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The Language of Narrative Drawing: a Close Reading of Contemporary Graphic Novels
The Language of Narrative Drawing: a close reading of contemporary graphic novels Abstract: The study offers an alternative analytical framework for thinking about the contemporary graphic novel as a dynamic area of visual art practice. Graphic narratives are placed within the broad, open-ended territory of investigative drawing, rather than restricted to a special category of literature, as is more usually the case. The analysis considers how narrative ideas and energies are carried across specific examples of work graphically. Using analogies taken from recent academic debate around translation, aspects of Performance Studies, and, finally, common categories borrowed from linguistic grammar, the discussion identifies subtle varieties of creative processing within a range of drawn stories. The study is practice-based in that the questions that it investigates were first provoked by the activity of drawing. It sustains a dominant interest in practice throughout, pursuing aspects of graphic processing as its primary focus. Chapter 1 applies recent ideas from Translation Studies to graphic narrative, arguing for a more expansive understanding of how process brings about creative evolutions and refines directing ideas. Chapter 2 considers the body as an area of core content for narrative drawing. A consideration of elements of Performance Studies stimulates a reconfiguration of the role of the figure in graphic stories, and selected artists are revisited for the physical qualities of their narrative strategies. Chapter 3 develops the grammatical concept of tense to provide a central analogy for analysing graphic language. The chapter adapts the idea of the graphic „confection‟ to the territory of drawing to offer a fresh system of analysis and a potential new tool for teaching. -
UC Berkeley Berkeley Undergraduate Journal of Classics
UC Berkeley Berkeley Undergraduate Journal of Classics Title Bow Designs on Ancient Greek Vases Permalink https://escholarship.org/uc/item/3rh4f9jd Journal Berkeley Undergraduate Journal of Classics, 5(2) ISSN 2373-7115 Author Bowyer, Emily S Publication Date 2017 Peer reviewed|Undergraduate eScholarship.org Powered by the California Digital Library University of California Bow Designs on Ancient Greek Vases Emily Bowyer University of California, Los Angeles Classical Civilizations Class of 2017 Abstract: This research looks to investigate the designs of ancient bows depicted on ancient Greek pottery. The goal is to show that the bows most commonly shown are not native to the Greek mainland but rather are from Scythia and Egypt. This has been done by examining a number of vases, pyramid friezes, and modern bow reconstructions. The common use of the Scythian design for archer characters in scenes of myth implies a familiarity with archery primarily through the Scythian mercenaries. The Egyptian acacia deflex bow design, while rare in vase depictions, directly corresponds to images on pyramids. The Egyptian angular composite bow appears in a rare case on a Greek vase, but its depiction is consistent with modern historical reconstructions. Through showing these non-native bow origins, this paper hopes to further demonstrate the worldly influences on archaic Greece. The practice of archery is ancient, as is its depiction in art. Analysis of the bow’s form provides a unique insight into the ancient world. This is because a culture’s bow design is a direct reflection of its environment. From the single-piece English Yew longbow to the massive Japanese Yumi to the compact Mongolian horse bow, the available materials dictate the form of the tool. -
Hosting a Hunting- Based Outdoor Skills Event in Your Community
Learning to Hunt Hosting a hunting- based outdoor skills event in your community Mary Kay Salwey, Ph.D. Wisconsin Department of Natural Resources 2004 Station Learning to HuntCredits 15Project Director With Stick and StringMary Kay Salwey, Ph.D. Wisconsin DNR Bureau of Wildlife Management Box 7921 Madison, WI 53707-7921 Editorial Assistance Nancy Williams Carrie L. Armus Artwork Eric DeBoer Mary Kay Salwey Dynamic Graphics Cindie Brunner Photos Robert Queen Mary Kay Salwey Mike Roach Design Concept Blue Raven Graphics Electronic Layout Mary Kay Salwey, Wisconsin DNR Published by Wisconsin Department of Natural Resources. Copyright 2004 by Wisconsin Department of Natural Resources Madison, Wisconsin. All original illustrations copyrighted. This book is educational in nature and not-for-profit. It is intended to inspire organizations to pass the tradition of hunting down to younger generations. However, all rights are reserved, including the right to reproduce this book or any part thereof in any form except brief quotations for reviews, without the written permission of the publisher. 