Band Yearns to Perform Iter Gmelch, A&:Q Eugene-Eugene Looks Ington State Unms ) May 10

Total Page:16

File Type:pdf, Size:1020Kb

Band Yearns to Perform Iter Gmelch, A&:Q Eugene-Eugene Looks Ington State Unms ) May 10 The Battalion iday • April 19, "gin iUPSii FRIDAY GGIE lidate April 19, 1996 Rage 3 the Departmei ofessor and assoas ^ebraska-Lincok? Vlay 10. Conolejlij t program for lit. York and at decs Georgia, Band yearns to perform Iter Gmelch, a&:Q Eugene-Eugene looks ington State Unms ) May 10. ashington Statel'i is also worked at and the Univeni to increase following were chosen fei By James Francis Wonder, with the band Chicago as an alter­ Armstrong, a The Battalion nate favorite. % head of the bit “I like Stevie Wonder because of the mes­ nent, said all I ome say music is an sages he has,” Smith said. that they can As for Chicago, he said he sees it as “one rship and visio of the top brass bands,” and he enjoys the acquired taste. It feeling he receives from them. has administratis Another feeling Smith takes pleasure in ed scholar in ftufij comes in a variety of is the audience participation at the group’s arch, is effectivei: many performances. is) committed tok Sforms, and the people who fol“I look­ for people who take the time to listen to the music, people who like to move a search commit low the tunes are no different. when we are playing and give us a response sssor of health anil to know whether we did a good job or not,” as need to believe Eugene-Eugene will perform at the he said. “We try to project a very clean im­ vice, instead of te Brazos Brewing Company Saturday at age of Christian people who love to play fic area, 10 p.m. music and live life to the fullest.” ook at research.) The band, diverse in its performances, ares about teach "I see the band growing, pushing plays a grand amount of Earth, Wind and m rould be prettyb Fire from the 1970s and 1980s. ach, when you'if towards a bigger audience ... " At locations ranging from the Hilton to churches and dances to the Walden Retire­ — EUGENE SMITH JR. ognition thee® ment Community, the group performs up­ keyboardist, Eugene-Eugene is another import: beat, hip-hop music and gospel songs to classics such as “Moon River.” ge, you have Brothers James and Ernest Gibbs play Although Eugene-Eugene has been a eone whose resend guitar and drums, respectively; Ralph Mon- group for almost 10 years now, improve­ nition,” Ashley a civias is the band’s saxophonist, and Shawn ment is always an option. ication programs Lei Druery is an occasional female vocalist join­ “I see the band growing, pushing to­ Cowboy Mouth ion, but I don’t tki ing the band at different sets. wards a bigger audience — more from state The Gibbs brothers hail from a musical to a national level,” Smith said. background in their family, but there is one Smith said he sees himself as more By Libe Goad band signed with RCA and spent the and LeBlanc’s passion for the Beatles, other individual who, although the only of a producer and songwriter as the fu­ The Bati alion next few months creating R U With Me. the Sex Pistols and the Clash met irst tirnt member of his lineage to partake in music, ture approaches. The new album should sound much somewhere in the middle to form Cow­ shares the band’s experiences. As the head of Master Dreamer Pro­ owboy Mouth is escaping like the band’s three previous albums, boy Mouth. o Glenn Mil The man responsible for the band’s dou­ ductions, he also publishes a maga­ from the kettle of music in LeBlanc said. But the July release will And unlike many bands, the mem­ d,” and theSloa ble name is Eugene Smith Jr., the group’s zine, Back to Basics, which is filled New Orleans and serving its have the force behind a major label to bers searched out a name that would ears into a jitterk keyboardist who said the group is “a mix of with art, poems and short stories for Chome-grown sound to the resthelp of them along. sketch out the band’s personality, ing howls and he1 rhythm and blues and jazz with contempo­ the African-American community. the nation. “We’ve learned a lot of things,” he LeBlanc said. ay of the estimatii rary gospel.” “It’s all about going back to doing things The band is playing at the Dixie The­ said, “and we took much more time on The name comes from Sam Shepard, idents, alumni a:l He said his major influence is Stevie the way they used to be,” Smith said. atre Saturday night. this one.” the brooding western playwrite, in a ; gathered to waii After playing