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Songs by Artist
Reil Entertainment Songs by Artist Karaoke by Artist Title Title &, Caitlin Will 12 Gauge Address In The Stars Dunkie Butt 10 Cc 12 Stones Donna We Are One Dreadlock Holiday 19 Somethin' Im Mandy Fly Me Mark Wills I'm Not In Love 1910 Fruitgum Co Rubber Bullets 1, 2, 3 Redlight Things We Do For Love Simon Says Wall Street Shuffle 1910 Fruitgum Co. 10 Years 1,2,3 Redlight Through The Iris Simon Says Wasteland 1975 10, 000 Maniacs Chocolate These Are The Days City 10,000 Maniacs Love Me Because Of The Night Sex... Because The Night Sex.... More Than This Sound These Are The Days The Sound Trouble Me UGH! 10,000 Maniacs Wvocal 1975, The Because The Night Chocolate 100 Proof Aged In Soul Sex Somebody's Been Sleeping The City 10Cc 1Barenaked Ladies Dreadlock Holiday Be My Yoko Ono I'm Not In Love Brian Wilson (2000 Version) We Do For Love Call And Answer 11) Enid OS Get In Line (Duet Version) 112 Get In Line (Solo Version) Come See Me It's All Been Done Cupid Jane Dance With Me Never Is Enough It's Over Now Old Apartment, The Only You One Week Peaches & Cream Shoe Box Peaches And Cream Straw Hat U Already Know What A Good Boy Song List Generator® Printed 11/21/2017 Page 1 of 486 Licensed to Greg Reil Reil Entertainment Songs by Artist Karaoke by Artist Title Title 1Barenaked Ladies 20 Fingers When I Fall Short Dick Man 1Beatles, The 2AM Club Come Together Not Your Boyfriend Day Tripper 2Pac Good Day Sunshine California Love (Original Version) Help! 3 Degrees I Saw Her Standing There When Will I See You Again Love Me Do Woman In Love Nowhere Man 3 Dog Night P.S. -
1St First Society Handbook AFB Album of Favorite Barber Shop Ballads, Old and Modern
1st First Society Handbook AFB Album of Favorite Barber Shop Ballads, Old and Modern. arr. Ozzie Westley (1944) BPC The Barberpole Cat Program and Song Book. (1987) BB1 Barber Shop Ballads: a Book of Close Harmony. ed. Sigmund Spaeth (1925) BB2 Barber Shop Ballads and How to Sing Them. ed. Sigmund Spaeth. (1940) CBB Barber Shop Ballads. (Cole's Universal Library; CUL no. 2) arr. Ozzie Westley (1943?) BC Barber Shop Classics ed. Sigmund Spaeth. (1946) BH Barber Shop Harmony: a Collection of New and Old Favorites For Male Quartets. ed. Sigmund Spaeth. (1942) BM1 Barber Shop Memories, No. 1, arr. Hugo Frey (1949) BM2 Barber Shop Memories, No. 2, arr. Hugo Frey (1951) BM3 Barber Shop Memories, No. 3, arr, Hugo Frey (1975) BP1 Barber Shop Parade of Quartet Hits, no. 1. (1946) BP2 Barber Shop Parade of Quartet Hits, no. 2. (1952) BP Barbershop Potpourri. (1985) BSQU Barber Shop Quartet Unforgettables, John L. Haag (1972) BSF Barber Shop Song Fest Folio. arr. Geoffrey O'Hara. (1948) BSS Barber Shop Songs and "Swipes." arr. Geoffrey O'Hara. (1946) BSS2 Barber Shop Souvenirs, for Male Quartets. New York: M. Witmark (1952) BOB The Best of Barbershop. (1986) BBB Bourne Barbershop Blockbusters (1970) BB Bourne Best Barbershop (1970) CH Close Harmony: 20 Permanent Song Favorites. arr. Ed Smalle (1936) CHR Close Harmony: 20 Permanent Song Favorites. arr. Ed Smalle. Revised (1941) CH1 Close Harmony: Male Quartets, Ballads and Funnies with Barber Shop Chords. arr. George Shackley (1925) CHB "Close Harmony" Ballads, for Male Quartets. (1952) CHS Close Harmony Songs (Sacred-Secular-Spirituals - arr. -
Freedomways Magazine, Black Leftists, and Continuities in the Freedom Movement
Bearing the Seeds of Struggle: Freedomways Magazine, Black Leftists, and Continuities in the Freedom Movement Ian Rocksborough-Smith BA, Simon Fraser University, 2003 THESIS SUBMITTED IN PARTIAL FULFILLMENT OF THE REQUIREMENT FOR THE DEGREE OF MASTER OF ARTS In the Department of History O Ian Rocksborough-Smith 2005 SIMON FRASER UNIVERSITY Summer 2005 All rights reserved. This work may not be reproduced in whole or in part, by photocopy or other means, without permission of the author. APPROVAL Name: Ian Rocksborough-Smith Degree: Masters of Arts Title of Thesis: Bearing the Seeds of Struggle: Freedomways Magazine, Black Leftists, and Continuities in the Freedom Movement Examining Committee: Chair: Dr. John Stubbs ProfessorIDepartment of History Dr. Karen Ferguson Senior Supervisor Associate ProfessorIDepartment of History