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Flashback: Satyajit Ray's Professor Shonku and His Lost
TALKING FILMS Flashback: Satyajit Ray’s Professor Shonku and his lost project ‘The Alien’ All about the screenplay that reportedly inspired Steven Spielberg’s ‘E.T. The Extra-Terrestrial’. Chandrima Pal Mar 09, 2018 · 09:15 am Satyajit Ray’s alien Bengali director Sandip Ray’s latest movie features one of Satyajit Ray’s best-known literary creations. Not the detective Feluda, but Professor Shonku, the scientist and eccentric genius who was introduced by Sandip Ray’s father in 1961. Sandip Ray’s Professor Shonku O El Dorado is based on the story Nakur Babu O El Dorado, in which Shonku takes off on an adventure with a man who can see into the future and make people see things that are not immediately visible. Produced by leading Kolkata studio SVF, the movie will be shot in Bengal and Brazil, and is aiming for a release later this year. Shonku, to be played by thespian Dhritiman Chatterjee, has never been filmed before, unlike Feluda, about whom several movies and television serials have been made. Inspired partly by Arthur Conan Doyle’s Professor Challenger and Hesoram Hushiar, a character created by Ray’s father Sukumar Ray, Shonku is every bit as fascinating as Feluda. He is a polyglot (he knows 69 languages), graduated from college at the age of 16, and started teaching when he was 20. Shonku works out of a laboratory at home where he uses locally available ingredients for his groundbreaking inventions. He keeps a low profile and refuses to share his formulas or inventions because he doesn’t want them to fall into the wrong hands. -
The Writing in Goopy Bagha
International Journal of Humanities and Cultural Studies (IJHCS) ISSN 2356-5926 Vol.1, Issue.2, September, 2014 Right(ing) the Writing: An Exploration of Satyajit Ray’s Goopy Gyne Bagha Byne Amrita Basu Haldia Institute of Technology, Haldia, West Bengal, India Abstract The act of writing, owing to the permanence it craves, may be said to be in continuous interaction with the temporal flow of time. It continues to stimulate questions and open up avenues for discussion. Writing people, events and relationships into existence is a way of negotiating with the illusory. But writing falters. This paper attempts a reading of Goopy Gyne Bagha Byne in terms of power politics through the lens of the manipulation of written codes and inscriptions in the film. Identities and cultures are constructed through inscriptions and writings. But in the wrong hands, this medium of communication which has the potential to bring people together may wreck havoc on the social and political system. Writing, or the misuse of it, in the case of the film, reveals the nature of reality as provisional. If writing gives a seal of authenticity to a message, it can also become the casualty of its own creation. Key words: Inscription, Power, Politics, Writing, Social system 1 International Journal of Humanities and Cultural Studies (IJHCS) ISSN 2356-5926 Vol.1, Issue.2, September, 2014 Introduction Goopy Gyne Bagha Byne by Satyajit Ray is a fun film for children of all ages; it ran to packed houses in West Bengal for a record 51 weeks and is considered one of the most commercially successful Ray films. -
The Humanism of Satyajit Ray, His Last Will and Testament Shantanu Ray Chaudhuri
AGANTUK – The Humanism of Satyajit Ray, His Last Will And Testament Shantanu Ray Chaudhuri It’s impossible to record the transition in the socio-political and cultural landscape of India in general and Bengal in particular without taking into account the contribution of Satyajit Ray. As author Peter Rainer says, ‘In Ray’s films the old and the new are inextricably joined. This is the great theme of all his movies: the way the past in India forever bleeds through the present.’ Today, Indian cinema, particularly Bollywood, has found a global market. But it may be useful to remember that if anyone can be credited with putting Indian cinema on the world map, it is Satyajit Ray. He pioneered a whole new sensibility about films and filmmaking that compelled the world to reshape its perception of Indian cinema. ‘What we need,’ he wrote in 1947, before he ever directed a film, ‘is a style, an idiom, a part of the iconography of cinema which would be uniquely and recognizably Indian.’ This Still from the documentary, The Music of Satyajit Ray he achieved, and yet, like all great artists, his films went Watch film here- https://bit.ly/3u8orOD beyond the frontiers of countries and cultures. His contribution to the cultural scene in India is limited not just to his work as a director. He was the Renaissance man of independent India. As a film-maker he handled almost all the departments on his own – he wrote the screenplay and dialogues for his film, he composed his own music, designed the promotional material for his films, designed his own posters, went on to handle the cinematography and editing, was actively involved in the costumes (literally sketching each and every costume in a film). -
List of Successful Candidates
11 - LIST OF SUCCESSFUL CANDIDATES CONSTITUENCY WINNER PARTY Andhra Pradesh 1 Nagarkurnool Dr. Manda Jagannath INC 2 Nalgonda Gutha Sukender Reddy INC 3 Bhongir Komatireddy Raj Gopal Reddy INC 4 Warangal Rajaiah Siricilla INC 5 Mahabubabad P. Balram INC 6 Khammam Nama Nageswara Rao TDP 7 Aruku Kishore Chandra Suryanarayana INC Deo Vyricherla 8 Srikakulam Killi Krupa Rani INC 9 Vizianagaram Jhansi Lakshmi Botcha INC 10 Visakhapatnam Daggubati Purandeswari INC 11 Anakapalli Sabbam Hari INC 12 Kakinada M.M.Pallamraju INC 13 Amalapuram G.V.Harsha Kumar INC 14 Rajahmundry Aruna Kumar Vundavalli INC 15 Narsapuram Bapiraju Kanumuru INC 16 Eluru Kavuri Sambasiva Rao INC 17 Machilipatnam Konakalla Narayana Rao TDP 18 Vijayawada Lagadapati Raja Gopal INC 19 Guntur Rayapati Sambasiva Rao INC 20 Narasaraopet Modugula Venugopala Reddy TDP 21 Bapatla Panabaka Lakshmi INC 22 Ongole Magunta Srinivasulu Reddy INC 23 Nandyal S.P.Y.Reddy INC 24 Kurnool Kotla Jaya Surya Prakash Reddy INC 25 Anantapur Anantha Venkata Rami Reddy INC 26 Hindupur Kristappa Nimmala TDP 27 Kadapa Y.S. Jagan Mohan Reddy INC 28 Nellore Mekapati Rajamohan Reddy INC 29 Tirupati Chinta Mohan INC 30 Rajampet Annayyagari Sai Prathap INC 31 Chittoor Naramalli Sivaprasad TDP 32 Adilabad Rathod Ramesh TDP 33 Peddapalle Dr.G.Vivekanand INC 34 Karimnagar Ponnam Prabhakar INC 35 Nizamabad Madhu Yaskhi Goud INC 36 Zahirabad Suresh Kumar Shetkar INC 37 Medak Vijaya Shanthi .M TRS 38 Malkajgiri Sarvey Sathyanarayana INC 39 Secundrabad Anjan Kumar Yadav M INC 40 Hyderabad Asaduddin Owaisi AIMIM 41 Chelvella Jaipal Reddy Sudini INC 1 GENERAL ELECTIONS,INDIA 2009 LIST OF SUCCESSFUL CANDIDATE CONSTITUENCY WINNER PARTY Andhra Pradesh 42 Mahbubnagar K. -
The Cinema of Satyajit Ray Between Tradition and Modernity
The Cinema of Satyajit Ray Between Tradition and Modernity DARIUS COOPER San Diego Mesa College PUBLISHED BY THE PRESS SYNDICATE OF THE UNIVERSITY OF CAMBRIDGE The Pitt Building, Trumpington Street, Cambridge, United Kingdom CAMBRIDGE UNIVERSITY PRESS The Edinburgh Building, Cambridge cb2 2ru, UK http://www.cup.cam.ac.uk 40 West 20th Street, New York, ny 10011-4211, USA http://www.cup.org 10 Stamford Road, Oakleigh, Melbourne 3166, Australia Ruiz de Alarcón 13, 28014 Madrid, Spain © Cambridge University Press 2000 This book is in copyright. Subject to statutory exception and to the provisions of relevant collective licensing agreements, no reproduction of any part may take place without the written perrnission of Cambridge University Press. First published 2000 Printed in the United States of America Typeface Sabon 10/13 pt. System QuarkXpress® [mg] A catalog record for this book is available from the British Library Library of Congress Cataloging in Publication Data Cooper, Darius, 1949– The cinema of Satyajit Ray : between tradition and modernity / Darius Cooper p. cm. – (Cambridge studies in film) Filmography: p. Includes bibliographical references and index. isbn 0 521 62026 0 (hb). – isbn 0 521 62980 2 (pb) 1. Ray, Satyajit, 1921–1992 – Criticism and interpretation. I. Title. II. Series pn1998.3.r4c88 1999 791.43´0233´092 – dc21 99–24768 cip isbn 0 521 62026 0 hardback isbn 0 521 62980 2 paperback Contents List of Illustrations page ix Acknowledgments xi Introduction 1 1. Between Wonder, Intuition, and Suggestion: Rasa in Satyajit Ray’s The Apu Trilogy and Jalsaghar 15 Rasa Theory: An Overview 15 The Excellence Implicit in the Classical Aesthetic Form of Rasa: Three Principles 24 Rasa in Pather Panchali (1955) 26 Rasa in Aparajito (1956) 40 Rasa in Apur Sansar (1959) 50 Jalsaghar (1958): A Critical Evaluation Rendered through Rasa 64 Concluding Remarks 72 2. -
