Contributors Contributors
Total Page:16
File Type:pdf, Size:1020Kb
Load more
Recommended publications
-
Flashback: Satyajit Ray's Professor Shonku and His Lost
TALKING FILMS Flashback: Satyajit Ray’s Professor Shonku and his lost project ‘The Alien’ All about the screenplay that reportedly inspired Steven Spielberg’s ‘E.T. The Extra-Terrestrial’. Chandrima Pal Mar 09, 2018 · 09:15 am Satyajit Ray’s alien Bengali director Sandip Ray’s latest movie features one of Satyajit Ray’s best-known literary creations. Not the detective Feluda, but Professor Shonku, the scientist and eccentric genius who was introduced by Sandip Ray’s father in 1961. Sandip Ray’s Professor Shonku O El Dorado is based on the story Nakur Babu O El Dorado, in which Shonku takes off on an adventure with a man who can see into the future and make people see things that are not immediately visible. Produced by leading Kolkata studio SVF, the movie will be shot in Bengal and Brazil, and is aiming for a release later this year. Shonku, to be played by thespian Dhritiman Chatterjee, has never been filmed before, unlike Feluda, about whom several movies and television serials have been made. Inspired partly by Arthur Conan Doyle’s Professor Challenger and Hesoram Hushiar, a character created by Ray’s father Sukumar Ray, Shonku is every bit as fascinating as Feluda. He is a polyglot (he knows 69 languages), graduated from college at the age of 16, and started teaching when he was 20. Shonku works out of a laboratory at home where he uses locally available ingredients for his groundbreaking inventions. He keeps a low profile and refuses to share his formulas or inventions because he doesn’t want them to fall into the wrong hands. -
The Writing in Goopy Bagha
International Journal of Humanities and Cultural Studies (IJHCS) ISSN 2356-5926 Vol.1, Issue.2, September, 2014 Right(ing) the Writing: An Exploration of Satyajit Ray’s Goopy Gyne Bagha Byne Amrita Basu Haldia Institute of Technology, Haldia, West Bengal, India Abstract The act of writing, owing to the permanence it craves, may be said to be in continuous interaction with the temporal flow of time. It continues to stimulate questions and open up avenues for discussion. Writing people, events and relationships into existence is a way of negotiating with the illusory. But writing falters. This paper attempts a reading of Goopy Gyne Bagha Byne in terms of power politics through the lens of the manipulation of written codes and inscriptions in the film. Identities and cultures are constructed through inscriptions and writings. But in the wrong hands, this medium of communication which has the potential to bring people together may wreck havoc on the social and political system. Writing, or the misuse of it, in the case of the film, reveals the nature of reality as provisional. If writing gives a seal of authenticity to a message, it can also become the casualty of its own creation. Key words: Inscription, Power, Politics, Writing, Social system 1 International Journal of Humanities and Cultural Studies (IJHCS) ISSN 2356-5926 Vol.1, Issue.2, September, 2014 Introduction Goopy Gyne Bagha Byne by Satyajit Ray is a fun film for children of all ages; it ran to packed houses in West Bengal for a record 51 weeks and is considered one of the most commercially successful Ray films. -
List of Empanelled Artist
INDIAN COUNCIL FOR CULTURAL RELATIONS EMPANELMENT ARTISTS S.No. Name of Artist/Group State Date of Genre Contact Details Year of Current Last Cooling off Social Media Presence Birth Empanelment Category/ Sponsorsred Over Level by ICCR Yes/No 1 Ananda Shankar Jayant Telangana 27-09-1961 Bharatanatyam Tel: +91-40-23548384 2007 Outstanding Yes https://www.youtube.com/watch?v=vwH8YJH4iVY Cell: +91-9848016039 September 2004- https://www.youtube.com/watch?v=Vrts4yX0NOQ [email protected] San Jose, Panama, https://www.youtube.com/watch?v=YDwKHb4F4tk [email protected] Tegucigalpa, https://www.youtube.com/watch?v=SIh4lOqFa7o Guatemala City, https://www.youtube.com/watch?v=MiOhl5brqYc Quito & Argentina https://www.youtube.com/watch?v=COv7medCkW8 2 Bali Vyjayantimala Tamilnadu 