together for four years, Though Cowboy Mouth has moved play where two people look to one an­ ; dubbed “A Mira the band recently signed on with MCA up a notch in record labels, they stick to other for advice. reet.” Records and toured last fall with old- their original style — anything goes. LeBlanc says one character tries to Jasmine Blue strives to time friends, Hootie and the Blowfish. Of course, the band comes from a convince the other to become a per­ Fred LeBlanc, Cowboy Mouth drum­ heart of diversity in New Orleans. former. He tries to make a friend think mer and lead vocalist, said he and gui­ There, the Neville Brothers and he can use his talents to become a musi­ [ON mature after first album tarist Paul Sanchez, bassist Rob Savoy Marsalis family dug their roots. cal savior. and guitarist John Thomas Griffith The Crescent City also birthed the “He tells him to be a rock ’n’ roll Je­ have played with Hootie and the Blow- beginning of rhythm and blues, Ca­ sus with a cowboy mouth,” he said. deadline fish for six years. jun and zydeco. “Cowboy Mouth was the only name The two bands would exchange Mixed in with the music of Better that we could all agree on.” )0 p.m, dates, playing together and always than Ezra and Dead Eye Dick, the band Another thing the band agrees with ■ tn-: looking for a good time. is a clear reflection of its roots. is getting back on stage. “We’d watch them get out and get On the band’s last album, It Means LeBlanc said the long months of T*V drunk,” LeBlanc said. Escape, the members’ different influ­ recording has made him lustful for per­ - »-• *t I i* * i Their camaraderie paid off. After ences showed through. forming live. Iff Hootie and the Blowfish hit it big, The album presents a mixture of “Our shows are based around the I fut i iftj they invited Cowboy Mouth on a pop, noisy guitar songs and a song best idea of old Gospel shows,” he said. “We fivj tour of the nation. sung by a cowboy on the range. want to cleanse and purge the crowd of The bands played together like old “When Paul and I formed the band,” bad spirits.” times, but with much larger audiences. LeBlanc said, “we wanted the musical It’s the good spirit that keeps LeBlanc said Cowboy Mouth found dexterity of the Neville Brothers and the band rolling. LeBlanc said hav­ many new listeners along the way. the intensity of the Sex Pistols.” ing fun inspires him to keep his “The best part was playing with old And so Cowboy Mouth began. creativity churning. friends for three weeks,” he said. The band members each came from “The main thing we want to get In Los Angeles, the corporate rock a musical background and each brought across is a sense of passion and ning daily ears were ready to listen. in a different musical taste. Sanchez’ happiness. LeBlanc said that after the show in acoustic guitar preference, Griffith’s “I do what I do,” he said, “because I r24,000, L.A., record offers fell into their lap. The country guitar, Savoy’s Cajun rhythms think we are f—king great.” By Amy Protas said. “I used to be in the studio all day for i! The Battalion class. It was great to go into the studio purely for creation purposes. It’s a tight Plebeian Monarchs finds meaning ith the exception of one, all the band getting recorded by a good produc­ members of Jasmine Blue are er, and it really shows up.” By Amy Protas used to turn on the radio station and beat on pots and childhood friends. When they Before recording the album, the band The Battalion pans along with the music.” Wwere in middle school, the members mainlywere played acoustic sets. Eventually the band obtained Chris Godbey, a bass player. all in bands. At the time, they did not re­ “The only gigs we’ve done have been in hat started out as a band Vanderpool said the band’s name has significance alize that one day, they would come to­ town as acoustic acts,” Love said. behind it. gether and record an album. “Recording the album was exciting be­ “Originally, we were just the plebeians,” Vanderpool Jasmine Blue came about when Karl cause we didn’t know what the music was for a high school talent said. “Eventually, we added Monarchs. Plebeians are Kunz, the band’s rhythm guitarist, re­ going to sound like by adding bass and common people, and of course, monarchs are kings. This turned to Bryan from Waco. drums. We liked it, but we also still like name is not about us as individuals, more about the con­ Marshall Love, vocalist and percus­ the songs in the acoustic format.” show has evolved into the cept.
