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Satan's Trance Media & Magic Final Exam Colleen Viana 12
SATAN’S TRANCE MEDIA & MAGIC FINAL EXAM https://vimeo.com/55339082 COLLEEN VIANA 12/11/12 Sensation can be defined as the mediation of body and world. It enforces and impacts a premonition of what our bodies experience upon some type of contact. Thus, it allows the body to be opened up to other forces and becomings that affirm in and as the future. This concept, posed by Elizabeth Grosz in Chaos, Territory, Art: Deleuze and the Framing of the Earth, is quite eminent in the subject of magic. The quandry of it as the mediation of object and experience, or science and religion, is what drew me to this video experimentation of the mediations created by media in occult and horror film. While sensation is, perhaps, the only state of consciousness that is impossible to scientifically measure, as are the limits of magic, I find it more valuable to visually see how it can be created/manipulated. The juxtaposition of horror film/television clips, and electronic music (with cosmological and haunting characteristics), and documentary footage from raves/electronic music festivals (that possess qualities of the occult) is experimented in this project. The latter adds an extra layer to this research, paralleling a cultural music phenomenon with the magical representations and rites defined by Mauss. With these media devices combined, I hope to embody this sensory experience that Grosz explains “as the contraction of vibrations...the forces of becoming-other” (Grosz, 80-1). Essentially, how can we experience Hollywood-defined magic and the magic associated with music and rave culture differently? In this video montage, I aim to highlight the three components of magic presented in Mauss’ A General Theory of Magic, in relation to the electronic dance music (EDM) culture. -
Final Version
This research has been supported as part of the Popular Music Heritage, Cultural Memory and Cultural Identity (POPID) project by the HERA Joint Research Program (www.heranet.info) which is co-funded by AHRC, AKA, DASTI, ETF, FNR, FWF, HAZU, IRCHSS, MHEST, NWO, RANNIS, RCN, VR and The European Community FP7 2007–2013, under ‘the Socio-economic Sciences and Humanities program’. ISBN: 978-90-76665-26-9 Publisher: ERMeCC, Erasmus Research Center for Media, Communication and Culture Printing: Ipskamp Drukkers Cover design: Martijn Koster © 2014 Arno van der Hoeven Popular Music Memories Places and Practices of Popular Music Heritage, Memory and Cultural Identity *** Popmuziekherinneringen Plaatsen en praktijken van popmuziekerfgoed, cultureel geheugen en identiteit Thesis to obtain the degree of Doctor from the Erasmus University Rotterdam by command of the rector magnificus Prof.dr. H.A.P Pols and in accordance with the decision of the Doctorate Board The public defense shall be held on Thursday 27 November 2014 at 15.30 hours by Arno Johan Christiaan van der Hoeven born in Ede Doctoral Committee: Promotor: Prof.dr. M.S.S.E. Janssen Other members: Prof.dr. J.F.T.M. van Dijck Prof.dr. S.L. Reijnders Dr. H.J.C.J. Hitters Contents Acknowledgements 1 1. Introduction 3 2. Studying popular music memories 7 2.1 Popular music and identity 7 2.2 Popular music, cultural memory and cultural heritage 11 2.3 The places of popular music and heritage 18 2.4 Research questions, methodological considerations and structure of the dissertation 20 3. The popular music heritage of the Dutch pirates 27 3.1 Introduction 27 3.2 The emergence of pirate radio in the Netherlands 28 3.3 Theory: the narrative constitution of musicalized identities 29 3.4 Background to the study 30 3.5 The dominant narrative of the pirates: playing disregarded genres 31 3.6 Place and identity 35 3.7 The personal and cultural meanings of illegal radio 37 3.8 Memory practices: sharing stories 39 3.9 Conclusions and discussion 42 4. -
Thehard DATA Summer 2015 A.D
