Tuesday, 14 July 2009

Total Page:16

File Type:pdf, Size:1020Kb

Tuesday, 14 July 2009 14 Jul 2009 Estimates Committee A—Legislative Assembly 1 TUESDAY, 14 JULY 2009 Legislative Assembly ESTIMATES COMMITTEE A—LEGISLATIVE ASSEMBLY Estimate Committee A Members Mr SD Finn (Chair) Mrs JM Attwood Mrs BM Kiernan Mr J-P H Langbroek Mr TJ Nicholls Mr KG Shine Mrs JA Stuckey In Attendance Hon. RJ Mickel, Speaker Mr N Laurie, Clerk of the Parliament Mr M Ries, Deputy Clerk Mr M Hickey, Director of Corporate and House Services Mr C Atkinson, Manager, Financial and Administrative Services Committee met at 8.30 am CHAIR: Good morning, Mr Speaker. Welcome to your first estimates committee in the role of Speaker. I declare this meeting of Estimates Committee A now open. Can I start first by acknowledging the traditional owners of the land on which this hearing is taking place today. My name is Simon Finn. I am the member for Yeerongpilly and the chair of this committee. Joining me on the committee are: Mr John-Paul Langbroek, the member for Surfers Paradise and deputy chair; Mrs Betty Kiernan, the member for Mount Isa; Mrs Julie Attwood, the member for Mount Ommaney; Mr Kerry Shine, the member for Toowoomba North; Mr Tim Nicholls, the member for Clayfield; and Mrs Jann Stuckey, the member for Currumbin. The committee will examine the proposed expenditure contained in the Appropriation (Parliament) Bill 2009 for the Legislative Assembly and the Appropriation Bill 2009 for the portfolios of the Premier and Minister for the Arts, the Treasurer and Minister for Employment and Economic Development, and the Minister for Public Works and Information and Communication Technology. We will examine the estimates in that order. The proceedings today are lawful proceedings subject to the standing rules and orders of the parliament. As such, I remind all visitors that any person admitted to this hearing may be excluded in accordance with standing order 206. In relation to media coverage of the hearing, the committee has resolved to allow television film coverage and photography during my introduction and the opening statements by Mr Speaker and ministers. The committee has also agreed to the live broadcast of the hearing via the Parliamentary Service’s website and to receivers throughout the parliamentary precinct. Before we begin, can I ask that all mobile phones be switched off. The first item for consideration is the estimates for the Legislative Assembly. I welcome you, Mr Speaker, and your advisers. The committee will examine estimates for the Legislative Assembly until 9.30 am. The time limit for questions is one minute and there is three minutes for answers. A warning bell will chime 15 seconds before time runs out. An extension of time may be given with the consent of 2 Estimates Committee A—Legislative Assembly 14 Jul 2009 the questioner. For the benefit of Hansard, I ask advisers if you are called to give an answer to please state your name before speaking. I now declare the proposed expenditure for the Legislative Assembly open for examination. The question before the committee is— That the proposed expenditure be agreed to. Mr Speaker, would you care to make an opening statement? Mr SPEAKER: Thank you, Mr Chairman. The 2009-10 budget estimates for the parliament are the first for which I am responsible as Speaker of the Legislative Assembly of Queensland, and I feel honoured to appear before the committee today. As committee members would be aware, the Appropriation (Parliament) Bill seeks to provide funding for salaries and allowances for members of the Legislative Assembly and funding for the Parliamentary Service, which provides administrative and support services to the Legislative Assembly. The total appropriation sought for the parliament in 2009-10 is $68.624 million, an increase of $4.069 million over last year’s appropriation. This increase is required primarily to meet enterprise bargaining salary increases for staff, a number of electorate office relocations required as a result of the 2008 electoral redistribution, replacement of computer equipment, increased electorate office leasing costs and also the restructure of the parliamentary committee system. As Speaker of the Legislative Assembly of Queensland I have responsibility for preparing the budget for the parliament and supervising the management of the Parliamentary Service. The year just completed presented a number significant challenges for the Parliamentary Service. At the beginning of the year the service set itself an ambiguous work program which included: playing a lead role in delivering a number of community engagement activities such as the swearing in of the new Governor and a regional sitting of the parliament in Far North Queensland; the implementation of a range of security recommendations arising out of the electorate office security review; and a number of capital works projects within the parliamentary precinct. The calling of an election for 21 March 