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Landmarks Preservation Commission November 22, 2016, Designation List 490 LP-2579
Landmarks Preservation Commission November 22, 2016, Designation List 490 LP-2579 YALE CLUB OF NEW YORK CITY 50 Vanderbilt Avenue (aka 49-55 East 44th Street), Manhattan Built 1913-15; architect, James Gamble Rogers Landmark site: Borough of Manhattan Tax Map Block 1279, Lot 28 On September 13, 2016, the Landmarks Preservation Commission held a public hearing on the proposed designation of the Yale Club of New York City and the proposed designation of the related Landmark Site. The hearing had been duly advertised in accordance with provisions of law. Six people spoke in support of designation, including representatives of the Yale Club of New York City, Manhattan Borough President Gale A. Brewer, Historic Districts Council, New York Landmarks Conservancy, and the Municipal Art Society of New York. The Real Estate Board of New York submitted written testimony in opposition to designation. State Senator Brad Hoylman submitted written testimony in support of designation. Summary The Yale Club of New York City is a Renaissance Revival-style skyscraper at the northwest corner of Vanderbilt Avenue and East 44th Street. For more than a century it has played an important role in East Midtown, serving the Yale community and providing a handsome and complementary backdrop to Grand Central Terminal. Constructed on property that was once owned by the New York Central Railroad, it stands directly above two levels of train tracks and platforms. This was the ideal location to build the Yale Club, opposite the new terminal, which serves New Haven, where Yale University is located, and at the east end of “clubhouse row.” The architect was James Gamble Rogers, who graduated from Yale College in 1889 and attended the Ecole des Beaux Arts in Paris during the 1890s. -
Headquarters Troop, 51St Cavalry Brigade Armory: 321 Manor Road
Landmarks Preservation Commission August 10, 2010, Designation List 432 LP-2369 HEADQUARTERS TROOP, 51ST CAVALRY BRIGADE ARMORY, 321 Manor Road, Staten Island Built 1926-27; Werner & Windolph, architects; addition: New York State Office of General Services, 1969-70; Motor Vehicle Storage Building and Service Center built 1950, Alfred Hopkins & Associates, architects Landmark Site: Borough of Staten Island Block 332, Lot 4 in part, consisting of the portion of the lot west of a line beginning at the point on the southern curbline of Martling Avenue closest to the northeastern corner of the Motor Vehicle Storage Building and Service Center (“Bldg. No. 2” on a drawing labeled “Master Plan,” dated August 1, 1979, and prepared by the New York State Division of Military and Naval Affairs) and extending southerly to the northeastern corner of the Motor Vehicle Storage Building and Service Center, along the eastern line of said building to its southeastern corner, and to the point on the southern lot line closest to the southeastern corner of the Motor Vehicle Storage Building and Service Center. On August 11, 2009, the Landmarks Preservation Commission held a hearing on the proposed designation as a Landmark of the Headquarters Troop, 51st Cavalry Brigade Armory and the proposed designation of the related Landmark Site (Item No. 7). The hearing had been duly advertised in accordance with the provisions of law. Twelve people spoke in favor of designation, including Councilmember Kenneth Mitchell and representatives of the Four- Borough Neighborhood Preservation Alliance, Historic Districts Council, New York Landmarks Conservancy, North Shore Waterfront Conservancy of Staten Island, Preservation League of Staten Island, and West Brighton Restoration Society. -
Village Alliance FY2017 Annual Report
