DEADLYS® FINALISTS ANNOUNCED – VOTING OPENS 18 July 2013 Embargoed 11Am, 18.7.2013
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Education Resource
AUSTRALIA DRAMA BRAN NUE DAE MUSIC BY JIMMY CHI & KUCKLES Presented by West Australian Opera in Association with Perth Festival EDUCATION RESOURCE Image: Ben Symons 1 7 February - 1 March CONTENTS 2 Synopsis 2 Credits 2 Biographies 4 About the Performance 4 Major Themes 4 Key Ideas to Explore 4 Resources 5 Before the Show 7 After the Show 9 Specific Links to Curriculum 10 Appendix Perth Festival respects the Noongar people who remain the spiritual and cultural birdiyangara of this kwobidak boodjar. We honour the significant role they play for our community and our Festival to flourish. SYNOPSIS BIOGRAPHIES Set out on the road trip of a lifetime with a spunky teenager running away from school, two hippies, a wily Uncle and a JIMMY CHI 1948 – 2017 German priest. By the time you shake the red dust from Jimmy Chi was a songwriter, playwright, author and brilliant performer your feet, you’ll know what it means to come home. from the pearling town of Broome. He was studying engineering at University when a near-fatal car accident threw his life off on a different Jimmy Chi’s coming-of-age musical Bran Nue Dae trajectory. He returned to Broome, feeling a failure, unable to work. is an exuberant ride through 1960s Western Australia. Young Willie hitchhikes his way from mission school back On the steps of the Roebuck Hotel verandah with his old people and to Broome, determined to win the heart of the girl he countrymen, he was accepted without expectation or judgement. Their left behind. stories made him laugh again. -
Submission to the Enquiry of the House Of
SUBMISSION TO THE INQUIRY OF THE HOUSE OF REPRESENTATIVES STANDING COMMITTEE ON COMMUNICATIONS INFORMATION TECHNOLOGY AND THE ARTS INTO COMMUNITY BROADCASTING Submission 80 FROM THE NATIONAL INDIGENOUS TELEVISION (NITV) COMMITTEE Executive Summary In September 2005 the Australian Government announced that from 1 July 2006 it will fund the establishment of an Indigenous television service. The National Indigenous Television (NITV) Committee1 is charged with the implementation of the new service; provisionally named National Indigenous Television (NITV). The NITV Committee proposes that NITV, as a fully fledged, government licenced broadcast service, should be provided with the same digital spectrum access as the other mainstream broadcasters. Such an allocation would provide an opportunity for NITV to act as a “channel multiplexer” to provide digital carriage of local community broadcasters. This would allow the community services to continue to be provided with spectrum “free of charge”, without the need for them to provide their own expensive technical infrastructure for digital services. 1 See Appendix 1 for NITV Committee members. The NITV Committee is a voluntary, industry representative group which was formed by the Australian Indigenous Communications Association (AICA) to develop an effective strategy for the establishment of a national Indigenous television service. The group comprises representatives from AICA, Indigenous Remote Communications Association Aboriginal and Torres Strait Islanders Corporation (IRCA), Indigenous Screen Australia (ISA), IMPARJA Television and those with specific contributing industry expertise. Submission The House of Representatives Standing Committee on Communications Information Technology and The Arts is conducting an enquiry into community broadcasting and seeks input from involved organisations on:- • The scope and role of community broadcasting • Content and programming requirements • Technological opportunities • Opportunities and threats to achieving a diverse and robust network of community broadcasters 1. -