Dr. Mark Leier Supervisor Associate ProfessorIDepartment of History Dr. David Chariandy External ExaminerISimon Fraser University Assistant ProfessorIDepartment of English Date DefendedlApproved: Z.7; E0oS SIMON FRASER UNIVERSITY PARTIAL COPYRIGHT LICENCE The author, whose copyright is declared on the title page of this work, has granted to Simon Fraser University the right to lend this thesis, project or extended essay to users of the Simon Fraser University Library, and to make partial or single copies only for such users or in response to a request from the library of any other university, or other educational institution, on its own behalf or for one of its users. The author has further granted permission to Simon Fraser University to keep or make a digital copy for use in its circulating collection. The author has further agreed that permission for multiple copying of this work for scholarly purposes may be granted by either the author or the Dean of Graduate Studies. -
Wp4 Cambodia Youth
Faculty of Social Sciences Institute for Development and Peace (INEF) Social and Political Fractures after Wars The Role of Youth Violence in post-1993 Cambodia Project Working Paper No. 4 Social and Political Fractures after Wars: Youth Violence in Cambodia and Guatemala Oliver Hensengerth October 2008 Supported by the German Foundation for Peace Research (DSF) This Working Paper Series presents the results of a two-year research project on: “Social and Political Fractures after Wars: Youth Violence in Cambodia and Guatemala” financed by the German Foundation for Peace Research at the Institute for Development and Peace between September 2006 and November 2008. Contact: [email protected] See the project homepage at www.postwar-violence.de Copyright for this Issue © Oliver Hensengerth 2008 Oliver Hensengerth Social and Political Fractures after Wars: The Role of Youth Violence in post- 1993 Cambodia Project Working Paper No. 4 Social and Political Fractures after Wars: Youth Violence in Cambodia and Guatemala The present study is part of the research project on “Social and Political Fractures after Wars: Youth Violence in Cambodia and Guatemala”. The project is financed by the German Foundation for Peace Research and is located at the Institute for Development and Peace at the University of Duisburg-Essen. The project aims at explaining different levels of youth violence in two post-war societies whose processes of war termination are regarded as successful. However, both societies face serious problems of post-war development that are closely related to the experiences of war and war termination. While Cambodia’s democratisation process is considered more or less as a failure, Guatemala suffers from levels of violence higher than during most of the war. -
This Digital Proof Is Provided for Free by UDP. It Documents the Existence
This digital proof is provided for free by UDP. It documents the existence of the book Residual Synonyms For The Name of God by Lewis Freedman, which was published in 2016 in an edition of 1000. If you like what you see in this proof, we encourage you to purchase the book directly from UDP, or from our distributors and partner bookstores, or from any independent bookseller. If you find our Digital Proofs program useful for your research or as a resource for teaching, please consider making a donation to UDP. If you make copies of this proof for your students or any other reason, we ask you to include this page. Please support nonprofit & independent publishing by making donations to the presses that serve you and by purchasing books through ethical channels. UGLY DUCKLING PRESSE uglyducklingpresse.org … UGLY DUCKLING PRESSE Residual Synonyms For The Name of God by Lewis Freedman (2016) - Digital Proof RESIDUAL SYNONYMS FOR THE NAME OF GOD Residual Synonyms for the Name of God Copyright 2016 by Lewis Freedman First Edition, First Printing Ugly Duckling Presse 232 Third Street, #E303 Lewis Freedman Brooklyn, NY 11215 uglyducklingpresse.org Distributed in the USA by SPD/Small Press Distribution 1341 Seventh Street Berkeley, CA 94710 spdbooks.org ISBN 978-1-937027-65-0 Design by Doormouse Typeset in Baskerville Cover printed letterpress at UDP Printed and bound at McNaughton & Gunn Edition of 1000 Support for this publication was provided by the National Endowment for the Arts Ugly Duckling Presse Brooklyn, NY UGLY DUCKLING PRESSE Residual Synonyms For The Name of God by Lewis Freedman (2016) - Digital Proof PREFACE and attributes of assisting vitalities. -