Recommended publications
  • Wavelength (February 1983)
    University of New Orleans ScholarWorks@UNO Wavelength Midlo Center for New Orleans Studies 2-1983 Wavelength (February 1983) Connie Atkinson University of New Orleans Follow this and additional works at: https://scholarworks.uno.edu/wavelength Recommended Citation Wavelength (February 1983) 28 https://scholarworks.uno.edu/wavelength/28 This Book is brought to you for free and open access by the Midlo Center for New Orleans Studies at ScholarWorks@UNO. It has been accepted for inclusion in Wavelength by an authorized administrator of ScholarWorks@UNO. For more information, please contact [email protected]. ... ,.. i .,. #pf r f~ ~ I ~ t J t .. ~ • '~ -- •-- .. I ' I . r : • 1 ,, ' ,,. .t, '~'. • .·' f I .. ""' - • ,, ' ' 4. ,I • , /rl. • 4 . • .•, .' ./j ·. ~ f/ I. • t • New Orleans is a live! A day and night kaleido­ scope of the gaud y, raucous, erotic and exotic­ Mardi Gras, Steamboats, Parades, Seafood, Jazz and the French Quarter. Discover it all in the award-winning books Mardi Gras! A Celebration and New Orleans: The Passing Parade. Brilliant color photographs by Mitchel L. Osborne are complimented by delightful and informative texts. A vail able in fine bookstores or order directly from Picayune Press, Ltd .: Mardi Gras!: A C!oth $29.95, Paper$15.95 · New Orleans: The Passing Parade: 326 Picayune Place # 200 New Orleans, LA 70130 Paper $14.95 Postage and Handhng $1.50 • LA res1dents add 3% tax • V1sa & Mastercharge accepted. ' ISSUE NO. 28 • FEBRUARY 1983 "I'm not sure, but I'm almost positive, rhar all music came from New Orleans. " Ernie K-Doe, 1979 Available in American Oak, American Walnut, Teak, Mahogany and White Features Melamine at no change In cost.
    [Show full text]
  • Wavelength (December 1981)
    University of New Orleans ScholarWorks@UNO Wavelength Midlo Center for New Orleans Studies 12-1981 Wavelength (December 1981) Connie Atkinson University of New Orleans Follow this and additional works at: https://scholarworks.uno.edu/wavelength Recommended Citation Wavelength (December 1981) 14 https://scholarworks.uno.edu/wavelength/14 This Book is brought to you for free and open access by the Midlo Center for New Orleans Studies at ScholarWorks@UNO. It has been accepted for inclusion in Wavelength by an authorized administrator of ScholarWorks@UNO. For more information, please contact [email protected]. ML I .~jq Lc. Coli. Easy Christmas Shopping Send a year's worth of New Orleans music. to your friends. Send $10 for each subscription to Wavelength, P.O. Box 15667, New Orleans, LA 10115 ·--------------------------------------------------r-----------------------------------------------------· Name ___ Name Address Address City, State, Zip ___ City, State, Zip ----­ Gift From Gift From ISSUE NO. 14 • DECEMBER 1981 SONYA JBL "I'm not sure, but I'm almost positive, that all music came from New Orleans. " meets West to bring you the Ernie K-Doe, 1979 East best in high-fideUty reproduction. Features What's Old? What's New ..... 12 Vinyl Junkie . ............... 13 Inflation In Music Business ..... 14 Reggae .............. .. ...... 15 New New Orleans Releases ..... 17 Jed Palmer .................. 2 3 A Night At Jed's ............. 25 Mr. Google Eyes . ............. 26 Toots . ..................... 35 AFO ....................... 37 Wavelength Band Guide . ...... 39 Columns Letters ............. ....... .. 7 Top20 ....................... 9 December ................ ... 11 Books ...................... 47 Rare Record ........... ...... 48 Jazz ....... .... ............. 49 Reviews ..................... 51 Classifieds ................... 61 Last Page ................... 62 Cover illustration by Skip Bolen. Publlsller, Patrick Berry. Editor, Connie Atkinson.