Astor Alive! Vi llAge Al l iAnc e FY 2017 Ann uA l Re poRt Dear neighbors, The past year has been one of growth at the offering exclusive incentives. The Village Village Alliance, with major new public space Alliance also offers educational and networking operations, marketing initiatives and community opportunities to our business community, free events at the forefront of our agenda and marketing assistance and a variety of programs accomplishments. We hope you take a moment aimed at increasing district foot traffic. to read this Annual Report and learn more Over the past two decades the Village Alliance about our service to the community. has been a major force in cleaning up our In 2016 we were thrilled to welcome new streets, beautifying public spaces and promoting YoRk citY’s newest public spAces to the the best the Village has to offer. We hope to see neighborhood! Astor Place is a thriving focal you out on 8th Street, in Astor Place and point for the local business community, cultural throughout the district supporting our local organizations, students, residents and for all who businesses, attending events and in general pass through the glorious new plazas. We look enjoying the Village’s magnificent quality of life. forward to presenting a variety of free cultural we thAnk ouR stAkeholDeRs FoR YouR and small-scale activities that showcase the continueD suppoRt , and welcome feedback on creative spirit of our world-class neighborhood. how we can make the neighborhood a better place to live, work and visit. The Village Alliance is always looking for ways to help our local merchants succeed and grow their business in New York City’s challenging regulatory environment. -
Biography [PDF]
NICELLE BEAUCHENE GALLERY RICHARD BOSMAN (b. 1944, Madras, India) Lives and works in Esopus, New York EDUCATION 1971 The New York Studio School, New York, NY 1970 Skowhegan School of Painting and Sculpture, Skowhegan, ME 1969 The Byam Shaw School of Painting and Drawing, London, UK SELECTED SOLO EXHIBITIONS 2019 High Anxiety, Nicelle Beauchene Gallery, New York, NY 2018 Doors, Freddy Gallery, Harris, NY Crazy Cats, Elizabeth Harris Gallery, New York, NY 2015 The Antipodes, William Mora Galleries, Melbourne, Australia Raw Cuts, Cross Contemporary Art, Saugerties, NY 2014 Death and The Sea, Owen James Gallery, Brooklyn, NY Paintings of Modern Life, Carroll and Sons, Boston, MA Some Stories, Elizabeth Harris Gallery, New York, NY 2012 Art History: Fact and Fiction, Carroll and Sons, Boston, MA 2011 Art History: Fact and Fiction, Byrdcliffe Guild, Woodstock, NY 2007 Rough Terrain, Elizabeth Harris Gallery, New York, NY 2005 New Paintings, Bernard Toale Gallery, Boston, MA 2004 Richard Bosman, Elizabeth Harris Gallery, New York, NY Richard Bosman, Mark Moore Gallery, Santa Monica, CA 2003 Richard Bosman, Elizabeth Harris Gallery, New York, NY Just Below the Surface: Current and Early Relief Prints, Solo Impression Inc, New York, NY 1996 Prints by Richard Bosman From the Collection of Wilson Nolen, The Century Association, New York, NY Close to the Surface - The Expressionist Prints of Eduard Munch and Richard Bosman, The Columbus Museum, Columbus, GA 1995 Prints by Richard Bosman, Quartet Editions, Chicago, IL 1994 Richard Bosman: Fragments, -
Building Cultures by Designing Buildings: Corporatism, Eero Saarinen, and Thevivian Beaumont Repertory Theater at the Lincoln Center for the Performing Arts
85TH ACSA ANNUAL MEETING ANDTECHNOLOGY CONFERENCE 457 Building Cultures by Designing Buildings: Corporatism, Eero Saarinen, and theVivian Beaumont Repertory Theater at the Lincoln Center for the Performing Arts WESLEY R. JANZ, AIA Ball State University In 1964, the inaugural production of the Lincoln Center the temporary facility. The second considers the architec- repertory company opened to critical acclaim. The debut of tural intentions of these non-architects as they gave physical Arthur Miller's play After The Fall was "an impressive start" form to the preeminent culture they envisioned. (chapman); one that would "arouse an audience and enrich a season" (Nadel). The cast, which included Faye Dunaway, THE CAMPUS OF THE LINCOLN CENTER FOR Hal Holbrook, and leading man Jason Robards, Jr. was THE PERFORMING ARTS lauded: "no performance was less than compelling," stated Lincoln Center was the focus of the eighteen-block Lincoln Howard Taubman, the theater critic of the New York Times. Square Urban Redevelopment Project on the Upper West The theater, a temporary facility that was designed and Side of New York City. Spearheading the Lincoln Center built under the guidance of co-producing directors Robert component were Coinmissioner Robert Moses, Dwight Whitehead and Elia Kazan, was also praised. The critic John Eisenhower, the President of the United States; Nelson A. McClain termed the playhouse "a quite fabulous structure," Rockefeller, the Governor of the State of New York; and the and Howard Clunnan agreed; "the moment you enter it your third John D. Rockefeller. The Center's unofficial title, the attention is riveted on the stage" (Hyams). -
