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Songs by Artist
Reil Entertainment Songs by Artist Karaoke by Artist Title Title &, Caitlin Will 12 Gauge Address In The Stars Dunkie Butt 10 Cc 12 Stones Donna We Are One Dreadlock Holiday 19 Somethin' Im Mandy Fly Me Mark Wills I'm Not In Love 1910 Fruitgum Co Rubber Bullets 1, 2, 3 Redlight Things We Do For Love Simon Says Wall Street Shuffle 1910 Fruitgum Co. 10 Years 1,2,3 Redlight Through The Iris Simon Says Wasteland 1975 10, 000 Maniacs Chocolate These Are The Days City 10,000 Maniacs Love Me Because Of The Night Sex... Because The Night Sex.... More Than This Sound These Are The Days The Sound Trouble Me UGH! 10,000 Maniacs Wvocal 1975, The Because The Night Chocolate 100 Proof Aged In Soul Sex Somebody's Been Sleeping The City 10Cc 1Barenaked Ladies Dreadlock Holiday Be My Yoko Ono I'm Not In Love Brian Wilson (2000 Version) We Do For Love Call And Answer 11) Enid OS Get In Line (Duet Version) 112 Get In Line (Solo Version) Come See Me It's All Been Done Cupid Jane Dance With Me Never Is Enough It's Over Now Old Apartment, The Only You One Week Peaches & Cream Shoe Box Peaches And Cream Straw Hat U Already Know What A Good Boy Song List Generator® Printed 11/21/2017 Page 1 of 486 Licensed to Greg Reil Reil Entertainment Songs by Artist Karaoke by Artist Title Title 1Barenaked Ladies 20 Fingers When I Fall Short Dick Man 1Beatles, The 2AM Club Come Together Not Your Boyfriend Day Tripper 2Pac Good Day Sunshine California Love (Original Version) Help! 3 Degrees I Saw Her Standing There When Will I See You Again Love Me Do Woman In Love Nowhere Man 3 Dog Night P.S. -
1St First Society Handbook AFB Album of Favorite Barber Shop Ballads, Old and Modern
1st First Society Handbook AFB Album of Favorite Barber Shop Ballads, Old and Modern. arr. Ozzie Westley (1944) BPC The Barberpole Cat Program and Song Book. (1987) BB1 Barber Shop Ballads: a Book of Close Harmony. ed. Sigmund Spaeth (1925) BB2 Barber Shop Ballads and How to Sing Them. ed. Sigmund Spaeth. (1940) CBB Barber Shop Ballads. (Cole's Universal Library; CUL no. 2) arr. Ozzie Westley (1943?) BC Barber Shop Classics ed. Sigmund Spaeth. (1946) BH Barber Shop Harmony: a Collection of New and Old Favorites For Male Quartets. ed. Sigmund Spaeth. (1942) BM1 Barber Shop Memories, No. 1, arr. Hugo Frey (1949) BM2 Barber Shop Memories, No. 2, arr. Hugo Frey (1951) BM3 Barber Shop Memories, No. 3, arr, Hugo Frey (1975) BP1 Barber Shop Parade of Quartet Hits, no. 1. (1946) BP2 Barber Shop Parade of Quartet Hits, no. 2. (1952) BP Barbershop Potpourri. (1985) BSQU Barber Shop Quartet Unforgettables, John L. Haag (1972) BSF Barber Shop Song Fest Folio. arr. Geoffrey O'Hara. (1948) BSS Barber Shop Songs and "Swipes." arr. Geoffrey O'Hara. (1946) BSS2 Barber Shop Souvenirs, for Male Quartets. New York: M. Witmark (1952) BOB The Best of Barbershop. (1986) BBB Bourne Barbershop Blockbusters (1970) BB Bourne Best Barbershop (1970) CH Close Harmony: 20 Permanent Song Favorites. arr. Ed Smalle (1936) CHR Close Harmony: 20 Permanent Song Favorites. arr. Ed Smalle. Revised (1941) CH1 Close Harmony: Male Quartets, Ballads and Funnies with Barber Shop Chords. arr. George Shackley (1925) CHB "Close Harmony" Ballads, for Male Quartets. (1952) CHS Close Harmony Songs (Sacred-Secular-Spirituals - arr. -
M-Phazes | Primary Wave Music
M- PHAZES facebook.com/mphazes instagram.com/mphazes soundcloud.com/mphazes open.spotify.com/playlist/6IKV6azwCL8GfqVZFsdDfn M-Phazes is an Aussie-born producer based in LA. He has produced records for Logic, Demi Lovato, Madonna, Eminem, Kehlani, Zara Larsson, Remi Wolf, Kiiara, Noah Cyrus, and Cautious Clay. He produced and wrote Eminem’s “Bad Guy” off 2015’s Grammy Winner for Best Rap Album of the Year “ The Marshall Mathers LP 2.” He produced and wrote “Sober” by Demi Lovato, “playinwitme” by KYLE ft. Kehlani, “Adore” by Amy Shark, “I Got So High That I Found Jesus” by Noah Cyrus, and “Painkiller” by Ruel ft Denzel Curry. M-Phazes is into developing artists and collaborates heavy with other