Audit Committee Who Through Diligent and Superior Efforts Have Greatly Contributed to the Company’S Growth
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Panduan Peserta PKKMB FIP UM
PANDUAN PESERTA PENGENALAN KEHIDUPAN KAMPUS BAGI MAHASISWA BARU FAKULTAS ILMU PENDIDIKAN UNIVERSITAS NEGERI MALANG TAHUN 2019 Dibuat oleh : Team Chief Of Operation (COO) PKKMB “LASKAR API MUDA” FIP BEM FIP UM 2019 PKKMB FAKULTAS ILMU PENDIDIKAN UNIVERSITAS NEGERI MALANG 2019 A. LATAR BELAKANG Dalam rangka menyiapkan mahasiswa baru melewati proses transisi menjadi mahasiswa yang dewasa dan mandiri, serta mempercepat proses adaptasi mahasiswa dengan lingkungan yang baru dan memberikan bekal untuk keberhasilannya menempuh pendidikan di perguruan tinggi maka dilakukan Pengenalan Kehidupan Kampus Bagi Mahasiswa Baru (PKKMB). Masa ini dapat dijadikan titik tolak inisiasi pembinaan idealisme, menanamkan dan memperkuat rasa cinta tanah air, dan kepedulian terhadap lingkungan, juga dalam rangka menciptakan generasi yang berkarakter religius, nasionalis, mandiri, gotong royong, memiliki kejujuran, kepedulian, tanggung jawab, dan berintegritas serta memiliki kedisiplinan dalam kehidupan di kampus dan masyarakat. Dengan kata lain melalui PKKMB kita ingin memberikan bekal awal agar mahasiswa kelak akan menjadi alumni perguruan tinggi yang memiliki kedalaman ilmu, keluhuran ahlak, cinta tanah air dan berdaya saing global. PKKMB harus direncanakan secara matang agar dapat dijadikan momentum bagi mahasiswa baru untuk mendapat informasi yang tepat mengenai sistem pendidikan di perguruan tinggi baik bidang akademik maupun non-akademik. PKKMB juga diharapkan dapat menjadi penyadaran akan adanya hal-hal yang dapat menghambat studi mahasiswa baru termasuk bisa menghambat pencapaian tujuan nasional misalnya masalah radikalisme, terorisme, penyalahgunaan narkoba, plagiarisme, korupsi dan lainnya. Selain itu PKKMB juga diharapkan merupakan ajang penyadaran akan pentingnya pemahaman tentang globalisasi dan revolusi industri 4.0 yang menuntut mahasiswa untuk menjadi orang-orang yang menghayati dan memiliki literasi data, literasi teknologi dan literasi kemanusiaan serta kesiapan untuk penguasaan kompetensi yang diperlukan di abad 21. -
National Heroes in Indonesian History Text Book
Paramita:Paramita: Historical Historical Studies Studies Journal, Journal, 29(2) 29(2) 2019: 2019 119 -129 ISSN: 0854-0039, E-ISSN: 2407-5825 DOI: http://dx.doi.org/10.15294/paramita.v29i2.16217 NATIONAL HEROES IN INDONESIAN HISTORY TEXT BOOK Suwito Eko Pramono, Tsabit Azinar Ahmad, Putri Agus Wijayati Department of History, Faculty of Social Sciences, Universitas Negeri Semarang ABSTRACT ABSTRAK History education has an essential role in Pendidikan sejarah memiliki peran penting building the character of society. One of the dalam membangun karakter masyarakat. Sa- advantages of learning history in terms of val- lah satu keuntungan dari belajar sejarah dalam ue inculcation is the existence of a hero who is hal penanaman nilai adalah keberadaan pahla- made a role model. Historical figures become wan yang dijadikan panutan. Tokoh sejarah best practices in the internalization of values. menjadi praktik terbaik dalam internalisasi However, the study of heroism and efforts to nilai. Namun, studi tentang kepahlawanan instill it in history learning has not been done dan upaya menanamkannya dalam pembelaja- much. Therefore, researchers are interested in ran sejarah belum banyak dilakukan. Oleh reviewing the values of bravery and internali- karena itu, peneliti tertarik untuk meninjau zation in education. Through textbook studies nilai-nilai keberanian dan internalisasi dalam and curriculum analysis, researchers can col- pendidikan. Melalui studi buku teks dan ana- lect data about national heroes in the context lisis kurikulum, peneliti dapat mengumpulkan of learning. The results showed that not all data tentang pahlawan nasional dalam national heroes were included in textbooks. konteks pembelajaran. Hasil penelitian Besides, not all the heroes mentioned in the menunjukkan bahwa tidak semua pahlawan book are specifically reviewed. -