2009 impacted upon some of the planned work program as the service’s attention turned to managing the administrative arrangements for the election, the electoral distribution, the induction of new members and the opening of parliament. Under the stewardship of the Clerk, the Parliamentary Service was able to adjust its priorities to deliver the most important projects on time and on budget. Looking ahead to 2009-10, the service will focus on completing a number of projects originally planned for completion in 2008-09 and also on delivering a number of new initiatives including introducing a new parliamentary committee system and planning and delivering a range of community activities associated with the 150th anniversary of the Queensland parliament in 2010. Since my appointment as Speaker on 21 April this year, I have gained an insight and new appreciation of the extent to which the parliament and the Parliamentary Service engages with the community. Over the last 10 years, the parliament has become progressively more accessible to the community in a variety of ways such as the broadcast of parliamentary proceedings over the internet, the introduction of electronic petitioning and regional sittings of the parliament. There have also been many people attending the precinct itself, with over 50,000 function patrons, 17,000 school students, 8,000 general tour patrons and 3,000 parliamentary education program attendees each year. I understand that 76,000 security scans have been conducted. Today we are seeing the parliament’s community engagement in action. Immediately after this hearing the parliament is hosting a special high tea called ‘Tea and Talks’, which celebrates the election of Irene Longman, the first woman to be elected to the Queensland parliament years ago. Profits from the event are being donated to the Pyjama Foundation, whose aim is to transform the lives of children in foster care through literacy. Over my coming term as Speaker the key priority will be to ensure that the parliament lives within its means and strives to deliver value for the money provided to carry out its important role and perform its various functions. Also, I will be seeking to ensure that the parliament continues to be one that engages with the community and that this is translated into practice through specific community engagement activities, particularly in terms of our multicultural community and our schoolchildren. In closing, I wish to acknowledge both sides of the House and members individually for their support and cooperation in matters relating to the function of the parliament, both inside and outside the chamber. I remain cognisant of the need to consult with and receive input from members generally on matters affecting them and the operation of their place of work, which encompasses not just the actual Legislative Assembly but also the parliamentary precinct and members’ electorate offices. Mr Chairman, I wish the committee well in its deliberations and, of course, I look forward to comments and questions which committee members might have. CHAIR: Thank you, Mr Speaker. It is now time for non-government questions. I call the member for Surfers Paradise. 14 Jul 2009 Estimates Committee A—Legislative Assembly 3 Mr LANGBROEK: I welcome Mr Speaker and all the parliamentary staff—those familiar faces. It is nice to see you here early this morning. Mr Speaker, my first question is about security matters. The answer to question on notice No. 1 for Estimates Committee A relates to the security upgrades. I note in the answer that mention was made of the fact that the election campaign interrupted this work. I note that, of the 94 electorate offices, only 11 have had their required counter works performed and 71 are still waiting. Will you undertake to treat this as a matter of urgency and report back to the parliament on this six months from today’s date? Mr SPEAKER: I thank you for that question. I should preface it by saying that committee members would understand that, with the election called when it was, there was a view within the Parliamentary Service that we did not want to disrupt electorate offices because of the election. Accordingly, some of that work was deferred while that happened. The advice I have is that this work will be completed by 31 December 2009. Can I make this general statement because it is important for longstanding members, including my own staff. There was a view held that members could get involved in treating their own security arrangements as per their own requirements. Clearly the work carried out by the Electorate Office Security Working Group found—and if it is okay with the committee I would like to quote this— The application of some discretion in these matters— that is security matters— reflects, in part, the fact that many Members and staff held (prior to the Cook incident at least) different views on the extent to which security should dictate electorate office accommodation and operations.