producers. He developed and produced Kimbra, KYLE, Amy Shark, and Ruel before they broke. He put his energy into Ruel beginning at age 13 and guided him to RCA. M-Phazes produced Amy Shark’s successful songs including “Love Songs Aint for Us” cowritten by Ed Sheeran. He worked extensively with KYLE before he broke and remains one of his main producers. In 2017, Phazes was nominated for Producer of the Year at the APRA Awards alongside Flume. In 2018 he won 5 ARIA awards including Producer of the Year. His recent releases are with Remi Wolf, VanJess, and Kiiara. Cautious Clay, Keith Urban, Travis Barker, Nas, Pusha T, Anne-Marie, Kehlani, Alison Wonderland, Lupe Fiasco, Alessia Cara, Joey Bada$$, Wiz Khalifa, Teyana Taylor, Pink Sweat$, and Wale have all featured on tracks M-Phazes produced. ARTIST: TITLE: ALBUM: LABEL: CREDIT: YEAR: Come Over VanJess Homegrown (Deluxe) Keep Cool/RCA P,W 2021 Remi Wolf Sexy Villain Single Island P,W 2021 Yung Bae ft. -
Getting to the Point. Index Sets and Parallelism-Preserving Autodiff for Pointful Array Programming
Getting to the Point. Index Sets and Parallelism-Preserving Autodiff for Pointful Array Programming ADAM PASZKE, Google Research, Poland DANIEL JOHNSON, Google Research, Canada DAVID DUVENAUD, University of Toronto, Canada DIMITRIOS VYTINIOTIS, DeepMind, United Kingdom ALEXEY RADUL, Google Research, USA MATTHEW JOHNSON, Google Research, USA JONATHAN RAGAN-KELLEY, Massachusetts Institute of Technology, USA DOUGAL MACLAURIN, Google Research, USA We present a novel programming language design that attempts to combine the clarity and safety of high-level functional languages with the efficiency and parallelism of low-level numerical languages. We treat arraysas eagerly-memoized functions on typed index sets, allowing abstract function manipulations, such as currying, to work on arrays. In contrast to composing primitive bulk-array operations, we argue for an explicit nested indexing style that mirrors application of functions to arguments. We also introduce a fine-grained typed effects system which affords concise and automatically-parallelized in-place updates. Specifically, an associative accumulation effect allows reverse-mode automatic differentiation of in-place updates in a way that preserves parallelism. Empirically, we benchmark against the Futhark array programming language, and demonstrate that aggressive inlining and type-driven compilation allows array programs to be written in an expressive, “pointful” style with little performance penalty. CCS Concepts: • Software and its engineering ! Functional languages; Parallel programming lan- guages; • Mathematics of computing ! Automatic differentiation. Additional Key Words and Phrases: array programming, automatic differentiation, parallel acceleration 1 INTRODUCTION Recent years have seen a dramatic rise in the popularity of the array programming model. The model was introduced in APL [Iverson 1962], widely popularized by MATLAB, and eventually made its way into Python. -
An Application of the Modern Production and Distribution of Independent Music
Eastern Kentucky University Encompass Honors Theses Student Scholarship Spring 5-5-2019 An Experiment of Modern Music: An Application of the Modern Production and Distribution of Independent Music Jesse W. Klapheke Eastern Kentucky University, [email protected] Follow this and additional works at: https://encompass.eku.edu/honors_theses Recommended Citation Klapheke, Jesse W., "An Experiment of Modern Music: An Application of the Modern Production and Distribution of Independent Music" (2019). Honors Theses. 