Kiprah Mpok Nori Dalam Mengembangkan Kesenian Betawi (1968-1995)
Kiprah Mpok Nori dalam Mengembangkan Kesenian Betawi (1968-1995) Imas Yosita, Siswantari Program Studi Ilmu Sejarah, Fakultas Ilmu Pengetahuan Budaya, Universtas Indonesia Kampus UI Depok Jawa Barat 16424 Indonesia E-mail: [email protected] Abstrak Skripsi ini membahas kiprah Mpok Nori dalam mengembangkan kesenian Betawi tahun 1968—1995. Penelitian yang dilakukan merupakan kajian sejarah dengan mengambil peran sentral pada aktivitas Mpok Nori terhadap usahanya untuk mengembangkan kesenian Betawi yang dilakukannya melalui tari topeng Betawi, teater lenong, sanggar, layar kaca dan layar perak. Ia berhasil membawa kesenian Betawi bertahan di tengah modernisasi Jakarta yang berkembang cepat dengan seni budaya lain yang berasal dari berbagai daerah. Sanggar yang didirikannya telah menghasilkan anak didik yang berprestasi dalam mengembangkan kesenian Betawi. Penelitian ini membuktikan bahwa Mpok Nori berhasil membawa kesenian Betawi bertahan di tengah modernisasi Jakarta yang berkembang cepat. Kata kunci: Betawi, kesenian, Mpok Nori Abstract This thesis discusses about Mpok Nori’s role in developing Betawinese art in 1968—1995. The research done is a historical study which takes a central role on Mpok Nori’s activities in trying to develop Betawinese art through Betawi mask dance, lenong theater, atelier, television and cinema. She has succeeded in bringing Betawineses art to survive in the middle modernization which grows fast together with the other cultural arts from various districts in Indonesia. The atelier which was built has produced successful students in evolving Betawinese art. This research proved that Mpok Nori has succeeded to bring Betawinese art keep in the fast-developed Jakarta modernization. Keywords: art, Betawi, Mpok Nori Pendahuluan tempat berinteraksinya dari berbagai aspek budaya masyarakat. -
Bali 1928: Gamelan Gong Kebyar Music from Belaluan, Pangkung
Bali 1928: Gamelan Gong Kebyar Music from Belaluan, Pangkung, Busungbiu 2 Introduction 6 A Sketch of the Time Period of these Recordings 11 Emergence of Kebyar 29 The Balinese Gamelan Recordings from Bali, 1928: a track–by–track discussion: 33 Gamelan Gong Kebyar of Belaluan, Denpasar 46 Gamelan Gong Kebyar of Pangkung, Tabanan 50 Gamelan Gong Kebyar of Busungbiu, Northwest Bali 57 List of Silent Archival Films 58 Acknowledgments 61 References Cited and Further Readings * Glossary on Separate PDF File1 1 The spellings in this article follow modernized Balinese orthography of dictionaries such as Kamus Bali Indonesia, by I Nengah Medera et.al. (1990). Although this system was proposed as early as 1972 it has been applied irregularly in writings on the arts, but we have chosen to adhere to it so as to reflect a closer relationship to actual Balinese aksara ‘letters of the alphabet, language’. For instance, many words with prefixes frequently spelled pe or peng are spelled here with the prefixes pa and pang. 1 Introduction These historic recordings were made in 1928 as part of a collection of the first and only commercially–released recordings of music made in Bali prior to World War II. This diverse sampling of new and older Balinese styles appeared on 78 rpm discs in 1929 with subsequent releases for international distribution. The records were sold worldwide (or not sold, as it happened) and quickly went out of print. It was a crucial time in the island’s musical history as Bali was in the midst of an artistic revolution with kebyar as the new dominant style of music. -