Tropical Storm Forms in Gulf Morrow,” Eckstein Said Wednes- Andrea to Bring Torrential Rains ■ for Updates on Tropical Day Night
Fuji Asian Bistro brings taste of Far East to Southeast /C1 THURSDAY TODAY CITRUS COUNTY & next morning HIGH 83 Mostly cloudy. 80 LOW percent chance of thunderstorms 76 PAGE A4 www.chronicleonline.com JUNE 6, 2013 Florida’s Best Community Newspaper Serving Florida’s Best Community 50¢ VOL. 118 ISSUE 303 Tropical storm forms in Gulf morrow,” Eckstein said Wednes- Andrea to bring torrential rains ■ For updates on Tropical day night. “Hope nobody had any Tropical Storm Storm Andrea, check the outdoor plans.” Andrea is the first named Chronicle’s storm of the 2013 Atlantic MIKE WRIGHT casters did not expect it to Facebook page or Eckstein said some flooding the sheriff’s office blog, hurricane season. Staff writer strengthen to a hurricane. could be expected in areas prone 5:30 pm EDT, June 5. Forecasters issued a tropical citruseoc.blogspot.com. for high water, such as Ozello, La. Ga.Ala.Mis. 300 mi The young hurricane season’s storm warning for a swath of parts of Homosassa and Crystal 300 km first named storm formed Florida’s west coast starting at rain, said Capt. Joe Eckstein, who River. Eckstein also said residents Tropical Storm 30° Andrea Fla. Wednesday evening in the Gulf of Boca Grande, an island to the heads the county’s Emergency should keep an eye on the Mexico, promising a wet and northwest of Fort Myers, and end- Operations Center. 3:21 p.m. high tide in King’s Bay. Gulf of BAHAMAS windy Thursday in Citrus County ing in the Big Bend area of the Eckstein said forecasters ex- The county is not opening sand- Mexico CUBA and across the Florida west coast. -
Round of 16 Start List Brazil - Australia # 41 21 JUN 2015 14:00 Moncton / Moncton Stadium / CAN
FIFA Women's World Cup Canada 2015™ Round of 16 Start list Brazil - Australia # 41 21 JUN 2015 14:00 Moncton / Moncton Stadium / CAN Brazil (BRA) Shirt: yellow Shorts: blue Socks: white Competition statistics # Name ST Pos DOB Club H MP Min GF GA Y 2Y=R R 1 LUCIANA GK 24/07/87 Ferroviaria (BRA) 173 3 270 2 FABIANA DF 04/08/89 Centro Olimpico (BRA) 163 2 167 3 MONICA DF 21/04/87 Ferroviaria (BRA) 172 3 246 5 ANDRESSA MF 01/05/95 Kindermann (BRA) 161 3 261 6 TAMIRES DF 10/10/87 Centro Olimpico (BRA) 161 3 270 8 THAISA MF 17/12/88 Ferroviaria (BRA) 166 2 150 9 ANDRESSA ALVES MF 10/11/92 Sao Jose (BRA) 168 2 179 1 10 MARTA (C) MF 19/02/86 FC Rosengard (SWE) 162 2 180 1 11 CRISTIANE FW 15/05/85 Centro Olimpico (BRA) 170 2 179 16 RAFAELLE DF 18/06/91 Sao Francisco (BRA) 176 3 262 20 FORMIGA MF 03/03/78 Sao Jose (BRA) 162 2 180 1 Substitutes 4 RAFAELA FW 18/08/88 Boston Breakers (USA) 156 2 13 7 BEATRIZ MF 17/12/93 Hyundai Steel Red An. (KOR) 174 1 31 12 BARBARA GK 04/07/88 Kindermann (BRA) 171 13 POLIANA DF 06/02/91 Sao Jose (BRA) 174 2 103 14 GESSICA DF 19/03/91 Ferroviaria (BRA) 165 2 32 15 TAYLA DF 09/05/92 Ferroviaria (BRA) 174 17 ROSANA MF 07/07/82 Sao Jose (BRA) 171 1 90 18 RAQUEL FERNANDES X MF 21/03/91 Ferroviaria (BRA) 160 3 100 1 1 19 MAURINE MF 14/01/86 Ferroviaria (BRA) 160 1 90 21 GABRIELA MF 28/02/85 Centro Olimpico (BRA) 171 1 78 22 DARLENE MF 11/01/90 Centro Olimpico (BRA) 172 2 89 23 LETICIA GK 13/08/94 Sao Jose (BRA) 175 Coach VADAO (BRA) Australia (AUS) Shirt: navy blue Shorts: navy blue Socks: navy blue Competition statistics # Name ST Pos DOB Club H MP Min GF GA Y 2Y=R R 1 Lydia WILLIAMS GK 13/05/88 Canberra United (AUS) 175 2 180 1 5 Laura ALLEWAY DF 28/11/89 Brisbane Roar FC (AUS) 178 3 263 7 Steph CATLEY DF 26/01/94 Melbourne Victory FC (AUS) 171 3 270 8 Elise KELLOND-KNIGHT DF 10/08/90 Brisbane Roar FC (AUS) 165 3 270 9 Caitlin FOORD FW 11/11/94 Perth Glory SC (AUS) 165 3 270 10 Emily VAN EGMOND MF 12/07/93 Newcastle United Jet. -
