DOCSLIB.ORG

Black Arm Band Dirtsong

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
Black Arm Band Dirtsong Sunday, February 12, 2017, 7pm Zellerbach Hall Black Arm Band dirtsong Created by Black Arm Band Original Text Alexis Wright Original Concept Steven Richardson Black Arm Band Artistic Director Emma Donovan Artistic Director— dirtsong Fred Leone Musical Director Michael Meagher Arrangements and Orchestrations Andrea Keller, Eugene Ball, and Julien Wilson, with artists of Black Arm Band Lighting Designer Michelle Preshaw Production Management Daniel Gosling Stage Management Brock Brocklesby Audio Engineer Patrick Murray Screen Visuals Natasha Gadd, Rhys Graham, Daybreak Films Producer Sarah Greentree Vocalists James Henry Ursula Yovich Shellie Morris Troy Brady Nicole Lampton Band Tjupurru , yidaki /didjeribone Michael Meagher, bass Rory McDougall, drums Patrick Wolff, tenor saxophone and clarinet Benito Cortez, violin and viola Jacob Smolowe, piano Black Arm Band is assisted by the Australian government through the Australia Council for the Arts, its arts funding and advisory body, and supported by the Victorian government through Arts Victoria. This project has been assisted by the Australian government through the Department of Communication and the Arts’ Catalyst—Australian Arts and Culture Fund. This evening’s performance will be performed without intermission and will last approximately 90 minutes. Black Arm Band and Cal Performances wish to gratefully acknowledge that we are standing on the ancestral lands of the Muwekma Ohlone Tribe. We thank them for the privileged use of their ancestral lands. Cal Performances Classroom activities with Black Arm Band are generously supported by the Jacques M. Littlefield Foundation. Cal Performances Classroom activities throughout the season are made possible, in part, by Wells Fargo. PROGRAM NOTES he purpose of Black Arm Band is to dirtsong develop, perform, promote, and celebrate Sung in Yorta Yorta Tcontemporary Aboriginal and Torres Written by Lou Bennett and Alexis Wright. Strait Islander music and culture to the highest From the Echuca, Barmah region, the heartland degree possible in a wide variety of performance of Yorta Yorta country, this is a song about and community contexts. the connections between people, music, and Established in 2006, Black Arm Band is a country. “Baiyan Woka” is Yorta Yorta for flexible music-theater ensemble that performs “singing for country/land.” This song comes on stages and in community contexts across from the understanding that we all have con - the globe as well as throughout metropolitan, nections—we just have to learn “Gulpa Ngar wal” regional, and remote Australia. The group (deep listening). promotes contemporary Aboriginal and Torres Strait Islander cultures through the creation of Coming Up Close Now large-scale productions, concerts, installations, Devised and arranged by Mark Atkins and and multimedia projects. Julien Wilson. In the spirit of the Wongi word Since 2006, the company has performed “GrunGada” or “gathering” from the Cool - before over one million people in Australia and gardie, Kalgoorlie regions of Western Australia, worldwide, has provided professional pathways this is an invitation for people, performers, and and opportunities to over 60 artists, and has storytellers to share their experiences, songs, offered community programs that have reached and music—both old and new. over 2,500 participants. Big Law About dirtsong Sung in Alyawarre and Yalanji A musical journey through Australia’s cultural Written by Leah Flanagan, Deline Briscoe, and heartland, dirtsong is set against a stunning Alexis Wright, based on text by Alexis Wright. backdrop of moving imagery and text inspired The language comes from Kuku Yalanji, the by the words of Miles Franklin Award winner rainforest country of the Daintree. Flanagan Alexis Wright. A collaborative performance has written in the language of her Nana from celebrating music, language, culture, and iden - east of Alice Springs, who was born Ivy Upurla- tity, it features unforgettable songs performed Dempsey; as part of the Stolen Generation her in 11 different Aboriginal languages by some of name was changed to Dorothea (Dempsey) Ber - Australia’s most extraordinary musicians. to. All you people, come and listen to this spiri - Drawn wholly from Aboriginal Australia, dirt - tual connection to land. song mixes traditional approaches and contem - porary songs with existing repertoire and newly Giidang commissioned music to conjure a sense of Sung in Gumbayngirr “country” as not only a geographical place, but Written by Emma Donovan and Alexis Wright. as something much more—personal encoun - Sung in the Gumbayngirr language, which comes ters, memories, obligations, and nature itself. from the mid-north coast of New South Wales, “Giidang” means “heartbeat,” and the song tells SONGS the story of our connection to “jagun” (“coun - Background and credits for some of the songs try”). How are we the country? How do we keep currently performed in dirtsong : the heartbeat of the country going? We must “ngarraanga” (“listen”). Far Away