Fllw General
Total Page:16
File Type:pdf, Size:1020Kb

Load more
Recommended publications
-
VILLAGE WIDE ARCHITECTURAL + HISTORICAL SURVEY Final
VILLAGE WIDE ARCHITECTURAL + HISTORICAL SURVEY Final Survey Report August 9, 2013 Village of River Forest Historic Preservation Commission CONTENTS INTRODUCTION P. 6 Survey Mission p. 6 Historic Preservation in River Forest p. 8 Survey Process p. 10 Evaluation Methodology p. 13 RIVER FOREST ARCHITECTURE P. 18 Architectural Styles p. 19 Vernacular Building Forms p. 34 HISTORIC CONTEXT P. 40 Nineteenth Century Residential Development p. 40 Twentieth Century Development: 1900 to 1940 p. 44 Twentieth Century Development: 1940 to 2000 p. 51 River Forest Commercial Development p. 52 Religious and Educational Buildings p. 57 Public Schools and Library p. 60 Campuses of Higher Education p. 61 Recreational Buildings and Parks p. 62 Significant Architects and Builders p. 64 Other Architects and Builders of Note p. 72 Buildings by Significant Architect and Builders p. 73 SURVEY FINDINGS P. 78 Significant Properties p. 79 Contributing Properties to the National Register District p. 81 Non-Contributing Properties to the National Register District p. 81 Potentially Contributing Properties to a National Register District p. 81 Potentially Non-Contributing Properties to a National Register District p. 81 Noteworthy Buildings Less than 50 Years Old p. 82 Districts p. 82 Recommendations p. 83 INVENTORY P. 94 Significant Properties p. 94 Contributing Properties to the National Register District p. 97 Non-Contributing Properties to the National Register District p. 103 Potentially Contributing Properties to a National Register District p. 104 Potentially Non-Contributing Properties to a National Register District p. 121 Notable Buildings Less than 50 Years Old p. 125 BIBLIOGRAPHY P. 128 ACKNOWLEDGEMENTS RIVER FOREST HISTORIC PRESERVATION COMMISSION David Franek, Chair Laurel McMahon Paul Harding, FAIA Cindy Mastbrook Judy Deogracias David Raino-Ogden Tom Zurowski, AIA PROJECT COMMITTEE Laurel McMahon Tom Zurowski, AIA Michael Braiman, Assistant Village Administrator SURVEY TEAM Nicholas P. -
Svetlana Splits La 61 'Na Privacy at Commune'
gehronicie ?-3 rE--73 -7 z Svetlana Splits la 61 'Na Privacy At Commune' Paradise Valley, Ariz. But Svetlana, who left the Svetlana All iluy e v a, Soviet Union to come to the dat,ighter of the late Soviet West in 1967, said in a separ- dictator Joseph Stalin, is ate interview: "In two years living apart from her at Taliesin we never had a American husband, archi- weekend to ourselves. not a test William Wesley Pe- normal one. The life there is terS, -because of disagree- based on a special philoso- rtient over what she re- phy gards as collective living, "I cannot take it any the couple disclosed yes-- more, I am seeking privacy terday. and peace and more indivi- Svetlana, 46, and Peters, dualism ... Mr. Peters is a 59, -married in April 1970 and great gentleman. We were a have a 10-month-old daugh- pretty happy couple. • We ter, Olga. never argue about anything They have been living se- but the group life. For me parately since December the family is the main cell of when Svetlana moved with society." the baby to a house in near- Svetlana, who • has had at by 'Scottsdale. least t w o previous .mar- Until then, they lived at riages, complained of life at Taliesin West, headquarters Taliesin: "We couldn't even of the Frank Lloyd Wright have our honeymoon, not Foundation, about 20 miles even one week-end, because from Phoenix. Taliesin West of his work, demanding he embraces an architectural stay there . school and firm founded by "No family there is able to the late architect. -
Intraoral Pressure in Ethnic Wind Instruments
Intraoral Pressure in Ethnic Wind Instruments Clinton F. Goss Westport, CT, USA. Email: [email protected] ARTICLE INFORMATION ABSTRACT Initially published online: High intraoral pressure generated when playing some wind instruments has been December 20, 2012 linked to a variety of health issues. Prior research has focused on Western Revised: August 21, 2013 classical instruments, but no work has been published on ethnic wind instruments. This study measured intraoral pressure when playing six classes of This work is licensed under the ethnic wind instruments (N = 149): Native American flutes (n = 71) and smaller Creative Commons Attribution- samples of ethnic duct flutes, reed instruments, reedpipes, overtone whistles, and Noncommercial 3.0 license. overtone flutes. Results are presented in the context of a survey of prior studies, This work has not been peer providing a composite view of the intraoral pressure requirements of a broad reviewed. range of wind instruments. Mean intraoral pressure was 8.37 mBar across all ethnic wind instruments and 5.21 ± 2.16 mBar for Native American flutes. The range of pressure in Native American flutes closely matches pressure reported in Keywords: Intraoral pressure; Native other studies for normal speech, and the maximum intraoral pressure, 20.55 American flute; mBar, is below the highest subglottal pressure reported in other studies during Wind instruments; singing. Results show that ethnic wind instruments, with the exception of ethnic Velopharyngeal incompetency reed instruments, have generally lower intraoral pressure requirements than (VPI); Intraocular pressure (IOP) Western classical wind instruments. This implies a lower risk of the health issues related to high intraoral pressure. -
New Oral History Projects Launched!
