THE DEATH and OCCULT REBIRTH of PAUL Mccartney. It Was
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BWTB Nov. 13Th Dukes 2016
1 Playlist Nov. 13th 2016 LIVE! From DUKES in Malibu 9AM / OPEN Three hours non stop uninterrupted Music from JPG&R…as we broadcast LIVE from DUKES in Malibu…. John Lennon – Steel and Glass - Walls And Bridges ‘74 Much like “How Do You Sleep” three years earlier, this is another blistering Lennon track that sets its sights on Allen Klein (who had contributed lyrics to “How Do You Sleep” those few years before). The Beatles - Revolution 1 - The Beatles 2 The first song recorded during the sessions for the “White Album.” At the time of its recording, this slower version was the only version of John Lennon’s “Revolution,” and it carried that titled without a “1” or a “9” in the title. Recording began on May 30, 1968, and 18 takes were recorded. On the final take, the first with a lead vocal, the song continued past the 4 1/2 minute mark and went onto an extended jam. It would end at 10:17 with John shouting to the others and to the control room “OK, I’ve had enough!” The final six minutes were pure chaos with discordant instrumental jamming, plenty of feedback, percussive clicks (which are heard in the song’s introduction as well), and John repeatedly screaming “alright” and moaning along with his girlfriend, Yoko Ono. Ono also spoke random streams of consciousness on the track such as “if you become naked.” This bizarre six-minute section was clipped off the version of what would become “Revolution 1” to form the basis of “Revolution 9.” Yoko’s “naked” line appears in the released version of “Revolution 9” at 7:53. -
George Harrison
COPYRIGHT 4th Estate An imprint of HarperCollinsPublishers 1 London Bridge Street London SE1 9GF www.4thEstate.co.uk This eBook first published in Great Britain by 4th Estate in 2020 Copyright © Craig Brown 2020 Cover design by Jack Smyth Cover image © Michael Ochs Archives/Handout/Getty Images Craig Brown asserts the moral right to be identified as the author of this work A catalogue record for this book is available from the British Library All rights reserved under International and Pan-American Copyright Conventions. By payment of the required fees, you have been granted the non-exclusive, non-transferable right to access and read the text of this e-book on-screen. No part of this text may be reproduced, transmitted, down-loaded, decompiled, reverse engineered, or stored in or introduced into any information storage and retrieval system, in any form or by any means, whether electronic or mechanical, now known or hereinafter invented, without the express written permission of HarperCollins. Source ISBN: 9780008340001 Ebook Edition © April 2020 ISBN: 9780008340025 Version: 2020-03-11 DEDICATION For Frances, Silas, Tallulah and Tom EPIGRAPHS In five-score summers! All new eyes, New minds, new modes, new fools, new wise; New woes to weep, new joys to prize; With nothing left of me and you In that live century’s vivid view Beyond a pinch of dust or two; A century which, if not sublime, Will show, I doubt not, at its prime, A scope above this blinkered time. From ‘1967’, by Thomas Hardy (written in 1867) ‘What a remarkable fifty years they -
LSUG Feb. 17Th 2013
PLAYLIST FEB. 17TH 2013 HOUR I The Beatles - The Ballad Of John And Yoko – Past Masters Recorded April 14, 1969 by John 7 Paul only. Released as a single in UK April 11, 1969 And in the USA May 5th 1969. Released less than a month after Get Back (John needed an A- Side) First STEREO single in the UK. Banned by the BBC and some US stations as well. It was actually recorded during the beginning of the Abbey Road sessions. The Beatles – Birthday - The Beatles Recorded Sept. 18th 1968 Recorded after watching the movie The Girl Can Help It at Paul’s house. The 1956 film starred Jayne Mansfield and featured performances by Fats domino, the Platters, Gene Vincent and Little