Home/Gungalaira The women in the song maintain the heart - Sung in English and Bundjalung beat almost like a pulse, and refer to the country From the award-winning film The Tracker, di - as “miminga” (mother). This song calls out like rected by Rolf de Heer. Composed by Graham a mother calls to her children, like a country to Tardif with lyrics by Rolf de Heer. its people. PROGRAM NOTES Yarian Mi Tji (What’s My Name) Old Fitzroy Sung in Ngarrindjeri Written by Dan Sultan. Written by Ruby Hunter. A song of questions looking for answers. What is your name, your Gungalairla story, your land? The Ngarrindjeri language is Written by Archie Roach. from the Lower Murray River, South Australia. Dron Wanga Burad Sung in Gumatj Sung in Badjtala Written by Neil Murray. Performed with per - Written by Fred Leone. Badjtala language is from mission from the family of GR Burarrwanga. the Fraser Coast region of South East Queens - This version is dedicated to GRB and sung in land. “Burad” is the white-crested eagle and this Gumatj from the Yolŋu Matha languages of song is a hunting story, telling of how to watch North East Arnhem Land. the eagle find fish. Rainstorm This Land is Mine Sung in Gundjeihmi Written by Paul Kelly and Kev Carmody for the Written by Shellie Morris, Mandy Muir, and film One Night The Moon, directed by Rachel Alexis Wright. “Rainstorm” is sung in the Perkins. Originally set on Andyamathanha land language from the southern end of Kakadu in South Australia’s Flinders Ranges, it reflects National Park (it is still spoken fluently all over on the concepts of possession and belonging. the region). Mandy Muir, with the help of her mother, Jesse Alderson (a Traditional Owner in Kakadu), translated this piece. ABOUT THE ARTISTS Black Arm Band places. BAB develops, performs, promotes, and Black Arm Band (BAB) is an Aboriginal and educates as a vehicle for social change that is Torres Strait Islander organization and one of centered on self-determination, empowerment, Australia’s leading performing arts companies, and the development of community. widely praised for its distinctive music-theater Black Arm Band is a flexible ensemble of performances. The group celebrates Indigenous highly skilled musicians, composers, perform - music, culture, and language through the com - ers, directors, and artistic technicians, working bination of music and uniquely powerful visual together and representing the finest of Aus - imagery. BAB shares the stories and heart of tralian music theater. Indigenous culture with audiences in the spirit of resilience, understanding, hope, and recon - James Henry (vocals ) is a singer/songwriter, com - ciliation, and its presentations are a contempo - poser, producer, music director, and accom - rary expressions of more than 40,000 years of plished photographer. He is involved in many living culture. fields of the music industry: as a guitarist on At the heart of BAB’s work is a deep connec - Black Arm Band’s recent tour of the UK; a choir tion with Indigenous communities across Aus - member and guitarist on the Archie Roach Into tralia. The group’s remote music workshops the Bloodstream tour; and as a composer for and performance programs have positively im - various dance and theater pro jects. His skills pacted over 2,500 participants with inspiration have attracted commissions from the City of drawn from the ongoing relationships devel - Melbourne to compose for experimental media oped throughout these diverse communities, and as music director of the Melbourne Festival and grounded in connections to people and opening ceremonies. PLAYBILL ABOUT THE ARTISTS Troy “Jungaji” Brady (vocals ) keeps cultural tured into music studies at the age of 17 and fires burning through his lyrics and music, achieved a diploma in world music at EORA presenting his captivating stories around the Centre, Sydney. Eventually, Lampton became world. The Western GuGuYalanji and Birri involved in local music groups in Sydney and Gubba songman shares his tales of country, love, Cairns, performing soul, hip-hop, and alterna - and law in language and through contemporary tive styles of music. In 2002 she joined the local folk/roots music. Currently touring as a feature Cairns hip-hop artist Carl Fourmile, support - artist with BAB, as well as performing as a solo ing his music with her soulful melodies. Lamp - artist, he is a consummate performer. Over a ca - ton assists other artists with songwriting and reer of 20 years, he led a number of bands be - music arrangements and has performed as a fore setting out on his own, his current music support act with Jordan Oliver. exploring more deeply his language and con - nection to the country of his ancestors north of Tjupurru (yidaki/didjeribone ) is a proud de - Cairns and Proserpine. scen dant of the Djabera Djabera tribe of the West Australia Kimberleys. He plays a unique Ursula Yovich (vocals ) was recently selected as slide didjeridu named “The Didjeribone” be - one of the “Top 21 Most Iconic Women of the cause it can slide through different notes and Australian Stage”; the six-time Helpmann tones (a cross between a didj and a trombone).