    [Show full text]
  • TECHNIQUE Finals Schedule to Plan Your the Feature on the Starting “The South’S Liveliest College Newspaper” Cramming and Pass
    Friday, July 13, 2001 Ready for finals? Use the How’s George’s knee? Read TECHNIQUE finals schedule to plan your the feature on the starting “The South’s Liveliest College Newspaper” cramming and pass. quarterback to find out. ONLINE http://cyberbuzz.gatech.edu/technique COMICS page 12 SPORTS page 16 Serving Georgia Tech since 1911 • Volume 87, Issue 4 • 16 pages Opinions␣ 4 · Campus␣ Life␣ 7 · Entertainment␣ 9 · Comics␣ 12 · Sports␣ 16 Cyberbuzz unveils Independence Day Tech Tower new look, design Parking shortage The Cyberbuzz team re- cently finished up eight months of work with the un- expected for fall veiling of its revamped web site. The new site allows in- By Nasir Barday need repairs, and the contrac- dividual students to person- Senior News Staff tors and consultants who worked alize the Cyberbuzz site by to build the deck will propose creating customized accounts According to the Department plans for the deck’s repairs in and allows student groups to of Parking and Transportation, the middle of this month. schedule events on a public approximately 1,900 students The plans are expected to in- calendar. and faculty who applied for Fall clude the distribution of the costs campus parking spaces could not of the repairs over those involved be provided with permits be- in the deck’s construction as well Pearson named cause of a shortage in the num- as a projected schedule for the new HTS chair ber of spaces available. completion of the repairs. The Of the approximately 10,500 Georgia State Finance Commis- Last Tuesday, Dean Sue students and faculty who applied sion () will officially own the Rosser of the Ivan Allen Col- online for campus parking spac- deck until the repairs are com- lege named Willie Pearson, a es, only 8,600 received permits.
    [Show full text]
  • Cowboy Mouth Re-Releases Radio Hit "Jenny Says," Announces New EP Open Wide
    For Immediate Release Cowboy Mouth Re-Releases Radio Hit "Jenny Says," Announces New EP Open Wide New Orleans, LA (February 3, 2020) - It has been said that on a bad night Cowboy Mouth can do no less than then blow the roof off, and on a good night they’ll save your soul. That’s as true in 2020 as it was when they first burst out of New Orleans in 1990 and tickled the Top 40 with “Jenny Says”. The song helped propel the band onto the national club and festival scene- cementing Cowboy Mouth’s place as one of the most powerful, durable, and consistently entertaining rock and roll bands on the circuit. They’ve been in the saddle for thirty years and have played over 3,500 shows. Fred, John, Brian and Mike have not withered like saplings; they’re mighty oaks now. Fred doesn’t mince words. When asked about the secret to the band’s longevity and completely constant roadwork, “bullheaded tenacity and determination”, he says, “with a pretty healthy dose of faith in there.” Good things to have, not to mention also being able to stride onstage in front of a crowd and beat the tar out of them, 3,500 times. 2020 finds the band embracing their roots while also looking ahead to the future. They have re-released “Jenny Says” on all major outlets, billed as “Jenny Says (Jenny 20)”. According to Fred “What can I say? A good song is a good song. Every once in a while as a songwriter you get very lucky.