624. https://encompass.eku.edu/honors_theses/624 This Open Access Thesis is brought to you for free and open access by the Student Scholarship at Encompass. It has been accepted for inclusion in Honors Theses by an authorized administrator of Encompass. For more information, please contact [email protected]. i Eastern Kentucky University An Experiment of Modern Music: An Application of the Modern Production and Distribution of Independent Music Honors Thesis Submitted In Partial Fulfillment Of The Requirements of HON 420 Spring 2019 By Jesse Klapheke Faculty Mentor Dr. Joseph Carucci Associate Chair / Director of Music Industry Studies ii An Experiment of Modern Music: An Application of the Modern Production and Distribution of Independent Music Jesse Klapheke Dr. Joseph Carucci Associate Chair / Director of Music Industry Studies The music industry is not what it once was. Currently, there is a much larger burden for the independent artist to bear in regards to producing and marketing their own music, and for many this seems like a mountain too tall to climb. With this thesis, I set out to measure the effectiveness of today’s music production and distribution methods and tools by recording a full length audio recording, documenting its inception, production, and distribution by utilizing 21st century ‘do-it-yourself’ home recording equipment and distribution services, the product of which being the album ‘50,000’. -
The Twenty Club
The Twenty Club By Stewart Roche 26-02-2021 [email protected] 1 Part 1 Lights up on a very basic living room of a very basic flat. There are few furnishings and little to suggest anything about the kind of personalities that live there. There are two items of note- a radio in the corner (which is already on and playing music from the 1940s) and some sort of listening device with a crude looking set of headphones. Norah (20s) sits in a chair with the headphones on and waits. After a moment Ellen (late 30s) enters. It is 1942. Ellen: Anything? Norah: No. Did you forget my cup of tea? Ellen: Joan is making it. She’ll be up in a minute. Norah: Where is she? Ellen: In the garden. Norah: What were the odds of us getting the only non-smoking flat in all of Haddington Road do you think? Ellen: You should both give up anyway. Smoking is bad for you. Norah: Says who? Ellen: Doctors. Norah: Would you go on. My doctor smokes. As does my dentist. Ellen: They do not. Norah: They practically eat the things. Particularly the dentist. 2 Ellen laughs wryly. Norah: All this chat about smoking makes me want one now. Ellen: Go on. I’ll keep an eye on things. Norah leaps up, grabs her bag and exits. Ellen walks over to the radio and lowers the volume. She then moves over to the listening device, picks up the headphones and starts to flick through a notebook that is on the table. -
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Twitch’s Rockonomics Introduction 3 Part 1: Twitch Distinctions 8 Part 2: Twitch True Fans 18 Part 3: Twitch In Action 27 Closing Remarks 43 About The Author 46 Partners 47 Acknowledgements 48 #twitchrockonomics Live streaming won’t go away when live music returns. This inquiry into Twitch helps us understand how they may co-exist. ‘If you keep the full $100 of each true fan, then you need only 1,000 of them to earn $100,000 per year.’ Kevin Kelly, The Technium, 2008 Kevin Kelly’s 2008 1000 True Fans essay is making something of a comeback, as many artists today are feeling short-changed from their paltry music streaming royalties. In a recent Harvard Business Review article that’s rich in media theory, Li Jin argues that ‘The Creator Economy Needs a Middle Class’. Jin encourages us to rethink media, and Kelly’s essay suggests a remedy, which Twitch is strongly positioned to provide. Twitch offers a unique way for artists to reach fans and earn money. The growing criticism from music industry trade bodies about Twitch’s licensing strategy appears to be based on a misunderstanding of what Twitch is and isn’t That takes us to the threefold objective of this – which is understandable, given that live inquiry. Getting exclusive access to data (and streaming on Twitch is a new paradigm. Key to data scientists) from Twitch, MRC Data and this seachange are Twitch’s roots in the culture ChartMetric has allowed me to: of gaming. You can bring a horse to water, or you (i) establish what makes Twitch distinct; can bring water to the horse. -
Dry-Land.Pdf
