LSUG Feb. 17Th 2013

PLAYLIST FEB. 17TH 2013 HOUR I The Beatles - The Ballad Of John And Yoko – Past Masters Recorded April 14, 1969 by John 7 Paul only. Released as a single in UK April 11, 1969 And in the USA May 5th 1969. Released less than a month after Get Back (John needed an A- Side) First STEREO single in the UK. Banned by the BBC and some US stations as well. It was actually recorded during the beginning of the Abbey Road sessions. The Beatles – Birthday - The Beatles Recorded Sept. 18th 1968 Recorded after watching the movie The Girl Can Help It at Paul’s house. The 1956 film starred Jayne Mansfield and featured performances by Fats domino, the Platters, Gene Vincent and Little Richard. Lennon: “it was a piece a garbage”. Features backing vox by Pattie and Yoko. McCartney .7 Lennon .3 2.04 BREAK The Beatles - You Really Got A Hold On Me – With The Beatles (Robinson) Lead vocal: John Recorded June 18, 1963, Paul McCartney’s 21st birthday. Originally recorded by the Miracles and released as a single by Motown Records in November 1962. The single was a crossover smash, topping the Billboard R&B chart and reaching #8 on the Billboard pop chart. Miracles’ lead singer William “Smokey” Robinson is the credited songwriter. It is one of three Motown songs covered by The Beatles on their second LP. On U.S. album: The Beatles’ Second Album - Capitol LP The Beatles - Please Mister Postman – With The Beatles (Dobbins-Garrett-Brianbert) Lead vocal: John Beatlemania was not only a boon for record shops and merchants selling any number of licensed Beatles products (Beatle wigs, Beatles boots, paperback books, magazines, board games, buttons and other novelties), it also gave a significant financial boost to songwriters and music publishers of the non-original songs the group covered on its early albums. No label benefited more from their talent roster’s hit records being covered by The Beatles than Detroit-based Motown Records. Three of Motown’s hits were included on The Beatles’ second album: “Please Mr. Postman,” “You’ve Really Got A Hold On Me,” and “Money (That’s What I Want).” “Please Mr. Postman” was the debut single by The Marvelettes, and the first single issued by a Motown label (in this case, Tamla) to hit number one on the Billboard pop charts. The songwriting credits for the song have changed throughout the years. The liner notes and record label for “With The Beatles” credits only “Holland” (Brian Holland) as the songwriter. The original Tamla and Fontana (UK) 45s list the writers as Dobbins-Garrett-Brianbert. Decades later the credit has expanded to include an additional writer brought in to finish the song (Freddie Gorman, another songwriting partner of Brian Holland), and separated the writing partnership of Brian Holland and Robert Bateman (previously combined as Brianbert). The credit should now read: Dobbins-Garrett-Holland-Bateman-Gorman. Parlophone also spells out “Mister” where the title appears, but the Marvelettes version has it abbreviated as “Mr.” Recorded July 30, 1963. On U.S. album: The Beatles’ Second Album - Capitol LP The Beatles - Rock and Roll Music - Beatles For Sale (Berry) Lead vocal: John Incredibly, this stunning cover version of Chuck Berry’s classic hit from 1957 featuring John Lennon on lead vocal was captured in just one take on October 18, 1964. Like “Twist and Shout” and “Money (That’s What I Want)” before it, “Rock and Roll Music” is a prime example of Lennon making a previously known hit his own. The overdubbed piano part features John, Paul and George Martin pounding the SAME piano! The song was featured on the Beatles 1965 European Tour and was the opening song during their 1966 concert tours. On U.S. album: Beatles ‘65 - Capitol LP Paul – Matchbox - Live 1993 The Beatles - Everybody’s Trying To Be My Baby - Beatles For Sale (Perkins) Lead vocal: George The second Carl Perkins cover song used for “Beatles For Sale,” “Everybody’s Trying To Be My Baby” had been a part of the Beatles’ early stage show. George Harrison provides the lead vocal, his only lead vocal contribution on “Beatles For Sale.” Recorded in just one take on October 18, 1964. The song is notable for its heavy use of vocal echo. Harrison performed this song live throughout the 1965 tours. On U.S. album: Beatles ‘65 - Capitol LP The Beatles - Roll Over Beethoven – With The Beatles (Berry) Lead vocal: George Chuck Berry’s rock and roll standard was released as a single in May 1956 on Chess Records. It peaking at #29. A staple of The Beatles’ live show from the earliest days, Beatles fans will be surprised to learn that