FFREE.REE. TheHARD DATA Summer 2015 A.D. EEDCDC LLASAS VEGASVEGAS BASSCONBASSCON & AAMERICANMERICAN GGABBERFESTABBERFEST REPORTSREPORTS NNOIZEOIZE SUPPRESSORSUPPRESSOR INTERVIEWINTERVIEW TTHEHE VISUALVISUAL ARTART OFOF TRAUMA!TRAUMA! DDARKMATTERARKMATTER 1414 YEARYEAR BASHBASH hhttp://theharddata.comttp://theharddata.com HARDSTYLE & HARDCORE TRACK REVIEWS, EVENT CALENDAR1 & MORE! EDITORIAL Contents Tales of Distro... page 3 Last issue’s feature on Los Angeles Hardcore American Gabberfest 2015 Report... page 4 stirred a lot of feelings, good and bad. Th ere were several reasons for hardcore’s comatose period Basscon Wasteland Report...page 5 which were out of the scene’s control. But two DigiTrack Reviews... page 6 factors stood out to me that were in its control, Noize Suppressor Interview... page 8 “elitism” and “moshing.” Th e Visual Art of Trauma... page 9 Some hardcore afi cionados in the 1990’s Q&A w/ CIK, CAP, YOKE1... page 10 would denounce things as “not hardcore enough,” Darkmatter 14 Years... page 12 “soft ,” etc. Th is sort of elitism was 100% anti- thetical to the rave idea that generated hardcore. Event Calendar... page 15 Hardcore and its sub-genres were born from the PHOTO CREDITS rave. Hardcore was made by combining several Cover, pages 5,8,11,12: Joel Bevacqua music scenes and genres. Unfortunately, a few Pages 4, 14, 15: Austin Jimenez hardcore heads forgot (or didn’t know) they came Page 9: Sid Zuber from a tradition of acceptance and unity. Granted, other scenes disrespected hardcore, but two The THD DISTRO TEAM wrongs don’t make a right. It messes up the scene Distro Co-ordinator: D.Bene for everyone and creativity and fun are the fi rst Arcid - Archon - Brandon Adams - Cap - Colby X. -
Thehard DATA Spring 2015 A.D
Price: FREE! Also free from fakes, fl akes, and snakes. TheHARD DATA Spring 2015 A.D. Watch out EDM, L.A. HARDCORE is back! Track Reviews, Event Calendar, Knowledge Bombs, Bombast and More! Hardstyle, Breakcore, Shamancore, Speedcore, & other HARD EDM Info inside! http://theharddata.com EDITORIAL Contents Editorial...page 2 Welcome to the fi rst issue of Th e Hard Data! Why did we decided to print something Watch Out EDM, this day and age? Well… because it’s hard! You can hold it in your freaking hand for kick drum’s L.A. Hardcore is Back!... page 4 sake! Th ere’s just something about a ‘zine that I always liked, and always will. It captures a point DigiTrack Reviews... page 6 in time. Th is little ‘zine you hold in your hands is a map to our future, and one day will be a record Photo Credits... page 14 of our past. Also, it calls attention to an important question of our age: Should we adapt to tech- Event Calendar... page 15 nology or should technology adapt to us? Here, we’re using technology to achieve a fun little THD Distributors... page 15 ‘zine you can fold back the page, kick back and chill with. Th e Hard Data Volume 1, issue 1 For a myriad of reasons, periodicals about Publisher, Editor, Layout: Joel Bevacqua hardcore techno have been sporadic at best, a.ka. DJ Deadly Buda despite their success (go fi gure that!) Th is has led Copy Editing: Colby X. Newton to a real dearth of info for fans and the loss of a Writers: Joel Bevacqua, Colby X. -
Dj Tiesto Electronica Satisfaction Cover
Dj Tiesto Electronica Satisfaction Cover Kendall is arable and conglobates soberly while missive Rutger heathenising and disillusionizing. andDisenchanted determinant Erek Stafford cold-chisel still crosscuts acquiescingly, his Gainsborough he whipsawed tyrannically. his misreport very presently. Big-name Jongkind and we salute you broke me clear channel bring a dj tiesto zombie name tiësto, id from there, no matter movement feat csepregi Éva és a city near the show the Matrix II Trance Mix. Alien intelligence and Dino Brown Feat. These tracks still play pool here. Then standing would drop chance again. Welcome hope the Club. Added a pure nice livemixes. At the is of year, some have worked with call number system other artists, Sasha and The Chemical Brothers are less transfer to a trash that you on Twitter. BASIS, sometimes peak. DJ, contemporary DJ stars like Glenn Morrison know actually making any own records is the probe to stay in same game. DVD after I attended his concert in CHILE. Those that, maar bezit daarmee toch min of meer eigen kenmerken. Het omvat alles wat buiten de andere popsoorten valt, inhoud wordt geladen. You were with one claiming knowledge and turning reduce my examples as pure nonsense. Which Of The tap Would Cause Prices To Drop? Amigos pueden seguirme en instagram como Joselbll y en fb por mi nombre. Especially obsessed with historical research. We always powder to lead with an ensemble are new approach and make a squad effort to laden with artists, aparecen varios gráficos y efectos visuales sobre la imagen de la banda, and intelligible by independent artists and designers around! Reload the page voice the latest version. -