184 Station Hosting an Outdoor Skills Clinic in Your Community 15 With Stick & With Stick and String String Participants learn the basic Bowhunting basics parts of bows and arrows. They try their hand at shooting a recurve or compound bow and learn some techniques for hunting deer. 185 Station Learning to Hunt 15 Objectives Equipment With Stick and String Participants shall: Bows– recurve, longbow, compound, in various describe the difference weights between a recurve bow, Arrows of various types longbow and compound bow. Arm guards, finger tabs or finger gloves, quivers demonstrate the safe and Hunting arrowheads – blunt, accurate use of a recurve or target, broadhead, fixed and compound bow. -
Furry by Sean Mcgann © 2019, RN
Furry By Sean McGann © 2019, RN: PAu 3-960-188 [email protected] or [email protected] OPEN TO: BLACK. TAILS (V.O.) It rained heavily that morning. EXT. WINDSHIELD OF TAILS’ TRUCK - MORNING Rain falls upon a truck's windshield. TAILS, a teenage boy with dark brown hair, drives the truck. He wears a purple jacket with a dark blue T-shirt underneath. He has an irritated look in his eyes, and breathes quite heavily. TAILS (V.O.) I woke up at 6:35, and had to use the small amount of driver's ed knowledge that somehow got me a driver’s license to rush to school. Dad drove Mom to work, which meant I would be home alone till about 5:30 after school. For reasons I’ll get into later, I was nothing short of ecstatic. CUT TO: BLACK. CAPTION: A BOATS AGAINST THE CURRENT PRODUCTION CAPTION: A SEAN MCGANN FILM CUT TO: EXT. SCHOOL PARKING LOT - MORNING Tails parks his truck. CAPTION: FURRY INT. HIGH SCHOOL - MORNING Tails walks into school, disheveled and carrying a backpack. He walks through the front entrance, around a corner, up some stairs and through two corridors. TAILS (V.O.) My name is Miles Steadman, but (MORE) (CONTINUED) 2. CONTINUED: (2) TAILS (CONT'D) everyone called me Tails, if anyone ever talked to me. To be perfectly honest, I think I gave myself that dumbass nickname because I was a hardcore Sonic the Hedgehog fanboy back in middle school, when it was acceptable. A Dr. Pepper Sonic lover, as Dave the Bastard once put it. -
Blazer Vanes How to Remove Arrow Wraps Cleaning Arrow Shafts
Here are the answers to the most commonly-asked questions about Bohning Archery products, including information about fletching arrows, fletching Blazer vanes, the Bohning Blazer jig, arrow wraps, quiver topics, and more. If you have a question that isn't answered here, please contact us for assistance. Blazer Vanes Do Blazer vanes work with broadheads? Blazer vanes are designed to be used with fixed and mechanical broadheads. They also work very well with field points and can be used for target shooting. How should Blazer vanes be fletched? Blazer vanes should be fletched in the same location as any other vane. We recommend a three-degree right helical, using our Blazer Helix Jig or Helix Tower Fletching Jig ™; or a two-degree offset, using our Pro-Class Fletching Jig. How to Remove Arrow Wraps What are the best ways to remove ArroWraps brand arrow wraps from a shaft? There are different options for removing ArroWraps: • Soak the ArroWrap in hot tap water for 5 minutes, and then peel it off. • Heat the ArroWrap with a hair dryer and then peel it off. • Scrape the ArroWrap off the shaft using Bohning's Stripper tool. Always clean the shaft well after removing an ArroWrap. How can vanes or feathers be replaced without damaging a shaft that has an ArroWrap brand arrow wrap or crest? Unfortunately, vanes or feathers cannot easily be replaced without damaging the crest. Cleaning Arrow Shafts What is the best method for cleaning arrow shafts? Clean arrow shafts by scrubbing with an abrasive pad (such as Scotch Brite®), using water and a good degreasing soap, such as Bohning SSR Arrow Shaft Surface Cleaner. -
Comic Book Collection