John Lennon was the lead singer of the song in those very early club days. In 1961 George Harrison took over lead vocals. “Roll Over Beethoven” was the opening song at The Beatles’ first concert in America, February 11, 1964 in Washington D.C., and opens Capitol’s “The Beatles’ Second Album,” released on April 10, 1964. On U.S. album: The Beatles’ Second Album - Capitol LP The Beatles - Dizzy Miss Lizzy - Help! (Williams) Lead vocal: John Recorded specifically for the American market at the urgent request of Capitol Records executives, who needed two songs to fill out their upcoming “Beatles VI” album. Of course, Capitol had four songs in its possession it could have included (“From Me To You,” “Misery,” “There’s A Place” and the German-language version of “She Loves You,” had all yet to appear on an LP in America), but they went to the Beatles and asked for something new ASAP. With no new material ready to go the band pulled two Larry Williams’ songs from their pre-fame club repertoire, “Bad Boy” and “Dizzy Miss Lizzy,” that could be recorded in one day and then the tapes would be air-freighted to Capitol Records in Los Angeles. “Dizzy Miss Lizzy” was added as the album closer on the UK “Help!” LP when several songs earmarked for the project fell through (“That Means A Lot” and “Wait”) and they decided against including the two most recent B-sides. On U.S. album: Beatles VI - Capitol LP The Beatles - Twist And Shout – Please Please Me (Medley-Russell) Lead vocal: John The last song recorded during the marathon session on February 11, 1963. Two takes were completed before Lennon’s voice gave out. The released version is the first take. Originally recorded by The Isley Brothers in May 1962, The Beatles performed it regularly in their live act between 1962 and 1965. Its inclusion in the 1986 film “Ferris Bueller’s Day Off” sent the song up the Billboard singles chart 22 years after its initial U.S. release. On U.S. albums: Introducing… The Beatles - Vee-Jay LP The Early Beatles - Capitol LP ----------------------------- 2.34 BREAK The Beatles - A Hard Day’s Night - A Hard Day’s Night (Lennon-McCartney) Lead vocal: John with Paul The Beatles’ seventh single release for EMI’s Parlophone label. The title is a Ringoism, coined by the drummer sometime in 1963 and used by John in his book “In His Own Write.” With the film nearly completed the last bit of business was to give the film a name. The project was being filmed with the working title “Beatlemania.” On April 13, 1964 The Beatles met with key personnel from the studio and bounced title ideas. It was felt they’d find no better suggestion than Ringo’s off-hand remark “it’s been a hard day’s night” and John volunteered to write the title song that evening. The next morning he brought the song in and taught it to Paul. Paul cleaned up the middle section and the two played it for producer Walter Shenson. Two days later The Beatles would formally record the song. It was a rarity for an outsider to be allowed in the studio or control booth while The Beatles rehearsed and recorded. An exception was made for the director of the “A Hard Day’s Night” film, Richard Lester. Lester was in the control booth and offered many suggestions during the morning while this key song was worked out, much to the dismay of producer George Martin. It was Lester’s suggestion that the song open dramatically (as it would open the film), and fade out at the end in a cinematic way. He got his wish. George’s striking a G suspended 4th chord on his 12-string Rickenbacker make this record instantly recognizable in its opening two seconds. Released as a single in the UK on July 10, 1964, it went straight to #1. On U.S. album: A Hard Day’s Night - United Artists LP The Beatles - Got To Get You Into My Life - Revolver (Lennon-McCartney) Lead vocal: Paul Another Paul McCartney solo composition, Paul called this stand out track “an ode to pot, like someone else might write an ode to chocolate or a good claret (wine).” Work began on the song on April 7, 1966, and this early alternate version can be heard on the “Anthology 2” album. It was the second song recorded for the “Revolver” album. The Beatles returned to the song the next day with an improved arrangement that included John and George on fuzz guitars. On May 18 they revisited the song again, devoting a full 12-hour session to rework and complete the song. To give the song its Motown feel, five outside musicians were brought in to add brass and saxophones. An additional dual guitar overdub was added on June 17.

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