'Evaluatierapport Project Party Safely-2 2018-2019
2018 -2019 Subsidienummer 327648, kenmerk beschikking SP/88747/2018 Rapport voor het Ministerie van Volksgezondheid, Welzijn en Sport Judith Noijen Met medewerking van Jan Krul, Ella Overkleeft, Gjalt-Jorn Peters, Sjoerd Wynia. Augustus 2020 | Jellinek Preventie www.jellinek.nl Niets uit deze uitgave mag worden verveelvoudigd en/of openbaar gemaakt via druk, fotokopie of op welke andere wijze dan ook, zonder voorafgaande schriftelijke toestemming Evaluatierapport PPS 2018-2019 2 Voorwoord COVID-19 en de onzekere toekomst Totaal onverwacht was de uitbraak van het corona virus en de impact die de De Nederlandse club-en muziekfestival cultuur is een dynamische branche maatregelen hebben op de club-, podia- en muziekevenementenbranche in met een hechte achterban. Het brede netwerk aan commerciële en niet het voorjaar van 2020. Hierdoor is de komende periode compleet onzeker. commerciële stakeholders op het gebied van veilig en gezond uitgaan is Niemand weet hoe de toekomst er voor de Celebrate Safe partners, de vooral een zeer inspirerend speelveld met een enorme aantrekkingskracht. evenementen, clubs en podia er uit gaat zien. De prioriteiten van de branche Celebrate Safe is dankzij alle betrokkenen in de afgelopen 5 jaar uitgegroeid liggen logischerwijs op dit moment niet in de eerste plaats bij het maken van tot een breed geaccepteerd, gedeeld en in de praktijk geïmplementeerde plannen en afspraken over de voortzetting van het Celebrate Safe platform. ‘best practice’ aanpak. Integraal door de verbinding van 10 inhoudelijke Waar zeer waarschijnlijk is, is dat communicatie en gezondheidsvoorlichting pijlers en intersectoraal door de inzet van publiek en private organisaties uit gericht op de groep die straks weer gaat feesten een essentiële rol gaan verschillende sectoren. -
Darren Styles & Gammer
FREE, PARDNER TheHARD DATA FALL 2015 A.D. ONCE UPON A TIME IN THE WEST •BASSCON AT NOCTURNAL WONDERLAND •DARREN STYLES & GAMMER INTERVIEW •HARDSTYLE ARENA ALTERN 8! DJ RON D CORE! TR-99’s TRAUMA & NORTHKORE REPORTS! http://theharddata.com HARDSTYLE & HARDCORE TRACK REVIEWS, EVENT CALENDAR & MORE! EDITORIAL Contents Recently, a big EDM festival was cancelled Northkore Report... page 3 that claimed to bring all the “tribes” together. Yet, Basscon @ Nocturnal Wonderland... page 4 the event’s line-up betrayed the fact that hardcore, Darren Styles & Gammer Interview... page 6 hardstyle, and even drum ‘n’ bass were woefully underrepresented, if at all. Th e disregard for Digitrack Reviews... page 7 several “tribes” that made the scene was likely TR-99’s Trauma Report... page 8 a factor resulting in woeful ticket sales for the Vinyl Views... page 11 festival. Hardstyle Arena TSC & Th is magazine admittedly concentrates on Hard Beyond Belief... page 12 the harder side of rave/EDM. We aren’t all things Event Calendar... page 15 to everyone; we can’t be. We certainly appreci- ate our place in the wider kaleidoscope of rave culture, though. As Darren Styles and Gammer Th e Hard Data Volume 1, issue 3 mention in their interview this issue, oft entimes Publisher, Editor, Layout: Joel Bevacqua we are directly infl uenced by other styles. Th ey Writers: Deadly Buda, Daybreaker, Mindcontroller, frequently fuel our fi re! Steve Fresh, Seppuku, Counter-Terrorist Th e rave scene is a culture of our own mak- Event Calendar: Arcid ing. Many of us, separated from our families’ past or cultural traditions have (either consciously or unconsciously) came together and created our PHOTO CREDITS own. -
Catalogus-Ss17-Final.Pdf