Recommended publications
  • The Builders Labourers' Federation
    Making Change Happen Black and White Activists talk to Kevin Cook about Aboriginal, Union and Liberation Politics Kevin Cook and Heather Goodall Published by ANU E Press The Australian National University Canberra ACT 0200, Australia Email: [email protected] This title is also available online at http://epress.anu.edu.au National Library of Australia Cataloguing-in-Publication entry Author: Cook, Kevin, author. Title: Making change happen : black & white activists talk to Kevin Cook about Aboriginal, union & liberation politics / Kevin Cook and Heather Goodall. ISBN: 9781921666728 (paperback) 9781921666742 (ebook) Subjects: Social change--Australia. Political activists--Australia. Aboriginal Australians--Politics and government. Australia--Politics and government--20th century. Australia--Social conditions--20th century. Other Authors/Contributors: Goodall, Heather, author. Dewey Number: 303.484 All rights reserved. No part of this publication may be reproduced, stored in a retrieval system or transmitted in any form or by any means, electronic, mechanical, photocopying or otherwise, without the prior permission of the publisher. Cover images: Kevin Cook, 1981, by Penny Tweedie (attached) Courtesy of Wildlife agency. Aboriginal History Incorporated Aboriginal History Inc. is a part of the Australian Centre for Indigenous History, Research School of Social Sciences, The Australian National University and gratefully acknowledges the support of the School of History RSSS and the National Centre for Indigenous Studies, The Australian National
    [Show full text]
  • Does the Gender Composition of an Opposition Influence Its Role on Women’S Issues?
    Does the Gender Composition of an Opposition Influence its Role on Women’s Issues? John E.S. McCulloch1 Abstract It might be reasonably assumed that when a political party develops a ‘critical mass’2 of women MPs these women will seek to address issues in the community that are discriminatory against their sex, and that their party will begin to develop a more consciously positive attitude towards promoting (or at least not opposing) legislation designed to improve the status and well-being of women. Indeed, in the case of a party in government, this trend is well illustrated in Australia by the Hawke Government’s innovative legislation designed specifically to improve the status of women, during the period 1984-87. In the case of a party in opposition, however, the trend is much less clear-cut, and this paper explores some paradoxes in the roles of Australian Oppositions. Introduction Eight pieces of legislation in four Australian parliaments — Commonwealth, Queensland, Victorian, Tasmanian — have been examined as examples of how opposition (and to a lesser extent, government) MPs, especially women, have behaved in promoting (or at least not opposing) legislation designed to improve the status and well-being of women. All eight bills deal with controversial issues including equal employment for women, euthanasia, homosexuality, domestic violence, abortion and RU486. It is not argued that these are exclusively women’s issues nor, in the case of euthanasia, that it is a woman’s issue at all. What is 1 University of Queensland 2 ‘Critical mass’ is a term borrowed from physics to explain the representation and behaviour of women MPs.
    [Show full text]
  • Indigenous Popular Music an Example of Cultural Vitality and a Curriculum Resource
    S P E C I A L F E A T U R E Indigenous popular music An example of cultural vitality and a curriculum resource Dr. Karl Neuenfeldt Central Queensland University In Governor-General Bill Hayden’s 1996 Australia Indigenous popular music provides useful examples Day Address, he spoke pointedly and movingly of of cultural vitality in practice as education, as two things related to cultural vitality: a sense of empowerment and as entertainment (Davison and pride within indigenous communities; and, a sense Neuenfeldt 1996). These overlap and many of synthesis between indigenous and non- indigenous Australian musicians, groups and song indigenous Australians. His remarks still hold value writers (such as Archie Roach, Yothu Yindi and even in the present social and political climate in Kev Carmody) combine all three levels in their which there are serious challenges to the music. They present an indigenous musical voice acceptance of tolerance and diversity in Australian previously either absent or muted or cliched within society, and by extension, the education system. Australian society and education curricula. They are Australian examples of an international group Hayden said the processes of pride and synthesis of articulate indigenous spokespersons whose mode are taking place on several levels: the political, the of artistic expression is popular music and whose social and the cultural. The cultural level is work has impacted on how individuals, groups and addressed here, specifically how cultural vitality is even nations imagine themselves and use music to an integral element of indigenous affairs today and forge identity. how it impacts on the broader society through the education system.