    [Show full text]
  • WWOZ Presents Jazz Festing in Place, 2020
    8 days of archival WWOZ Presents Jazz Festing In Place, 2020 Jazz Fest broadcasts LISTEN LIVE at 90.7FM or on line at wwoz.org/listen SUPPORT WWOZ: wwoz.org/donate Produced in conjunction with the New Orleans Jazz & Heritage Foundation Thursday Friday Saturday Sunday Thursday Friday Saturday Sunday April 23 April 24 April 25 April 26 April 30 May 1 May 2 May 3 11:00 am Kermit Ruffins tribute Big Sam's Glen David Andrews Irma Thomas tribute Aaron Neville Bonerama Raymond Myles Funky Nation Leah Chase to Mahalia Jackson to Louis Armstrong (2010) (1994) (2017) (2012) (2015) (2012) (2004) (2007) 11:30 am Dianne Reeves Hazel & the Delta Preservation Hall Dr. Michael White Terrance Simien Amanda Shaw Rockin Dopsie Jr. Shannon McNally Ramblers Lorem(2013) ipsum (2011) Jazz Band (2011) (2006) (2015) (2004) (1992) (2015) 12:00 pm Bob French & Original Hot 8 Brass Band Ella Fitzgerald feat Wayne Toups Soul Rebels Samantha Fish Charmaine Neville Stevie Wonder Tuxedo Jazz Band Anders Osborne (2013) (2015) (2010) (2018) (2014) (1977) (2010) (2017) Lucinda Williams 12:30 pm David Torkanowsky Roy Ayers Dayme Arocena Herbie Hancock Roy Hargrove Doc Cheatham feat. George Porter Jr. Luther Kent (2003) (2018) (2013) (2017) (2006) (2007) (1997) (2011) Henry Butler Jon Cleary Big Freedia Taj Mahal Steel Pulse 1:00 pm Topsy Chapman & Buckwheat Zydeco (2002) Solid Harmony Snooks Eaglin (2007) (2016) (2007) (2008) DRAFT(1994) (2003) (2007) Voice of the Wetlands Dumpstaphunk All Stars Widespread Panic Aaron Neville John Boutte 1:30 pm Toots & the Maytals Funky Meters (2018) Harry Connick Jr.
    [Show full text]
  • Songs by Artist
    Songs by Artist Title Title (Hed) Planet Earth 2 Live Crew Bartender We Want Some Pussy Blackout 2 Pistols Other Side She Got It +44 You Know Me When Your Heart Stops Beating 20 Fingers 10 Years Short Dick Man Beautiful 21 Demands Through The Iris Give Me A Minute Wasteland 3 Doors Down 10,000 Maniacs Away From The Sun Because The Night Be Like That Candy Everybody Wants Behind Those Eyes More Than This Better Life, The These Are The Days Citizen Soldier Trouble Me Duck & Run 100 Proof Aged In Soul Every Time You Go Somebody's Been Sleeping Here By Me 10CC Here Without You I'm Not In Love It's Not My Time Things We Do For Love, The Kryptonite 112 Landing In London Come See Me Let Me Be Myself Cupid Let Me Go Dance With Me Live For Today Hot & Wet Loser It's Over Now Road I'm On, The Na Na Na So I Need You Peaches & Cream Train Right Here For You When I'm Gone U Already Know When You're Young 12 Gauge 3 Of Hearts Dunkie Butt Arizona Rain 12 Stones Love Is Enough Far Away 30 Seconds To Mars Way I Fell, The Closer To The Edge We Are One Kill, The 1910 Fruitgum Co. Kings And Queens 1, 2, 3 Red Light This Is War Simon Says Up In The Air (Explicit) 2 Chainz Yesterday Birthday Song (Explicit) 311 I'm Different (Explicit) All Mixed Up Spend It Amber 2 Live Crew Beyond The Grey Sky Doo Wah Diddy Creatures (For A While) Me So Horny Don't Tread On Me Song List Generator® Printed 5/12/2021 Page 1 of 334 Licensed to Chris Avis Songs by Artist Title Title 311 4Him First Straw Sacred Hideaway Hey You Where There Is Faith I'll Be Here Awhile Who You Are Love Song 5 Stairsteps, The You Wouldn't Believe O-O-H Child 38 Special 50 Cent Back Where You Belong 21 Questions Caught Up In You Baby By Me Hold On Loosely Best Friend If I'd Been The One Candy Shop Rockin' Into The Night Disco Inferno Second Chance Hustler's Ambition Teacher, Teacher If I Can't Wild-Eyed Southern Boys In Da Club 3LW Just A Lil' Bit I Do (Wanna Get Close To You) Outlaw No More (Baby I'ma Do Right) Outta Control Playas Gon' Play Outta Control (Remix Version) 3OH!3 P.I.M.P.