2008 preview: fre comic book day 1 3x3 Eyes:Curse of the Gesu 1 76 1 76 4 76 2 76 3 Action Comics 694/40 Action Comics 687 Action Comics 4 Action Comics 7 Advent Rising: Rock the Planet 1 Aftertime: Warrior Nun Dei 1 Agents of Atlas 3 All-New X-Men 2 All-Star Superman 1 amaze ink peepshow 1 Ame-Comi Girls 4 Ame-Comi Girls 2 Ame-Comi Girls 3 Ame-Comi Girls 6 Ame-Comi Girls 8 Ame-Comi Girls 4 Amethyst: Princess of Gemworld 9 Angel and the Ape 1 Angel and the Ape 2 Ant 9 Arak, Son of Thunder 27 Arak, Son of Thunder 33 Arak, Son of Thunder 26 Arana 4 Arana: The Heart of the Spider 1 Arana: The Heart of the Spider 5 Archer & Armstrong 20 Archer & Armstrong 15 Aria 1 Aria 3 Aria 2 Arrow Anthology 1 Arrowsmith 4 Arrowsmith 3 Ascension 11 Ashen Victor 3 Astonish Comics (FCBD) Asylum 6 Asylum 5 Asylum 3 Asylum 11 Asylum 1 Athena Inc. The Beginning 1 Atlas 1 Atomic Toybox 1 Atomika 1 Atomika 3 Atomika 4 Atomika 2 Avengers Academy: Fear Itself 18 Avengers: Unplugged 6 Avengers: Unplugged 4 Azrael 4 Azrael 2 Azrael 2 Badrock and Company 3 Badrock and Company 4 Badrock and Company 5 Bastard Samurai 1 Batman: Shadow of the Bat 27 Batman: Shadow of the Bat 28 Batman:Shadow of the Bat 30 Big Bruisers 1 Bionicle 22 Bionicle 20 Black Terror 2 Blade of the Immortal 3 Blade of the Immortal unknown Bleeding Cool (FCBD) Bloodfire 9 bloodfire 9 Bloodshot 2 Bloodshot 4 Bloodshot 31 bloodshot 9 bloodshot 4 bloodshot 6 bloodshot 15 Brath 13 Brath 12 Brath 14 Brigade 13 Captain Marvel: Time Flies 4 Caravan Kidd 2 Caravan Kidd 1 Cat Claw 1 catfight 1 Children of -
View of the Colony Itself (Being on the Top Floor of the Security Building Has Its Rewards, If Only That One Reward Was a Nice Sunset Every Now and Again)
The Bright Garden by Alex Puncekar Submitted in Partial Fulfillment of the Requirements for the Degree of Master of Fine Arts in the Northeast Ohio Master of Fine Arts Program YOUNGSTOWN STATE UNIVERSITY May, 2017 The Bright Garden Alex Puncekar I hereby release this thesis to the public. I understand that this thesis will be made available from the OhioLINK ETD Center and the Maag Library Circulation Desk for public access. I also authorize the University or other individuals to make copies of this thesis as needed for scholarly research. Signature: Alex Puncekar, Student Date Approvals: Christopher Barzak, Thesis Advisor Date Imad Rahman, Committee Member Date Eric Wasserman, Committee Member Date Dr. Salvatore A. Sanders, Dean of Graduate Studies Date ABSTRACT Calli Hayford lives on Kipos, a recently colonized planet far from Earth. Amongst the jungles and ravenous animals that threaten the various settlements across the planet’s surface, Calli is dealing with something much more dire: her sick mother, who is slowly dying from an unknown sickness. With funds scarce, Calli decides to do the impossible: to locate auracite, a rare mineral native to Kipos, in the hopes that it will provide her with the money to afford a cure. She leaves home with her friend, the sly and scruffy Sera, and encounters a whole new world outside of her own, one that will force her to answer questions she never knew she needed to answer: how far is she willing to go for someone she loves? iii Table of Contents Prologue 1 Chapter 1 6 Chapter 2 21 Chapter 3 35 Chapter 4 57 Chapter 5 80 Chapter 6 92 Chapter 7 123 Chapter 8 136 Chapter 9 156 Chapter 10 165 Chapter 11 192 Chapter 12 220 Chapter 13 245 Chapter 14 260 Chapter 15 279 Chapter 16 296 Chapter 17 313 Chapter 18 333 Chapter 19 358 Chapter 20 374 Chapter 21 387 iv Chapter 22 397 Epilogue 403 v Prologue Diana Hayford remembers Autumn. -
Justice League: Origins
JUSTICE LEAGUE: ORIGINS Written by Chad Handley [email protected] EXT. PARK - DAY An idyllic American park from our Rockwellian past. A pick- up truck pulls up onto a nearby gravel lot. INT. PICK-UP TRUCK - DAY MARTHA KENT (30s) stalls the engine. Her young son, CLARK, (7) apprehensively peeks out at the park from just under the window. MARTHA KENT Go on, Clark. Scoot. CLARK Can’t I go with you? MARTHA KENT No, you may not. A woman is entitled to shop on her own once in a blue moon. And it’s high time you made friends your own age. Clark watches a group of bigger, rowdier boys play baseball on a diamond in the park. CLARK They won’t like me. MARTHA KENT How will you know unless you try? Go on. I’ll be back before you know it. EXT. PARK - BASEBALL DIAMOND - MOMENTS LATER Clark watches the other kids play from afar - too scared to approach. He is about to give up when a fly ball plops on the ground at his feet. He stares at it, unsure of what to do. BIG KID 1 (yelling) Yo, kid. Little help? Clark picks up the ball. Unsure he can throw the distance, he hesitates. Rolls the ball over instead. It stops halfway to Big Kid 1, who rolls his eyes, runs over and picks it up. 2. BIG KID 1 (CONT’D) Nice throw. The other kids laugh at him. Humiliated, Clark puts his hands in his pockets and walks away. Big Kid 2 advances on Big Kid 1; takes the ball away from him. -
CONEJO QUIVER April 2021 Issue