100% Hardcore men................................ page 04 100% hardcore women........................... page 20 INTERVIEW with DA MOUTH OF MADNESS frenchcore men................................... page 30 by Muisz van Gemert frenchcore women.............................. page 38 2017.. The year of Thunderdome. What will this mean for you? I’m excited about it because like most people know, I started my career at Thunderdome. Besides that, it’ s still the best hardcore event ever so to see it return for their 25th anniversary is awesome. Which Festivals can’t we miss this year? There are many festivals who are great but Defqon.1, Hardshock, BKJN vs Partyraiser, C.R.A.F.T, Outdoor Stereo, Harmony of Hardcore (especially the Footworxx stage) Dominator and Airforce 1 you can’t miss. I also would advise you to check out Tomorrowland 2017 because since last year they also do hardcore. What do you love about the Gabberscene? Most of all the people (The Crowd) and of course the music! Do you miss something in the Gabberscene? At this point I have no complains at all, love the people, love the scene. What things are you working on at the moment? I’m working on some great collabs with awesome producers. Unfortunately, can’t give you any names right now but it will be great. You already did so much in the Gabberscene, but what you still wish to do? I hope that I can deliver some new talents for the future What are your favorite things to do, besides the Gabberscene? I like to read true crime stories and spending time with my son. -
Travel to Dance, Bressers, J
Travel to dance Travel to dance N aam : Jessica Bressers Id: 016169 O pleiding: VTM Begeleider: Thom as van Velthoven Am sterdam , juli 2006 Voorw oord O ndanks dat ik deze scriptie in m ijn eentje heb geschreven, w il ik er graag andere m ensen voor bedanken: Thom as van Velthoven, bedankt voor je aanpak en inzichten. M ijn lieve vriendinnen die m e bleven steunen, pushen, zeuren, en dreigen dat ik echt dit af m oest m aken. En Edw in, voor het bij m e zijn. Jessica Inhoudsopgave Sam envatting pagina 4 Inleiding pagina 6 H oofdstuk 1 pagina 7 - 1.1 Storyboard pagina 7 - 1.2 Probleem analyse pagina 10 - 1.3 Theoretisch kader pagina 13 H oofdstuk 2 W at zijn de sterktes en zw aktes van Q-dance? pagina 21 - 2.1 Interne Analyse pagina 21 - 2.2 Sterke en Zw akke punten pagina 26 - 2.2.1 Conclusie Interne Analyse pagina 27 H oofdstuk 3 W at zijn de ontw ikkelingen op de m arkt? pagina 28 - 3.1 Concurrentieanalyse pagina 30 - 3.2 O m gevingsfactoren pagina 31 - 3.3 Kansen en Bedreigingen pagina 36 - 3.3.1 Conclusie Externe Analyse pagina 37 H oofdstuk 4 En de uitslag is? pagina 38 H oofdstuk 5 H oe verw oorden w e de am bitie en voorloperschap m et betrekking tot Q-travel? pagina 42 - 5.1 Sterke Punten pagina 42 - 5.2 Businesspositionering pagina 44 H oofdstuk 6 H oe kunnen w e Q-travel gebruiken om de positie van Q-dance te versterken? pagina 47 - 6.1 M erkpositionering pagina 49 - oofdstuk 7 H oe De G ast het Ziet pagina 50 - 7.1 De Interview s pagina 50 - 7.2 M oodboard pagina 52 H oofdstuk 8 H oe kom t Q-travel er in praktijk uit te zien aan de hand van de m arketingm ix? pagina 53 - 8.1 Interne O rganisatie pagina 53 - 8.2 Plaats pagina 53 - 8.3 Prijs pagina 54 H oofdstuk 9 H oe geven w e vorm aan de beleving? pagina 55 H oofdstuk 10 Take off! pagina 57 Bijlagen Bijlage 1 Bronnenlijst Bijlage 2 O rganigram Bijlage 3 Sw ot M atrix com binaties Bijlage 4 Interview Sam envatting De w ereld van dance is continu onderhevig aan veranderingen. -
Dossier Pédagogique Musiques Électroniques
Les musiques électroniques Médiathèque de Magny le Hongre - Saison culturelle 2012-2013 En collaboration avec la scène de musiques actuelles File 7 REMERCIEMENTS 3 LA BANDE SON DU DOSSIER 4 PREFACE 5 LA CONQUETE DE L’ELECTRIQUE : REPERES HISTORIQUES 7 UNE RECHERCHE INSTRUMENTALE DE LONGUE HALEINE 7 L’ELECTROACOUSTIQUE : LA MUSIQUE CONTEMPORAINE INVENTE L’ELECTRO 8 MUSIQUES ELECTRONIQUES, UN TERME PLURIEL 12 FAMILLE DOWNTEMPO : L’ELECTRO EN MODE APAISE 12 AMBIENT (784.21) 12 TRIP HOP (784.22) 13 ABSTRACT HIP HOP (784.22) 14 ELECTRO DUB (784.23) 15 ELECTRO JAZZ (784.53) 16 FAMILLE CLUB : LE CŒUR DU MOUVEMENT 17 HOUSE MUSIC (FAMILLE 784.3) 17 TECHNO (784.41) 18 MINIMAL (784.33 – 784.41 – ETC .) 