DOCSLIB.ORG

Dry-Land.Pdf

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
Dry-Land.Pdf PLAYSCRIPT ry Land BY RUBY RAE SPIEGEL CRYSTAL ARNETTE Tina Ivlev as Ester, Sarah Mezzanotte as Amy, and ensemble in the world premiere of Dry Land, produced by Colt Coeur at HERE Arts Center, directed by Adrienne Campbell-Holt. DECEMBER15 AMERICANTHEATRE 53 PLAYSCRIPT Ruby Rae Spiegel Dry Land AMY: Do it harder and then you can go get ESTER: I used to believe in zombies. a Gatorade. AMY: Me too. ESTER: Are you sure coach wasn’t waiting up ESTER: Really? BY RUBY RAE SPIEGEL for us? Sometimes he likes to say hi to my mom. AMY: Yeah. AMY: I told him my mom was picking us up. ESTER: Zombies are fucked-up. CAST She isn’t pretty like your mom. Like eating a cat face would be like a nice AMY: Seventeen. Wears harsh eyeliner ESTER: My mom isn’t pretty. thing for a zombie. to look striking but not pretty. Often is AMY: She wears jean jackets. AMY: I know. dressed in baggy men’s T-shirts and cut-off ESTER: So? Beat. jean shorts—a look that is both genuinely AMY: Punch me harder. ESTER: Do you ever think about the fact that effortless, and for the purpose of looking Ester punches Amy in the stomach. our organs taste like something? effortless. Not exceptionally physically at- AMY: How are you so bad at this. It doesn’t That the insides of us taste like something tractive. hurt at all. really specific and we’ll never know what. Like ESTER: Eighteen. Very literal. Wears ESTER: I’m sorry. I’ve. Um. I’ve never done steak but our liver or something? simple, cheesy clothes, maybe from Target. this before. AMY: That’s crazy. Muscular, with a thick back and thighs. AMY: Put your back into it. ESTER: Right? Plain, but nice-looking. ESTER: I am putting my back into it. AMY: One time this boy put his mouth on my REBA: Seventeen. Full-figured, and not AMY: Put one leg forward and kind of bend vagina and then when he kissed me he tasted self-conscious. The perfect camp girl, but your knee. like sour milk. So I guess I taste like sour milk, not a Valley Girl. Only mean in a casual/ Ester punches her again. which in a way kind of makes sense. fun way. Not deep enough to be cruel, sim- AMY: Better. ESTER: Yeah? ply self-centered. ESTER: Brendon’s going to pick us up? AMY: I think so. One of my English teachers VICTOR: Twenty. In his own world. Wears AMY: Brendon’s cousin Dog. He’ll drop you in middle school called me “acerbic.” skinny pants and old shirts. Maybe wears off at your house. Ester punches Amy. sneakers that don’t quite go with his outfit. ESTER: His name is Dog? ESTER: Did it feel good? JANITOR: Male. Late thirties to early eight- AMY: He’s the one with the car. AMY: Did what feel good? ies. ESTER: Like the bounty hunter? ESTER: When the boy put his mouth on you. AMY: I think it’s really Darrin but I’m not sure. AMY: Oh. NOTE I think they call him that because his dog had I don’t know. 1. The abortion in the play should be shown all these baby dogs and he couldn’t give them Maybe. head-on. There should be a considerable away so he just has a bunch of dogs now. ESTER: It looks like it would feel really good. amount of blood, and the actress play- He should be a senior like Brendon but he AMY: I was really drunk. ing Amy should feel comfortable being just stopped going. Sometimes I get so drunk I think I’m someone exposed. If she is hidden or too covered, it ESTER: You’ve met him? else. will seem as though the abortion is some- AMY: Punch me again. Beat. thing that should not be seen. It is meant ESTER: My arm is dead from practice. AMY (Recovering from a somewhat awkward to be seen. AMY: Brendon says that it even says Dog on moment of vulnerability): Punch me. 2. Harshness is as true to this play as sweet- his name tag. He works at the Grocery Outlet. Ester punches Amy. ness. ESTER: Does he have green hair? ESTER: Have you ever…have you ever swum 3. After Scene VII, the Janitor should take AMY: No. on your period before? his time cleaning the stage. He sold bath salts to those college kids. AMY: Yeah, of course I have. ESTER: That’s kind of