    [Show full text]
  • Paul Sanchez: Love’S the Key the New Orleans Musicians Clinic
    Rhythm by Leah Draffen approached John and Paul and told them that they should has been fun because Broadway is hard—capital H, IN make an album together. capital A, capital R, capital D.” “At that point, we barely had enough to cover Paul’s music has always been important to him, but rent, let alone pay for an album,” Paul says. Two weeks another love has triumphed—his wife, Shelly. The two later, the gentleman called Paul to ask where he should met at one of Paul’s shows in December 1992. By July send the check. It was then that Threadhead Records 1993, they were married. For 14 years, Shelly traveled began, with a goal of helping New Orleans musicians with Paul all over the world to pursue his music. In to continue to produce music. “After the flood, people 2012, Shelly was diagnosed with breast cancer. “At the had so little—and here are these people who loved the time, we didn’t know how bad it was, so I took a job music and wanted to make people feel empowered as a salesman to get medical benefits.” Shelly recovered when everyone felt so powerless.” after a double mastectomy and returned to work six The Threadheads’ love for New Orleans artists weeks later as a film set dresser. Paul continued to work expanded into a funding operation and foundation. as a “dreadful salesman.” Music fans fund artists to produce their albums, and “For those 18 months, I didn’t play; I couldn’t find the artists pay back the loans within 6-12 months after music in me.
    [Show full text]
  • PLACES to GO, PEOPLE to SEE THURSDAY, JANUARY 29 FRIDAY, JANUARY 30 SATURDAY, JANUARY 31 the Regulars
    The Vanderbilt Hustler’s Arts & Entertainment Magazine JANUARY 27—FEBRUARY 3, 2008 VOL. 47, NO. 3 She’s got a smooth sound and honest lyrics, and she’s bringing her sweet melodies to town tomorrow. Catch up with this Dallas/San Diego transplant on page 7. What’s so yesterday (other than Hilary Duff)? Find out on page 6. We’re throwing back some old-school tracks on page 4. Now on page 2: All the stars have in store for your week, overheard and more! PLACES TO GO, PEOPLE TO SEE THURSDAY, JANUARY 29 FRIDAY, JANUARY 30 SATURDAY, JANUARY 31 The Regulars Brett Dennen with Erin McCarley — Exit/In MACH 73 — Dan McGuiness Irish Pub Lucero — Mercy Lounge THE RUTLEDGE Vandy hasn’t been shy about its love for Brett Dennen, and Local Nashville power rock group MACH 73 is composed of three Lucero mixes country and punk rock in what has been called 410 Fourth Ave. South 37201 check out this week’s feature interview with his tour partner Erin guys with a deep love for rock music. The group has appeared on Memphis’ answer to Bruce Springsteen. The band has quite 782-6858 McCarley if you need another reason to head over to Exit/In to see The Tonight Show and the CMA Awards, and has toured extensively, a following, so be prepared for a worked up crowd. ($10, 9 these two. ($15 advance/$17 day of; McCarley 9 p.m., Dennen even playing our own local Grand Ole Opry. (Free, 7 p.m.) p.m.) 10 p.m.) THE MERCY LOUNGE/CANNERY Off the Wagon — Station Inn BALLROOM &Ampersand& — Cafe Coco 1 Cannery Row 37203 Bump City — The Basement Off the Wagon pride themselves on playing the “plain old working With a sweet name leading off, &Ampersand& exceeds 251-3020 Bump City, Nashville’s only Tower of Power tribute band, comes to man’s bluegrass.” No frills, no nonsense and no “cutey-pie expectations by bringing back intelligence to hip-hop and the historic Basement to show off their skills.
