis Pratt Pearsall Duane A. Watson NEWSLETTER SPRING 2012 Welcome to the sixteenth edition of the newsletter of the New York Preservation Archive Project. The mission of the New York Preservation Archive Project is to protect and raise awareness of the narratives of historic preservation in New York. Through public programs, outreach, celebration, and the creation of public access to information, the Archive Project hopes to bring these stories to light. New Oral History Projects Launched! The Archive Project Embarks Upon Ambitious Array of Interviews with Preservation Leaders The New York Preservation Archive Project is from the Robert A. and Elizabeth R. Jeffe range of cultural, historical, and architectural thrilled to announce the launch of our newest Foundation. aspects of the city. Each individual house has oral history initiative, Leading the Movement: * * * a distinctive preservation history and a unique Interviews with Preservationist Leaders in New For the first time in our organization’s history, set of people who ensured its survival, whether York’s Civic Sector. The goal of this project is the Archive Project is teaming up with New they were concerned citizens, directors of civic to record oral histories with 15 key leaders in York University’s Museum Studies Program organizations, or descendents of the houses’ the preservation civic sector, capturing their to produce a series of oral histories focused original inhabitants.
    [Show full text]
  • The Solomon R. Guggenheim Museum 1959 [ 1959]
    landmarks Preservation Commission August 14, 1990; Designation List 226 LP-1774 'IHE SQI.(M)N R. GUGGENHEIM MUSEUM, 1071 Fifth Avenue, Manhattan. Frank Lloyd Wright, Architect. Built 1956-59. landmark Site: Borough of Manhattan Tax Map Block 1500, I.ot 1. On December 12, 1989, the landmarks Preservation Commission held a public hearing on the proposed designation as a landmark of the Guggenheim Museum and the proposed designation of the related landmark Site (Item No. 38). 'lhe hearing had been duly advertised in accordance with the provisions of law. Twenty-seven witnesses, including three representatives of the Solomon R. Guggenheim Foundation and Musemns, spoke in favor of designation. No witnesses spoke in opposition to designation. The Commission has received many letters supporting designation. DFSCRIPI'ION AND ANALYSIS Surmrary The Guggenheim Museum, an internationally recognized building, is one of New York's most architecturally irrportant buildings; located on prestigious Fifth Avenue, it is a link in that thoroughfare's highly regarded ''Museum Mile." Founded by Solomon R. Guggenheim, it is the best known of the many institutions financed by the philanthropy of the Guggenheim family, whose extraordinary wealth and subsequent social prominence were derived primarily from its worldwide mining empire. Inspired and led by the painter and art patron Hilla Rebay, Guggenheim supported many avant-garde painters of "non-objective" art by purchasing their works and, in 1937, establishing a foundation to promote art and education in art and the enlightenment of the public. Rebay eventually convinced him to commission in 1943 America's preeminent architect, Frank Lloyd Wright, to design the museum.
    [Show full text]
  • Stabilizing the Falling of Fallingwater: a Structural Rehabilitation Proposal for the Master Terrace
    1999 ACSA-CIB TECHNOLOGY CONFERENCE MONTREAL 203 Stabilizing the Falling of Fallingwater: A Structural Rehabilitation Proposal for The Master Terrace THEODORE M. CERALDI, AIA Syracuse University INTRODUCTION The following introduction and summary of existing conditions is In the spring of 1997, the Western Pennsylvania Conservancy based on field observations, nondestructive testing, and computer moved on this recommendation by installing temporary steel shor- modeling performed by Robert Silman Associates, Consulting En- ing under the living room cantilever to the stream bed below. The gineers. The existing master terrace at Fallingwater was never Kaufmann House is a National Historic Landmark and as such any designed to carry itself as a true cantilever and must rely on the steel work performed on the structure must meet applicable federal "Tsections built into the living room window (South Elevation) to requirements. The cantilever deflections, therefore, can only be transfer the load to the four main cantilever beams which are a part stabilized and arrested in their present attitudes. This must be of the makeup of the living room floor structure. These sections were accomplished without changing the appearance of the architecture a working part of load transfer as indicated by the original design or compromising the historic value of the house.' Presented are two drawings produced by Wright.' The loads transferred by these possible solutions to resolve the stabilization of the master terrace. sections are greater than originally intended due to the failure of the east & west continuous beams of the master terrace. In essence a A HISTORY OF CIRCUMSTANCE plastic hinge has formed at the master terrace in each parapet beam.