Digital Songlines: the Adaption of Modern Communication Technology at Yuendemu, a Remote Aboriginal Community in Central Australia
Digital Songlines: the adaption of modern communication technology at Yuendemu, a remote Aboriginal Community in Central Australia by Lydia Buchtmann A thesis submitted in partial fulfilment of the requirements for the Degree of Masters ofArts (Research) in Communication at the University of Canberra April 2000 AKNOWLEDGEMENTS Special thanks to: The Warlpiri and Pitjantjatjara people for their hospitality and willingness to share their achievements with me. Tom Kantor, Declan O'Gallagher, Ronnie Reinhart and Robin Granites at the Warlpiri Media Association. Chris Ashby and Will Rogers, as well as Marina Alice, Alec Armstrong and Dale Nelson at PY Media. Clint Mitchell and George Henna at CAAMA and Greg McFarland and all the staff at Imparja. Melinda Hinkson for pointing me in the right direction and giving me sound advice on where to start. Jennifer Deger, Evan Wyatt, Philip Batty and Helen Molnar for sharing their experiences in Aboriginal broadcasting. Gertrude Stotz from the Pitjantjatjara Land Council for her knowledge of the Warlpiri and Toyotas. Nick Peterson for pointing out Marika Moisseeff's work. The National Indigenous Media Association, especially Gerry Pyne at the National Indigenous Radio Service. Nikki Page at 5UV for her insight into training. Mike Hollings at Te Mangai Paho for assistance in helping me to understand Maori broadcasting. Lisa Hill and Greg Harris at ATSIC for bringing me up-to-date with the latest in indigenous broadcasting policy. The helpful staff at the Australian Institute ofAboriginal and Torres Strait Islander Studies Library. My supervisors Dr Elisabeth Patz and Dr Glen Lewis at the University of Canberra for keeping me on track. -
Did You Know? Some Quick Statistics…
Football, or soccer, is truly a World Game, with an unmatched ability to bring people from different backgrounds together. With attention turning to Brazil for the FIFA World Cup, which starts on 12 June 2014, there is no better time to discover the contributions Aboriginal and Torres Strait Islander people have made to the World Game. Did you know? Harry Williams is the only male Aboriginal player to represent Australia at a World Cup. He joined the Socceroos in 1970 and later played in the 1974 World Cup in Germany.1 In 2008, Jade North became the first Aboriginal player to captain the Socceroos. He has a tattoo with his tribal name, “Biripi”, on his left arm and recently played in the 2014 A-league grand final.2 Lydia Williams and Kyah Simon are the first two Aboriginal women to play together in a World Cup. Lydia played in the 2007 and 2011 World Cups, and Kyah played in 2011.3 In 2011 Kyah became the first Aboriginal Australian to score a goal in a World Cup. Charlie Perkins was offered a contract to play soccer for Manchester United before becoming the first Aboriginal person to graduate from the University of Sydney. Travis Dodd was the first Aboriginal Australian to score a goal for the Socceroos.4 Some quick statistics… The Football Federation of Australia (FFA) estimates that there are 2,600 registered Aboriginal and Torres Strait Islander soccer players.5 Harry Williams played 6 matches for Australia in the 1974 World Cup qualifying campaign.6 1 http://www.deadlyvibe.com.au/2007/11/harry-williams/ 2 The Aboriginal Soccer Tribe: A History of Aboriginal Involvement with the World Game, John Maynard, Magabala Books: Broome, 2011 3 http://noapologiesrequired.com/the-matildas/15-facts-about-the-matildas 4 http://www.footballaustralia.com.au/perthglory/players/Travis-Dodd/72 5 http://www.footballaustralia.com.au/site/_content/document/00000601-source.pdf 6 Tatz, C & Tatz, C. -