BOARD OF DIRECTORS Anthony C. Wood, Chair Elizabeth R. Jeffe, Vice-Chair Stephen Facey, Treasurer Lisa Ackerman, Secretary Daniel J. Allen Eric Allison Michele H. Bogart Joseph M. Ciccone Susan De Vries Amy Freitag Shirley Ferguson Jenks Otis Pratt Pearsall Duane A. Watson NEWSLETTER SPRING 2012 Welcome to the sixteenth edition of the newsletter of the New York Preservation Archive Project. The mission of the New York Preservation Archive Project is to protect and raise awareness of the narratives of historic preservation in New York. Through public programs, outreach, celebration, and the creation of public access to information, the Archive Project hopes to bring these stories to light. New Oral History Projects Launched! The Archive Project Embarks Upon Ambitious Array of Interviews with Preservation Leaders The New York Preservation Archive Project is from the Robert A. and Elizabeth R. Jeffe range of cultural, historical, and architectural thrilled to announce the launch of our newest Foundation. aspects of the city. Each individual house has oral history initiative, Leading the Movement: * * * a distinctive preservation history and a unique Interviews with Preservationist Leaders in New For the first time in our organization’s history, set of people who ensured its survival, whether York’s Civic Sector. The goal of this project is the Archive Project is teaming up with New they were concerned citizens, directors of civic to record oral histories with 15 key leaders in York University’s Museum Studies Program organizations, or descendents of the houses’ the preservation civic sector, capturing their to produce a series of oral histories focused original inhabitants. -
8123 Songs, 21 Days, 63.83 GB
Page 1 of 247 Music 8123 songs, 21 days, 63.83 GB Name Artist The A Team Ed Sheeran A-List (Radio Edit) XMIXR Sisqo feat. Waka Flocka Flame A.D.I.D.A.S. (Clean Edit) Killer Mike ft Big Boi Aaroma (Bonus Version) Pru About A Girl The Academy Is... About The Money (Radio Edit) XMIXR T.I. feat. Young Thug About The Money (Remix) (Radio Edit) XMIXR T.I. feat. Young Thug, Lil Wayne & Jeezy About Us [Pop Edit] Brooke Hogan ft. Paul Wall Absolute Zero (Radio Edit) XMIXR Stone Sour Absolutely (Story Of A Girl) Ninedays Absolution Calling (Radio Edit) XMIXR Incubus Acapella Karmin Acapella Kelis Acapella (Radio Edit) XMIXR Karmin Accidentally in Love Counting Crows According To You (Top 40 Edit) Orianthi Act Right (Promo Only Clean Edit) Yo Gotti Feat. Young Jeezy & YG Act Right (Radio Edit) XMIXR Yo Gotti ft Jeezy & YG Actin Crazy (Radio Edit) XMIXR Action Bronson Actin' Up (Clean) Wale & Meek Mill f./French Montana Actin' Up (Radio Edit) XMIXR Wale & Meek Mill ft French Montana Action Man Hafdís Huld Addicted Ace Young Addicted Enrique Iglsias Addicted Saving abel Addicted Simple Plan Addicted To Bass Puretone Addicted To Pain (Radio Edit) XMIXR Alter Bridge Addicted To You (Radio Edit) XMIXR Avicii Addiction Ryan Leslie Feat. Cassie & Fabolous Music Page 2 of 247 Name Artist Addresses (Radio Edit) XMIXR T.I. Adore You (Radio Edit) XMIXR Miley Cyrus Adorn Miguel Adorn Miguel Adorn (Radio Edit) XMIXR Miguel Adorn (Remix) Miguel f./Wiz Khalifa Adorn (Remix) (Radio Edit) XMIXR Miguel ft Wiz Khalifa Adrenaline (Radio Edit) XMIXR Shinedown Adrienne Calling, The Adult Swim (Radio Edit) XMIXR DJ Spinking feat. -
John G. Thorpe Young Professionals and Students Fellowship