National Register of Historic Places Inventory Nomination Form Date
NFS Form 10-900 OMB No. 1024-OO18 Exp. 1O-31-84 United States Department of the Interior National Park Service For NFS UM only National Register of Historic Places Inventory Nomination Form date entered See instructions in How to Complete National Register Forms ^ Type all entries complete applicable sections 1. Name historic Seventh Regiment Armory and or common ______________________________ 2. Location street & number 643 Park Avenue __ not for publication city, town New York vicinity of state New York code county code 3. Classification ^x£ Category Ownership Status Present Use district public X occupied agriculture museum X building(s) X _ private unoccupied commercial park structure both work in progress educational private residence site Public Acquisition Accessible entertainment __ religious object in process X yes: restricted government scientific being considered .. yes: unrestricted industrial transportation no X military other: 4. Owner off Property name The Trustees of the Seventh Regiment street & number 64 3 Park Avenue city, town New York vicinity of state New York 5. Location off Legal Description _ courthouse, registry of deeds, etc. Department of Records, Surrogate ' s street & number 31 Chambers Street New York city, town ___________________________________ state York- 6. Representation in Existing Surveys title National Register of Historic has this property been determined eligible? no 1975 date X federal state county local depository for survey records National Park Service - 1100 "T." street, NW city, town___Washington -
Download the 2019 Map & Guide
ARCHITECTURAL AND CULTURAL Map &Guide FRIENDS of the Upper East Side Historic Districts Architectural and Cultural Map and Guide Founded in 1982, FRIENDS of the Upper East Side Historic Districts is an independent, not-for-profit membership organization dedicated to preserving the architectural legacy, livability, and sense of place of the Upper East Side by monitoring and protecting its seven Historic Districts, 131 Individual Landmarks, and myriad significant buildings. Walk with FRIENDS as we tour some of the cultural and architectural sites that make the Upper East Side such a distinctive place. From elegant apartment houses and mansions to more modest brownstones and early 20th-century immigrant communities, the Upper East Side boasts a rich history and a wonderfully varied built legacy. With this guide in hand, immerse yourself in the history and architecture of this special corner of New York City. We hope you become just as enchanted by it as we are. FRIENDS’ illustrated Architectural and Cultural Map and Guide includes a full listing of all of the Upper East Side’s 131 Individual Landmarks. You can find the location of these architectural gems by going to the map on pages 2-3 of the guide and referring to the numbered green squares. In the second section of the guide, we will take you through the history and development of the Upper East Side’s seven Historic Districts, and the not landmarked, though culturally and architecturally significant neighborhood of Yorkville. FRIENDS has selected representative sites that we feel exemplify each district’s unique history and character. Each of the districts has its own color-coded map with easy-to-read points that can be used to find your own favorite site, or as a self-guided walking tour the next time you find yourself out strolling on the Upper East Side. -
CURRICULA VITAE Name: Richard Scherr Address: 380 Rector Place