The Australian Theatre Family
View metadata, citation and similar papers at core.ac.uk brought to you by CORE provided by Sydney eScholarship A Chance Gathering of Strays: the Australian theatre family C. Sobb Ah Kin MA (Research) University of Sydney 2010 Contents: Epigraph: 3 Prologue: 4 Introduction: 7 Revealing Family 7 Finding Ease 10 Being an Actor 10 Tribe 15 Defining Family 17 Accidental Culture 20 Chapter One: What makes Theatre Family? 22 Story One: Uncle Nick’s Vanya 24 Interview with actor Glenn Hazeldine 29 Interview with actor Vanessa Downing 31 Interview with actor Robert Alexander 33 Chapter Two: It’s Personal - Functioning Dysfunction 39 Story Two: “Happiness is having a large close-knit family. In another city!” 39 Interview with actor Kerry Walker 46 Interview with actor Christopher Stollery 49 Interview with actor Marco Chiappi 55 Chapter Three: Community −The Indigenous Family 61 Story Three: Who’s Your Auntie? 61 Interview with actor Noel Tovey 66 Interview with actor Kyas Sheriff 70 Interview with actor Ursula Yovich 73 Chapter Four: Director’s Perspectives 82 Interview with director Marion Potts 84 Interview with director Neil Armfield 86 Conclusion: A Temporary Unity 97 What Remains 97 Coming and Going 98 The Family Inheritance 100 Bibliography: 103 Special Thanks: 107 Appendix 1: Interview Information and Ethics Protocols: 108 Interview subjects and dates: 108 • Sample Participant Information Statement: 109 • Sample Participant Consent From: 111 • Sample Interview Questions 112 2 Epigraph: “Happy families are all alike; every unhappy family is unhappy in its own way. Everything was in confusion in the Oblonsky’s house. The wife had discovered that the husband was carrying on an intrigue with a French girl, who had been a governess in their family, and she had announced to her husband that she could not go on living in the same house with him. -
VCE History Study Design
History Victorian Certificate of Education Study Design Victorian Curriculum and Assessment Authority 2004 COVER ARTWORK WAS SELECTED FROM THE TOP ARTS EXHIBITION. COPYRIGHT REMAINS THE PROPERTY OF THE ARTIST. Latoya BARTON Tarkan ERTURK The sunset (detail) Visage (detail) from a series of twenty-four 201.0 x 170.0 cm 9.0 x 9.0 cm each, oil on board synthetic polymer paint, on cotton duck Liana RASCHILLA Nigel BROWN Teapot from the Crazy Alice set Untitled physics (detail) 19.0 x 22.0 x 22.0 cm 90.0 x 440.0 x 70.0 cm earthenware, clear glaze. lustres composition board, steel, loudspeakers, CD player, amplifier, glass Kate WOOLLEY Chris ELLIS Sarah (detail) Tranquility (detail) 76.0 x 101.5 cm, oil on canvas 35.0 x 22.5 cm gelatin silver photograph Christian HART Kristian LUCAS Within without (detail) Me, myself, I and you (detail) digital film, 6 minutes 56.0 x 102.0 cm oil on canvas Merryn ALLEN Ping (Irene VINCENT) Japanese illusions (detail) Boxes (detail) centre back: 74.0 cm, waist (flat): 42.0 cm colour photograph polyester cotton James ATKINS Tim JOINER Light cascades (detail) 14 seconds (detail) three works, 32.0 x 32.0 x 5.0 cm each digital film, 1.30 minutes glass, flourescent light, metal Lucy McNAMARA Precariously (detail) 156.0 x 61.0 x 61.0 cm painted wood, oil paint, egg shells, glue, stainless steel wire Accredited by the Victorian Qualifications Authority 41a St Andrews Place, East Melbourne, Victoria 3002 Developed and published by the Victorian Curriculum and Assessment Authority 41 St Andrews Place, East Melbourne, Victoria 3002 This completely revised and reaccredited edition published 2004. -