    [Show full text]
  • Save the Date Wright & Like 2012
    VOLUME 17 ISSUE 1 FEBRUARY 2012 n NEWSLETTER OF FRANK LLOYD WRIGHT® WISCONSIN n SC Johnson Conserves FLLW Artifacts by Mark Hertzberg Seventy-five years after H. F. Johnson, Jr. met Frank Lloyd Wright and hired him to design his company’s new office building, Johnson’s grandson Fisk and the Frank Lloyd Wright Foundation have announced a 99-year loan agreement between SC Johnson and the Foundation for 60 artifacts from the Foundation’s archives. The loan grew out of discussions after the Foundation applied for a grant from the SC Johnson Fund for a fire suppression system for the archives at Taliesin West in Scottsdale, Arizona and explored ways to raise money for a building to house the archives. Last year Wright bloggers expressed concern about rumors that the archives might be sold to private interests and no longer be accessible to researchers. The Johnson loan agreement not only helps ensure the preservation of the artifacts, some of which are not stored in optimal conditions, but also makes them available to the public. SC Johnson will conserve the artifacts including china, a hanging lamp and windows from the Heath House in Frank Lloyd Wright and H. F. Johnson, Jr. Buffalo (1905), a wooden armchair from Taliesin West Photo Credit: Courtesy SC Johnson (1946), a slant-back dining room chair from the Hillside outside the SC Johnson Research Tower. Home School (1902), a reception chair from Wright’s Oak Park studio (1895), carpets, and a grand piano that The Johnson exhibition will focus on Wright’s influence belonged to one of Wright’s sisters.
    [Show full text]
  • The Architecture of Local Performance: Stages of the Taliesin Fellowship
    The Journal of American Drama and Theatre (JADT) https://jadtjournal.org The Architecture of Local Performance: Stages of the Taliesin Fellowship by Claudia Wilsch Case The Journal of American Drama and Theatre Volume 32, Number 2 (Spring 2020) ISNN 2376-4236 ©2020 by Martin E. Segal Theatre Center During the Great Depression, architect Frank Lloyd Wright founded the Taliesin Fellowship, an apprenticeship program for students of architecture and related trades that valued physical labor as an educational tool. Based at Wright’s family home and the adjacent former Hillside Home School in Spring Green, Wisconsin, and later expanding to Taliesin West near Scottsdale, Arizona, the Fellowship offered tuition-paying students a hands-on alternative to a college education by conveying Wright’s theory of organic architecture through practical experience. Echoing certain aspects of the British and American Arts and Crafts movements, the German Bauhaus, and the Eastern mystic Georges Gurdjieff’s Institute for the Harmonious Development of Man, the Taliesin Fellowship was an experiment in communal work, living, and learning. Like the collectives that inspired it, the Taliesin Fellowship engaged its members in a variety of artistic pursuits, and its amateur performing arts activities became cherished entertainment for local audiences. Beginning with apprentice-staged concerts, skits, and film screenings in the 1930s and presenting Gurdjieff-inspired physical movements in the 1950s, the Fellowship’s performances by the 1960s culminated in original dance dramas, written and choreographed by Wright’s daughter, Iovanna Lloyd Wright. Taking inspiration from Gurdjieff’s philosophy and from her father’s architectural concepts, Iovanna’s work, though created in isolation, echoes aspects of the physical culture movement and connects with twentieth-century expressive dance.
    [Show full text]
  • William Wesley Peters."