Satyajit Ray: India Marks Centenary of Cinema Giant, but Legacy Has Multiple Interpretations by Naman Ramachandran Variety.Com , May 1, 2021 10:28Pm PT
Satyajit Ray: India Marks Centenary of Cinema Giant, but Legacy Has Multiple Interpretations By Naman Ramachandran Variety.com , May 1, 2021 10:28pm PT Ratanshree Nirman/Roadshowfilms/Everett Collection/Gaurang Films/Bhandarkar Entertainment/Overdose Films India is celebrating the birth centenary of one of her greatest sons, Satyajit Ray, in a variety of ways. Sunday (May 2, 2021), marks the centenary of Ray, the Indian master who won an honorary Oscar in 1992, shortly before his death, and remains the country’s best known filmmaker internationally. Ray debuted with “Pather Panchali” (1955) the first part of the magisterial Apu Trilogy, which won best human document at Cannes. The Trilogy includes “Aparajito” (1956) and “Apur Sansar” (1959). Berlin was a particularly happy venue for him and he won top awards at the festival numerous times, for “Pather Panchali,” “Aparajito,” “Mahanagar” (1963), “Charulata” (1964), “Nayak” (1966) and “Ashani Sanket” (1973) At Venice he won for “Aparajito” and “Seemabaddha” (1971), culminating in a career Golden Lion in 1982. He also won a British Institute Fellowship in 1983 to go with the London Film Festival’s Sutherland Trophy for “Apur Sansar.” In 1987, the government of France made Ray a Commander of the Legion of Honor. In India, Ray’s films won 36 times at India’s National Film Awards and he was also accorded the Dadasaheb Phalke Award and the Bharat Ratna, the country’s highest film and civilian awards respectively. The Indian government has newly instituted a Satyajit Ray Lifetime Achievement Award for Excellence in Cinema, and the country’s various film bodies are organizing year-long centenary celebrations, necessarily virtual-physical hybrids because of the ongoing coronavirus pandemic. -
NEW PATHWAYS an Interactive Course in English
Revised NEW PATHWAYS An Interactive Course in English COURSEBOOK 7 GAYATRI KHANNA 3 Oxford University Press is a department of the University of Oxford. It furthers the University’s objective of excellence in research, scholarship, and education by publishing worldwide. Oxford is a registered trade mark of Oxford University Press in the UK and in certain other countries. Published in India by Oxford University Press 22 Workspace, 2nd Floor, 1/22 Asaf Ali Road, New Delhi 110002, India © Oxford University Press 2012, 2016, 2020 The moral rights of the author/s have been asserted. First Edition published in 2012 Second Edition published in 2016 This New Edition published in 2020 All rights reserved. No part of this publication may be reproduced, stored in a retrieval system, or transmitted, in any form or by any means, without the prior permission in writing of Oxford University Press, or as expressly permitted by law, by licence, or under terms agreed with the appropriate reprographics rights organization. Enquiries concerning reproduction outside the scope of the above should be sent to the Rights Department, Oxford University Press, at the address above. You must not circulate this work in any other form and you must impose this same condition on any acquirer. ISBN-13: 978-0-19-012152-5 ISBN-10: 0-19-012152-1 Typeset in Calibri Regular by Recto Graphics, Delhi 110096 Printed in India by Multivista Global Pvt. Ltd., Chennai 600042 Oxford Areal is a third-party software. Any links to third-party software are provided "as is" without warranty of any kind, either expressed or implied, and such software is to be used at your own risk. -