    [Show full text]
  • Steve's Karaoke Songbook
    Steve's Karaoke Songbook Artist Song Title Artist Song Title +44 WHEN YOUR HEART STOPS INVISIBLE MAN BEATING WAY YOU WANT ME TO, THE 10 YEARS WASTELAND A*TEENS BOUNCING OFF THE CEILING 10,000 MANIACS CANDY EVERYBODY WANTS A1 CAUGHT IN THE MIDDLE MORE THAN THIS AALIYAH ONE I GAVE MY HEART TO, THE THESE ARE THE DAYS TRY AGAIN TROUBLE ME ABBA DANCING QUEEN 10CC THINGS WE DO FOR LOVE, THE FERNANDO 112 PEACHES & CREAM GIMME GIMME GIMME 2 LIVE CREW DO WAH DIDDY DIDDY I DO I DO I DO I DO I DO ME SO HORNY I HAVE A DREAM WE WANT SOME PUSSY KNOWING ME, KNOWING YOU 2 PAC UNTIL THE END OF TIME LAY ALL YOUR LOVE ON ME 2 PAC & EMINEM ONE DAY AT A TIME MAMMA MIA 2 PAC & ERIC WILLIAMS DO FOR LOVE SOS 21 DEMANDS GIVE ME A MINUTE SUPER TROUPER 3 DOORS DOWN BEHIND THOSE EYES TAKE A CHANCE ON ME HERE WITHOUT YOU THANK YOU FOR THE MUSIC KRYPTONITE WATERLOO LIVE FOR TODAY ABBOTT, GREGORY SHAKE YOU DOWN LOSER ABC POISON ARROW ROAD I'M ON, THE ABDUL, PAULA BLOWING KISSES IN THE WIND WHEN I'M GONE COLD HEARTED 311 ALL MIXED UP FOREVER YOUR GIRL DON'T TREAD ON ME KNOCKED OUT DOWN NEXT TO YOU LOVE SONG OPPOSITES ATTRACT 38 SPECIAL CAUGHT UP IN YOU RUSH RUSH HOLD ON LOOSELY STATE OF ATTRACTION ROCKIN' INTO THE NIGHT STRAIGHT UP SECOND CHANCE WAY THAT YOU LOVE ME, THE TEACHER, TEACHER (IT'S JUST) WILD-EYED SOUTHERN BOYS AC/DC BACK IN BLACK 3T TEASE ME BIG BALLS 4 NON BLONDES WHAT'S UP DIRTY DEEDS DONE DIRT CHEAP 50 CENT AMUSEMENT PARK FOR THOSE ABOUT TO ROCK (WE SALUTE YOU) CANDY SHOP GIRLS GOT RHYTHM DISCO INFERNO HAVE A DRINK ON ME I GET MONEY HELLS BELLS IN DA
    [Show full text]
  • Gumbo Magazine, Spring 1992 Louisiana State University and Agricultural and Mechanical College
    Louisiana State University LSU Digital Commons Gumbo Yearbook University Archives Spring 1992 Gumbo Magazine, Spring 1992 Louisiana State University and Agricultural and Mechanical College Follow this and additional works at: https://digitalcommons.lsu.edu/gumbo Recommended Citation Louisiana State University and Agricultural and Mechanical College, "Gumbo Magazine, Spring 1992" (1992). Gumbo Yearbook. 112. https://digitalcommons.lsu.edu/gumbo/112 This Book is brought to you for free and open access by the University Archives at LSU Digital Commons. It has been accepted for inclusion in Gumbo Yearbook by an authorized administrator of LSU Digital Commons. For more information, please contact [email protected]. GUMBO Volume 3, Issue 3, Spring 1992 also inside Local bands break info the business The PC debate: what's it really all about? Chimes Street — full of history, full of life The power to overcome. Optimum music at Minimum prices. Hours: 10-9 M-S 12-6 Sunday 226 W. State Street 344-2324 University Shopping Center .Baton Rouge, La. 70802 listening to the right musk is as important as keeping your teeth kleen. for best results, try klsu 91.1 fm baton rouge and don't forget to floss. GUMBO m a g a z i n e Volume 3 Issue 3 Spring 1992 3 6 Chimes Street Then ... 3 A n d N ow Playin' in the Band A history of one ofLSU's most A candid look at four local bands and infamous strips. their struggles to fulfill their dreams By B renda Murray — a naked woman frolicking on stage? By Robert Wolf 3 4 The Cards in the Attic A comfortable story about baseball 1 4 cards, Christmas at Pawpaw's, Skip's Field of Dreams fishing, and family The man behind the 1991 national By Jeffrey T.