PLAYSCRIPT ry Land BY RUBY RAE SPIEGEL CRYSTAL ARNETTE Tina Ivlev as Ester, Sarah Mezzanotte as Amy, and ensemble in the world premiere of Dry Land, produced by Colt Coeur at HERE Arts Center, directed by Adrienne Campbell-Holt. DECEMBER15 AMERICANTHEATRE 53 PLAYSCRIPT Ruby Rae Spiegel Dry Land AMY: Do it harder and then you can go get ESTER: I used to believe in zombies. a Gatorade. AMY: Me too. ESTER: Are you sure coach wasn’t waiting up ESTER: Really? BY RUBY RAE SPIEGEL for us? Sometimes he likes to say hi to my mom. AMY: Yeah. AMY: I told him my mom was picking us up. ESTER: Zombies are fucked-up. CAST She isn’t pretty like your mom. Like eating a cat face would be like a nice AMY: Seventeen. Wears harsh eyeliner ESTER: My mom isn’t pretty. thing for a zombie. to look striking but not pretty. Often is AMY: She wears jean jackets. AMY: I know. dressed in baggy men’s T-shirts and cut-off ESTER: So? Beat. jean shorts—a look that is both genuinely AMY: Punch me harder. ESTER: Do you ever think about the fact that effortless, and for the purpose of looking Ester punches Amy in the stomach. our organs taste like something? effortless. Not exceptionally physically at- AMY: How are you so bad at this. It doesn’t That the insides of us taste like something tractive. hurt at all. really specific and we’ll never know what. Like ESTER: Eighteen. Very literal. Wears ESTER: I’m sorry. -
While We Wait an Advent Devotional by and for the People of Grace Church
While We Wait An Advent Devotional by and for the People of Grace Church Saralyn Temple, Editor While We Wait An Advent Devotional by and for the People of Grace Church Saralyn Temple, Editor December 2019 Introduction Advent is a season of waiting that, according to Fleming Rutledge, “most closely mirrors the daily lives of Christian and of the church.” It is during Advent that we stop to acknowledge that things are not the way they are supposed to be and to stare into the face of who we are: sinful people in need of saving, and this we cannot do for ourselves. We are in desperate need of a Savior. Yes, Advent is a season of waiting, and not just for Christmas Day. We are living in the in-between times. As our Methodist Communion liturgy exclaims: “Christ has died; Christ is risen; Christ will come again.” Or, as other traditions put it: “Dying you destroyed our death, rising you restored our life. Lord Jesus, come in glory.” We are living in the now and the not yet. The Kingdom of God has come, but we are still waiting for its fullness when Christ returns. Traditionally, the focus during the season of Advent was not the first coming of Christ at his birth, but his second coming on the final day of the Lord. We live daily in the tension that this world is broken, it is full of suffering and pain, and yet future glory is coming. How do we remember the first waiting and coming of the babe in the manger who would die to set us free as well as live in joyful and obedient anticipation that he will return to set all things right? So this Advent, -
Getting Real the Smarter, Faster, Easier Way to Build a Successful Web Application by Basecamp Table of Contents
Getting Real The smarter, faster, easier way to build a successful web application by Basecamp Table of Contents Introduction Chapter 1: What is Getting Real Chapter 2: About Basecamp Chapter 3: Caveats, disclaimers, and other preemptive strikes The Starting Line Chapter 4: Build Less Chapter 5: What's Your Problem? Chapter 6: Fund Yourself Chapter 7: Fix Time and Budget, Flex Scope Chapter 8: Have an Enemy Chapter 9: It Shouldn't be a Chore Stay Lean Chapter 10: Less Mass Chapter 11: Lower Your Cost of Change Chapter 12: The Three Musketeers Chapter 13: Embrace Constraints Chapter 14: Be Yourself Priorities Chapter 15: What’s the Big Idea? Chapter 16: Ignore Details Early On Chapter 17: It’s a Problem When It’s a Problem Chapter 18: Hire the Right Customers Chapter 19: Scale Later Chapter 20: Make Opinionated Software Feature Selection Chapter 21: Half, Not Half-Assed Chapter 22: It Just Doesn’t Matter Chapter 23: Start With No Chapter 24: Hidden Costs Chapter 25: Can You Handle It? Chapter 26: Human Solutions Chapter 27: Forget Feature Requests Chapter 28: Hold the Mayo Process Chapter 29: Race to Running Software Chapter 30: Rinse and Repeat Chapter 31: From Idea to Implementation Chapter 32: Avoid Preferences Chapter 33: “Done!” Chapter 34: Test in the Wild Chapter 35: Shrink Your Time The Organization Chapter 36: Unity Chapter 37: Alone Time Chapter 38: Meetings Are Toxic Chapter 39: Seek and Celebrate Small Victories Staffing Chapter 40: Hire Less and Hire Later Chapter 41: Kick the Tires Chapter 42: Actions, Not Words Chapter 43: -