Sejarah Dan Potensi Unggulan Desa
KABUPATEN MINAHASA UTARA Profil, Sejarah dan Potensi Unggulan Desa Penulis Rignolda Djamaluddin Penyunting Djeine Imbang Kontributor Max K. Sondakh Jr Johnly A. Rorong Lyndon Pangemanan Frangkiano Randang Tinneke Tumbel Tommy F. Lolowang Ronny A.V. Tuturoong Michael G. Nainggolan Hengki Korompis Dolina Tampi Joulie Rindengan Adrie A. Sajow Jessy J. Pondaag Nancy Engka Hanny F. Sangian Raymond D. Ch. Tarore Woodford B.S. Joseph Fredy J. Nangoy Freeke Pangkerego Altje A. Manampiring Henry F. Aritonang Hansye J. Tawas Ellen Tangkere Sylvia Marunduh Deiske A. Sumilat Roy Mewengkang Damajanty Pangemanan Suzanne I. Undap Agnes Lapian Lena Damongilala Ronny Maramis Endang Pudjihastuti Sientje Suatan Diana Pangemanan Greis M. Sendow Rudy Watulingas Arie Lumenta Troutje H. Rotty Celcius Talumingan Penerbit Pusat Pengelolaan dan Pengembangan Kuliah Kerja Nyata Terpadu, Lembaga Penelitian dan Pengabdian Kepada Masyarakat Unsrat Kampus UNSRAT Bahu Manado 95115 Telepon: 0431 – 851598 Fax: 0431 - 827560 Website: http://lppm.unsrat.ac.id/ Email: [email protected]: [email protected] Cetakan Pertama, Juli 2016 ix + 373 hal., 21 cm x 29,7 cm ISBN: 978-602-74897-0-7 KATA PENGANTAR Setelah melalui berbagai kajian diputuskan bahwa pelaksanaan Kuliah Kerja Terpadu (KKT) Universitas Sam Ratulangi (Unsrat) Angkatan Ke- 111 Semester Genap Tahun Ajaran 2015/2016 dilaksanakan di Kabupaten Minahasa Utara. Sejumlah 1763 mahasiswa dari berbagai latar belakang program studi pada 11 fakutas yang ada di Unsrat berhasil lolos dalam proses seleksi dan mengikuti program kuliah ini. Mereka diterjunkan secara berkelompok di 115 desa dan 6 kelurahan dalam 10 wilayah kecamatan yang ada di Kabupaten Minahasa Utara selama 2 bulan penuh terhitung sejak tanggal 25 Pebruari 2016. -
BAB II BIOGRAFI MARIA WALANDA MARAMIS A. Asal Usul Keluarga
BAB II BIOGRAFI MARIA WALANDA MARAMIS A. Asal Usul Keluarga Maria Walanda Maramis Maria Josephine Chaterine Maramis atau lebih dikenal dengan nama Maria Walanda Maramis. Merupakan seorang perempuan yang lahir di sebuah kota kecil bernama Kema, yang berada di Kabupaten Minahasa Utara, Provinsi Sulawesi Utara, pada tanggal 01 Desember 1872.1 Maria Walanda Maramis merupakan anak bungsu dari tiga bersaudara pasangan Bapak Bernadus Maramis dan Ibu Sarah Rotinsulu. Maria Walanda Maramis memiliki seorang kakak perempuan yang bernama Antje Maramis dan memiliki seoarng kakak laki-laki bernama Andries Alexander Maramis. Keluarga mereka merupakan keluarga sederhana sama seperti keluarga lainnya yang hidup di desa Kema, pesisir Timur Minahasa. Ayah Maria merupakan seorang pedagang yang memanfaatkan hari pasar di pesisir pantai ketika pelabuhan Kema sedang ramai.2 Kema merupakan sebuah desa kecil di pesisir pantai timur Sulawesi Utara. Pada abad ke-19 desa di Minahasa merupakan bagian dari Keresidenan Manado yang merupakan daerah terpencil, orang Belanda menyebutnya buitengewesten (outling districts).3 1 KOWANI, Sejarah Setengah Abad Kesatuan Pergerakan Wanita Indonesia. (Jakarta: Balai Pustaka: 1986),p 35. 2Ivan R.B. Kaunang, Jangan Lupakan PIKAT Anak Bungsuku, (Papua: Penebit Aseni,2017),p.25. 3Walanda Matuli, Ibu Walanda Maramis (PT Sinar Agape Press: Jakarta, 1983),p.9. 