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Liberated Punks Accelerate China’S Musical Evolution

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About blogs Just another WordPress weblog Liberated Punks Accelerate China’s Musical Evolution From Pigface and Ministry to PiL and Killing Joke, drummer Martin Atkins has pounded the skins for some very loud punks. But he didn't realize that China's underground sound would throw him into a time machine and dial it back to the '70s and '80s, when bands were pushing the envelope on conventional rock and not really caring how you felt about it. Atkins shot 80 hours of video from his 2006 trip into Asia's 21st century powerhouse, and chopped it down into the recently released documentary Sixteen Days in China . Listening Post caught up with him to talk about China's greatest bands you've never heard and more. Wired.com: How did your experiences with Ministry and your other bands match up to the scene you witnessed in China? Martin Atkins: I think time and location has more relevance, like London in 1977, New York in 1980 or maybe Chicago 1989. These were cities that had exploding scenes that I managed to be a small part of. Add to that some entrepreneurial what-the-fuck-ness, and there you go! The backdrop is different, but the immersion, the focus on just the music and attitude feels like a definite ripple from those times. It doesn't feel strategized in a careerist way. The guys in D-22, who now have a label called Maybe Mars, and their venue reminded me of the vibe of CBGB's. While I was over there, I saw the club on CNN, and that rang a bell for me. It fueled the feeling that I was in the middle of a swirling energy field. That's also why I extended my trip a couple of times, to the horror of my office! Wired.com: What are some of the bands that kicked ass? Martin Atkins: Well, different bands for different reasons. Apart from the fact that I loved their vibe, the fact that Snapline had a drum machine knocked me on my ass. Great vocals, songs, lyrics and awesome guitar. Hang On The Box had great experimentation: Here's a cool song on guitar, now I'm hitting a chair! Subs singer Kang Mao was terrific, on a Monday afternoon sound check, no less. She really brought it, from gentle crooning to full-on screaming. I loved the juxtaposition. China MC Brothers were casually tight as fuck, with tinkling keys and clever scratching. They were B-Boys with attitude. White also had cool experimentation. Car Sick Cars' guitarist Jeff just rocks. We jammed one night at D-22 to a confused table full of late-night drinkers. PK14 kicked ass on the first night. There were many more. I need to go back! Wired.com: Does our cultural lens on China suck? Should we fix it? Martin Atkins: It just needs to be focused. I think a natural process is underway. One of the reasons I mentioned New York in 1980 and London in 1977 is that both of those places and times seemed to be on another planet to me. In the UK, my cultural lens on New York was episodes of Taxi and Kojak , or horrifying headlines. I thought I was going to get shot in Times Square while eating pizza. Whether that was true or not, it certainly adrenalized our activities and adrenalin opens up the pathways. Rest assured, our cultural lens on China will be fixed to the point of wishing that we left the cap on. Wired.com: The country's economic future is bright. What are your thoughts on its musical future? Martin Atkins: I'm looking forward to the kind of musical liberty that will come once the music that is being made now has been understood. The next generation, and I don't mean biological but musical, will happen quickly and I think will be a most interesting mashup. The tones and textures are very different. I don't think we have seen that yet. Wired.com: But you're looking forward to what's coming. Martin Atkins: It's nice to be involved, and to see what's next, knowing that it's going to be surprising, whichever way it goes. But going over there and having some of those bands come over here will gradually change things. It won't be a big bang one Christmas morning of full-on freedom gift-wrapped under the tree. Right now, we're just seeping into the leaky basement, getting a bit moldy, creating a few irritations. China Blocks Access to iTunes Store Report: iTunes' Songs For Tibet Now Accessible from China Chinese Democracy: Only at Wal-Mart? Composer Says Beijing Olympic Committee Ripped Him Off Bill T. Jones Takes Fela Kuti Off-Broadway Gilberto Gil: New Album and Insights About Culture Sharing Read more interviews! Retaliation Station: An Interview With Thievery Corporation Masters at Work: An Interview With All Tomorrow's Parties Founder Barry Hogan What Is(n't) Shoegaze? Reunited, And It Feels So Loud: An Interview With Swervedriver We Are Not Cinematic: An Interview With Film School Memory Overload: An Interview With The Drift The Worlds In Our Heads: An Interview With Beach House From Spacemen 3 to Spiritualized: Jason Pierce Transcends Time September 13, 2008 · Filed under Interviews , Music News , Music Videos , shows , videos Comments are closed. 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    Music 5364 songs, 12.6 days, 21.90 GB Name Album Artist Miseria Cantare- The Beginning Sing The Sorrow A.F.I. The Leaving Song Pt. 2 Sing The Sorrow A.F.I. Bleed Black Sing The Sorrow A.F.I. Silver and Cold Sing The Sorrow A.F.I. Dancing Through Sunday Sing The Sorrow A.F.I. Girl's Not Grey Sing The Sorrow A.F.I. Death of Seasons Sing The Sorrow A.F.I. The Great Disappointment Sing The Sorrow A.F.I. Paper Airplanes (Makeshift Wings) Sing The Sorrow A.F.I. This Celluloid Dream Sing The Sorrow A.F.I. The Leaving Song Sing The Sorrow A.F.I. But Home is Nowhere Sing The Sorrow A.F.I. Hurricane Of Pain Unknown A.L.F. The Weakness Of The Inn Unknown A.L.F. I In The Shadow Of A Thousa… Abigail Williams The World Beyond In The Shadow Of A Thousa… Abigail Williams Acolytes In The Shadow Of A Thousa… Abigail Williams A Thousand Suns In The Shadow Of A Thousa… Abigail Williams Into The Ashes In The Shadow Of A Thousa… Abigail Williams Smoke and Mirrors In The Shadow Of A Thousa… Abigail Williams A Semblance Of Life In The Shadow Of A Thousa… Abigail Williams Empyrean:Into The Cold Wastes In The Shadow Of A Thousa… Abigail Williams Floods In The Shadow Of A Thousa… Abigail Williams The Departure In The Shadow Of A Thousa… Abigail Williams From A Buried Heart Legend Abigail Williams Like Carrion Birds Legend Abigail Williams The Conqueror Wyrm Legend Abigail Williams Watchtower Legend Abigail Williams Procession Of The Aeons Legend Abigail Williams Evolution Of The Elohim Unknown Abigail Williams Forced Ingestion Of Binding Chemicals Unknown Abigail
  • Phonographic Performance Company of Australia Limited Control of Music on Hold and Public Performance Rights Schedule 2