Songs by Artist
73K October 2013 Songs by Artist 73K October 2013 Title Title Title +44 2 Chainz & Chris Brown 3 Doors Down When Your Heart Stops Countdown Let Me Go Beating 2 Evisa Live For Today 10 Years Oh La La La Loser Beautiful 2 Live Crew Road I'm On, The Through The Iris Do Wah Diddy Diddy When I'm Gone Wasteland Me So Horny When You're Young 10,000 Maniacs We Want Some P---Y! 3 Doors Down & Bob Seger Because The Night 2 Pac Landing In London Candy Everybody Wants California Love 3 Of A Kind Like The Weather Changes Baby Cakes More Than This Dear Mama 3 Of Hearts These Are The Days How Do You Want It Arizona Rain Trouble Me Thugz Mansion Love Is Enough 100 Proof Aged In Soul Until The End Of Time 30 Seconds To Mars Somebody's Been Sleeping 2 Pac & Eminem Closer To The Edge 10cc One Day At A Time Kill, The Donna 2 Pac & Eric Williams Kings And Queens Dreadlock Holiday Do For Love 311 I'm Mandy 2 Pac & Notorious Big All Mixed Up I'm Not In Love Runnin' Amber Rubber Bullets 2 Pistols & Ray J Beyond The Gray Sky Things We Do For Love, The You Know Me Creatures (For A While) Wall Street Shuffle 2 Pistols & T Pain & Tay Dizm Don't Tread On Me We Do For Love She Got It Down 112 2 Unlimited First Straw Come See Me No Limits Hey You Cupid 20 Fingers I'll Be Here Awhile Dance With Me Short Dick Man Love Song It's Over Now 21 Demands You Wouldn't Believe Only You Give Me A Minute 38 Special Peaches & Cream 21st Century Girls Back Where You Belong Right Here For You 21St Century Girls Caught Up In You U Already Know 3 Colours Red Hold On Loosely 112 & Ludacris Beautiful Day If I'd Been The One Hot & Wet 3 Days Grace Rockin' Into The Night 12 Gauge Home Second Chance Dunkie Butt Just Like You Teacher, Teacher 12 Stones 3 Doors Down Wild Eyed Southern Boys Crash Away From The Sun 3LW Far Away Be Like That I Do (Wanna Get Close To We Are One Behind Those Eyes You) 1910 Fruitgum Co. -
Two-Gether B I R T H T O 1 2 M O N T H S
PARENTING two-gether BIRTH TO 1 2 MONTHS C REV 7/11 PARENTING two-gether BIRTH TO 1 2 MONTHS Contents adapted by the Office of the Attorney General from ”Doin’ the Dad Thing” published by: HEALTHY FAMILIES SAN ANGELO 200 S. Magdalen, San Angelo, Texas 76903 325-658-2771 • www.hfsatx.com i Table of Contents INTRODUCTION: Congratulations! CHAPTER 1 Newborn – the first three months Sleeping – Dressing – Grooming ........................................................................ 3 Diapering .................................................................................................................... 6 Crying ........................................................................................................................... 8 Cry Chart ..................................................................................................................... 10 Feeding ........................................................................................................................ 12 Never Shake A Baby ................................................................................................. 13 Your Child’s Health and Safety ............................................................................ 14 Keeping Your Baby Safe ......................................................................................... 16 Mommy Blues ............................................................................................................ 18 Bonding.......................................................................................................................