    [Show full text]
  • “Paul Robert Burton Band”
    “PAUL ROBERT BURTON BAND” The “Paul Robert Burton Band” is a musical collaboration, presenting to the public an expanding ensemble of world-class virtuoso musicians from an infinitely wide variety of musical styles and genres. Every player is unique, however they all have something very much in common, commitment and dedication to the Arts. Music can transport the soul to higher realms and these musicians together invoke that feeling. “ We can easily say that Paul Robert Burton and his band were the standout act at this year’s Kiama Jazz & Blues Festival. Where ever he played and in whatever venue (café, outdoor concert, club) or line up (from solo to full on band) the crowds were huge, bopping and excited. Venues were full to capacity and then some! During a sidewalk café appearance, the crowds spilled onto the street & stopped traffic! Apart from his musical gifts, Paul was appreciated by festival management as a source of information regarding other artists, and brought great energy, inspiration and spirit to our Festival. People raved for weeks afterwards, and purchased Paul’s CD’s aplenty, and we have had considerable requests since the festival as to where & when Paul might play again. ” Ross Eggleton, Festival Director Eevi Stein, Festival Coordinator & Publicity Kiama Jazz & Blues Festival April 1- 3 2011 PAUL ROBERT BURTON (Songwriter, Producer, Sound Engineer, Upright Bass, Foot Drums, Guitarlele, Harmonicas, Ocarinas and Vocals) www.paulrobertburton.com www.reverbnation.com/paulrobertburton www.youtube.com/paulrobertburton Paul Robert Burton is a Multi-tasking, Multi-instrumentalist, Singer, Songwriter, Producer and Sound Engineer. Beginning his career some 30 years ago as a session musician, Paul has performed with Elvis Presley’s drummer D J Fontana, James Brown’s drummer Toni Cooke and has an extensive list of musical associations with a veritable “who’s who” of the Australian Music Industry.
    [Show full text]
  • 2011 Volume of Additional Information
    Legal Affairs, Police, Corrective Services and Emergency Services Committee Estimates - 2011 Volume of Additional Information Contents Correspondence from the Leader of the House Copy of correspondence from Hon Judy Spence MP, Leader of the House to Hon John Mickel MP, Speaker, dated 17 June 2011. Copy of correspondence from Hon Judy Spence MP, Leader of the House to Hon John Mickel MP, Speaker, dated 24 June 2011. Copy of correspondence from Hon Judy Spence MP, Leader of the House to Hon John Mickel MP, Speaker, dated 25 July 2011. Minutes of meetings 17 June 2011 19 July 2011 19 July 2011 26 July 2011 Minister for Justice and Attorney-General Questions on notice and the Minister’s answers Documents tabled at the hearing Answers to questions taken on notice at the hearing Minister for Police, Corrective Services and Emergency Services Questions on notice and the Minister’s answers Documents tabled at the hearing Answers to questions taken on notice at the hearing Correspondence from the Minister dated 25 July 2011 Correspondence from the Leader of the House 17 June 2011 24 June 2011 25 July 2011 Minutes of meetings 17 June 2011 19 July 2011 19 July 2011 26 July 2011 - M I N U T E S - Minutes of a meeting of the Legal Affairs, Police, Corrective Services and Emergency Services Committee on Friday 17 June 2011 at 1.28pm Present: Hon Dean Wells MP (Chair) Mr John-Paul Langbroek MP (Deputy Chair) Mrs Julie Attwood MP Mr Jarrod Bleijie MP Mr Chris Foley MP Mrs Betty Kiernan MP (until 1.59pm) Apologies: In attendance: Ms Barbara Stone MP Mr Stephen Finnimore, Research Director Ms Amanda Honeyman, Principal Research Officer Hearing schedule: At the meeting, members were provided with two draft hearing schedule options, and copies of all departmental structures, statutory authorities and senior officers of the departments.