Lok Sabha ___ Bulletin – Part I
LOK SABHA ___ BULLETIN – PART I (Brief Record of Proceedings) ___ Tuesday, June 18, 2019/Jyaistha 28, 1941(Saka) ___ No. 2 11.00 A.M. 1. Observation by the Speaker Pro tem* 11.03 A.M. 2. Oath or Affirmation The following members took the oath or made the affirmation, signed the Roll of Members and took their seats in the House:- Sl. Name of Member Constituency State Oath/ Language No. Affirmation 1 2 3 4 5 6 1. Shri Santosh Pandey Rajnandgaon Chhattisgarh Oath Hindi 2. Shri Krupal Balaji Ramtek(SC) Maharashtra Oath Marathi Tumane 3. Shri Ashok Mahadeorao Gadchiroli-Chimur Maharashtra Oath Marathi Nete (ST) 4. Shri Suresh Pujari Bargarh Odisha Oath Odia 5. Shri Nitesh Ganga Deb Sambalpur Odisha Oath English 6. Shri Er. Bishweswar Mayurbhanj (ST) Odisha Oath English Tudu 7. Shri Ve. Viathilingam Puducherry Puducherry Oath Tamil 8. Smt. Sangeeta Kumari Bolangir Odisha Oath Hindi Singh Deo 9. Shri Sunny Deol Gurdaspur Punjab Oath English *Original in Hindi, for details, please see the debate of the day. 2 1 2 3 4 5 6 10. Shri Gurjeet Singh Aujla Amritsar Punjab Oath Punjabi 11. Shri Jasbir Singh Gill Khadoor Sahib Punjab Affirmation Punjabi (Dimpa) 12. Shri Santokh Singh Jalandhar (SC) Punjab Oath Punjabi Chaudhary 13. Shri Manish Tewari Anandpur Sahib Punjab Oath Punjabi 14. Shri Ravneet Singh Bittu Ludhiana Punjab Oath Punjabi 15. Dr. Amar Singh Fatehgarh Sahib Punjab Oath Punjabi (SC) 16. Shri Mohammad Faridkot (SC) Punjab Oath Punjabi Sadique 17. Shri Sukhbir Singh Badal Firozpur Punjab Oath Punjabi 18. Shri Bhagwant Mann Sangrur Punjab Oath Punjabi 19. -
Satyajit Ray: the 21St Century Man
Satyajit Ray: The 21st Century Man As part of the centenary year of cinema in India celebrations, the Directorate of Film Festivals, Satyajit Ray Society and Lightcube Film Society are working together to organise a Retrospective of the director responsible for more masterpieces than any other great in Indian cinema; illustrator, painter, visualiser, author, musician, photographer, film society activist and filmmaker, Satyajit Ray. For long, Satyajit Ray’s been thought of as being symbolic of the ‘alternative’, or ‘the other’ – the notion that despite the existence of the bludgeoning mainstream industries across the country exercise almost vulgar control over markets and minds alike, there is still the possibility that a figure like Ray may exist and make films that resemble personal visions over forty years. In that, the existence of Satyajit Ray has throughout been of a figure who existed in spite of the system, instead of because of it – this evaluation of him as an artist whose being is carved out primarily through opposition or perversion is, however, terribly reductive and unmindful of the fact that after all, Ray films made not against someone, but in favour of the medium he so loved. To highlight Ray’s status as a cineaste and film-lover over his status as a ‘parallel filmmaker’, the Directorate of Film Festivals, Satyajit Ray Society and Lightcube Film Society are collaborating to organise a three-day long Retrospective of his work at Sirifort Auditorium, this runs from the 26th April to 28th April 2013. The Retrospective will feature both Satyajit Ray’s long-form work and his shorts, alongwith Mr. -
Public Relations Directory of Govt. of West Bengal
PUBLIC RELATIONS DIRECTORY OF GOVERNMENT OF WEST BENGAL WEST BENGAL INFORMATION AND CULTURAL CENTRE DEPARTMENT OF INFORMATION AND CULTURAL AFFAIRS GOVERNMENT OF WEST BENGAL 18 and 19, Bhai Vir Singh Marg, New Delhi-110001 Website: http://wbicc.in Office of the Principal Resident Commissioner and Manjusha PUBLIC RELATIONS DIRECTORY Prepared and Compiled by West Bengal Information and Cultural Centre New Delhi Foreword We are delighted to bring out a Public Relations Directory from the West Bengal Information & Cultural Centre Delhi collating information, considered relevant, at one place. Against the backdrop of the new website of the Information Centre (http://wbicc.in) launched on 5th May, 2011 and a daily compilation of news relating to West Bengal