Load more

Recommended publications
  • MCA-700 Midline/Reissue Series
    MCA 700 Discography by David Edwards, Mike Callahan & Patrice Eyries © 2018 by Mike Callahan MCA-700 Midline/Reissue Series: By the time the reissue series reached MCA-700, most of the ABC reissues had been accomplished in the MCA 500-600s. MCA decided that when full price albums were converted to midline prices, the albums needed a new number altogether rather than just making the administrative change. In this series, we get reissues of many MCA albums that were only one to three years old, as well as a lot of Decca reissues. Rather than pay the price for new covers and labels, most of these were just stamped with the new numbers in gold ink on the front covers, with the same jackets and labels with the old catalog numbers. MCA 700 - We All Have a Star - Wilton Felder [1981] Reissue of ABC AA 1009. We All Have A Star/I Know Who I Am/Why Believe/The Cycles Of Time//Let's Dance Together/My Name Is Love/You And Me And Ecstasy/Ride On MCA 701 - Original Voice Tracks from His Greatest Movies - W.C. Fields [1981] Reissue of MCA 2073. The Philosophy Of W.C. Fields/The "Sound" Of W.C. Fields/The Rascality Of W.C. Fields/The Chicanery Of W.C. Fields//W.C. Fields - The Braggart And Teller Of Tall Tales/The Spirit Of W.C. Fields/W.C. Fields - A Man Against Children, Motherhood, Fatherhood And Brotherhood/W.C. Fields - Creator Of Weird Names MCA 702 - Conway - Conway Twitty [1981] Reissue of MCA 3063.
    [Show full text]
  • Cercle Hermaphroditos5
    Cercle Hermaphroditos By Shualee Cook Cast: Laureline Reeves - trans female, 38, mastermind and ringleader of the Cercle Hermaphroditos Ambrose Carlton - trans male, mid 20s, prominent "gynander" looking to marry on his own terms Bertram Templeton - cis male, 30s, Ambrose's brother, active mover in the banking world Jennie June - trans female, 22, college student and aspiring author Phyllis Angevine - trans female, 33, queen of the Rialto "androgynes" Plum Gardner - trans female, 23, clerk by day, ingenue by night Officer Leahy - cis male, 30's, an old hand at the beat Officer Clark - cis male, late 20's, straight laced and by the book A Gentleman and a Man, played by the actors playing Leahy and Clark Setting: Rooms of the Cercle Hermaphroditos, an apartment on the upper floors of Columbia Hall, 32 Cooper Square, New York City; the ballroom below; a park bench on the Rialto Time: Fall of 1895 Note: Throughout the script, italics isolate private conversations between two people from the chatter around them. 1. Act One SCENE ONE The rooms of the Cercle Hermaphroditos. Stage left and center, the main parlor. Stylish, tastefully decorated, with the occasional flamboyant touch. Stage right, the kitchen. Bright and cheerful. In the parlor, LAURELINE REEVES, in a dress that manages to be elegant and sensible all at once, arranges a table for tea, taking pleasure in precision. A knock at the door. LAURELINE Everything in its place, and just in time. (to the door) Yes? VOICE Carlton to see Mr. Roland Reeves? LAURELINE Alone? VOICE As we'd discussed. Laureline looks through the door's peephole, is satisfied.