    [Show full text]
  • Whatever Happened to Reconciliation? [PDF 399KB]
    RQI RESOURCE SHEET Presentation by Professor Mick Dodson For the Public Lecture Series 2007 Whatever Happened to Reconciliation? 20 June 2007 Good Evening Ladies and Gentlemen: My first duty is to acknowledge that we are on the ancestral lands of the Wurundjeri people. My greetings to all of the Wurundjeri and, in particular, I pay my respects to your elders. It is great to be on your traditional country. Thank you also to Raimond Gaita who in my opinion is one of Australia’s very great thinkers. He challenges us to not only think but to do. Though, what I think we really desperately need are some very great Australian listeners – particularly among our politicians. You never hear anyone talk about our great listeners! The overarching title of this public lecture series asks the question; ‘Whatever happened to Reconciliation?’ I was told by the organisers that I should feel free to give my address its own individual title but I’m really just as happy to stick with the one given. Because it’s a question I hear quite often and I suspect that the various speakers taking part in the lecture series will come at it from all sorts of different perspectives. As was the case with Peter Sutton last week. And I think it’s important that I deal with it very directly, particularly as I understand I am the only Aboriginal speaker in the series. But also because I am a director of Reconciliation Australia which perhaps offers me a broader, more everyday experience of what’s happened to reconciliation than other commentators whose views may be based more on perceptions or assumptions.
    [Show full text]
  • Twang and Trauma in Australian Indige- Nous Popular Music
    Politik Nummer 1 | Årgang 23 | 2020 Of country and country: Twang and trauma in Australian Indige- nous popular music Simon Philpott, Reader in Postcolonial Politics and Popular Culture, School of Geogra- phy, Politics and Sociology, University of Newcastle Over the last half century, as part of a wider struggle for recognition, respect, reconcili- ation and justice, Indigenous Australians and others supporting their claims have in- creasingly been heard in popular music. Indigenous musicians are increasingly insistent that white Australia must change. By the time Jimmy Little released his much loved song, ‘Royal Telephone’, in 1963, he had long been Australia’s most prominent Indigenous recording artist. His music was out of the US gospel tradition via Nat King Cole and Jim Reeves. The “royal telephone” of the song describes the direct line between believer and god. With one exception, Little was silent in his music on the plight of Indigenous Australians although his earliest years were spent on a reservation that a large number of people eventually walked ofF, so poor were the living conditions. Little was a rare Indigenous presence in Australian music, respected For his individual talent and probably liked because his work did not raise un- comFortable questions about the past. Liking and respecting individual Indigenous people while disliking and rejecting their culture is something white Australians have successFully psychologically negotiated For decades. For example, Christine Anu’s (1995) cover of ‘My Island Home’ (1987), which celebrates Anu’s love of her Torres Strait island home and was a major hit in the year of its release, Featured as one of the songs in the closing ceremony of the Sydney Olympics, and now has well over 1 million views on Youtube.