Historical Dictionary of Russian and Soviet Intelligence
Russia • Military / Security Historical Dictionaries of Intelligence and Counterintelligence, No. 5 PRINGLE At its peak, the KGB (Komitet Gosudarstvennoy Bezopasnosti) was the largest HISTORICAL secret police and espionage organization in the world. It became so influential DICTIONARY OF in Soviet politics that several of its directors moved on to become premiers of the Soviet Union. In fact, Russian president Vladimir V. Putin is a former head of the KGB. The GRU (Glavnoe Razvedvitelnoe Upravleniye) is the principal intelligence unit of the Russian armed forces, having been established in 1920 by Leon Trotsky during the Russian civil war. It was the first subordinate to the KGB, and although the KGB broke up with the dissolution of the Soviet Union in 1991, the GRU remains intact, cohesive, highly efficient, and with far greater resources than its civilian counterparts. & The KGB and GRU are just two of the many Russian and Soviet intelli- gence agencies covered in Historical Dictionary of Russian and Soviet Intelligence. Through a list of acronyms and abbreviations, a chronology, an introductory HISTORICAL DICTIONARY OF essay, a bibliography, and hundreds of cross-referenced dictionary entries, a clear picture of this subject is presented. Entries also cover Russian and Soviet leaders, leading intelligence and security officers, the Lenin and Stalin purges, the gulag, and noted espionage cases. INTELLIGENCE Robert W. Pringle is a former foreign service officer and intelligence analyst RUSSIAN with a lifelong interest in Russian security. He has served as a diplomat and intelligence professional in Africa, the former Soviet Union, and Eastern Europe. For orders and information please contact the publisher && SOVIET Scarecrow Press, Inc. -
Reform and Human Rights the Gorbachev Record
100TH-CONGRESS HOUSE OF REPRESENTATIVES [ 1023 REFORM AND HUMAN RIGHTS THE GORBACHEV RECORD REPORT SUBMITTED TO THE CONGRESS OF THE UNITED STATES BY THE COMMISSION ON SECURITY AND COOPERATION IN EUROPE MAY 1988 Printed for the use of the Commission on Security and Cooperation in Europe U.S. GOVERNMENT PRINTING OFFICE WASHINGTON: 1988 84-979 = For sale by the Superintendent of Documents, Congressional Sales Office U.S. Government Printing Office, Washington, DC 20402 COMMISSION ON SECURITY AND COOPERATION IN EUROPE STENY H. HOYER, Maryland, Chairman DENNIS DeCONCINI, Arizona, Cochairman DANTE B. FASCELL, Florida FRANK LAUTENBERG, New Jersey EDWARD J. MARKEY, Massachusetts TIMOTHY WIRTH, Colorado BILL RICHARDSON, New Mexico WYCHE FOWLER, Georgia EDWARD FEIGHAN, Ohio HARRY REED, Nevada DON RITTER, Pennslyvania ALFONSE M. D'AMATO, New York CHRISTOPHER H. SMITH, New Jersey JOHN HEINZ, Pennsylvania JACK F. KEMP, New York JAMES McCLURE, Idaho JOHN EDWARD PORTER, Illinois MALCOLM WALLOP, Wyoming EXECUTIvR BRANCH HON. RICHARD SCHIFIER, Department of State Vacancy, Department of Defense Vacancy, Department of Commerce Samuel G. Wise, Staff Director Mary Sue Hafner, Deputy Staff Director and General Counsel Jane S. Fisher, Senior Staff Consultant Michael Amitay, Staff Assistant Catherine Cosman, Staff Assistant Orest Deychakiwsky, Staff Assistant Josh Dorosin, Staff Assistant John Finerty, Staff Assistant Robert Hand, Staff Assistant Gina M. Harner, Administrative Assistant Judy Ingram, Staff Assistant Jesse L. Jacobs, Staff Assistant Judi Kerns, Ofrice Manager Ronald McNamara, Staff Assistant Michael Ochs, Staff Assistant Spencer Oliver, Consultant Erika B. Schlager, Staff Assistant Thomas Warner, Pinting Clerk (11) CONTENTS Page Summary Letter of Transmittal .................... V........................................V Reform and Human Rights: The Gorbachev Record ................................................ -
An Application of the Modern Production and Distribution of Independent Music