    [Show full text]
  • RECONCILIATION ACTION PLAN Buŋgul Sydney Festival 2020
    RECONCILIATION ACTION PLAN Buŋgul Sydney Festival 2020 ACKNOWLEDGEMENT OF COUNTRY Sydney Festival would like to acknowledge the Traditional Owners of the land on which the Festival takes place, and pay respect to the 29 clans of the Eora Nation. We acknowledge that this land falls within the boundaries of the Metropolitan Local Aboriginal Land Council. We would also like to acknowledge our Darug neighbours in Parramatta. We pay respect to Elders both past and present, and all Aboriginal and Torres Strait Islander peoples whichever Aboriginal and Torres Strait Islander nation they come from. INTRODUCTION Originally launched in 2013, our Reconciliation Action Plan (RAP) outlines our commitment towards improving outcomes for Aboriginal and Torres Strait Islander peoples by creating and fostering an organisational environment that cherishes respect, creates opportunity and builds cultural awareness. Sydney Festival recognises that Sydney is a vast, complex and exuberant city of cultural contrasts and social diversity, that Sydney’s Aboriginal and Torres Strait Islander heritage and contemporary cultures lie deep within the city’s identity and are key to an enlightened and progressive festival. COVER IMAGE: ALWAYS Sydney Festival 2019 2 1 Four Thousand Fish Sydney Festival 2018 A MESSAGE FROM THE EXECUTIVE DIRECTOR The Sydney Festival Reconciliation Action Plan remains our organisation's commitment to ensure that we keep moving forward on this vital issue for our nation. We are committed to working towards improving outcomes for Aboriginal and Torres Strait Islander peoples by creating and fostering an organisational environment that cherishes respect, creates opportunity and builds cultural awareness. We will continue to set ourselves new measurable goals, at the same time as maintaining ongoing successful initiatives as part of the ongoing journey for this organisation and our community.
    [Show full text]
  • The Builders Labourers' Federation
    Making Change Happen Black and White Activists talk to Kevin Cook about Aboriginal, Union and Liberation Politics Kevin Cook and Heather Goodall Published by ANU E Press The Australian National University Canberra ACT 0200, Australia Email: [email protected] This title is also available online at http://epress.anu.edu.au National Library of Australia Cataloguing-in-Publication entry Author: Cook, Kevin, author. Title: Making change happen : black & white activists talk to Kevin Cook about Aboriginal, union & liberation politics / Kevin Cook and Heather Goodall. ISBN: 9781921666728 (paperback) 9781921666742 (ebook) Subjects: Social change--Australia. Political activists--Australia. Aboriginal Australians--Politics and government. Australia--Politics and government--20th century. Australia--Social conditions--20th century. Other Authors/Contributors: Goodall, Heather, author. Dewey Number: 303.484 All rights reserved. No part of this publication may be reproduced, stored in a retrieval system or transmitted in any form or by any means, electronic, mechanical, photocopying or otherwise, without the prior permission of the publisher. Cover images: Kevin Cook, 1981, by Penny Tweedie (attached) Courtesy of Wildlife agency. Aboriginal History Incorporated Aboriginal History Inc. is a part of the Australian Centre for Indigenous History, Research School of Social Sciences, The Australian National University and gratefully acknowledges the support of the School of History RSSS and the National Centre for Indigenous Studies, The Australian National
    [Show full text]
  • Your Candidates Metropolitan
    YOUR CANDIDATES METROPOLITAN First Peoples’ Assembly of Victoria Election 2019 “TREATY TO ME IS A RECOGNITION THAT WE ARE THE FIRST INHABITANTS OF THIS COUNTRY AND THAT OUR VOICE BE HEARD AND RESPECTED” Uncle Archie Roach VOTING IS OPEN FROM 16 SEPTEMBER – 20 OCTOBER 2019 Treaties are our self-determining right. They can give us justice for the past and hope for the future. The First Peoples’ Assembly of Victoria will be our voice as we work towards Treaties. The First Peoples’ Assembly of Victoria will be set up this year, with its first meeting set to be held in December. The Assembly will be a powerful, independent and culturally strong organisation made up of 32 Victorian Traditional Owners. If you’re a Victorian Traditional Owner or an Aboriginal or Torres Strait Islander person living in Victoria, you’re eligible to vote for your Assembly representatives through a historic election process. Your voice matters, your vote is crucial. HAVE YOU ENROLLED TO VOTE? To be able to vote, you’ll need to make sure you’re enrolled. This will only take you a few minutes. You can do this at the same time as voting, or before you vote. The Assembly election is completely Aboriginal owned and independent from any Government election (this includes the Victorian Electoral Commission and the Australian Electoral Commission). This means, even if you vote every year in other elections, you’ll still need to sign up to vote for your Assembly representatives. Don’t worry, your details will never be shared with Government, or any electoral commissions and you won’t get fined if you decide not to vote.