Australian Stories of Social Enterprise
Australian Stories of Social Enterprise Cheryl Kernot and Joanne McNeill First Edition © Copyright The University of New South Wales 2011 All rights reserved. No part of this book may be reproduced without permission from the publishers or their agents. Published by The University of New South Wales Sydney, NSW, 2052 Design, layout and printing by Breakout Design Print Web National Library of Australia Cataloguing-in-Publication entry Authors: Cheryl Kernot and Joanne McNeill Title: Australian Social Enterprises: Stories of Challenge ISBN: 978-0-9808764-1-3 Subjects: Social business enterprise, Social firm, Impact maximization, Social entrepreneurship, Social business, Social responsibility, Public/social/ private partnership, Grameen family of organizations, Social venture capital, Corporate social responsibility, Corporate Social Entrepreneurship, Citizen enterprise Acknowledgements The authors would like to acknowledge the participation of all the interviewees. We understand that every time we ask these busy people to participate in sector development activities we take them away from running their enterprises. Their efforts are central to growing this emerging sector and we honour those efforts as they undertake the challenges of their respective social enterprises. We would also like to acknowledge the support of our respective employers. This includes the patience our colleagues and team mates have afforded us while we have juggled our responsibilities. This project is an extension of our core roles and we greatly appreciate the time that has been extended to us to make it happen. A special acknowledgement goes to Ananya Nandakumar at CSI who has been an invaluable support in transcribing, researching, writing, proofing and overseeing contract details. Methodology The project has sought to provide a vehicle for Australian social enterprise practitioners to tell their stories. -
By Katie Beckett
Darebin Arts Speakeasy and ILBIJERRI Theatre Company present WHICH WAY HOME By Katie Beckett NORTHCOTE TOWN HALL Wed 24 Aug – Sun 3 Sep 2016 65mins (no interval) CREATIVE TEAM Writer Katie Beckett Production Manager Carly Heard Director Rachael Maza Lighting Designer Nik Pajanti Performers Katie Beckett & Tony Briggs Dramaturge Jane Bodie Set & Costume Designer Emily Barrie Stage Manager Kellie Jayne Chambers Sound Designer Mark Coles Smith Sound Support Steph O’Hara ILBIJERRI Theatre Company Artistic Director Rachael Maza Education & Learning Manager Executive Producer Simeon Moran Kamarra Bell-Wykes Creative Producer Ben Graetz Development & Marketing Manager Iain Finlayson Creative Producer Naretha Williams Company Manager Lauren Bok Associate Producer Damienne Pradier Finance Manager Jon Hawkes DIRECTOR’S NOTE Working with Katie Beckett on her first This production is the perfect antidote. play, WHICH WAY HOME, has been an WHICH WAY HOME depicts an absolute joy. Katie’s generosity, Aboriginal man who is loving, caring, courage, hard work and talent over the funny and ultimately a very good father. last couple of years has finally paid of. This is a universal human story that Now in the rehearsal room I have the transcends race, time and place. Most pleasure of working with both her and everyone can relate to having a father or the glorious, equally multi-talented Tony a child. Briggs. It’s experiences like this that afrm why I love what I do! I’d like to acknowledge the extraordinary creative team: Katie Beckett (Writer and Although this journey started a couple Actor), Jane Bodie (Dramaturge), Emily of years ago, WHICH WAY HOME Barrie (Set and Costume), Mark couldn’t be more timely. -