Eastern Kentucky University Encompass Honors Theses Student Scholarship Spring 5-5-2019 An Experiment of Modern Music: An Application of the Modern Production and Distribution of Independent Music Jesse W. Klapheke Eastern Kentucky University, [email protected] Follow this and additional works at: https://encompass.eku.edu/honors_theses Recommended Citation Klapheke, Jesse W., "An Experiment of Modern Music: An Application of the Modern Production and Distribution of Independent Music" (2019). Honors Theses. 624. https://encompass.eku.edu/honors_theses/624 This Open Access Thesis is brought to you for free and open access by the Student Scholarship at Encompass. It has been accepted for inclusion in Honors Theses by an authorized administrator of Encompass. For more information, please contact [email protected]. i Eastern Kentucky University An Experiment of Modern Music: An Application of the Modern Production and Distribution of Independent Music Honors Thesis Submitted In Partial Fulfillment Of The Requirements of HON 420 Spring 2019 By Jesse Klapheke Faculty Mentor Dr. Joseph Carucci Associate Chair / Director of Music Industry Studies ii An Experiment of Modern Music: An Application of the Modern Production and Distribution of Independent Music Jesse Klapheke Dr. Joseph Carucci Associate Chair / Director of Music Industry Studies The music industry is not what it once was. Currently, there is a much larger burden for the independent artist to bear in regards to producing and marketing their own music, and for many this seems like a mountain too tall to climb. With this thesis, I set out to measure the effectiveness of today’s music production and distribution methods and tools by recording a full length audio recording, documenting its inception, production, and distribution by utilizing 21st century ‘do-it-yourself’ home recording equipment and distribution services, the product of which being the album ‘50,000’. -
Univer^ Micrèïilms International 300 N
INFORMATION TO USERS This was produced from a copy of a document sent to us for microfilming. While the most advanced technological means to photograph and reproduce this document have been used, the quality is heavily dependent upon the quality of the material submitted. The following explanation of techniques is provided to help you understand markings or notations which may appear on this reproduction. 1.The sign or “target” for pages apparently lacking from the document photographed is “Missing Page(s)”. If it was possible to obtain the missing page(s) or section, they are spliced into the film along with adjacent pages. This may have necessitated cutting through an image and duplicating adjacent pages to assure you of complete continuity. 2. When an image on the film is obliterated with a round black mark it is an indication that the film inspector noticed either blurred copy because of movement during exposure, or duplicate copy. Unless we meant to delete copyrighted materials that should not have been filmed, you will find a good image of the page in the adjacent frame. If copyrighted materials were deleted you will find a target note listing the pages in the adjacent frame. 3. When a map, drawing or chart, etc., is part of the material being photo graphed the photographer has followed a definite method in “sectioning” the material. It is customary to begin filming at the upper left hand corner of a large sheet and to continue from left to right in equal sections with small overlaps. If necessary, sectioning is continued again—beginning below the first row and continuing on until complete. -
China Assessment October 2001
CHINA COUNTRY ASSESSMENT October 2001 Country Information and Policy Unit CONTENTS 1. SCOPE OF DOCUMENT 1.1 - 1.5 2. GEOGRAPHY 2.1 - 2.26 Geographical area 2.1 - Jiangxi province 2.2 - 2.16 Population 2.17 Names / Surnames / clan names 2.18 - 2.20 Language 2.21 - 2.26 3. HISTORY 3.1 –3.54 pre-1993: 3.1 - 3.2 1966-76 Cultural Revolution 3.3 - 3.5 1978-89 and economic reform 3.6 - 3.9 1989 Tiananmen Square 3.10 - 3.12 Post-Tiananmen 3.13 -3.14 1993-present: 3.15 - 3.33 Crime and corruption 3.15 - 3.24 Criminal activity 3.25 - 3.28 Government leadership 3.29 Economic reform 3.30 - 3.34 Currency 3.35 1999: Anniversaries 3.36 - 3.37 International relations 3.38 - 3.39 "One country, two