JOHN G. THORPE YOUNG PROFESSIONALS AND STUDENTS FELLOWSHIP Program Overview The Thorpe Fellowship provides an opportunity for young professionals and graduate students to attend the annual Frank Lloyd Wright Building Conservancy conference by covering the registration fee for the event. The conference provides edu- cational panels, presentations and commentary about various aspects of Wright’s work by scholars, practitioners, building owners and other experts. The conference also enables attendees to experience the architecture directly through tours to Wright sites in the vicinity of the conference, including private residences that are rarely open to the public, and to buildings by other architects of interest. The program was established in 2016 to honor John Garrett Thorpe, restoration architect and longtime Conservancy board member. Program Award Fellowship recipients receive one regular general conference registration to attend the Conservancy’s annual conference, including all education sessions and regular tours (optional add-on events may be added at the fellowship recipient’s ex- pense based on availability). For the 2016 Conservancy conference in San Francisco, Nov. 2-5, the program award is valued at $645. Two awards will be made in 2016, the first year of the program. Recipients are responsible for their own transporta- tion to the conference and all lodging expenses. Eligibility Young professionals in the first five years of their careers in architecture or historic preservation and graduate students in architecture or historic preservation (full-time or part-time) currently enrolled at the time of application are eligible to apply for a fellowship. Students may have completed their degree by the time of the conference. -
Laugh and Learn
Right: Map showing Richland County, Wisconsin It wasn’t New York that attracted the most early Czech immigrants, but Wisconsin. Wisconsin became a state in 1948, which also the year of the beginning of the mass emigration from the Austrian Empire to the United States. Wisconsin wanted to attract settlers and developed advertising to welcome Czech emigrants. One advertisement pamphlet read. "Come! In Wisconsin all men are free and equal before the law... Religious freedom is absolute and there is not the slightest connection between church and state. So many Czech immigrants settled in western Wisconsin that Richland Center has the National Czech Cemetery and nearby are Bohemian Valley and the village Mr. Tabor. More recently this center for Czech Americans has attracted one unusual person. She lives in a one-bedroom apartment in Richland Center, surrounded by photos of her daughter. Newspaper reporter Doug Moe asked: "Do your neighbors know your background?" "I don't know," she said with a smile. "Probably they will now." Lana Peters, 84, is the only daughter of Josef Stalin, the brutal dictator of the Soviet Union who died in 1953. Her defection to the U.S. in 1967 - when she was known as Svetlana Alliluyeva - made headlines around the world. Peters first came to Wisconsin in 1970 and to Richland Center three years ago. Lana is a small woman. She uses a cane and has some difficulty walking, but her mind is lively. She smiles often. She likes to sew and read, mostly non-fiction. She listens to public radio and doesn't own a TV. -
6.3 Newspaper Article on Improved Charcoal Stoves
INNOVATION, USER PARTICIPATION, AND FOREST ENERGY DEVELOPMENT Matthew S. Gamser A Thesis Submitted in Partial Fulfilment for the degree of Doctor of Philosophy in Science and Technology Policy Studies University of Sussex October 1986 TABLE OF CONTENTS PAGE LIST OF FIGURES AND TABLES DEFINITIONS ACKNOWLEDGEMENTS DECLARATION ABSTRACT 1. INTRODUCTION 2. INNOVATION, TECHNICAL CHANGE, AND DEVELOPMENT: THE IMPORTANCE OF USERS 3. RENEWABLE ENERGY AND DEVELOPMENT ASSISTANCE 4. SUDAN AND THE SUDAN RENEWABLE ENERGY PROJECT 5. IMPROVED CHARCOAL PRODUCTION IN SUDAN 6. CHARCOAL STOVES IN SUDAN: THE MULTIPLE CONTRIBUTIONS OF USERS - ARTISANS, RETAILERS, AND CONSUMERS 7. INSTITUTIONAL INNOVATION AND FORESTRY DEVELOPMENT IN SUDAN 8. INNOVATION AND FOREST ENERGY IN SUDAN: THE INSTITUTIONAL IMPLICATIONS OF THIS TECHNOLOGY DEVELOPMENT EXPERIENCE NOTES BIBLIOGRAPHY APPENDIX 1. GRANTS PROCEDURES APPENDIX 2. CHARCOAL STOVE MONITORING REPORT LIST OF FIGURES AND TABLES PAGE FIGURES 2.1 