    [Show full text]
  • Wavelength (September 1982)
    University of New Orleans ScholarWorks@UNO Wavelength Midlo Center for New Orleans Studies 9-1982 Wavelength (September 1982) Connie Atkinson University of New Orleans Follow this and additional works at: https://scholarworks.uno.edu/wavelength Recommended Citation Wavelength (September 1982) 23 https://scholarworks.uno.edu/wavelength/23 This Book is brought to you for free and open access by the Midlo Center for New Orleans Studies at ScholarWorks@UNO. It has been accepted for inclusion in Wavelength by an authorized administrator of ScholarWorks@UNO. For more information, please contact [email protected]. MEXICAN A! and ... Double Mexicana! MARGARITAS 2 for the price of one through September 15th both locations. If you have not yet discovered Vera Cruz, then you are in for a treat ... its delicious, authentic Mexican cuisine, wonderfully extensive menu, casual and charming atmosphere and friendly staff have made Vera Cruz one of the most popular meeting spots in the city. Stop by and sample one of our superb daily specials or have a cooler at the bar and acquaint yourself with an extraordinary restaurant! Uptown - Mon.-Sat. 11:30 am-10:30 pm, later on weekends Sunday - 11:30 am-9:00 pm Downtown - Mon.-Fri. 5:00 pm-10:30 pm . Saturday 12 noon-10:30 pm 1 Sunday 12 noon-9:00 pm Uptown on Maple Street French Quarter on Decatur 1141 Decatur (corner of Gov. Nicholls) 523.. 9377 • 7537 Maple St. 866-1736 ISSUE NO. 23 • SEPTEMBER 1982 "I'm not sure, but I'm almost positive, that all music came from New Orleans.
    [Show full text]
  • Global Music Pulse
    $5.95 (U.S.), $6.95 (CAN.), £4.95 (U.K.), Y2,500 (JAPAN) 11i1n11nE1n1E11nE1nE1n11n1n111 I 11,..11 #BXNCCVR 3-DIGIT 908 #90807GEE374EM002# BLBD 722 A06 B0054 001 033002 2 MONTY GREENLY 3740 ELM AVE # A LONG BEACH CA 90807 -3402 THE INTERNATIONAL NEWSWEEKLY OF MUSIC, VIDEO, AND HOME ENTERTAINMEN FEBRUARY 26, 2000 VI U.K. Troubled By New AOL Service To Tap Viacom Preps Static '99 Market Urban Entertainment Market For Net Push BY TOM FERGUSON BY DON JEFFREY and PAUL SEXTON BY GAIL MITCHELL Also as part of this agreement, and BRIAN GARRITY LONDON-On the eve of its LOS ANGELES -As online compa- AOL will take a minority stake in NEW YORK -With revenue annual celebratory, and often nies continue to jockey for ways to DME Interactive, while DME will and profit from longstanding rambunctious, Brit Awards, the reach their targeted audiences, market AOL 5.0 through its various businesses like MTV Networks, U.K. record industry doesn't America Online (AOL) has joined marketing channels. Paramount Pictures, and Block- seem in the mood to party. with Englewood Cliffs, "This is the urban buster rising strongly, Viacom is Newly pub- N.J. -based DME version of AOL, with now prepar- NEWS lished statistics Interactive Holdings to 21,,. AOL /Compu- ing a big r,.nf'M IN neWl, ir.y yucoml ANALYSIS from the British form Places of Color, a V¡,A^MEAI[A Serve as a partner," move into Phonographic new partnership aimed explains DME Interactive CEO new media with an initial pub- Industry (BPI) have confirmed at the urban market.
    [Show full text]