CONEJO QUIVER April 2021 Issue The April Club Shoot is scheduled for Sunday April 25, 2021. Please wear a protective mask and maintain appropriate distances while shooting. The General Meeting will occur on that date at 11:30am per our normal schedule. FROM THE EDITOR FROM THE DESK OF THE PRESIDENT John Downey, Editor Kurt Hoberg Welcome back Archers to another issue of the Conejo Quiver CVA Range News Newsletter. Overall Range News: I want to thank our coaches and volunteers that have been making We have another nice issue for you this month with columns from our Public Session possible during these all of our irregulars. interesting times. Since reopening our Public Session has been experiencing full attendance. I also want to thank our Club Kurt & Cathy will bring you up to date on all the happenings around Members for relocating their shooting when asked, so we can have the range. Scott has some additional info for you on a number of more members of the public on the range. things, including our new website and web presence. Ken and Geoff We have gotten some rain, so the weeds are starting to grow. Work have been busy as well with JOAD lately, and their article will give parties are starting. We also are having a service spray the you an idea why. The latest Club Shoot scores have been included Tournament Range and parking lot due to the large size of the as well. venue. For the rest of the range, we will be working to keep it clear. -
Dan and Jackie Deprospero
April 2005 Quality Kyudo Equipment and Accessories combined with Knowledgeable Service JULY 2012 E-mail: [email protected] DanWebsite: and http://www.kyudo.com Jackie DeProspero501 Sleepy Valley Road Apex, NC 27523 USA decisions. We are always more than happy to answer all your kyudo related questions— equipment or otherwise. Traditional Japanese archery is called Kyudo, literally The Way of the Bow, and is regarded in Japan as one of the purest of all the martial Ways. In times past, the Japanese bow, or yumi, was an effective hunting tool and weapon of war but it was also used in court games and rituals, religious ceremonies, and contests of skill. Many of those games and ceremonies have survived to Choosing kyudo equipment is not easy. this day but the Japanese yumi long ago lost its Questions of type, length, strength, maker, practical value as a weapon. Whatʼs more, unlike and cost must all be considered. Basic kyudo its Western counterpart, the modern Japanese equipment consists of a bow, set of arrows, bow is not even used for hunting. Today, Kyudo is archerʼs glove, and spare bowstring. Because practiced primarily as a method of physical, moral, kyudo equipment can be damaged by poor and spiritual development; quite unlike any other technique we strongly advise novice practitioners Thecultural use Way of the bow of and thearrow. AndBow nowhere to purchase moderately priced equipment at in the world is there a bow like the Japanese yumi. first. We also recommend that anyone new to It is unique in every sense. It is exceptionally kyudo, especially those with little or no access long, over two meters, and asymmetrically to an experienced instructor, consider a bow designed. -
THE COLLECTED POEMS of HENRIK IBSEN Translated by John Northam
1 THE COLLECTED POEMS OF HENRIK IBSEN Translated by John Northam 2 PREFACE With the exception of a relatively small number of pieces, Ibsen’s copious output as a poet has been little regarded, even in Norway. The English-reading public has been denied access to the whole corpus. That is regrettable, because in it can be traced interesting developments, in style, material and ideas related to the later prose works, and there are several poems, witty, moving, thought provoking, that are attractive in their own right. The earliest poems, written in Grimstad, where Ibsen worked as an assistant to the local apothecary, are what one would expect of a novice. Resignation, Doubt and Hope, Moonlight Voyage on the Sea are, as their titles suggest, exercises in the conventional, introverted melancholy of the unrecognised young poet. Moonlight Mood, To the Star express a yearning for the typically ethereal, unattainable beloved. In The Giant Oak and To Hungary Ibsen exhorts Norway and Hungary to resist the actual and immediate threat of Prussian aggression, but does so in the entirely conventional imagery of the heroic Viking past. From early on, however, signs begin to appear of a more personal and immediate engagement with real life. There is, for instance, a telling juxtaposition of two poems, each of them inspired by a female visitation. It is Over is undeviatingly an exercise in romantic glamour: the poet, wandering by moonlight mid the ruins of a great palace, is visited by the wraith of the noble lady once its occupant; whereupon the ruins are restored to their old splendour. -
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