CHANGES IN SUPPLY AND DEMAND 2.2 LINEAR INNOVATION 2.3 NON-LINEAR INNOVATION 2.4 TYPICAL INSTITUTIONAL RELATIONSHIPS FOR TECHNOLOGY DEVELOPMENT: “HIERARCHICAL” MODEL 2.5 INSTITUTIONAL RELATIONSHIPS FOR USER-INTERACTIVE INNOVATION: “BIOLOGICAL” MODEL 3.1 R & D ORGANIZATION CHARTS 4.1 SUDAN 4.2 GOVERNMENT OF SUDAN MINISTERIAL ORGANIZATIONS WITH ENERGY RESPONSIBILITIES 4.3 GOVERNMENT OF SUDAN RESEARCH AND DEVELOPMENT ORGANIZATIONS 4.4 RENEWABLE ENERGY RESEARCH INSTITUTE 4.5 LINES OF AUTHORITY AND SUPPORT IN SREP 5.1 CHARCOAL CONSUMPTION BY REGION 5.2 SUDAN: NORTHERN LIMIT OF CHARCOAL -
Romanian Traditional Musical Instruments
GRU-10-P-LP-57-DJ-TR ROMANIAN TRADITIONAL MUSICAL INSTRUMENTS Romania is a European country whose population consists mainly (approx. 90%) of ethnic Romanians, as well as a variety of minorities such as German, Hungarian and Roma (Gypsy) populations. This has resulted in a multicultural environment which includes active ethnic music scenes. Romania also has thriving scenes in the fields of pop music, hip hop, heavy metal and rock and roll. During the first decade of the 21st century some Europop groups, such as Morandi, Akcent, and Yarabi, achieved success abroad. Traditional Romanian folk music remains popular, and some folk musicians have come to national (and even international) fame. ROMANIAN TRADITIONAL MUSIC Folk music is the oldest form of Romanian musical creation, characterized by great vitality; it is the defining source of the cultured musical creation, both religious and lay. Conservation of Romanian folk music has been aided by a large and enduring audience, and by numerous performers who helped propagate and further develop the folk sound. (One of them, Gheorghe Zamfir, is famous throughout the world today, and helped popularize a traditional Romanian folk instrument, the panpipes.) The earliest music was played on various pipes with rhythmical accompaniment later added by a cobza. This style can be still found in Moldavian Carpathian regions of Vrancea and Bucovina and with the Hungarian Csango minority. The Greek historians have recorded that the Dacians played guitars, and priests perform songs with added guitars. The bagpipe was popular from medieval times, as it was in most European countries, but became rare in recent times before a 20th century revival. -
ND Community Supports Cancer Research Professors Analyze
THE INDEPENDENT TO UNCOVER NEWSPAPER SERVING THE TRUTH NOTRE DAME AND AND REPORT SAINT Mary’s IT ACCURATELY VOLUME 46, ISSUE 123 | WEDNESDAY, APRIL 17, 2013 | NDSMCOBSERVER.COM ND community supports cancer research The Bald and the ‘Embrace the Beautiful fundraiser identity of being a begins in LaFortune bald woman’ By CHARITHA ISANAKA By KAITLYN RABACH News Writer Saint Mary’s Editor Less than a week after mem- After participating in St. bers of the Notre Dame com- Baldrick’s Day fundraiser, “The munity raised money for the Bald and the Beautiful” last year, American Cancer Society at senior Maeva Alexander said she Relay for Life, students are wants more Saint Mary’s women shaving their heads, cutting “to embrace the identity of being their hair and purchasing hair a bald woman” and shave their extensions to further support heads to fundraise for childhood cancer research. cancer research. The Bald and the Beautiful Alexander said she appointed (TBAB) fundraiser will begin herself the Saint Mary’s coor- today at 4 p.m. and run until dinator of the St. Baldrick’s Day 10 p.m. in the Sorin and Dooley fundraiser, after she realized how Rooms of the LaFortune much of an impact shaving her Student Center, TBAB co-chair head had on her perception of fe- Betsy McGovern said. It will male beauty. continue Thursday from 4 to “It was an amazing experi- 10 p.m. and Friday from 4 to 8 ence,” Alexander said. “It affected p.m. me in so many different ways be- “I am reminded over and cause our society does not view over how innately gener- women without hair as feminine. -