    WES PETERS – THE EARLY YEARS YOUTH William Wesley (Wes) Peters was born in Terra Haute, Indiana on June 12, 1912, the son of Frederick Romer Peters and Clara Margedant Peters. The Peters had one other child, Margedant. Mr. Peters was a newspaper reporter and the family soon moved to Indianapolis where Wes entered grade school in 1917 at School #66. In the 1920s, the family moved to Evansville, Indiana where Wes Peters’ father was offered a position with the Evansville Press. Of this period, Mr. Wright recalled "Who's Who says the editor was the man who drove the Ku Klux Klan out of Indiana. He did, practically single-handed." Wes attended Stanley Hall and then Benjamin Bosse High School in Evansville, graduating in June 1929. A solid B student, it is not surprising his best grade was a 95% in trigonometry, followed closely by a 93% in modern history. Math was his best subject overall. Over the four years he also took Latin, French, and German. COLLEGE For his first year of college (1929-1930), Wes stayed home and attended Evansville College, now the University of Evansville. Planning to pursue an education in architecture, Wes took as many math courses as allowed. The next fall Wes was accepted into the Massachusetts Institute of Technology, at the time considered the leading architectural school in the United States. Wes remained in the architectural program at MIT for the next two school years, including the summer of 1931. During that summer he worked in a local architectural office for credit, where he continued part time during his second year.
    [Show full text]
  • Taliesin Architects Reorganized
    the living legacy of Frank Lloyd Wright TALIESIN TaliesinArchitects FELLOWS Reorganized NEWSLETTER ® by CEO Jim Goulka, NUMBER 12, JULY 15, 2003 Frank Lloyd Wright Foundation oing architecture. Designing buildings. Improving the landscape by one’s own creations. Satisfying client needs. DDThat is what many people came to Taliesin to learn. Some were fortunate enough to learn directly from the master. Others learned at one remove from the architects who remained after 1959. But the point, for them, was to do architecture. Mr. Wright was emphatic that for an architectural design, there can only be one vision, one person responsible. Assistants could help, of course—Mr. Wright clearly needed the superb assistance from the apprentices to accomplish the prodigious output of the 1950s—but, at the top, architecture is a solo act. Many of the alumni have cited this reason for departing Taliesin, most notably The announcement of Taliesin Architects reorganization, the Edgar Tafel, as described in his book Apprentice to inevitable outcome of market economy, has sur- Genius. prised and shaken the organic architectural After Mr. Wright’s death, Taliesin Associated Architects completed Mr. Wright’s projects and led community. In business since the death of Frank the practice into the future. For many years, the firm Lloyd Wright in 1959, the eleven architects who was profitable and helped maintain the Foundation and School. Since the early 90’s however, the firm comprised the organization will now enter the has suffered; one or two major projects provided the field as private practioners albeit continuing in major income, but required additional staffing to complete.
    [Show full text]
  • Wright in Your Own Backyard
    PRESERVATION - NEWSLETTER RACINE, INC. Fall 1988 Wright In Your Own Backyard Preservation-Racine's thirteenth annual Tour of Historic Places will provide lucky tour-goers with more to see in one afternoon than any of the dozen tours which have gone before it. Twelve buildings will be available to ticket holders to be walked through or visited on Sunday, October 2nd, between noon and 6 p.m. Notice that this year's tour is being held one week later than usual—on the first Sunday of October rather than the last Sunday of September. The change was necessary because Wingspread could not be made available on the traditional tour date. The theme this year is "Frank Lloyd Wright and Associates." Each of the buildings which are featured was designed either by Frank Lloyd Wright himself, by an architect who studied and worked with him, or by Taliesin Associated Architects—the firm which was established by Wright's widow, Olgivanna, to carry on his philosophy for living and his style in architecture. "WINGSPREAD" Designed in 1937 by Frank Lloyd Wright. /soBcer i/o/{AJVt£/i'~~ The centerpiece of the tour is "Wingspread" (1937), designed by Wright, named by him, and also deemed by him: "the last of the prairie houses." Built as a residence for Herbert F. Johnson, Wingspread was Wright's largest single family home. Its pinwheel plan—with an octagonal central section and wings that spread out from it in each of the points of the compass—accounts for its name. The long, low wings emphasize the horizontal line, which is the most immediately recog­ nizable characteristic of the Prairie Style; but the three-story living room at the center of the house, which Wright called "the wigwam," is its most dramatic feature.