Richard. Lennon: “it was a piece a garbage”. Features backing vox by Pattie and Yoko. McCartney .7 Lennon .3 2.04 BREAK The Beatles - You Really Got A Hold On Me – With The Beatles (Robinson) Lead vocal: John Recorded June 18, 1963, Paul McCartney’s 21st birthday. Originally recorded by the Miracles and released as a single by Motown Records in November 1962. The single was a crossover smash, topping the Billboard R&B chart and reaching #8 on the Billboard pop chart. Miracles’ lead singer William “Smokey” Robinson is the credited songwriter. It is one of three Motown songs covered by The Beatles on their second LP. On U.S. album: The Beatles’ Second Album - Capitol LP The Beatles - Please Mister Postman – With The Beatles (Dobbins-Garrett-Brianbert) Lead vocal: John Beatlemania was not only a boon for record shops and merchants selling any number of licensed Beatles products (Beatle wigs, Beatles boots, paperback books, magazines, board games, buttons and other novelties), it also gave a significant financial boost to songwriters and music publishers of the non-original songs the group covered on its early albums. -
BEACH BOYS Vs BEATLEMANIA: Rediscovering Sixties Music
The final word on the Beach Boys versus Beatles debate, neglect of American acts under the British Invasion, and more controversial critique on your favorite Sixties acts, with a Foreword by Fred Vail, legendary Beach Boys advance man and co-manager. BEACH BOYS vs BEATLEMANIA: Rediscovering Sixties Music Buy The Complete Version of This Book at Booklocker.com: http://www.booklocker.com/p/books/3210.html?s=pdf BEACH BOYS vs Beatlemania: Rediscovering Sixties Music by G A De Forest Copyright © 2007 G A De Forest ISBN-13 978-1-60145-317-4 ISBN-10 1-60145-317-5 All rights reserved. No part of this publication may be reproduced, stored in a retrieval system, or transmitted in any form or by any means, electronic, mechanical, recording or otherwise, without the prior written permission of the author. Printed in the United States of America. Booklocker.com, Inc. 2007 CONTENTS FOREWORD BY FRED VAIL ............................................... XI PREFACE..............................................................................XVII AUTHOR'S NOTE ................................................................ XIX 1. THIS WHOLE WORLD 1 2. CATCHING A WAVE 14 3. TWIST’N’SURF! FOLK’N’SOUL! 98 4: “WE LOVE YOU BEATLES, OH YES WE DO!” 134 5. ENGLAND SWINGS 215 6. SURFIN' US/K 260 7: PET SOUNDS rebounds from RUBBER SOUL — gunned down by REVOLVER 313 8: SGT PEPPERS & THE LOST SMILE 338 9: OLD SURFERS NEVER DIE, THEY JUST FADE AWAY 360 10: IF WE SING IN A VACUUM CAN YOU HEAR US? 378 AFTERWORD .........................................................................405 APPENDIX: BEACH BOYS HIT ALBUMS (1962-1970) ...411 BIBLIOGRAPHY....................................................................419 ix 1. THIS WHOLE WORLD Rock is a fickle mistress. -
Solomon and Sinatra: the Song of Songs and Romance in the Church Robert Case a Sunday School Class Faith Presbyterian Church Tacoma, Washington 2016
1 Solomon and Sinatra: The Song of Songs and Romance in the Church Robert Case A Sunday School Class Faith Presbyterian Church Tacoma, Washington 2016 Part 3 There are a multitude of biblical themes expressed by non-believing Jewish songwriters in the American Songbook, but one fine example for our purposes in this class is the theme of: no Sex before marriage “Love and Marriage” In 1955 Jimmy Van Heusen (a Methodist) with Jewish lyricist Sammy Cahn wrote “Love and Marriage” which was introduced (ironically) by Frank Sinatra in the television production of Thornton Wilder's Our Town. It is the biggest hit to ever come out of a television special. In 1956, the song, "Love and Marriage" won the Emmy Award for Best Musical Contribution from the Academy of Television Arts and Sciences. The Cahn inspired clever lyrics euphemistically call “sex” “love” and claim that mom told dad you can’t have sex (“love”) without marriage. The song was used as the theme song for the long-running (1987–97) FOX television sitcom Married... with Children. Additionally, the song has been used in several national commercial campaigns. “Love and marriage, love and marriage, go together like a horse and carriage. This I tell you brother you can't have one without the other. Love and marriage, love and marriage, it's an institute you can't disparage. Ask the local gentry and they will say it's elementary. Try, try, try to separate them it's an illusion Try, try, try, and you will only come to this conclusion. -
The Beatles on Film
Roland Reiter The Beatles on Film 2008-02-12 07-53-56 --- Projekt: transcript.titeleien / Dokument: FAX ID 02e7170758668448|(S. 1 ) T00_01 schmutztitel - 885.p 170758668456 Roland Reiter (Dr. phil.) works at the Center for the Study of the Americas at the University of Graz, Austria. His research interests include various social and aesthetic aspects of popular culture. 2008-02-12 07-53-56 --- Projekt: transcript.titeleien / Dokument: FAX ID 02e7170758668448|(S. 2 ) T00_02 seite 2 - 885.p 170758668496 Roland Reiter The Beatles on Film. Analysis of Movies, Documentaries, Spoofs and Cartoons 2008-02-12 07-53-56 --- Projekt: transcript.titeleien / Dokument: FAX ID 02e7170758668448|(S. 3 ) T00_03 titel - 885.p 170758668560 Gedruckt mit Unterstützung der Universität Graz, des Landes Steiermark und des Zentrums für Amerikastudien. Bibliographic information published by Die Deutsche Bibliothek Die Deutsche Bibliothek lists this publication in the Deutsche Nationalbibliografie; detailed bibliographic data are available on the Internet at http://dnb.ddb.de © 2008 transcript Verlag, Bielefeld This work is licensed under a Creative Commons Attribution-NonCommercial-NoDerivatives 3.0 License. Layout by: Kordula Röckenhaus, Bielefeld Edited by: Roland Reiter Typeset by: Roland Reiter Printed by: Majuskel Medienproduktion GmbH, Wetzlar ISBN 978-3-89942-885-8 2008-12-11 13-18-49 --- Projekt: transcript.titeleien / Dokument: FAX ID 02a2196899938240|(S. 4 ) T00_04 impressum - 885.p 196899938248 CONTENTS Introduction 7 Beatles History – Part One: 1956-1964 -
Background Dates for Popular Music Studies
1 Background dates for Popular Music Studies Collected and prepared by Philip Tagg, Dave Harker and Matt Kelly -4000 to -1 c.4000 End of palaeolithic period in Mediterranean manism) and caste system. China: rational philoso- c.4000 Sumerians settle on site of Babylon phy of Chou dynasty gains over mysticism of earlier 3500-2800: King Menes the Fighter unites Upper and Shang (Yin) dynasty. Chinese textbook of maths Lower Egypt; 1st and 2nd dynasties and physics 3500-3000: Neolithic period in western Europe — Homer’s Iliad and Odyssey (ends 1700 BC) — Iron and steel production in Indo-Caucasian culture — Harps, flutes, lyres, double clarinets played in Egypt — Greeks settle in Spain, Southern Italy, Sicily. First 3000-2500: Old Kingdom of Egypt (3rd to 6th dynasty), Greek iron utensils including Cheops (4th dynasty: 2700-2675 BC), — Pentatonic and heptatonic scales in Babylonian mu- whose pyramid conforms in layout and dimension to sic. Earliest recorded music - hymn on a tablet in astronomical measurements. Sphinx built. Egyp- Sumeria (cuneiform). Greece: devel of choral and tians invade Palestine. Bronze Age in Bohemia. Sys- dramtic music. Rome founded (Ab urbe condita - tematic astronomical observations in Egypt, 753 BC) Babylonia, India and China — Kung Tu-tzu (Confucius, b. -551) dies 3000-2000 ‘Sage Kings’ in China, then the Yao, Shun and — Sappho of Lesbos. Lao-tse (Chinese philosopher). Hsai (-2000 to -1760) dynasties Israel in Babylon. Massilia (Marseille) founded 3000-2500: Chinese court musician Ling-Lun cuts first c 600 Shih Ching (Book of Songs) compiles material from bamboo pipe. Pentatonic scale formalised (2500- Hsia and Shang dynasties (2205-1122 BC) 2000). -