13-08-1936 Bharatanatyam Tel: +91-44-24993433 Outstanding No Yes https://www.youtube.com/watch?v=wbT7vkbpkx4 +91-44-24992667 https://www.youtube.com/watch?v=zKvILzX5mX4 [email protected] https://www.youtube.com/watch?v=kyQAisJKlVs https://www.youtube.com/watch?v=q6S7GLiZtYQ https://www.youtube.com/watch?v=WBPKiWdEtHI 3 Sucheta Bhide Maharashtra 06-12-1948 Bharatanatyam Cell: +91-8605953615 Outstanding 24 June – 18 July, Yes https://www.youtube.com/watch?v=WTj_D-q-oGM suchetachapekar@hotmail 2015 Brazil (TG) https://www.youtube.com/watch?v=UOhzx_npilY .com https://www.youtube.com/watch?v=SgXsRIOFIQ0 https://www.youtube.com/watch?v=lSepFLNVelI 4 C.V.Chandershekar Tamilnadu 12-05-1935 Bharatanatyam Tel: +91-44- 24522797 1998 Outstanding 13 – 17 July 2017- No https://www.youtube.com/watch?v=Ec4OrzIwnWQ -
The Humanism of Satyajit Ray, His Last Will and Testament Shantanu Ray Chaudhuri
AGANTUK – The Humanism of Satyajit Ray, His Last Will And Testament Shantanu Ray Chaudhuri It’s impossible to record the transition in the socio-political and cultural landscape of India in general and Bengal in particular without taking into account the contribution of Satyajit Ray. As author Peter Rainer says, ‘In Ray’s films the old and the new are inextricably joined. This is the great theme of all his movies: the way the past in India forever bleeds through the present.’ Today, Indian cinema, particularly Bollywood, has found a global market. But it may be useful to remember that if anyone can be credited with putting Indian cinema on the world map, it is Satyajit Ray. He pioneered a whole new sensibility about films and filmmaking that compelled the world to reshape its perception of Indian cinema. ‘What we need,’ he wrote in 1947, before he ever directed a film, ‘is a style, an idiom, a part of the iconography of cinema which would be uniquely and recognizably Indian.’ This Still from the documentary, The Music of Satyajit Ray he achieved, and yet, like all great artists, his films went Watch film here- https://bit.ly/3u8orOD beyond the frontiers of countries and cultures. His contribution to the cultural scene in India is limited not just to his work as a director. He was the Renaissance man of independent India. As a film-maker he handled almost all the departments on his own – he wrote the screenplay and dialogues for his film, he composed his own music, designed the promotional material for his films, designed his own posters, went on to handle the cinematography and editing, was actively involved in the costumes (literally sketching each and every costume in a film). -
NEW PATHWAYS an Interactive Course in English
Revised NEW PATHWAYS An Interactive Course in English COURSEBOOK 7 GAYATRI KHANNA 3 Oxford University Press is a department of the University of Oxford. It furthers the University’s objective of excellence in research, scholarship, and education by publishing worldwide. Oxford is a registered trade mark of Oxford University Press in the UK and in certain other countries. Published in India by Oxford University Press 22 Workspace, 2nd Floor, 1/22 Asaf Ali Road, New Delhi 110002, India © Oxford University Press 2012, 2016, 2020 The moral rights of the author/s have been asserted. First Edition published in 2012 Second Edition published in 2016 This New Edition published in 2020 All rights reserved. No part of this publication may be reproduced, stored in a retrieval system, or transmitted, in any form or by any means, without the prior permission in writing of Oxford University Press, or as expressly permitted by law, by licence, or under terms agreed with the appropriate reprographics rights organization. Enquiries concerning reproduction outside the scope of the above should be sent to the Rights Department, Oxford University Press, at the address above. You must not circulate this work in any other form and you must impose this same condition on any acquirer. ISBN-13: 978-0-19-012152-5 ISBN-10: 0-19-012152-1 Typeset in Calibri Regular by Recto Graphics, Delhi 110096 Printed in India by Multivista Global Pvt. Ltd., Chennai 600042 Oxford Areal is a third-party software. Any links to third-party software are provided "as is" without warranty of any kind, either expressed or implied, and such software is to be used at your own risk. -