Big Hart the NAMATJIRA PROJECT the IMPACT of the ARTS in REGIONAL AUSTRALIA
STATS AND STORIES - CASE STUDY 4 CIVIC PRIDE Big hART THE NAMATJIRA PROJECT THE IMPACT OF THE ARTS IN REGIONAL AUSTRALIA RUTH RENTSCHLER AND KERRIE BRIDSON DEAKIN UNIVERSITY JODY EVANS MELBOURNE BUSINESS SCHOOL WE WOULD LIKE TO ACKNOWLEDGE THE OVERVIEW WESTERN ARANDA PEOPLE OF THE CENTRAL STATS AND STORIES: AUSTRALIAN DESERT. PLEASE BE ADVISED THE IMPACT OF THE ARTS IN REGIONAL AUSTRALIA THAT THIS CASE STUDY REFERENCES ABORIGINAL PEOPLE WHO ARE DECEASED. Stats and Stories: The Impact of the Arts in The research project was undertaken by academic Regional Australia is a ground breaking project staff at Deakin University in the Business School. funded by Regional Arts Australia and The The project was led by Professor Ruth Rentschler, TABLE OF CONTENTS Australia Council for the Arts that calls for new and Dr Kerrie Bridson at Deakin University, as well ways to identify and respond to Australia’s vast as Associate Professor Jody Evans at Melbourne OVERVIEW 1 land, diversity and differences, including its Business School. Research support was provided challenges and opportunities in regional Australia, by Claudia Escobar, Emma Winston and Nick INTRODUCTION 2 using the arts as the vehicle. Cooke. BACKGROUND 5 The Stats and Stories project covers five themes For more information about the project please and five case studies. The five themes were contact John Oster, Executive Director, Regional ACHIEVEMENTS 9 developed from the literature on the regional Arts Australia [email protected] END NOTES 14 impact of the arts. One case study is written on each of the five themes. The five themes are: 1. -
N.Smith Gallery JAMES TYLOR
N.Smith Gallery JAMES TYLOR b. 1986, Latje Latje/Barkindji Country (Mildura, Victoria). Nunga (Kaurna), Māori (Te Arawa) and European (English, Scottish, Irish, Dutch and Norwegian). Lives and works on Ngunnawal/Ngambri Country, Kamberri (Canberra). Kaurna, Thura-Yura language region. EDUCATION 2013 Masters of Visual Art and Design (Photography), South Australian School of Art 2012 Bachelor of Fine Arts with Honours (Photography), Tasmanian School of Art 2011 Bachelor of Visual Arts (Photography), South Australian School of Art AWARDS 2019 Telstra National Aboriginal & Torres Strait Islander Art Awards, Museum and Art Gallery Northern Territory (Finalist) 15 Artists 2019, Moreton Bay Art Gallery, Caboolture (Finalist) Pro Hart Art Prize Broken Hill Regional Art Gallery, NSW (Finalist) 2018 Fleurieu Biennale Art Prize, Stump Hill Gallery, Fleurieu Arthouse & Signal Point Galleries, Fleurieu Peninsula, SA (Winner) National Works on Paper Prize, Mornington Peninsula Regional Gallery, Vic (Winner) National Photography Prize 2018, Murray Art Museum Albury, NSW (Finalist) 2017 Gabriele Basilico Prize in Architecture and Landscape Photography, Milano, Italy (Finalist) Bowness Prize, Monash Gallery of Art, Melbourne (Finalist) Redlands Konica Minolta Art Prize (Emerging Prize), National Art School Gallery, Sydney (Finalist) Ramsay Art Prize, Art Gallery of South Australia (Finalist) 2016 Wyndham Art Prize, Wyndham Art Gallery, Werribee (Finalist) Fleurieu Art prize, Samstag Museum, Adelaide (Finalist) 33rd Telstra National Aboriginal and Torres