systems" issues 3.40 - 3.54 Relations with Taiwan 3.40 - 3.43 Hong Kong: 3.44 - 3.46 Elections 3.47 Dissidence 3.48 -3.50 Mainland born children 3.51 Vietnamese boat people 3.52 Macao 3.53 - 3.54 IV: INSTRUMENTS OF THE STATE 4.1 - 4.49 Government and the Constitution 4.1 - 4.20 Political structure 4.4 General overview 4.6 - 4.10 Village committees 4.11 - 4.19 Neighbourhood committees 4.20 Legal framework 4.21 Criminal Law 4.23 Criminal Procedure Law 4.25 State Compensation Law 4.25 Regulation changes 4.28 Appeals 4.29 Land law 4.34 Security situation 4.37 - 4.33 Shelter and investigation 4.38 Re-education through labour 4.39 Police 4.40 - 4.46 Armed Forces, Military conscription and desertion 4.47 - 4.49 5. -
Download PDF Version
Twitch’s Rockonomics Introduction 3 Part 1: Twitch Distinctions 8 Part 2: Twitch True Fans 18 Part 3: Twitch In Action 27 Closing Remarks 43 About The Author 46 Partners 47 Acknowledgements 48 #twitchrockonomics Live streaming won’t go away when live music returns. This inquiry into Twitch helps us understand how they may co-exist. ‘If you keep the full $100 of each true fan, then you need only 1,000 of them to earn $100,000 per year.’ Kevin Kelly, The Technium, 2008 Kevin Kelly’s 2008 1000 True Fans essay is making something of a comeback, as many artists today are feeling short-changed from their paltry music streaming royalties. In a recent Harvard Business Review article that’s rich in media theory, Li Jin argues that ‘The Creator Economy Needs a Middle Class’. Jin encourages us to rethink media, and Kelly’s essay suggests a remedy, which Twitch is strongly positioned to provide. Twitch offers a unique way for artists to reach fans and earn money. The growing criticism from music industry trade bodies about Twitch’s licensing strategy appears to be based on a misunderstanding of what Twitch is and isn’t That takes us to the threefold objective of this – which is understandable, given that live inquiry. Getting exclusive access to data (and streaming on Twitch is a new paradigm. Key to data scientists) from Twitch, MRC Data and this seachange are Twitch’s roots in the culture ChartMetric has allowed me to: of gaming. You can bring a horse to water, or you (i) establish what makes Twitch distinct; can bring water to the horse. -
1 Life Between Two Panels Soviet Nonconformism in the Cold War Era
Life Between Two Panels Soviet Nonconformism in the Cold War Era DISSERTATION Presented in Partial Fulfillment of the Requirements for the Degree Doctor of Philosophy in the Graduate School of The Ohio State University By Clinton J. Buhler, M.A. Graduate Program in History of Art * * * * * The Ohio State University 2013 Dissertation Committee: Dr. Myroslava M. Mudrak, Advisor Dr. Kris Paulsen Dr. Jessie Labov Dr. Aron Vinegar 1 Copyright by Clinton J. Buhler 2013 2 Abstract Beneath the façade of total conformity in the Soviet Union, a dynamic underground community of artists and intellectuals worked in forced isolation. Rejecting the mandates of state-sanctioned Socialist Realist art, these dissident artists pursued diverse creative directions in their private practice. When they attempted to display their work publicly in 1974, the carefully crafted façade of Soviet society cracked, and the West became aware of a politically subversive undercurrent in Soviet cultural life. Responding to the international condemnation of the censorship, Soviet officials allowed and encouraged the emigration of the nonconformist artists to the West. This dissertation analyzes the foundation and growth of the nonconformist artistic movement in the Soviet Union, focusing on a key group of artists who reached artistic maturity in the Brezhnev era and began forging connections in the West. The first two chapters of the dissertation center on works that were, by and large, produced before emigration to the West. In particular, I explore the growing awareness of artists like Oleg Vassiliev of their native artistic heritage, especially the work of Russian avant-garde artists like Kazimir Malevich. I look at how Vassiliev, in a search for an alternative form of expression to the mandated form of art, took up the legacy of nineteenth-century Realism, avant-garde abstraction, and Socialist Realism.