10 11 Maria Walanda Maramis kecil hidup dengan bahagia di tengah kesederhanaan bersama kedua orang tuanya dan kedua saudaranya. Namun kebahagiaan itu berubah ketika wabah penyakit kolera menyerang Kota Kema dan sekitarnya. Saat wabah penyakit kolera menyerang Kota Kema, usia Maria Walanda Maramis baru menginjak 6 tahun. Saat itu penanganan kesehatan masih sangat rendah, sehingga wabah penyakit kolera tersebut banyak memakan korban jiwa, termasuk kedua orang tua Maria Walanda yang meninggal karena wabah tersebut.4 Kehidupan Maria Walanda dengan kedua saudaranya pun berubah. -
Chapter I Introduction
CHAPTER I INTRODUCTION 1. Drug Abuse and Illicit Trafficking at Global Level. a. Drug Abuse and its impact to Health. In the year 2013 the estimated number of drug taking people is 246 million (5.2% of the world population between 15 – 64 years), or 1 out of 20 from this age group has consumed drugs. There was an increase of 3 million drug abusers, but tends to be stable. It is estimated that 1 among 10 of them is a problematic drug abuser; or in other words, 27 million (0.6% of of the world population in the age group 15-64 years) are drug abusers with problems. So half the number of this group (12.19 million) are injection drug users (IDU), and the estimation is that 165 million have HIV. The mortality rate related to drug abuse (approx 187,100) is stable compared to the previous year. The abuse of opiates (heroin and opium) remains stable, while cannabis and medical opioids continue to escalate. Consumption of ATS, especially Methamphetamine occurs mainly in South-East Asia. Cannabis is frequently consumed in prisons, and the number ofheroin users among the inmates is higher than cocaine, amphetamines or “ecstasy”. NPS are sold as an alternative of drugs that have similar effects as international controlled substances.NPS have increased to 500 including mephedrone. Consumption of cannabis, cocaine and amphetamines among males is higher than amongfemales. However, the prevalence rate of HIV among female injection drug users has a higher rate. The number of new HIV cases among injection drug users has a decrease of 10%, from approx 110,000 in 2010 to 98,000 in 2013. -
Implementation of the Indonesian Culture Diplomacy Toward Australia Through Indofest Period 2012-2016 (Case Study: Adelaide and Canberra)
IMPLEMENTATION OF THE INDONESIAN CULTURE DIPLOMACY TOWARD AUSTRALIA THROUGH INDOFEST PERIOD 2012-2016 (CASE STUDY: ADELAIDE AND CANBERRA) Ulyantraja Kelamor International Relations, Universitas Kristen Indonesia, Jakarta [email protected] Abstract This journal discusses IndoFest activities which are conducted by Indonesia to Australia in 2012 to 2016 in Adelaide and Canberra. IndoFest was born in 2008, aims to introduce Indonesian culture in the international world. With the presence of IndoFest, it is also seen that cultural diplomacy continues to be done by Indonesia not only for improving good relations in both countries but also to introduce Indonesian art, culture, and exceptional food for more to the Australian people, in order to visit Indonesia. This journal also discusses Indonesia's cultural diplomacy towards Australia through IndoFest, as well as various activities in IndoFest to attract Australian tourists to come to Indonesia. As the research method, the qualitative method is used in this journal by library study, which is collecting the data from the literature related to the issue discussed. The results of the study stated that Indonesia successfully carried out its cultural diplomacy to Australia through IndoFest. Keywords: Cultural Diplomacy, IndoFest, Indonesia, Australia, Culture DOI: 10.33541/sp.v19i1.1642 Sociae Polites : Majalah Ilmiah Sosial Politik Faculty of Social and Political Science, Universitas Kristen Indonesia ISSN 1410-3745 print/ ISSN 2620-4975 online Volume 19, Number 1 (January – June 2018) Pages 33-52 33 1. Introduction The existence of a country on the international stage is now pressing for it a bond of cooperative relations that support each other for the achievement of interdependent needs each country involved. -