Annual Report 2014-15 ICSSR Annual Report 2014-15 ICSSR
Annual Report 2014-15 ICSSR Annual Report 2014-15 ICSSR Aruna Asaf Ali Marg, JNU Institutional Area, New Delhi - 110067 Tel No. 26741849/50/51 Fax : 91-11-26741836 Ministry of Human Resource Development e-mail : [email protected] Website : www.icssr.org Government of India Annual Report 2014-15 Indian Council Of Social Science Research Aruna Asaf Ali Marg, J.N.U. Institutional Area, New Delhi-110067 Contents Programmes 1-48 1. Overview 1-3 2. Research Promotion 4-12 3. Documentation 13-16 4. Research Survey and Publications 17-18 5. International Collaboration 19-31 6. Regional Centers 32-37 7. Research Institutes 38-47 Appendices 49-480 1. List of Members of the Council 51-53 2. ICSSR Senior Officials 54-55 3. Research Projects 56-107 4. Research Fellowships 108-193 5. Financial Assistance Provided for Organising 194-200 Capacity Building Programmes and Research Methodology Courses. 6. Financial Assistance Provided for Organising 201-244 International / National Seminars/ Conferences/ Workshops in India. 7. Publication Grants 245-250 8. Financial Assistance Provided to Scholars for 251-268 Participation in International Conferences / Data Collection Abroad. 9. Major Activities of ICSSR Regional Centres 269-296 10. Major Activities of ICSSR Research Institutes 297-475 11. Theses Purchased / Bibliographies Prepared in 476-479 the NASSDOC Statement of Accounts 481-580 Programmes 1 Overview Social science research, which presupposes launched in May 1969. It was considered a freedom of intellectual choice and opinion, significant achievement of evolving Indian needs to be encouraged by a developing democracy. nation. India has not only encouraged it, but also promoted it with state patronage. -
Satyajit Ray's the Adventures of Feluda
SATYAJIT RAY’S THE ADVENTURES OF FELUDA SATYAJIT RAY: AN INTRODUCTION SATYAJIT RAY, (BORN MAY 2, 1921, CALCUTTA, INDIA—DIED APRIL 23, 1992, CALCUTTA), BENGALI MOTION-PICTURE DIRECTOR, WRITER, AND ILLUSTRATOR WHO BROUGHT THE INDIAN CINEMA TO WORLD RECOGNITION WITH PATHER PANCHALI (1955; THE SONG OF THE ROAD) AND ITS TWO SEQUELS, KNOWN AS THE APU TRILOGY. AS A DIRECTOR RAY WAS NOTED FOR HIS HUMANISM, HIS VERSATILITY, AND HIS DETAILED CONTROL OVER HIS FILMS AND THEIR MUSIC. HE WAS ONE OF THE GREATEST FILMMAKERS OF THE 20TH CENTURY. In 1940 his mother persuaded him to attend art school at Santiniketan, Rabindranath Tagore’s rural university northwest of Calcutta. There Ray, whose interests had been exclusively urban and Western-oriented, was exposed to Indian and other Eastern art and gained a deeper appreciation of both Eastern and Western culture, a harmonious combination that is evident in his films. Returning to Calcutta, Ray in 1943 got a job in a British-owned advertising agency, became its art director within a few years, and also worked for a publishing house as a commercial illustrator, becoming a leading Indian typographer and book-jacket designer. Among the books he illustrated (1944) was the novel Pather Panchali by Bibhuti Bhushan Banarjee, the cinematic possibilities of which began to intrigue him. (W. Andrew Robinson) The film took two-and-a-half years to complete, with the crew, most of whom lacked any experience whatsoever in motion pictures, working on an unpaid basis. Pather Panchali was completed in 1955 and turned out to be both a commercial and a tremendous critical success, first in Bengal and then in the West following a major award at the 1956 Cannes International Film Festival. -
English Books