sketchy. ESTER: Oh. TIMELINE AMY: They were in a Ska band. AMY: What? SCENE II: Three days after Scene I. ESTER: Oh. ESTER: No. I don’t know. I guess I’m just a little SCENE IV: One week after Scene II. AMY: And he’s on parole now so it’s fine. That’s worried I’m going to get my period on Friday. SCENE V: Three days after Scene IV. like what it means to be on parole. For the guy who’s coming. SCENE VI: Two weeks after Scene V. ESTER: Bath salts—don’t you like eat cat’s AMY: So? SCENE VII: One week after Scene VI. faces and shit? ESTER: Well you have a strong stomach I guess. SCENE VIII: Four days after Scene VII. AMY: I don’t know. AMY: I cramp. SCENE IX: One week after Scene VIII. ESTER: Maybe that’s why he’s called Dog. ESTER: I’ve punched you like ten times. AMY: Don’t be gross. AMY: It’s different. SCENE I ESTER: When I was ten I bought my mom ESTER: Florida State doesn’t even have that bath salts for Christmas. Like the actual ones. good of a team. An empty girls’ locker room after hours. Amy and AMY: Punch me. AMY: Didn’t you say that they like film you Ester are in racing bathing suits, maybe Ester has Ester punches Amy in the stomach. underwater? sweatpants over hers. Maybe Amy has the tips of AMY: Fuck that hurt. ESTER: That’s what it said on the website. her hair dyed a color. ESTER: It did? AMY: So they’re loaded. That’s all that matters. AMY: Punch me again. AMY: Yeah that was a good one. Did you put ESTER: I guess. I guess they’re loaded. ESTER: You’re gonna get bruises. your back into it? AMY: And even if you don’t get a scholarship, AMY: No shit Sherlock. ESTER: I’m not sure. it’s still in-state so it’s not that bad money- Beat. Ester punches Amy in the stomach. AMY: You probably put your back into it. wise. Like half of the people who I know who AMY: That doesn’t hurt. Ester punches Amy in the stomach. graduated last year go there. ESTER: I’m thirsty. Beat. But I wanna go to like a small school. Like 56 AMERICANTHEATRE DECEMBER15 PAUL FOX PAUL Stephanie Recio (Amy) and Eva Hughes (Ester) in the Company One production. in the Midwest or something, with a lake. I irony of Bugs Bunny with blood dripping Ester sits on the ground against the lockers. probably could if I do like a ton of hours at the down his leg. Amy drinks her Gatorade. Ester watches her for Fish Fry my senior year—don’t tell anyone that. AMY: He said “irony”? a moment and then drinks hers. Silence. ESTER: Tell anyone what? ESTER: He talked to me about this poet that ESTER: Can I ask you a stupid question? AMY: Nothing. he really liked. Who likes poets? AMY: What? Beat. AMY: Nobody. Nobody likes poets. ESTER: No. It’s stupid. ESTER: It isn’t fair that it’s this one time. He was probably trying to sleep with you. AMY: So? Ester punches Amy in the stomach. ESTER: Maybe. Beat. ESTER: That he only comes this one time Ester punches Amy in the stomach. ESTER: Why didn’t you ask Reba to do…Why and if I fuck it up I fuck it up and that’s that. ESTER: This was when I was living in Tampa. didn’t you ask Reba? AMY: The Olympics is only one time. AMY: Oh. AMY: Oh. ESTER: What if my tampon falls out? What ESTER: I used to live in Tampa. ESTER: I mean I’m really happy that you asked if there are streaks of blood behind me and A moment. me. It’s just…I don’t know…I’ve never been everyone has to evacuate the pool? AMY: Go get a Gatorade. Here. to your house. AMY: What? Amy takes out some dollars from her bag and AMY: Reba’s dad is a doctor. ESTER: I’ve never swum on it before. gives them to Ester. ESTER: Oh. Like a— AMY: How? ESTER: You don’t have to— AMY: No. ESTER: I was swimming too hard to get it. AMY: Can you get me a blue one. I feel kind Well he’s a dentist but I’m sure he knows a lot Too skinny. of ill. of doctors. She might want to tell him. AMY: Shit. ESTER: Okay. ESTER: Right. Ester punches Amy. Amy makes a sound. Ester exits. Amy lies down on her back. She looks AMY: He’s filled in a bunch of my cavities ESTER: Did that hurt? up at the ceiling. She feels her stomach. Ester comes for free. AMY: A little. back with two blue Gatorades and a bag of chips.
