Candidature Animateur Radio

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Candidature Animateur Radio (3ème on perd pas la motivation :D) NOM IG • JEAN PATATE VOTRE DISCORD Bruce willis#3655 • LA PATTE QUI TAPE • J'ai pensé à ce nom car les "teufeurs" ce qui écoute la musique que je compte diffusé "tape de la patte" c'est le nom NOM DE VOTRE de la dance . RADIO COULEUR DE VOTRE RADIO? Jaune moutarde Cette couleur me fais penser au pomme de terre utilisé pour les poutines des Canadiens :) • Je compte partir sur un style musical que je n'ai jamais entendus en ville je parle de la techno mais pas celle des boites de nuits (industrielle) style "Losing It" qui a été trop entendue je compte allez sur de la frenchcore , hardcore, hardstyle ,rawstyle et Quelle sont les types aussi divertir et mettre de la drum and bass .. Je suis passionné par ce genre de musique de musiques que mais je veux aussi pouvoir faire plaisir à tout le monde donc pourquoi pas de temps en vous comptez diffuser temps mettre quelques musique de rap et pop mais en exclusivité pour ne pas s'éloigner du thème principale de la radio . POSSEDEZ VOUS UN MICROPHONE Bien sûr VOS MOTIVATIONS • Je veux vraiment être animateur radio car je suis vraiment motivé a ambiancer toute les personne de cette ville par un style musical qui est peu connu comparé à d'autre j'espère aussi le faire découvrir à ce qui ne le connaissent pas , et comme on peut le voir ce n'est pas la première fois que je demande et je compte transmettre ma passion pour la musique pour y arriver VOTRE TEMPS DE JEU SUR LE SERVEUR •122 HEURES QUE COMPTEZ-VOUS APPORTEZ DE PLUS ? • Je veux pouvoir apportez ajoutez des events au serveurs car je suis disponible "chômage :,)" je veux pouvoir faire des blind test style animé , année 2000 . Des concerts et pourquoi crée une musique en thème avec le serveur accompagné des citoyens de la ville je suis ouvert à toute idée et a toute critique je suis motivé plus que jamais avec ce concept de radio . • Je suis vraiment motivé pour ce métier et dévouer pour preuve mes devoirs pour les cours je ne mets pas autant de temps et d'énergie mais en tout cas merci d'avoir pris le temp de lire à ma demande et si vous accepter vous allez pas le regretter et merci à l'administrateur qui m'a MESSAGE permis de refaire cette demande c'est pour ça que je me suis donné corps et âmes dans se SUPPLEMENTAIRE diaporama pour ne pas le décevoir sur ce merci à toute la commu . • Signé : Jean Patate :).

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This research has been supported as part of the Popular Music Heritage, Cultural Memory and Cultural Identity (POPID) project by the HERA Joint Research Program (www.heranet.info) which is co-funded by AHRC, AKA, DASTI, ETF, FNR, FWF, HAZU, IRCHSS, MHEST, NWO, RANNIS, RCN, VR and The European Community FP7 2007–2013, under ‘the Socio-economic Sciences and Humanities program’. ISBN: 978-90-76665-26-9 Publisher: ERMeCC, Erasmus Research Center for Media, Communication and Culture Printing: Ipskamp Drukkers Cover design: Martijn Koster © 2014 Arno van der Hoeven Popular Music Memories Places and Practices of Popular Music Heritage, Memory and Cultural Identity *** Popmuziekherinneringen Plaatsen en praktijken van popmuziekerfgoed, cultureel geheugen en identiteit Thesis to obtain the degree of Doctor from the Erasmus University Rotterdam by command of the rector magnificus Prof.dr. H.A.P Pols and in accordance with the decision of the Doctorate Board The public defense shall be held on Thursday 27 November 2014 at 15.30 hours by Arno Johan Christiaan van der Hoeven born in Ede Doctoral Committee: Promotor: Prof.dr. M.S.S.E. Janssen Other members: Prof.dr. J.F.T.M. van Dijck Prof.dr. S.L. Reijnders Dr. H.J.C.J. Hitters Contents Acknowledgements 1 1. Introduction 3 2. Studying popular music memories 7 2.1 Popular music and identity 7 2.2 Popular music, cultural memory and cultural heritage 11 2.3 The places of popular music and heritage 18 2.4 Research questions, methodological considerations and structure of the dissertation 20 3. The popular music heritage of the Dutch pirates 27 3.1 Introduction 27 3.2 The emergence of pirate radio in the Netherlands 28 3.3 Theory: the narrative constitution of musicalized identities 29 3.4 Background to the study 30 3.5 The dominant narrative of the pirates: playing disregarded genres 31 3.6 Place and identity 35 3.7 The personal and cultural meanings of illegal radio 37 3.8 Memory practices: sharing stories 39 3.9 Conclusions and discussion 42 4.
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