    [Show full text]
  • Tuesday, 14 July 2009
    14 Jul 2009 Estimates Committee A—Legislative Assembly 1 TUESDAY, 14 JULY 2009 Legislative Assembly ESTIMATES COMMITTEE A—LEGISLATIVE ASSEMBLY Estimate Committee A Members Mr SD Finn (Chair) Mrs JM Attwood Mrs BM Kiernan Mr J-P H Langbroek Mr TJ Nicholls Mr KG Shine Mrs JA Stuckey In Attendance Hon. RJ Mickel, Speaker Mr N Laurie, Clerk of the Parliament Mr M Ries, Deputy Clerk Mr M Hickey, Director of Corporate and House Services Mr C Atkinson, Manager, Financial and Administrative Services Committee met at 8.30 am CHAIR: Good morning, Mr Speaker. Welcome to your first estimates committee in the role of Speaker. I declare this meeting of Estimates Committee A now open. Can I start first by acknowledging the traditional owners of the land on which this hearing is taking place today. My name is Simon Finn. I am the member for Yeerongpilly and the chair of this committee. Joining me on the committee are: Mr John-Paul Langbroek, the member for Surfers Paradise and deputy chair; Mrs Betty Kiernan, the member for Mount Isa; Mrs Julie Attwood, the member for Mount Ommaney; Mr Kerry Shine, the member for Toowoomba North; Mr Tim Nicholls, the member for Clayfield; and Mrs Jann Stuckey, the member for Currumbin. The committee will examine the proposed expenditure contained in the Appropriation (Parliament) Bill 2009 for the Legislative Assembly and the Appropriation Bill 2009 for the portfolios of the Premier and Minister for the Arts, the Treasurer and Minister for Employment and Economic Development, and the Minister for Public Works and Information and Communication Technology.
    [Show full text]
  • DEADLYS® FINALISTS ANNOUNCED – VOTING OPENS 18 July 2013 Embargoed 11Am, 18.7.2013
    THE NATIONAL ABORIGINAL & TORRES STRAIT ISLANDER MUSIC, SPORT, ENTERTAINMENT & COMMUNITY AWARDS DEADLYS® FINALISTS ANNOUNCED – VOTING OPENS 18 July 2013 Embargoed 11am, 18.7.2013 BC TV’s gripping, award-winning drama Redfern in the NBA finals, Patrick Mills, are finalists in the Male Sportsperson Now is a multiple finalist across the acting and of the Year category, joining two-time world champion boxer Daniel television categories in the 2013 Deadly Awards, Geale, rugby union’s Kurtley Beale and soccer’s Jade North. with award-winning director Ivan Sen’s Mystery Across the arts, Australia’s best Indigenous dancers, artists and ARoad and Satellite Boy starring the iconic David Gulpilil. writers are well represented. Ali Cobby Eckermann, the SA writer These were some of the big names in television and film who brought us the beautiful story Ruby Moonlight in poetry, announced at the launch of the 2013 Deadlys® today, at SBS is a finalist with her haunting memoir Too Afraid to Cry, which headquarters in Sydney, joining plenty of talent, achievement tells her story as a Stolen Generations’ survivor. Pioneering and contribution across all the award categories. Indigenous award-winning writer Bruce Pascoe is also a finalist with his inspiring story for lower primary-school readers, Fog Male Artist of the Year, which recognises the achievement of a Dox – a story about courage, acceptance and respect. Aboriginal and Torres Strait Islander musicians, will be a difficult category for voters to decide on given Archie Roach, Dan Sultan, The Deadly Award categories of Health, Education, Employment, Troy Cassar-Daley, Gurrumul and Frank Yamma are nominated.