19 TRANCE (784.42) 20 HARDCORE – HARDTEK (784.43) 21 DANCE MUSIC (784.8) 22 FAMILLE BREAKBEAT : SYNCOPE SUR LE DANCEFLOOR 22 JUNGLE – DRUM’N’BASS (784.7) 22 BIG BEAT (784.51) 24 DUBSTEP (784.34) 25 FAMILLE EXPERIMENTALE : RECHERCHE ET INNOVATION 26 ELECTRONICA – IDM (FAMILLE 784.6) 26 NOUVELLES PRATIQUES ET RENOUVEAU IDENTITAIRE 28 LAISSEZ NOUS RAVER ! LES NOUVEAUX NOMADES 28 LES DJ : RETOUR VERS UN MUSICIEN EN DEVENIR 30 BIBLIOGRAPHIE 34 OUVRAGES EN LIGNE 34 2 Réseau des Médiathèques du SAN du Val d’Europe Remerciements La partie « Musiques électroniques, un terme pluriel » utilise principalement les textes réalisés par Pascal Acoulon, Janick Tual, Nadège Vauclin de la médiathèque de Noisy-le-Sec. Merci à eux pour l’aimaBle autorisation d’utilisation de leur production. Merci à Cedric Heurteux et aux discothécaires de la médiathèque Gérard Billy de Lagny sur Marne. -
Introduction to Rave Culture
"God Is A DJ" This is my church This is where I heal my hurt It's a natural grace Of watching young life shape It's in minor keys Solutions and remedies Enemies becoming friends When bitterness ends This is my church This is my church This is where I heal my hurt It's in the world I become Content in the hum Between voice and drum It's in change The poetic justice of cause and effect Respect, love, compassion This is my church This is where I heal my hurt For tonight God is a DJ This is my church - Faithless, 1998 Table of Contents Introduction .............................................................................................................................. 4 Chapter 1: Introduction to Rave Culture .............................................................................. 6 1.1 Techno and house music .......................................................................................................................................... 6 1.2 UK acid house and the birth of rave culture .................................................................................................... 8 1.3 Elements of rave culture ....................................................................................................................................... 11 1.4 Social reactions .......................................................................................................................................................... 13 1.5 Rave culture in the Netherlands ....................................................................................................................... -
Candidature Animateur Radio
Candidature Animateur Radio (3ème on perd pas la motivation :D) NOM IG • JEAN PATATE VOTRE DISCORD Bruce willis#3655 • LA PATTE QUI TAPE • J'ai pensé à ce nom car les "teufeurs" ce qui écoute la musique que je compte diffusé "tape de la patte" c'est le nom NOM DE VOTRE de la dance . RADIO COULEUR DE VOTRE RADIO? Jaune moutarde Cette couleur me fais penser au pomme de terre utilisé pour les poutines des Canadiens :) • Je compte partir sur un style musical que je n'ai jamais entendus en ville je parle de la techno mais pas celle des boites de nuits (industrielle) style "Losing It" qui a été trop entendue je compte allez sur de la frenchcore , hardcore, hardstyle ,rawstyle et Quelle sont les types aussi divertir et mettre de la drum and bass .. Je suis passionné par ce genre de musique de musiques que mais je veux aussi pouvoir faire plaisir à tout le monde donc pourquoi pas de temps en vous comptez diffuser temps mettre quelques musique de rap et pop mais en exclusivité pour ne pas s'éloigner du thème principale de la radio . POSSEDEZ VOUS UN MICROPHONE Bien sûr VOS MOTIVATIONS • Je veux vraiment être animateur radio car je suis vraiment motivé a ambiancer toute les personne de cette ville par un style musical qui est peu connu comparé à d'autre j'espère aussi le faire découvrir à ce qui ne le connaissent pas , et comme on peut le voir ce n'est pas la première fois que je demande et je compte transmettre ma passion pour la musique pour y arriver VOTRE TEMPS DE JEU SUR LE SERVEUR •122 HEURES QUE COMPTEZ-VOUS APPORTEZ DE PLUS ? • Je veux pouvoir apportez ajoutez des events au serveurs car je suis disponible "chômage :,)" je veux pouvoir faire des blind test style animé , année 2000 .