Load more

Recommended publications
  • M-Phazes | Primary Wave Music
    M- PHAZES facebook.com/mphazes instagram.com/mphazes soundcloud.com/mphazes open.spotify.com/playlist/6IKV6azwCL8GfqVZFsdDfn M-Phazes is an Aussie-born producer based in LA. He has produced records for Logic, Demi Lovato, Madonna, Eminem, Kehlani, Zara Larsson, Remi Wolf, Kiiara, Noah Cyrus, and Cautious Clay. He produced and wrote Eminem’s “Bad Guy” off 2015’s Grammy Winner for Best Rap Album of the Year “ The Marshall Mathers LP 2.” He produced and wrote “Sober” by Demi Lovato, “playinwitme” by KYLE ft. Kehlani, “Adore” by Amy Shark, “I Got So High That I Found Jesus” by Noah Cyrus, and “Painkiller” by Ruel ft Denzel Curry. M-Phazes is into developing artists and collaborates heavy with other producers. He developed and produced Kimbra, KYLE, Amy Shark, and Ruel before they broke. He put his energy into Ruel beginning at age 13 and guided him to RCA. M-Phazes produced Amy Shark’s successful songs including “Love Songs Aint for Us” cowritten by Ed Sheeran. He worked extensively with KYLE before he broke and remains one of his main producers. In 2017, Phazes was nominated for Producer of the Year at the APRA Awards alongside Flume. In 2018 he won 5 ARIA awards including Producer of the Year. His recent releases are with Remi Wolf, VanJess, and Kiiara. Cautious Clay, Keith Urban, Travis Barker, Nas, Pusha T, Anne-Marie, Kehlani, Alison Wonderland, Lupe Fiasco, Alessia Cara, Joey Bada$$, Wiz Khalifa, Teyana Taylor, Pink Sweat$, and Wale have all featured on tracks M-Phazes produced. ARTIST: TITLE: ALBUM: LABEL: CREDIT: YEAR: Come Over VanJess Homegrown (Deluxe) Keep Cool/RCA P,W 2021 Remi Wolf Sexy Villain Single Island P,W 2021 Yung Bae ft.
    [Show full text]
  • This Digital Proof Is Provided for Free by UDP. It Documents the Existence
    This digital proof is provided for free by UDP. It documents the existence of the book Residual Synonyms For The Name of God by Lewis Freedman, which was published in 2016 in an edition of 1000. If you like what you see in this proof, we encourage you to purchase the book directly from UDP, or from our distributors and partner bookstores, or from any independent bookseller. If you find our Digital Proofs program useful for your research or as a resource for teaching, please consider making a donation to UDP. If you make copies of this proof for your students or any other reason, we ask you to include this page. Please support nonprofit & independent publishing by making donations to the presses that serve you and by purchasing books through ethical channels. UGLY DUCKLING PRESSE uglyducklingpresse.org … UGLY DUCKLING PRESSE Residual Synonyms For The Name of God by Lewis Freedman (2016) - Digital Proof RESIDUAL SYNONYMS FOR THE NAME OF GOD Residual Synonyms for the Name of God Copyright 2016 by Lewis Freedman First Edition, First Printing Ugly Duckling Presse 232 Third Street, #E303 Lewis Freedman Brooklyn, NY 11215 uglyducklingpresse.org Distributed in the USA by SPD/Small Press Distribution 1341 Seventh Street Berkeley, CA 94710 spdbooks.org ISBN 978-1-937027-65-0 Design by Doormouse Typeset in Baskerville Cover printed letterpress at UDP Printed and bound at McNaughton & Gunn Edition of 1000 Support for this publication was provided by the National Endowment for the Arts Ugly Duckling Presse Brooklyn, NY UGLY DUCKLING PRESSE Residual Synonyms For The Name of God by Lewis Freedman (2016) - Digital Proof PREFACE and attributes of assisting vitalities.