CHAN 10411 Booklet.Indd
CHAN 10411 Words and Music Katie Vandyck 1 It might as well be spring 3:12 Words: Oscar Hammerstein II Music: Richard Rodgers 2 Don’t sleep in the subway 3:18 Words: Tony Hatch Music: Jackie Trent 3 Get rid of Monday 2:37 Words: Johnny Burke Music: Jimmy van Heusen 4 Someone to watch over me 4:16 Words: Ira Gershwin Music: George Gershwin 5 Angel eyes 4:10 Words: Tom Adair Music: Matt Dennis Richard Rodney Bennett 3 6 Spring can really hang you up the most 5:01 11 On second thought 3:56 Words: Fran Landesman Words: Carolyn Leigh Music: Tommy Wolf Music: Cy Coleman 7 Let me down easy 4:02 12 Early to bed 3:07 Words: Carolyn Leigh Words: Franklin Underwood Music: Cy Coleman Music: Richard Rodney Bennett 8 I won’t dance 2:57 13 Wake up, chill’un, wake up 3:45 Words: Dorothy Fields Words: Jo Trent Music: Jerome Kern Music: Willard Robison 9 Killing time 3:00 14 Goodbye for now 3:27 Words: Carolyn Leigh Words: Charles Hart Music: Jule Styne Music: Richard Rodney Bennett 10 How long has this been going on? 4:23 15 Words and Music 2:32 Words: Ira Gershwin Words: Richard Rodney Bennett Music: George Gershwin Music: Richard Rodney Bennett TT 53:52 Richard Rodney Bennett vocals and piano 4 5 and Jackie Trent), to which Richard was Orchestra at the Queen Elizabeth Hall and the Richard Rodney Bennett: Words and Music introduced by the late great British jazz BBC Symphony Orchestra and Chorus at the pianist Pat Smythe. -
The History of Rock Music: 1955-1966
The History of Rock Music: 1955-1966 Genres and musicians of the beginnings History of Rock Music | 1955-66 | 1967-69 | 1970-75 | 1976-89 | The early 1990s | The late 1990s | The 2000s | Alpha index Musicians of 1955-66 | 1967-69 | 1970-76 | 1977-89 | 1990s in the US | 1990s outside the US | 2000s Back to the main Music page Inquire about purchasing the book (Copyright © 2009 Piero Scaruffi) The Flood 1964-1965 (These are excerpts from my book "A History of Rock and Dance Music") The Tunesmiths TM, ®, Copyright © 2005 Piero Scaruffi All rights reserved. The Beach Boys' idea of wedding the rhythm of rock'n'roll and the melodies of pop music was taken to its logical conclusion in Britain by the bands of the so- called "Mersey Sound". The most famous of them, the Beatles, became the object of the second great swindle of rock'n'roll. In 1963 "Beatlemania" hit Britain, and in 1964 it spread through the USA. They became even more famous than Presley, and sold records in quantities that had never been dreamed of before them. Presley had proven that there was a market for rock'n'roll in the USA. Countless imitators proved that a similar market also existed in Europe, but they had to twist and reshape the sound and the lyrics. Britain had a tradition of importing forgotten bluesmen from the USA, and became the center of the European recording industry. European rock'n'roll was less interested in innuendos, more interested in dancing, and obliged to merge with the strong pop tradition. -
STEALING DYLAN from WOODSTOCK When the World Came to the Isle of Wight Volume One: Stealing Dylan from Woodstock
When the World Came to the Isle of Wight VOLUME ONE STEALING DYLAN FROM WOODSTOCK When the World Came to the Isle of Wight Volume One: Stealing Dylan from Woodstock Published by Medina Publishing Ltd. 310 Ewell Road Surbiton Surrey KT6 7AL medinapublishing.com © Ray Foulk 2015 Designed by Kitty Carruthers ISBN Hardback: 978-1-909339-50-7 Paperback: 978-1-909339-49-1 Printed and bound by Toppan Leefung Printing Ltd CIP Data: A catalogue record of this book is available from the British Library Ray Foulk asserts his moral right to be identified as the author of this work. All rights reserved. No part of this publication may be reproduced, stored in a retrieval system, or transmitted in any form or by any means, electronic, mechanical, photocopying, recording or otherwise, without the prior permission of the copyright owners. When the World Came to the Isle of Wight VOLUME ONE STEALING DYLAN FROM WOODSTOCK A personal account by Festival organiser RAY FOULK written & compiled with Caroline Foulk To Mother Dear CONTENTS Acknowledgements vi Dramatis Personæ x Prologue xiii 1 Alfred Lord Tennyson 1 2 Prospecting 11 3 I Whisper 21 4 To Hell and Back 39 5 How About Bob Dylan? 