    Phonographic Performance Company of Australia Limited Control of Music on Hold and Public Performance Rights Schedule 2

    PHONOGRAPHIC PERFORMANCE COMPANY OF AUSTRALIA LIMITED CONTROL OF MUSIC ON HOLD AND PUBLIC PERFORMANCE RIGHTS SCHEDULE 2 001 (SoundExchange) (SME US Latin) Make Money Records (The 10049735 Canada Inc. (The Orchard) 100% (BMG Rights Management (Australia) Orchard) 10049735 Canada Inc. (The Orchard) (SME US Latin) Music VIP Entertainment Inc. Pty Ltd) 10065544 Canada Inc. (The Orchard) 441 (SoundExchange) 2. (The Orchard) (SME US Latin) NRE Inc. (The Orchard) 100m Records (PPL) 777 (PPL) (SME US Latin) Ozner Entertainment Inc (The 100M Records (PPL) 786 (PPL) Orchard) 100mg Music (PPL) 1991 (Defensive Music Ltd) (SME US Latin) Regio Mex Music LLC (The 101 Production Music (101 Music Pty Ltd) 1991 (Lime Blue Music Limited) Orchard) 101 Records (PPL) !Handzup! Network (The Orchard) (SME US Latin) RVMK Records LLC (The Orchard) 104 Records (PPL) !K7 Records (!K7 Music GmbH) (SME US Latin) Up To Date Entertainment (The 10410Records (PPL) !K7 Records (PPL) Orchard) 106 Records (PPL) "12"" Monkeys" (Rights' Up SPRL) (SME US Latin) Vicktory Music Group (The 107 Records (PPL) $Profit Dolla$ Records,LLC. (PPL) Orchard) (SME US Latin) VP Records - New Masters 107 Records (SoundExchange) $treet Monopoly (SoundExchange) (The Orchard) 108 Pics llc. (SoundExchange) (Angel) 2 Publishing Company LCC (SME US Latin) VP Records Corp. (The 1080 Collective (1080 Collective) (SoundExchange) Orchard) (APC) (Apparel Music Classics) (PPL) (SZR) Music (The Orchard) 10am Records (PPL) (APD) (Apparel Music Digital) (PPL) (SZR) Music (PPL) 10Birds (SoundExchange) (APF) (Apparel Music Flash) (PPL) (The) Vinyl Stone (SoundExchange) 10E Records (PPL) (APL) (Apparel Music Ltd) (PPL) **** artistes (PPL) 10Man Productions (PPL) (ASCI) (SoundExchange) *Cutz (SoundExchange) 10T Records (SoundExchange) (Essential) Blay Vision (The Orchard) .DotBleep (SoundExchange) 10th Legion Records (The Orchard) (EV3) Evolution 3 Ent.