    [Show full text]
  • The Twenty Club
    The Twenty Club By Stewart Roche 26-02-2021 [email protected] 1 Part 1 Lights up on a very basic living room of a very basic flat. There are few furnishings and little to suggest anything about the kind of personalities that live there. There are two items of note- a radio in the corner (which is already on and playing music from the 1940s) and some sort of listening device with a crude looking set of headphones. Norah (20s) sits in a chair with the headphones on and waits. After a moment Ellen (late 30s) enters. It is 1942. Ellen: Anything? Norah: No. Did you forget my cup of tea? Ellen: Joan is making it. She’ll be up in a minute. Norah: Where is she? Ellen: In the garden. Norah: What were the odds of us getting the only non-smoking flat in all of Haddington Road do you think? Ellen: You should both give up anyway. Smoking is bad for you. Norah: Says who? Ellen: Doctors. Norah: Would you go on. My doctor smokes. As does my dentist. Ellen: They do not. Norah: They practically eat the things. Particularly the dentist. 2 Ellen laughs wryly. Norah: All this chat about smoking makes me want one now. Ellen: Go on. I’ll keep an eye on things. Norah leaps up, grabs her bag and exits. Ellen walks over to the radio and lowers the volume. She then moves over to the listening device, picks up the headphones and starts to flick through a notebook that is on the table.
    [Show full text]
  • While We Wait an Advent Devotional by and for the People of Grace Church
    While We Wait An Advent Devotional by and for the People of Grace Church Saralyn Temple, Editor While We Wait An Advent Devotional by and for the People of Grace Church Saralyn Temple, Editor December 2019 Introduction Advent is a season of waiting that, according to Fleming Rutledge, “most closely mirrors the daily lives of Christian and of the church.” It is during Advent that we stop to acknowledge that things are not the way they are supposed to be and to stare into the face of who we are: sinful people in need of saving, and this we cannot do for ourselves. We are in desperate need of a Savior. Yes, Advent is a season of waiting, and not just for Christmas Day. We are living in the in-between times. As our Methodist Communion liturgy exclaims: “Christ has died; Christ is risen; Christ will come again.” Or, as other traditions put it: “Dying you destroyed our death, rising you restored our life. Lord Jesus, come in glory.” We are living in the now and the not yet. The Kingdom of God has come, but we are still waiting for its fullness when Christ returns. Traditionally, the focus during the season of Advent was not the first coming of Christ at his birth, but his second coming on the final day of the Lord. We live daily in the tension that this world is broken, it is full of suffering and pain, and yet future glory is coming. How do we remember the first waiting and coming of the babe in the manger who would die to set us free as well as live in joyful and obedient anticipation that he will return to set all things right? So this Advent,
    [Show full text]
  • 2019 Military Family Support Programming Survey Was Fielded Online from October 7, 2019 to November 11, 2019
    MILITARY FAMILY + SUPPORT PROGRAMMING SURVEY 2019 RESULTS Presented By: 1 About the Military Family Advisory Network The Military Family Advisory Network (MFAN) was founded in 2013 to fill a persisting gap in the military community: the inability to quickly and effectively understand the modern military family and connect military families to the resources they need to thrive. Since its inception, MFAN has taken a data-driven approach to decision-making. Its Military Family Support Programming Survey has been the cornerstone of its research portfolio, providing deep insight into the support needs of families living military lives. MFAN shares this research with others so that it is actionable—it leads to data-informed programming from MFAN and others, ultimately yielding positive outcomes for military