53 6 Bob Wants to Meet You 61 7 Seven-and-a-Half Years 91 8 Help Bob Dylan Sink the Isle of Wight 115 9 We Cannot Control the Morals of 100,000 People 151 10 Serving the Master Well 179 11 Great To Be Here, Sure Is 211 12 Self Portrait 247 13 The Backlash 265 Epilogue: Electric Ladyland 271 Book Quotations & Song Titles 277 Picture Credits 278 Bibliography 281 Index 283 ACKNOWLEDGEMENTS Just get me an electric lawnmower he great joy of compiling this personal and socio-cultural history has been in rekindling so many past associations and friendships. -
AUDIENCE INSIGHTS MICHAEL GENNARO Executive Director
GOODSPEED MUSICALS AUDIENCE INSIGHTS MICHAEL GENNARO Executive Director MICHAEL P. PRICE Founding Director presents Book by BRUCE VILANCH Story Created by RICHARD ROBIN Scenic Design by Costume Design by Lighting Design by PAUL TATE dePOO III JENNIFER CAPRIO KEN BILLINBGON Projection Design by Sound Design by Wig & Hair Design by BENJAMIN PEARCY FOR JAY HILTON J. JARED JANAS & DAVE BOVA 59 PRODUCTIONS LTD Music Supervision Dance Arrangements by & Orchestrations by DAVID DABBON JOSEPH CHURCH Production Manager Production Stage Manager Casting by R. GLEN GRUSMARK CHRIS ZACCARDI TARA RUBIN CASTING Associate Producer Line Producer General Manager BOB ALWINE DONNA LYNN COOPER HILTON RACHEL TISCHLER Music Direction by RICK FOX Choreographed by JOANN M. HUNTER Directed by GABRIEL BARRE This production made possible by special arrangement with Richard Robin, president of Wells Street Productions JULY 29 - SEPT 4, 2016 THE TERRIS THEATRE TABLE OF CONTENTS Character & Show Synopsis................................................................................................................................................................4 Meet the Writer.......................................................................................................................................................................................6 Director's Vision......................................................................................................................................................................................7 Developing A -
Nowhere Man by Steve Mcdonell © Steve Mcdonell Steve-Abbey
Nowhere Man By Steve McDonell © steve mcdonell [email protected] FADE IN: INT.LIVING ROOM - HOUSE - NIGHT MAL EVANS (41), a big bear of a man with glasses, slumps in a chair. His girlfriend, FRAN HUGHES (36), watches anxiously. Mal washes a pill down with a glass of water. SUPER - LOS ANGELES JANUARY 4 1976 FRAN Please, Mal, no more Valium. What are you so upset about? MAL (groggy, slurring) My life is nothing. Has been since the boys split up. I don’t feel like I’m a part of anything... FRAN Oh, come on. You have lots of friends who love you. I love you! And you’ve nearly finished your book. It’s YOUR story. The world can’t wait to read it. MAL It’s pathetic...a waste of time. ’Living The Beatles legend’. Ha! It’s crap. FRAN Now you’re talking foolishly. MAL No. It’ll be like the old days. People aren’t interested in me, only the boys. Who can blame them? Mal starts to sob, great heaving gulps. Fran moves to comfort him, but he stands up unsteadily and brushes her aside. FRAN I’m calling John Hoernie. He’s helped you write your memoirs. He’ll cheer you up. Mal doesn’t answer, just shambles around the room... 2. INT.LIVING ROOM - HOUSE - LATER There is a knock on the door and Fran opens it. JOHN HOERNIE (30), collaborator on Mal’s book, enters with a worried look. JOHN Fran? How is he? FRAN Doped up, groggy, upset. John, I’m scared.