CURRICULA VITAE Name: Richard Scherr Address: 380 Rector Place, #18B New York, N.Y. 10280 Telephone: (212) 786-1632 E-Mail [email protected] EDUCATION Cornell University 9/67 - 5/72 B. Arch. Columbia University 9/72 - 5/73 M.S. Arch. (Spec. in Urban Design) TEACHING AND ADMINISTRATIVE EXPERIENCE June 1999- Director of Facilities Planning and Design, Jan 2014 Pratt Institute May 1999- Adjunct Professor of Architecture and Urban Design, Present Pratt Institute Sept. 1989 - Chairman and Professor, Graduate Programs May 1999* in Architecture and Urban Design, Pratt Institute Sept. 1986 - Professor of Architecture, School of May 1989** Architecture, The University of Texas at Arlington Sept. 1983 - Graduate Advisor, School of May 1986 Architecture, UTA Sept. 1980 - Associate Professor of Architecture May 1986 with Tenure, School of Architecture, UTA Sept 1975 - Assistant Professor, School of May 1980*** Architecture, UTA Sept 1973 - Instructor, Department of Architecture, May 1975 University of Texas at Arlington Sept. 1978 - ***Leave-of-Absence May 1979 Sept. 1987 - ** Leave-of-Absence May 1988 Feb. 1999- *Sabbatical June 1999 AWARDS May 1972 -Eidlitz Travelling Fellowship, Cornell University May 1975 -Organized Research Grant Award, UTA May 1976 -"Teacher of the Year", School of Architecture, UTA May 1976 -AMOCO Teaching Award, UTA (Honorable Mention) May 1977 -Organized Research Grant Award, UTA May 1980 -Organized Research Grant Award, UTA Apr. 1982 -Plaza Hotel Renovation, "Merit Award," Dallas A.I.A. (w/ Woodward & Assoc.) Sept. 1982 -
Oculus January 1966 New York Chapter the American Institute of Architects
OCULUS JANUARY 1966 NEW YORK CHAPTER THE AMERICAN INSTITUTE OF ARCHITECTS CHAPTER AND CITY ON STATEN ISLAND: TWO ISSUES In a series of statements to the Consistent with its efforts to im the contemporary concepts of urban daily press and through its repre plement a major crash program planning." If anything, these hard sentatives appearing this past for the planning and development ships underlined the urgent need month before the Mayor, the City of Staten Island, the New York for such a crash program as advo Planning Commission, the City Chapter continued to press for a cated by the New York 'chapter. Council, the Board of Estimate and series of immediate emergency the State's Joint Legislative Com measures designed to protect prin Local Law 820 now pending in mittee on Housing and Urban De cipally the Island's open lands from the Council is a new attempt by the velopment, the New York Chapter premature programs such as the City to correct the inadvertent re AIA defined the position of its pro proposed Richmond Parkway and moval of the mapping requirement fessional membership on four vital from further abuses of speculative when the General City Law was issues currently confronting the developments. Specifically aimed at amended in 1963 at the urging of city. the latter was the Chapter's sup Staten Island home builders. Actu ally sought by the builders was the 1. In a letter to the New York port of a local law by the City Council to prohibit new construc elimination of the street improve Times, Chapter President Max Ur ment requirement for building per hahn continued to press for a mora tion on unmapped or unimproved streets. -
The Solomon R. Guggenheim Museum 1959 [ 1959]
landmarks Preservation Commission August 14, 1990; Designation List 226 LP-1774 'IHE SQI.(M)N R. GUGGENHEIM MUSEUM, 1071 Fifth Avenue, Manhattan. Frank Lloyd Wright, Architect. Built 1956-59. landmark Site: Borough of Manhattan Tax Map Block 1500, I.ot 1. On December 12, 1989, the landmarks Preservation Commission held a public hearing on the proposed designation as a landmark of the Guggenheim Museum and the proposed designation of the related landmark Site (Item No. 38). 