Arhai's Balkan Folktronica: Serbian Ethno Music Reimagined for British
Ivana Medić Arhai’s Balkan Folktronica... DOI: 10.2298/MUZ1416105M UDK: 78.031.4 78.071.1:929 Бацковић Ј. Arhai’s Balkan Folktronica: Serbian Ethno Music Reimagined for British Market* Ivana Medić1 Institute of Musicology SASA (Belgrade) Abstract This article focuses on Serbian composer Jovana Backović and her band/project Arhai, founded in Belgrade in 1998. The central argument is that Arhai made a transition from being regarded a part of the Serbian ethno music scene (which flourished during the 1990s and 2000s) to becoming a part of the global world music scene, after Jovana Backović moved from her native Serbia to the United Kingdom to pursue an international career. This move did not imply a fundamental change of her musical style, but a change of cultural context and market conditions that, in turn, affected her cultural identity. Keywords Arhai, Jovana Backović, world music, ethno, Balkan Folktronica Although Serbian composer, singer and multi-instrumentalist Jovana Backović is only 34 years old, the band Arhai can already be considered her lifetime project. The Greek word ‘Arhai’ meaning ‘beginning’ or ‘ancient’ it is aptly chosen to summarise Backović’s artistic mission: rethinking tradition in contemporary context. Нer interest in traditional music was sparked by her father, himself a professional musician and performer of both traditional and popular folk music (Medić 2013). Backović founded Arhai in Belgrade in 1998, while still a pupil at music school Slavenski, and continued to perform with the band while receiving instruction in classical composition and orchestration at the Belgrade Faculty of Music. In its first, Belgrade ‘incarnation’, Arhai was a ten-piece band that developed a fusion of traditional music from the Balkans with am bient sounds and jazz-influenced improvisation, using both acoustic and electric instruments and a quartet of fe male vocalists. -
John G. Thorpe Young Professionals and Students Fellowship
JOHN G. THORPE YOUNG PROFESSIONALS AND STUDENTS FELLOWSHIP Program Overview The Thorpe Fellowship provides an opportunity for young professionals and graduate students to attend the annual Frank Lloyd Wright Building Conservancy conference by covering the registration fee for the event. The conference provides edu- cational panels, presentations and commentary about various aspects of Wright’s work by scholars, practitioners, building owners and other experts. The conference also enables attendees to experience the architecture directly through tours to Wright sites in the vicinity of the conference, including private residences that are rarely open to the public, and to buildings by other architects of interest. The program was established in 2016 to honor John Garrett Thorpe, restoration architect and longtime Conservancy board member. Program Award Fellowship recipients receive one regular general conference registration to attend the Conservancy’s annual conference, including all education sessions, regular tours (optional add-on events may be added at the fellowship recipient’s expense based on availability), and the Wright Spirit Awards gala dinner. For the 2018 Conservancy conference in Madison, Oct. 10- 14, the program award is valued at $675. Two or more awards will be made in 2018. Recipients are responsible for their own transportation to the conference and all lodging expenses. Eligibility Young professionals in the first five years of their careers in architecture or historic preservation and graduate students in architecture or historic preservation (full-time or part-time) currently enrolled at the time of application are eligible to apply for a fellowship. Students may have completed their degree by the time of the conference.