NEW ADDITIONS TO PARLIAMENT LIBRARY English Books 020 LIBRARY & INFORMATION SCIENCES 1. Arora, Jagdish, ed. Library as a global information hub : perspectives and challenges : proceedings, December 7-8, 2007 at Gauhati University, Guwahati / edited by Jagdish Arora... [et al]. - Ahmedabad: INFLIBNET Centre , 2007. v, 458p.: tables: figs.: illus.; 24cm. Includes bibliographical references; jointly organised by Information and Library Network Centre, Ahmedabad and Department of Library and Information Science; 5th Convention PLANNER-2007. ISBN : 978-81-902079-5-9. 025.5 LIB C76580 2. Nordic public libraries 2.0. - Kobenhavn V: Danish Agency for Libraries and Media , 2010. 112p.: plates; 28cm. ISBN : 978-87-92681-02-7. 027.448 NOR C76551 080 GENERAL COLLECTIONS 3. Mukherji, Pranab Selected speeches / Pranab Mukherjee. - New Delhi: Publications Division, Ministry of Information and Broadcasting , 2015. 3v.: plates; 25cm. Contents: v.1-v.3 July 2012-July 2015. ISBN : 978-81-230-2019-8. 080 MUK-s B212105;v.1,B212106;v.2, B212107;v.3,C77058;v.1;1, C77059;v.2;1,C77060;v.3;1 4. Kundu, Kalyan Meeting with Mussolini: Tagore's tours in Italy : 1925 and 1926 / Kalyan Kundu. - New Delhi: Oxford University Press , 2015. xxx, 250p.: plates; 23cm. Includes bibliographical references. ISBN : 0-19-945908-8. 080 TAG-k C76539 Price : RS. ***750.00 2 5. Som, Reba, ed. Tagore and Russia : international seminar of ICCR held on September 28-29, 2011 at Russian State University for Humanities, Moscow / edited by Reba Som and Sergei Serebriany. - New Delhi: Har-Anand Publications , 2016. 190p.; 26cm. Includes bibliographical references. ISBN : 978-81-241-1914-3. -
The Works of Anthony Trollope, Joseph Conrad, E
The Criterion www.the-criterion.com An International Journal in English ISSN 0976-8165 Vol. III. Issue. IV 1 December 2012 The Criterion www.the-criterion.com An International Journal in English ISSN 0976-8165 Bridges to Breakthroughs: Tracing the Genealogy of the Indian Science Fiction and Fantasy Genre in English Shradha Kabra Established genres of the West are constantly being modified, adapted and evolved for the consumption of other nations. Science Fiction and Fantasy (SFF) is one such genre that enjoys unsurpassed popularity prominently because it is a cross-over genre which fuses the impulses and techniques of both science fiction (Sf) and fantasy. Over the years, it has caught the interest of Indian writers in English and the international market is increasingly being proliferated by works of Indian. The paper would trace the watershed moments in the history of Indian Science Fiction (Sf) and fantasy, which are the parent genres of SFF that gradually gave rise to this “bastard” genre, to assimilate their value in the Indian-English literary tradition. Sf and Fantasy in English are considered to be a nascent genre in India although works featuring fantastical elements in India dates back to classical antiquity. The works of some of the prominent Indian fantasy writers have been traced in the paper to provide a rough idea about how the SFF genre evolved in India especially in English. For doing so, I have looked at some important signposts in Bengali Sf and Fantasy as many renowned Indian Sf writers chose Bengali as their language of narration than English. -
The Film That Was Never Made and Other Adventures with Science Fiction
Fafnir – Nordic Journal of Science Fiction and Fantasy Research journal.finfar.org Book-Review: Travails with the Alien: The Film That Was Never Made and Other Adventures with Science Fiction Anwesha Maity Ray, Satyajit. Travails with the Alien: The Film That Was Never Made and Other Adventures with Science Fiction. Edited by Sandip Ray (in association with Dhritiman Chaterji, Arup K. De, Riddhi Goswami, and Deepak Mukerjee). HarperCollins India, 2018. ISBN: 978-9352779154. To connoisseurs of world cinema, Satyajit Ray is likely to be a familiar figure as the creator of masterworks such as the Apu Trilogy (1955, 1956, 1959) and Charulata (1964); he is also the only Bengali (and Indian) filmmaker to have received an Honorary Academy Award (1992). To a lesser extent, recent scholarship has focused on Ray’s science fiction (sf) short stories and novellas, which present a complementary yet divergent vision (from Euro- American sf) for the genre as practiced in Bengali. Travails with the Alien brings to an international audience for the first time a confluence of the auteur’s commitment to both filmmaking and science fiction. It also shines a spotlight on one of the biggest