    [Show full text]
  • “We Are Australian”: an Ethnographic Investigation of the Convergence of Community Music and Reconciliation
    “We are Australian”: An ethnographic investigation of the convergence of community music and reconciliation. “We are Australian”: An ethnographic investigation of the convergence of community music and reconciliation. Julie Ann Rickwood Interdisciplinary Cross-Cultural Research Programme Research School of Humanities and the Arts The Australian National University 21 June 2013 A thesis submitted for the degree of Doctor of Philosophy The Australian National University Canberra Statement of Authorship I hereby declare that this thesis is entirely my own work. This thesis contains no material previously published or written by myself or another person, except where reference is made in the thesis itself. This thesis has not previously been submitted towards a degree or diploma in any university or other higher education institution. Julie Rickwood 21 June 2013 This research project has received clearance from the Human Research Ethics Committee at the Australian National University: Protocol 2009/337 Indigenous readers are advised that the thesis contains names and images of deceased individuals. IN MEMORY OF JEANNETTE HENNESSY-WRIGHT, 1957-2011: A SINGER IN A COMMUNITY CHOIR, A LONG TERM FRIEND AND A DETERMINED WOMAN And the first sound I heard in my heavens was the sound of moving air becoming the wind. Richard Lewis 1991 The second sound I heard in my heavens was the sound of many voices blending into one. Julie Rickwood 2013 IN RECOGNITION OF THE YOTHU YINDI FRONTMAN, 1956-2013: A MUSICAN, EDUCATOR AND CAMPAIGNER FOR RECONCILIATION “On the last day of National Reconciliation Week (Mabo Day) we are extremely saddened to learn of the passing of Yothu Yindi frontman Dr Yunupingu, who died overnight at his home in Yirrkala, East Arnhem Land following a long battle with kidney disease.
    [Show full text]
  • Ssh.Com.Au Phone Lyn 0400 008 338 “Blindies”, As They Were Colloquially Preserved Sight, and Thus Reduced the Known, Started in 1977
    Mental Health Month The Herd – interview FEATURES – page 9 THE REVIEW – pages 11-14 NUMBER NINETY-SEVEN OCTOBER ’11 CIRCULATION 22,000 ALEXANDRIA BEACONSFIELD CHIPPENDALE DARLINGTON ERSKINEVILLE EVELEIGH GLEBE KINGS CROSS NEWTOWN REDFERN SURRY HILLS WATERLOO WOOLLOOMOOLOO ZETLAND Christine Morrow It has been four years in the making, but the Sydney Alliance was finally launched at the Sydney Town Hall on Thursday September 15. Two thousand people from 45 partner organisations gathered at its inaugural assembly. Together, they represented the voices of half a million Sydneysiders. A coalition of community organisations, religious groups and workers’ unions, the Alliance is dedicated to a “greater” Sydney in two senses, referring to a better society, and also an integrated understanding of the wider city that transcends local and state electoral boundaries. In the audience was Monique Perusco from Good Beginnings Australia, a charity that helps families by providing Parenting and Early Childhood programs. She said, “The Alliance is about normal Sydneysiders having their say. It’s coming from the grass roots.” Partners in the Alliance include such diverse groups as the Cancer Council, the Climate Action Network, the CFMEU, the Jewish Board of Deputies and the United Muslim Women’s Association. Each group’s leader took to the microphone and proclaimed the organisation’s vision and values. Cumulatively they invoked: social justice, fairness, uniting for a common good, Sydney Alliance Founding Assembly, Town Hall Photos: Andrew Hill tolerance, sustainability, cooperation, trust, access, equity, harmony, democracy, inclusion, understanding, change, hope, compassion, rights, dialogue, empowerment, equal opportunity and PEOPLE HAVE THE POWER strong communities. Phew.
    [Show full text]
  • The Australian Songwriter
    The Australian Songwriter Issue 86, June 2012 First published 1979 The Magazine of The Australian Songwriters Association Inc. In this edition: Chairman’s Message Editor’s Message Song Summit 2012 Judging now underway in the 2012 Australian Songwriting Contest Kylie Kain: Winner of the 2011 Spiritual Category James Hampton: Winner of the 2011 Contemporary Pop/Dance Category Ten Keys To Unlock Creative Songwriting by Ray Burton New ASA Regional Co-Ordinator for Sydney: Mark Ellis Madeline Perrone: Winner of the 2011 Youth Category Simon Self: Winner of the 2011 Lyrics Category Thank You Time Behind The Scenes at the 2011 National Songwriting Awards Night Official Sponsors of the 2012 Australian Songwriting Contest Vale Mark Finlayson About Us: o Aims of the ASA o History of the Association o Contact Us o Patron o Life Members o Directors o Regional Co-Ordinators Chairman’s Message To all our valued ASA Members, Greetings once again upon the release of this, the Australian Songwriters Association’s latest e-mag. On behalf of your Board it is a pleasure to present this offering for your enjoyment, compiled and edited by our Vice-Chairman and Financial Officer Alan Gilmour. Alan works extremely hard on providing an exciting, interesting, informative and up-to-date missive for all Members and deserves a huge thank you for the amount of effort and time he puts in. As mentioned in the e-mag, entries in the ASA Songwriting Contest 2012 have just closed. As usual we had a great many high quality submissions and it goes without saying that it will again be extremely hard for our Music Industry Judges to arrive at their decisions.