Plagiat Merupakan Tindakan Tidak Terpuji Plagiat
PLAGIATPLAGIAT MERUPAKAN MERUPAKAN TINDAKAN TINDAKAN TIDAK TIDAK TERPUJI TERPUJI PERAN MARIA WALANDA MARAMIS DALAM MEMPERJUANGKAN KAUM WANITA DI SULAWESI UTARA TAHUN 1872-1924 MAKALAH Diajukan untuk Memenuhi Salah Satu Syarat Memperoleh Gelar Sarjana Pendidikan Program Studi Pendidikan Sejarah Oleh: MURTI RAHAYU NIM: 101314017 PROGRAM STUDI PENDIDIKAN SEJARAH JURUSAN PENDIDIKAN ILMU PENGETAHUAN SOSIAL FAKULTAS KEGURUAN DAN ILMU PENDIDIKAN UNIVERSITAS SANATA DHARMA YOGYAKARTA 2014 PLAGIATPLAGIAT MERUPAKAN MERUPAKAN TINDAKAN TINDAKAN TIDAK TIDAK TERPUJI TERPUJI PERAN MARIA WALANDA MARAMIS DALAM MEMPERJUANGKAN KAUM WANITA DI SULAWESI UTARA TAHUN 1872-1924 MAKALAH Diajukan untuk Memenuhi Salah Satu Syarat Memperoleh Gelar Sarjana Pendidikan Program Studi Pendidikan Sejarah Oleh: MURTI RAHAYU NIM: 101314017 PROGRAM STUDI PENDIDIKAN SEJARAH JURUSAN PENDIDIKAN ILMU PENGETAHUAN SOSIAL FAKULTAS KEGURUAN DAN ILMU PENDIDIKAN UNIVERSITAS SANATA DHARMA YOGYAKARTA 2014 i PLAGIATPLAGIAT MERUPAKAN MERUPAKAN TINDAKAN TINDAKAN TIDAK TIDAK TERPUJI TERPUJI PER{N MARIA IVALANDAMAITANIIS DALAM MEMPf,R.N]ANCI(AN KAUMWANTIA DTS! LATVESI UTARA 1ANTIN I'72-192l' PLAGIATPLAGIAT MERUPAKAN MERUPAKAN TINDAKAN TINDAKAN TIDAK TIDAK TERPUJI TERPUJI N|AKAt,\H I'EKAJ\MARIA $ALANDA NIAR.\[ITSDAI-AI' IIItrIIIPERIIANCKAN K,\t:]ll waNtTA DI SUt/\wESt ITTARAt.r\HLN l3?2 !9?.1 D,rs!arlin dai drtrr,\deh lbl.l, J penihankd dr ,rcoo p.ir[a pcngq' rri sm,n,. Ni Pd '],eLesa PLAGIATPLAGIAT MERUPAKAN MERUPAKAN TINDAKAN TINDAKAN TIDAK TIDAK TERPUJI TERPUJI IIALAIIIAN PERSEMBAI{AN Mat<alahini ku pcNenbahkankepada: Kdiua oreg tua ku dg selatunddoakm dannendukungku. sudiku de e.ttu yme seiatunenberitan smbgat dd .,ifflJ"H&:,il,'#iiH i:'-.i:il:iiip?Tj." PLAGIATPLAGIAT MERUPAKAN MERUPAKAN TINDAKAN TINDAKAN TIDAK TIDAK TERPUJI TERPUJI HALAMAN MOTTO Kemenangan yang seindah-indahnya dan sesukar-sukarnya yang boleh direbut oleh manusia ialah menundukkan diri sendiri. -
Heritage Media and Local Wisdom of Indonesian Society
Volume 13 Issue 6 Version 1.0 Year 2013 Type: Double Blind Peer Reviewed International Research Journal Publisher: Global Journals Inc. (USA) Online ISSN: & Print ISSN: Abstract- In rural communities, the communication between humans mostly done by using symbols such as sounds, gestures, visual and performing arts of the people. Heritage media is a communication tool used by people from outside in an attempt to convey some messages that contain various elements values, norms, rules, also include development message from the kingdom, therefore this heritage media purposes beside in addition to entertainment is also used as a tool to solve community problems in their own way, in this context local wisdom, especially issues related to community efforts to meet their needs for information. Keywords: heritage media, local wisdom, and indonesian society. GJHSS-A Classification : FOR Code: 200212, 750899 Heritage Media and Local Wisdom of Indonesian Society Strictly as per the compliance and regulations of: © 2013. Muslimin Machmud. This is a research/review paper, distributed under the terms of the Creative Commons Attribution- Noncommercial 3.0 Unported License http://creativecommons.org/licenses/by-nc/3.0/), permitting all non-commercial use, distribution, and reproduction inany medium, provided the original work is properly cited. Heritage Media and Local Wisdom of Indonesian Society Muslimin Machmud Abstract- In rural communities, the communication between the existing culture. Basically, in heritage media have a humans mostly done by using -