controversies in Bengali and Indian film history – one that continues to be hotly debated in Bengali intellectual circles, as Ray remains the greatest Bengali cultural icon after Rabindranath Tagore: i.e., did Steven Spielberg plagiarize ET from Satyajit Ray’s The Alien? Travails with the Alien has three main sections, including a foreword by Sandip Ray, Satyajit’s son and a renowned filmmaker himself. Sandip Ray sets the tone by outlining Satyajit’s contribution to Bengali science fiction through reviving the Ray family flagship children-and-young adult periodical Sandesh, as well as his contribution to creating the Science Fiction Cine Club in Kolkata in 1963 – the first such establishment in the non- western world. -
Biography of Sarojini Naidu Saroji Naidu Also Known by the Sobriquet the Nightingale of India, Was a Child Prodigy, Indian Indep
Biography of Sarojini Naidu Saroji Naidu also known by the sobriquet The Nightingale of India, was a child prodigy, Indian independence activist and poet. Naidu was the first Indian woman to become the President of the Indian National Congress and the first woman to become the Governor of Uttar Pradesh state. was a great patriot, politician, orator and administrator. of all the famous women of India, Mrs. Sarojinidevi Naidu's name is at the top. Not only that, but she was truly one of the jewels of the world. Being one of the most famous heroines of the 20th century, her birthday is celebrated as "Women's Day" Early Life She was born in Hyderabad. Sarojini Chattopadhyay, later Naidu belonged to a Bengali family of Kulin Brahmins. But her father, Agorenath Chattopadhyay, after receiving a doctor of science degree from Edinburgh University, settled in Hyderabad State, where he founded and administered the Hyderabad College, which later became the Nizam's College in Hyderabad. Sarojini Naidu's mother Barada Sundari Devi was a poetess baji and used to write poetry in Bengali. Sarojini Naidu was the eldest among the eight siblings. One of her brothers Birendranath was a revolutionary and her other brother Harindranath was a poet, dramatist, and actor. Sarojini Naidu was a brilliant student. She was proficient in Urdu, Telugu, English, Bengali, and Persian. At the age of twelve, Sarojini Naidu attained national fame when she topped the matriculation examination at Madras University. Her father wanted her to become a mathematician or scientist but Sarojini Naidu was interested in poetry. -
Special Edition
Satyajit Ray Centenary: Remembering his DIGITALLY YOURS... Legacy & Timeless Contribution to Indian Message from Managing Editor & Dean of Academics Madam Cinema countryside. Ray told Renoir -By Priyanka Bhattacharya countryside. Ray told Renoir As we move into the second about his idea of Pather Pachali Master of Hospital about his idea of Pather Pachali year of uncertainty, & Renoir encouraged him in the Administration & Renoir encouraged him in the insecurity, ambiguity and project. In 1952, with his project. In 1952, with his diffidence, we are moving personal savings, Ray started Satyajit Ray (born on 2nd personal savings, Ray started closer to an unrealistic and “Pather Pachali” shooting & May 1921 in Calcutta), “Pather Pachali” shooting & artificial world where survival took loan from WB Govt. to respected as Manik Da, took loan from WB Govt. to is an everyday challenge. The complete it. It was shot over carved a niche in Indian complete it. It was shot over COVID 19 pandemic has 2&1/2 years, released in 1955 to Cinema with his brilliant 2&1/2 years, released in 1955 to taught us many things among great critical success, won 11 film making, storytelling, great critical success, won 11 which the most significant international prizes (inaugural graphic arts, screen writing international prizes (inaugural one is digitalization. This one Best Human Document Award & music composing skills. Best Human Document Award word seems to have changed at 1965 Cannes Film Festival). He studied Arts from at 1965 Cannes Film Festival). the meaning of our very Ray’s International career Presidency College & Visva Ray’s International career existence.