    [Show full text]
  • As Rowena Robertson Discovers, This Visually Stunning Film Not Only
    Focus on Indigenous Australia 1 2 6 7 murundak – songs of freedom As ROWENA ROBERTSON discovers, this visually stunning film not only showcases the extraordinary talents of some of Australia’s foremost Indigenous performers, it also expertly captures the healing powers of song. Natasha Gadd and Rhys Graham’s There is a clear through line here from the backdrop of Australia’s chang- murundak – songs of freedom follows Gadd and Graham’s previous docu- ing political landscape, from the end a tour by the Black Arm Band, a group mentary, Words from the City (2007). of the Howard years to the advent of made up of some of Australia’s most Words is also music focused, following Labor prime minister Kevin Rudd. It renowned Indigenous musicians. artists from Australia’s hip hop com- also encompasses Sorry Day and the Comprising celebrated artists includ- munity, many of whom are Indigenous. Northern Territory Intervention. ing Archie Roach, Kutcha Edwards, Both films take a similar approach: Ruby Hunter (who passed away before largely observational, with the directors In its content, structure, political the film’s release), Lou Bennett and letting their subjects speak, and obvi- overtones and focus on an oppressed Dan Sultan, the band travels across ously sing, for themselves. In murundak people, murundak in some respects Australia, playing each other’s songs (which means ‘alive’ in Woirurrung recalls Mel Stuart’s Wattstax (1973). in venues large and small, indoor and language), live performance, backstage That extraordinary film depicts African outdoor, urban and far-flung, even fly- and rehearsal footage is intercut with American musicians performing at the ing to London to perform at the pres- artist interviews and archival vision.
    [Show full text]
  • ANNUAL REPORT 2013 / 2014 Page 1
    Geelong Community Foundation ANNUAL REPORT 2013 / 2014 Page 1 Geelong Community Foundation Your Gift Working Forever Annual Report 2013/2014 OUR CORE PURPOSE Geelong Community Foundation ANNUAL REPORT 2013 / 2014 Page 2 The Geelong Community Foundation exists to make a positive and Our Structure lasting difference to people in the Geelong region. The Foundation has been endorsed by the Australian Tax Office as Our Role a charity. Donations to the Foundation’s Gift Fund are tax deductible The Geelong region has needs which are not being met from and the Foundation is exempt from tax. other funding sources. The Geelong Community Foundation The Foundation has been set up to support the people living in the encourages individuals, families, business and other organisations City of Greater Geelong, the Borough of Queenscliffe, the Surf to make donations to meet these needs, now and in the future. Coast Shire and the southern part of the Golden Plains Shire. These donations are retained as capital by the Foundation to build a perpetual and substantial fund for philanthropic purposes, with the The Foundation is governed by a volunteer board of Directors, with income from this capital used to make local community grants. a wide range of skills, experience and an extensive knowledge of the community. The Foundation is able to support charitable organisations across Our Major Aims the full spectrum of health and welfare services, as well as cultural • Manage and invest funds prudently to achieve fund growth and programs and environmental projects. good returns • Make grants for the long-term benefit of our community and evaluate their effectiveness • Provide a simple, cost effective way to make substantial donations to our community • Be part of new initiatives and achievements in community building • Maintain the highest professional standards, service and transparency to the community Geelong Community Foundation Tag Line The Foundation adopted a new Tag Line this year which is “Your Gift Working Forever”.
    [Show full text]
  • Cultural Centre Will Host the Francofolies Festival
    FRI SUN TJIBAOU 08>10 CULTURAL sept. 2017 CENTRE SAT SUN NC 1 ÈRE 09>10 FRANCOFOLIES sept. 2017 VILLAGE press release Press relations Fany Torre Tél : (+687) 74 08 06 @ : [email protected] Organisation Stéphanie Habasque-Tobie Chris Tatéossian Tél : (+687) 74 80 03 Tél : (+687) 84 37 12 @ : [email protected] @ : [email protected] MusiCAL Productions 1 ST EDITION OF THE Francofolies Festival in New Caledonia From the 8th to the 10th of September 2017, the Tjibaou Cultural Centre will host the Francofolies Festival. Three days of partying, French language music and numerous local and international artists of renown are expected. Parallel to these concerts, on Sunday, 9th and Sunday, 10th of September, the “NC 1ère Village of the Francofolies” will be dedicated to the Caledonian scene. It will also be a place where the public can meet international artists. At the Tjibaou cultural centre days of Caledonian artists or bands on stage 3 concerts 6 before the international artists NC 1ère Festival Village, with over international artists 20 local artists (music, theatre, 8 or bands 1dance, etc.) A festival rooted in the Pacific as much as in the francophone world The festival is of course linked to the famous Francofolies Festival in La Rochelle, France, but it is also strongly oriented towards the world of Oceania. The aim is to present the different cultures in the entire Pacific, including the English-speaking regions. The Francofolies New Caledonia will also present numerous groups interpreting the Kaneka, to celebrate the 30th anniversary of this style of music.