    [Show full text]
  • Annual Report 2008-09
    2008-09 About GetUp GetUp is an independent, not for profit GetUp uses new technology to empower community campaigning group. Our aim ordinary Australians’ voices on important is to build a progressive Australia with issues. GetUp receives no political party or social justice, economic fairness and Government funding, and every campaign is environmental sustainability at its core. entirely supported by voluntary donations. From June 30 2008 – July 1 2009 GetUp had received $1,673,809 in donations and GetUp’s major campaigns for 08-09 payments, and built our membership to included climate change, the Gunns pulp 312,875. mill, a human rights act, paid parental leave, fighting internet censorship, and abolishing detention debt for refugees. Letter from the National Director - Simon Shiekh During my first year as GetUp’s National Director, I met a man called Masoud Shams. Masoud is a refugee from Iran, who spent four years in Baxter detention centre. When he was finally released, Masoud was granted a bridging visa that meant he couldn’t study, work, or get the medical attention that he needed. And along with a visa came a $268,000 bill. Our Government had charged him for his time in detention. Like many of our campaigns we found out about this policy through emails from concerned GetUp members, so we launched a cam- paign to end the practice. Tens of thousands of GetUp members responded straight away by writing letters and emails to politicians. We soon realised the bill wouldn’t be passed in the Senate. So Getup members chipped in to pay for a delegation of refugees, including Masoud, to travel to Canberra to tell their stories to as many Senators as we could schedule meetings with.
    [Show full text]
  • Black Arm Band Dirtsong
    Sunday, February 12, 2017, 7pm Zellerbach Hall Black Arm Band dirtsong Created by Black Arm Band Original Text Alexis Wright Original Concept Steven Richardson Black Arm Band Artistic Director Emma Donovan Artistic Director— dirtsong Fred Leone Musical Director Michael Meagher Arrangements and Orchestrations Andrea Keller, Eugene Ball, and Julien Wilson, with artists of Black Arm Band Lighting Designer Michelle Preshaw Production Management Daniel Gosling Stage Management Brock Brocklesby Audio Engineer Patrick Murray Screen Visuals Natasha Gadd, Rhys Graham, Daybreak Films Producer Sarah Greentree Vocalists James Henry Ursula Yovich Shellie Morris Troy Brady Nicole Lampton Band Tjupurru , yidaki /didjeribone Michael Meagher, bass Rory McDougall, drums Patrick Wolff, tenor saxophone and clarinet Benito Cortez, violin and viola Jacob Smolowe, piano Black Arm Band is assisted by the Australian government through the Australia Council for the Arts, its arts funding and advisory body, and supported by the Victorian government through Arts Victoria. This project has been assisted by the Australian government through the Department of Communication and the Arts’ Catalyst—Australian Arts and Culture Fund. This evening’s performance will be performed without intermission and will last approximately 90 minutes. Black Arm Band and Cal Performances wish to gratefully acknowledge that we are standing on the ancestral lands of the Muwekma Ohlone Tribe. We thank them for the privileged use of their ancestral lands. Cal Performances Classroom activities with Black Arm Band are generously supported by the Jacques M. Littlefield Foundation. Cal Performances Classroom activities throughout the season are made possible, in part, by Wells Fargo. PROGRAM NOTES he purpose of Black Arm Band is to dirtsong develop, perform, promote, and celebrate Sung in Yorta Yorta Tcontemporary Aboriginal and Torres Written by Lou Bennett and Alexis Wright.
    [Show full text]