    [Show full text]
  • 1. Name Historic Taliesin West And/Or Common Taliesin in the Desert; Taliesin on the Maricopa Mesa 2
    NW Form 10400 £XP. 12/31/84 United States Department of the Interior National Park Service National Register of Historic Place Inventory—Nomination Form See instructions in How to Complete National Register Forms Type ail entries—complete applicable sections_____________ 1. Name historic Taliesin West and/or common Taliesin in the Desert; Taliesin on the Maricopa Mesa 2. Location 1-3/4 miles north of the Intersection of Shea Blvd. and street & number 108th Street . not for publication city, town Scottsdale __ vicinity of state Arizona code 04 county Marlcopa code 013 3. Classification Category Ownership Status Present Use district JL public A occupied __ agriculture __ museum JL bulldlng(s) JL private —— unoccupied x commercial __ park __ structure both __ work in progress X educational X private residence __site Public Acquisition Accessible __ entertainment —— religious __ object __ in process X yes: restricted __ government __ scientific __ being considered __ yes: unrestricted __ industrial __ transportation __ no __ military __ other: 4. Owner of Property name See continuation sheet. street & number city, town __ vicinity of state 5. Location of Legal Description courthouse, registry of deeds, etc. Maricopa County Courthouse street & number 111 South Third Avenue city, town Phoenix .state Arizona 6. Representation in Existing Surveys title National Register of Historic Places has this property been determined eligible? __ yes no date 1977 . federal X state __ county local depository for survey records 440 G Street, NW city, town Washington state DC 7. Description Condition Chock ona Chock ono _ X_ excellent —— deteriorated _ unaltered __ original site ruins X altered moved date __ fair —— unexposed Daacribo the present and original (if known) physical appaaranca Summary Tallesin West is a complex of low-slung buildings designed by Frank Lloyd Wright as winter living and working quarters for his family and for the students of the Taliesin Fellowship, his school of architecture.
    [Show full text]
  • Ujiullrf]Li!Il S ~ NEWSLETTER : Ifiiirmn1lljia1s = the SOCIETY of ARCHITECTURAL HISTORIANS ~ Rillieiffiillislllffis ~ .Jo S · HMO · S U~ APRIL 1968 VOL
    C!:,_c HIT E C T U R.tf"' t!. UJiullrf]li!il s ~ NEWSLETTER : IFIIIRmn1llJIA1S = THE SOCIETY OF ARCHITECTURAL HISTORIANS ~ rilliEiffiilliSlllffiS ~ .jO S · HMO · S U~ APRIL 1968 VOL. XII NO. 2 PUBLISHED SIX TIMES A YEAR BY THE SOC:IETY OF ARCHITECTURAL HISTORIANS 1700 WALNUT STREET, PHILADELPHIA, PA. 19103 HENRY A. MILLON, PRESIDENT EDITOR: JAMES C. MASSEY, 614 S. LEE STREET, ALEXANDRIA, VIRGINIA 22314. ASSOCIATE EDITOR: MARIAN CARD DONNELLY, 2175 OLIVE STREET, EUGENE, OREGON 97405 SAH NOTICES of buildings in La Jolla designed by Irving Gill and other 1968 Annual Tour. Don't forget the tour of Newport, architects. Rhode Island (and vicinity), August 29 - September 1. University of Virginia. Adolf K. Placzek, Columbia Uni­ Notices reached the membership by May 1. versity, spoke to the Chapter on "Gems Among Modern 1969 Annual Tour. The Society will hold the 1969 annual Architectural Books," at Charlottesville on March 8. tour in Richmond, Virginia, October 15-20, at the invita­ Washington. On April 11, at 4:30 p.m. Eric Entwhistle tion of The Latrobe Theatre, Mrs. Lewis H. Bosher, Jr., spoke to the Chapter at the Smithsonian Institution on President (see enclosed brochure). Mrs. Douglas P. "Wallpaper from the Great Exhibition to Art Nouveau." Rucker will serve as Chairman of the Local Committee, The program, originally scheduled for 8:30 p.m., was which will be composed of representatives of local changed at the last minute to 4:30 due to the early closing organizations interested in architectural history and of the Institution during the Washington riots. Kenneth preservation.