    [Show full text]
  • Steve Fieldhouse Full CV December 2014
    1 Steve Fieldhouse CV Last Updated, December 15, 2014 Curriculum Vitae for Steve Fieldhouse Includes: 1. Contents and Personal Details (Page 1) 2. Introduction (Page 2) 3. Production Credits (Pages 3 to 19) 4. Studio Experience (Pages 19 to 21) 5. Training and Lecturing (Pages 22 to 24) 6. Broadcast Experience (Pages 24 to 35) 7. Experience as a Musician (Pages 35 to 38) 8. Technical Support (Pages 38 to 42) 9. Qualifications (Pages 42 to 44) 10. Equipment Used (Pages 44 to 47) 11. Lecturing Subjects (Pages 48 to 51) 12. Employment History (Pages 51 to 53) Personal Details Name: Steve Fieldhouse Email: [email protected] Website: www.earsight.com.au Phone: 0407 970425 Postal Address: 18 Broadwater Esplanade, Bilambil Heights, NSW, 2486 Residency Status: Australian Citizen Drivers License: Medium Rigid Class Truck License 2 Steve Fieldhouse CV Last Updated, December 15, 2014 Introduction Steve Fieldhouse is an Audio Engineer, Producer, Musician and Lecturer currently based in Australia. Steve’s work as a Recording and Mixdown Audio Engineer/Producer spans Music, Broadcast, Live Concert Recording, Film, Post Production, Theatre, AV, Sound Reinforcement and Mastering Industry Sectors. Some Production Highlights include Recording and Mixing: Ø Music Artists from more than 80 countries Ø Direct broadcasts for ABC Classic FM of Symphony, Chamber Orchestras, Ensembles and Operas across Australia Ø ABC RN (Radio National) and ABC Classic FM programs and features Ø Feature Film Soundtrack Recordings Ø Adelaide International Guitar Festival 2010, 2012 and 2014 Ø Bangalow Music Festival, 2014 Ø WOMADELAIDE Festivals from 2004 to 2014 Ø Woodford Folk Festival 2012 Ø Byron Bay Bluesfest 2010 and 2013 Ø Engineering Music Recordings for ABC TV, Triple J and Local Radio Ø 100+ CD releases covering most music genres Steve has worked as a Lecturer and Trainer since 1993.
    [Show full text]
  • VIBE ACTIVITIES Issueyears 186 3-4
    Years 3-4 Y E A R Name: 3-4 VIBE ACTIVITIES IssueYears 186 3-4 The 2012 Deadlys – Female Artist of the Year page 7 JESS BECK JESSICA MAUBOY FEMALE ARTIST Originally hailing from Mingbool (near Mt Jessica Mauboy first graced Australian Gambier, SA), Jess drifted into singing while television as a shy 16 year old on studying acting at Adelaide University, Australian Idol in 2006. She was runner- OF THE YEAR but she admits music was always her first up that season, but was subsequently love. Jess wanted to be a performer from signed to Sony Music Australia. In an early age. While studying a Bachelor of February 2007 she released her debut Rainmakers with Neil Murray, founder of Creative Arts (Acting) at Flinders University, LP, The Journey, and in 2008, recorded the Warumpi Band. Following her recording Adelaide, she developed an interest in jazz her album Been Waiting which achieved debut on the Paul Kelly single Last Train, and cabaret. She auditioned for a band, double platinum sales, garnered seven Anu’s debut album Stylin’ Up produced which later became the Jess Beck Quartet. ARIA award nominations and produced numerous hit singles including Monkey Jess released her debut album Hometown her first number-one single Burn, as well and the Turtle, Party, Wanem Time and the Dress earlier this year. It is a combination as the album’s other top-10 hits, Because beautiful My Island Home, the song that of jazz, folk and Indie pop. Since then, she and Running Back. In 2010 she released was to become her signature tune.
    [Show full text]