and veteran families. MFAN also uses its research to inform its own programming to serve military families. MilCentsSM is a self-guided financial education program that incorporates social learning to help military families achieve financial health. MilMapSM is a user-generated resource locator that provides families with access to resources as they travel to and settle in a new community. MilYouSM, the most recent addition, also incorporates social learning to strengthen military families’ physical health, emotional health, and relationships. To learn more, visit www.militaryfamilyadvisorynetwork.org II Sponsors Presenting Sponsor This survey would not be possible without the generous support of the following sponsors: III Table of Contents
    [Show full text]
  • The Meadow Annual Literary Arts Journal 2016
    MEADOW the 2016 TRUCKEE MEADOWS COMMUNITY COLLEGE Reno, Nevada The Meadow is the annual literary arts journal published every spring by Truckee Meadows Community College in Reno, Nevada. Students interested in the creative writing and small press publishing are encour- aged to participate on the editorial board. Visit www.tmcc.edu/meadow for information and submission guidelines or contact the Editor-in-Chief at [email protected] or through the English department at (775) 673- 7092. The Meadow is not interested in acquiring rights to contributors’ works. All rights revert to the author or artist upon publication, and we expect The Meadow to be acknowledged as original publisher in any future chapbooks or books. The Meadow is indexed in The International Directory of Little Magazines and Small Presses. Our address is Editor-in-Chief, The Meadow, Truckee Meadows Commu- nity College, English Department, Vista B300, 7000 Dandini Blvd., Reno, Nevada 89512. The views expressed in The Meadow are solely reflective of the authors’ perspectives. TMCC takes no responsibility for the creative expression contained herein. Cover art: Thomas Gillaspy Novella Contest Judge: Christian Kiefer www.tmcc.edu/meadow ISSN: 1947-7473 Co-editors Lindsay Wilson Eric Neuenfeldt Poetry Editor Lindsay Wilson Prose Editor Eric Neuenfeldt Associate Poetry Editor Arian Katsimbras Associate Prose Editor Zachary Campbell Editorial Board Erika Bein Morgan Bell Harrison Billian Mikayla Burton Jeff Griffin Angela Lujan Rex McKowan Zach Payne Aidan McLaughlin Henry Sosnowski
    [Show full text]
  • STORM Report
    Are You Ready For The Roaring 2020s? Lewis Capaldi Rex Orange County Calboy EDEN and more ISSUE NO. 65 DECEMBER 2019/ JANUARY 2020 TABLE OF CONTENTS 4 EYE OF THE STORM Are You Ready For The Roaring 2020s? 7 STORM TRACKER J Balvin, HAIM, Kehlani, Shawn Mendes 8 STORM FORECAST Tis The Season, The End of an Era, Streaming Wars, and more 9 STORM WARNING Our signature countdown of 20 buzzworthy bands and artists on our radar. On the Cover: Tones and I, photo by Giulia McGauran ©2019 ABOUT A LETTER THE STORM FROM THE REPORT EDITOR STORM = STRATEGIC TRACKING OF RELEVANT MEDIA As it is the end of the year - and the end of the decade - we focused our final issue of The STORM Report for 2019 on a look forward The STORM Report is a compilation of up-and-coming bands and artists to what may very likely be another "Roaring who are worth watching. Only those showing the most promising '20s." Considering the rapid advancements potential for future commercial success make it onto our monthly list. in technology over the past decade, the potential for the 2020s is incredibly exciting. How do we know? Will autonomous vehicles become standard and available? Will humans set foot on Mars? Through correspondence with industry insiders and our own ravenous Will we finally get hover boards? Who will media consumption, we spend our month gathering names of artists win the streaming entertainment wars? The who are “bubbling under”. We then extensively vet this information, possibilities are truly only bound by the limits analyzing an artist’s print & digital media coverage, social media growth, of our imagination.