'lhe hearing had been duly advertised in accordance with the provisions of law. Twenty-seven witnesses, including three representatives of the Solomon R. Guggenheim Foundation and Musemns, spoke in favor of designation. No witnesses spoke in opposition to designation. The Commission has received many letters supporting designation. DFSCRIPI'ION AND ANALYSIS Surmrary The Guggenheim Museum, an internationally recognized building, is one of New York's most architecturally irrportant buildings; located on prestigious Fifth Avenue, it is a link in that thoroughfare's highly regarded ''Museum Mile." Founded by Solomon R. Guggenheim, it is the best known of the many institutions financed by the philanthropy of the Guggenheim family, whose extraordinary wealth and subsequent social prominence were derived primarily from its worldwide mining empire. Inspired and led by the painter and art patron Hilla Rebay, Guggenheim supported many avant-garde painters of "non-objective" art by purchasing their works and, in 1937, establishing a foundation to promote art and education in art and the enlightenment of the public. Rebay eventually convinced him to commission in 1943 America's preeminent architect, Frank Lloyd Wright, to design the museum. -
YALE CLUB of NEW YORK CITY BUILDING
Landmarks Preservation Commission February 9, 2010, Designation List 426 LP-2379 (Former) YALE CLUB of NEW YORK CITY BUILDING (now PENN CLUB of NEW YORK), 30-32 West 44th Street, Manhattan Built 1900-01, [Evarts] Tracy & [Egerton] Swartwout, architect; upper stories 1992-94, [David P.] Helpern Architects. Landmark Site: Borough of Manhattan Tax Map Block 1259, Lot 54 On November 17, 2009, the Landmarks Preservation Commission held a public hearing on the proposed designation as a Landmark of the (former) Yale Club of New York City Building (now Penn Club of New York) and the proposed designation of the related Landmark Site (Item No.1). The hearing had been duly advertised in accordance with the provisions of law. Four people spoke in favor of designation, including representatives of the Penn Club, University of Pennsylvania, New York Assemblyman Richard Gottfried, and Historic Districts Council. Summary The former Yale Club of New York City Building is located along “clubhouse row,” West 44th Street between Fifth and Sixth Avenues, its neighbors including the Harvard Club, New York Yacht Club, Association of the Bar of the City of New York, and former City Club. This Beaux-Arts style building, constructed in 1900-01 by builder Marc Eidlitz & Son, was designed by [Evarts] Tracy & [Egerton] Swartwout, both Yale University graduates, Yale Club members, and former employees of McKim, Mead & White. It was one of the first high-rise clubhouse buildings in the city, with over half the floors devoted to bachelor apartments, during the era when bachelor apartment hotels were a necessity in the vicinity. -
Stabilizing the Falling of Fallingwater: a Structural Rehabilitation Proposal for the Master Terrace
1999 ACSA-CIB TECHNOLOGY CONFERENCE MONTREAL 203 Stabilizing the Falling of Fallingwater: A Structural Rehabilitation Proposal for The Master Terrace THEODORE M. CERALDI, AIA Syracuse University INTRODUCTION The following introduction and summary of existing conditions is In the spring of 1997, the Western Pennsylvania Conservancy based on field observations, nondestructive testing, and computer moved on this recommendation by installing temporary steel shor- modeling performed by Robert Silman Associates, Consulting En- ing under the living room cantilever to the stream bed below. The gineers. The existing master terrace at Fallingwater was never Kaufmann House is a National Historic Landmark and as such any designed to carry itself as a true cantilever and must rely on the steel work performed on the structure must meet applicable federal "Tsections built into the living room window (South Elevation) to requirements. The cantilever deflections, therefore, can only be transfer the load to the four main cantilever beams which are a part stabilized and arrested in their present attitudes. This must be of the makeup of the living room floor structure. These sections were accomplished without changing the appearance of the architecture a working part of load transfer as indicated by the original design or compromising the historic value of the house.' Presented are two drawings produced by Wright.' The loads transferred by these possible solutions to resolve the stabilization of the master terrace. sections are greater than originally intended due to the failure of the east & west continuous beams of the master terrace. In essence a A HISTORY OF CIRCUMSTANCE plastic hinge has formed at the master terrace in each parapet beam.