    [Show full text]
  • CURRICULUM VITAE BOTOND BOGNAR Hom Professor And
    CURRICULUM VITAE BOTOND BOGNAR Home: 2204 Fletcher St Professor and Edgar Tafel Endowed Chair in Architecture Associate, Center for Advanced Study University Scholar Associate, Center for East Asian and Pacific Studies Associate, Institute for East Asian Architecture and Urbanism (AIEAAU) Laureate, Cultural Appreciation Prize of the Architectural Institute of Japan (AIJ) School of Architecture and Center for East Asian and Pacific Studies University of Illinois University of Illinois Urbana, IL 61801-6915 117 Temple H Buell Hall 230 International Studies Building Champaign, IL 61820 Champaign, IL 61820 Tel: (217) 333-1883 Tel: (217) 333-7273 Fax: (217) 244-2900 E-Mail: [email protected] Home: 2204 Fletcher St, Urbana, IL 61801 (217) 384-0675 EDUCATION: MA in Architecture and Urban Planning. Graduate School of Architecture and Urban Planning (GSAUP), University of California, Los Angeles (UCLA). September 1981. Postgraduate Study: Department of Architecture, Tokyo Institute of Technology, Japan. October 1973 - April 1975. MArch Architectural Masters School, Budapest Technical University (in collaboration with the Hungarian Institute of Architects), Budapest, Hungary, September 1972. BArch (First Professional Degree), School of Architecture, Budapest Technical University, Budapest, Hungary. July 1968. (1963-1968) ADDITIONAL STUDIES: School of Human Behavior, United States International University, San Diego. Non-degree Status. No degree obtained; January 1979 - June 1979. Computer Programming, Basic Course, Fujitsu Company, Ltd., Tokyo,
    [Show full text]
  • Fllw General
    Stanford University Libraries iiL§19£,J25 779 186 m //i 'if' <i( tkm ram Frank Lloyd Wright Collection wm D Gift of Professor and Mrs. Paul R. Hanna IH9H OBJwaBBkYiJ'M'.s WmBBA maBM ill HWHBmmL Jtf.' //: mMmm HH ,.,.7v£fiK fii'MM W >-v$iV3 dmftf iffjfi MyJJi(7Jtiw/7?amm WmSBm V It 4ZJ/'I*WJfl vv. I i i • BBk #2w Mm WKEMSmWwBmm BHH HHL EH. >»&$$%, ffinEH Bfl Ml '''' i\ UHBHHmH ' HiBSPWB US ilii Frank Lloyd Wright Collection Gift of Professor and Mrs. Paul R. Hanna Stanford University Libraries FRANK LLOYD WRIGHT GENERAL VOLUME 6 January, 1970 Through November, 1974 I I IU THE CIVIC CENTER MARIN COUNTY CALIFORNIA In 1956 the Marin County Board of Supervisors authorized an ex- penditure of $511,000 for the purchase of a 140 acre site about three miles north of San Rafael for development of a civic cen- ter complex and county fairgrounds. Coupling the seat of county government with the necessary facilities to make the selected site into a center of community activity had long been the dream of many far-sighted citizens. World famous architect Frank Lloyd Wright was engaged by the Board of Supervisors to prepare a Mas- ter Plan to encompass the elements of this daring concept. In March 1957 Mr. Wright present- ed plans for the first construc- tion phase - the Administration Building. A year later he added plans for the fairgrounds pavil- ion, playgrounds, lagoon and gen- eral civic areas. The Master Plan connected gently sloping hills with graceful hori- zontal buildings springing in great arches over entrance road- ways between the hills.
    [Show full text]