    [Show full text]
  • Pittsfield, MA Journal of Literary and Visual Arts
    2019 Zine Berkshire Community College | Pittsfield, MA Journal of literary and visual arts Faculty Advisor: Julianna Spallholz Contributing Editors: Allison Armata Mike Marchetti Designer: James Grady www.JamesGradyDesign.com Zine would like to thank the Office of Student Life and the Berkshire Community College Foundation for their generous support of this ongoing project. Special thanks to the Berkshire Record newspaper. 4 Contents Short Fiction 7 Alison Drozd: Red Vinyl Irene Namer: One More Walk of Freedom Creative Non-Fiction 17 Jahaira DeAlto: Larynx Lamentations Liza Citron: What is Chronic Pain Like? Alison Drozd: Life in the Rear-View Mirror Poetry 23 Christian deManbey: Mythos MacKenzie Soto: The Red Garden Hunter Fox: But Every Night When the Curtain Falls, Truth Comes in With Darkness Samm Lescarbeau: For Women / I’m Just Like You, Gramma June Lyrics 31 Tyra Nurmi: Black Bodies Swinging (A Tribute to Lady Day) Visual Art 35 Matilda Root: Untitled 1 / Untitled 2 / Untitled 3 Amy Gates: Inspired by Afghan Literature Scholarship 41 Colleen Moran: How Literature Gives Women of Color a Voice in Feminism Tom Gwinnel: On Anita, A Documentary by Freida L. Mock 5 6 pt 1. Short Fiction pt 2. Creative Non-Fiction pt 3. Poetry pt 4. Lyrics pt 5. Visual Art pt 6. Scholarship 7 Red Vinyl by Alison Drozd “ efill?” are in bed at night. “Junior won’t touch drugs as Ellie, lost in her past, hadn’t no- long as when he is five we take him to the zoo, and ticed the waitress walk over, steaming natural history museums at age eight.
    [Show full text]
  • 2019 Senate Education Committee Scr 4004
    2019 SENATE EDUCATION COMMITTEE SCR 4004 2019 SENATE STANDING COMMITTEE MINUTES Education Committee Sheyenne River Room, State Capitol SCR 4004 1/15/2019 30810 ☐ Subcommittee ☐ Conference Committee Committee Clerk: Lynn Wolf Explanation or reason for introduction of bill/resolution: A concurrent resolution directing the Legislative Management to consider studying the impact of violent, disruptive, and inappropriate behavior within the educational environment perpetrated by students against other students, teachers, and other school personnel, and the need to implement a uniform reporting system. Minutes: Att. #1, 2-Oban; Att. #3–Archuleta; Att. #4-Ziegler; Att. #5- Baxley; Att. # 6- Gravdahl; Att. #7-Teschendorf; Att. #8- Bakken; Att. #9- Schafer; Att. #10- Hogan Chairman Schaible: Open the Hearing for SCR 4004. Senator Oban: See Attachments #1, 2. Chairman Schaible: What do you see as a result of the study? Senator Oban: I would like to see the consistence of collection of the data regarding behavioral issues. Chairman Schaible: Other questions. Thank you. Nick Archuleta, President of ND United: See Attachment #3. Russ Ziegler: See Attachment #4. Senator Davison: Would the study include the best practices from around the state? Russ Ziegler: I sure hope that is where the study goes – to be able to get the services to the parents that are in need of those services. In the beginning though, it needs to be focused on the data. We need to have uniform definitions using the same language so we can measure what is going on. (15:14) Senator Davison: How do we educate people on the best practices and what are the results? Senate Education Committee SCR 4004 1/15/19 Page 2 Russ Ziegler: I know it is part of the bill, but it will be byproduct of what happens.