on the Webpage Media Reflections (www.wbmediareflections.in) on 12th September, 2011, this is another pioneering effort of the Centre in releasing more information under the public domain. A soft copy of the directory with periodic updates will also be available on the site http://wbicc.in. We seek your comments and suggestions to keep the information profile upto date and user-friendly. Please stay connected (Bhaskar Khulbe) Pr. Resident Commissioner THE STATE AT A GLANCE: ● Number of districts: 18 (excluding Kolkata) ● Area: 88,752 sq. km. ● No. of Blocks : 341 ● No. of Towns : 909 ● No. of Villages : 40,203 ● Total population: 91,347,736 (as in 2011 Census) ● Males: 46,927,389 ● Females: 44,420,347 ● Decadal population growth 2001-2011: 13.93 per cent ● Population density: 1029 persons per sq. km ● Sex ratio: 947 ● Literacy Rate: 77.08 per cent Males: 82.67 per cent Females: 71.16 per cent Information Directory of West Bengal Goverment 2. -
C O N T E N T S
22.12.2011 1 C O N T E N T S Fifteenth Series, Vol. XXII, Ninth Session, 2011/1933 (Saka) No. 21, Thursday, December 22, 2011/Pausa 1, 1933 (Saka) S U B J E C T P A G E S OBITUARY REFERENCE 1 PAPERS LAID ON THE TABLE 2-11 MESSAGES FROM RAJYA SABHA 12-13 AND BILL AS RETURNED BY RAJYA SABHA WITH AMENDMENT COMMITTEE ON ESTIMATES 14 12th Report COMMITTEE ON ABSENCE OF MEMBERS FROM 14 THE SITTINGS OF THE HOUSE Minutes STANDING COMMITTEE ON INFORMATION 15 TECHNOLOGY 27th and 28th Reports STANDING COMMITTEE ON ENERGY 15 23rd Report STANDING COMMITTEE ON EXTERNAL AFFAIRS 16 Statement STANDING COMMITTEE ON FINANCE 16-17 44th to 48th Reports STANDING COMMITTEE ON FOOD, CONSUMER 17 AFFAIRS AND PUBLIC DISTRIBUTION 15th Report 22.12.2011 2 STANDING COMMITTEE ON PETROLEUM 17 AND NATURAL GAS 9th and 10th Reports STANDING COMMITTEE ON SOCIAL JUSTICE AND 18 EMPOWERMENT 18th Report STANDING COMMITTEE ON HOME AFFAIRS 18 156th Report STATEMENTS BY MINISTERS (i) Status of implementation of the recommendations contained in the 198th Report of the Standing Committee on Industry on Professionalization of Boards of CPSEs, pertaining to the Department of Public Enterprises, Ministry of Heavy Industries and Public Enterprises Shri Praful Patel 19 (ii) Status of implementation of the recommendations contained in the 16th Report of the Standing Committee on Labour on ‘Development of Jute Sector’, pertaining to the Ministry of Textiles. Shrimati Panabaka lakshmi 22 MOTION RE: THIRTY-THIRD REPORT OF BUSINESS ADVISORY COMMITTEE 20 GOVERNMENT BILLS - INTRODUCED (i) THE -
Boycott Police and the Accused in the Damoh District
y k y cm FOR FANS ONLY JUNTA FOR ECONOMIC REVIVAL 3RD TEST BEGINS TODAY Actor Malaika Arora has shared a video Myanmar’s junta calls for more efforts to revive an A refurbished Motera ground is all set to featuring what she terms as her ailing economy as Western countries mull host the third Test, a D/N one, between India and England ‘daily shenanigans’ LEISURE | P2 more sanctions INTERNATIONAL | P10 SPORTS | P12 VOLUME 10, ISSUE 323 | www.orissapost.com BHUBANESWAR | WEDNESDAY, FEBRUARY 24 | 2021 12 PAGES | `4.00 Fuel fire engulfs Assembly POST NEWS NETWORK Bishnu Charan Sethi, deputy leader of the BJP legislature party, said the SHARP RISE IN FUEL Bhubaneswar, Feb 23: Expressing con- Congress members have moved the PRICES AGAIN cern over the rising fuel prices in the adjournment motion on political in- country, MLAs across party lines NEW DELHI: Petrol price Tuesday neared Tuesday engaged in a hot debate on the FUEL PRICES IN CITY the ` 91 per litre mark in the national issue in the Assembly. capital and diesel crossed `81 a litre, as ` Participating in the debate on the ad- PETROL 91.64 (+0.35p) fuel prices were hiked again after a two- DISHA RAVI day pause. Petrol and diesel prices were missibility of an adjournment mo- DIESEL `88.61 (+0.38p) tion over the issue, senior Congress raised by 35 paise per litre each, sending leader Taraprasad Bahinipati said the retail rates to an all-time high, according to a price notification of state-owned fuel GRANTED BAIL BJP government at the centre is loot- tention.