    [Show full text]
  • Imani, Who Are Already Munching Away
    This book is dedicated to all the young people who must meld and merge, synthesize and harmonize, to create family fusion. CHAPTER 1 PLUNK. Plink. Ripple. Rumble. Tinkle. Twinkle. Boomble. I know that’s not an actual word, but it’s a real sound. I can create any musical combination of sounds on my piano. That’s my superpower. I sit, hands perched with thirsty fingers, as I get ready to play. I work hard at it, always trying to find the right melodies and harmonies. The upstairs-downstairs scales that rise and fall. The three- and four-finger chords that stomp. The fingernail-delicate tiptoeing up and down the keyboard, each touch a new sound. White keys. Black keys. One at a time. Chords all together. Two keys make a different sound than three played together. Four or five mashed at the same time is even better. I can do nine keys, even ten, to make a chord, but to be honest, that sounds weird. Each combination at the piano is different. Bass. Treble. Major tones. Minor wails. Bass like a celebration. Treble like tears. Five-four-three-two-one. One-two-three-four-five. Up. Up. Up. Down. Down. Down. Harmony. Melody. Chords. Scales. The black keys play sad sounds, like somebody crying. The white keys sometimes laugh. Using only my fingers, I can make the black and white keys dance together and do whatever I want. When I play the piano, I rock! It would be nice if the rest of my life came together like some kind of a magical musical symphony.
    [Show full text]
  • Profiles of PERSEVERANCE
    Profiles of PERSEVERANCE Sustained by Hope in the Rough-And- Tumble of Real Life A Study of Joseph, David, Elijah, and Nehemiah MELANIE NEWTON We extend our heartfelt thanks to the many women who served as contributors to the original version of this study guide, especially Liz Church, Lori Schweers, Penny Semmelbeck, Brenda Baker, Lori Schweers, Robin Colley, and Jody Vise. Thanks also to Julia Gendron and the Thursday morning Bible Study group from Rockpointe Church whose weekly discussion of the lessons influenced this updated version. © 2020 by Melanie Newton All rights reserved. Permission is hereby granted to print in full or part any page of this document in any quantity desired and for any purpose, except for commercial usage, so long as such quotations, pages, graphics, postscript document files (PDFs), or documents are not edited or altered in any way, without the express written permission of Melanie Newton, and provided that a credit line and copyright notice is included. For questions about the use of this study guide, please visit www.melanienewton.com to contact us. Cover graphic is a public domain image of Mouro Island Lighthouse in Santander, Spain. Published by Joyful Walk Ministries. Scripture quotations unless otherwise noted are taken from the Holy Bible, New International Version ®, NIV ®. Copyright © 1973, 1978, 1984 by International Bible Society. Used by permission of Zondervan Publishing Company. All rights reserved. Melanie Newton is the author of “Graceful Beginnings” books for anyone new to the Bible and “Joyful Walk Bible Studies” for established Christians. Her mission is to help women learn to study the Bible for themselves and to grow their Bible-teaching skills to lead others.
    [Show full text]
  • San Diego Poetry Together Challenge ABOUT the SAN DIEGO POETRY TOGETHER CHALLENGE
    San Diego Poetry Together Challenge ABOUT THE SAN DIEGO POETRY TOGETHER CHALLENGE The San Diego Poetry Together Challenge: A Poetic Response to Pandemic Project was founded in May 2020 by Ron Salisbury, who is serving as the City of San Diego’s 1st Poet Laureate. Salisbury established the project as a way to engage, document, and encourage a public appreciation of poetry as well as acknowledge the important role creativity could play during the state shelter-in- place order in response to the COVID-19 pandemic. The project called for San Diego poets and writers to share their poems or spoken words and the response was overwhelming. Over 170 San Diegan poets submitted poems. Of the works submitted, Salisbury selected six works to be published on the City’s website. The project culminated with the collection contained here which represents the entirety of the submitted poems. These works were submitted in response to two prompts, one on dreams, and the other on waiting. The works archive a collective experience, a month of local resilience, creativity, and loss - a San Diego poetic testimony to the global pandemic. !2 FOREWORD BY RON SALISBURY SAN DIEGO’S FIRST POET LAUREATE We all write poetry for different reason, how we write our poetry is as varied. Some of us have an idea or feeling that we want to express. And some of us write to find out what we are feeling. In almost all instances, we are surprised with the results, some in small ways and some in large. That is because poetry is the shortest distance from our unconscious to the page of any of the written arts.
    [Show full text]