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Advances in Social Science, Education and Humanities Research, volume 519 Proceedings of the 3rd International Conference on Arts and Design Education (ICADE 2020) Art Perform in Saung Angklung Udjo as Memorable Tourism Experience Laras Ramadhania Putri*, Trianti Nugraheni, Juju Masunah Program Studi Pendidikan Seni Universitas Pendidikan Indonesia Bandung, Indonesia *[email protected] Abstract—This research was conducted to find out how the Angklung Udjo is one of the tourist destinations that has a Performing Arts at Saung Angklung Udjo became an Art cultural tourist attraction. Tourism in Bandung. The aim is to examine how the art performance presented at Saung Angklung Udjo and how the art According to the Law of the Republic of Indonesia Number performance becomes an attractive tour for local and foreign 10 of 2009 concerning tourism, a tourist attraction is anything tourists. This study uses a qualitative research design and that is unique, beautiful and valuable in the form of a diversity descriptive analysis method, researchers obtain data and examine of natural, cultural and man-made wealth, that is the target or it further for analysis. Data obtained from research instruments purpose of tourists visit. The condition of nature, flora and namely observation, interview, literature review and study fauna, as a gift from God Almighty, as well as historical documentation. After the data is obtained, its validity will be ancient, artistic and cultural heritage owned by the Indonesian processed by triangulation. Findings of this research show that people are the resources and capital for tourism development to Saung Angklung Udjo not only displays angklung performances, increase the prosperity and welfare of the people as contained but also presents other art performances such as dance and in Pancasila and the Preamble of Laws. -
Vocal Music in Dance Dramas: Jangér, Arja, Topéng & Cepung
Bali 1928 – Volume V Vocal Music in Dance Dramas: Jangér, Arja, Topéng & Cepung Ensembles of Kedaton, Abian Timbul, Sésétan, Belaluan Kaliungu & Lombok ❁ EDWARD HERBST Arbiter of Cultural Traditions New York www.arbiterrecords.org Edward Herbst 2015 Bali 1928 Vocal Music in Dance Dramas: Jangér, Arja, Topéng & Cepung Contents 3 List of Photographs 4 List of Archival Films Online 5 Introduction 10 A Sketch of the Time Period of these Recordings 12 The Balinese Gamelan 15 A Very Brief Perspective on the Historical Span of these Recordings 18 A Brief Perspective on Arja 21 Tembang Arja & Kidung with the Gamelan Geguntangan of Belaluan, Denpasar CD Track #1: Ginada Sampik-Ingtai 23 CD Track #2 Dangdang Silandri 24 CD Track #3 Sinom Salya 26 CD Track #4 Kidung Jayendriya sung by I Renteg CD Track #5 Kidung Wilet Mayura sung by I Gejor Kelambu 27 Tembang Arja with the Gamelan Geguntangan of Sésétan, Denpasar CD Track #6 Ginada Sampik-Ingtai 30 CD Track #7 Ginada Arjuna Wijaya 32 CD Track #8 Ginada Déwabrata 34 Some Perspectives on the Evolution of Jangér 41 Jangér of Kedaton, Denpasar with lead singer Ni Wayan Pempen CD Track #9 Mula Tubuh di Kaléran 43 CD Track #10 Ngoréng Jaja 46 CD Track #11: Lagu Rajapala 47 CD Track #12: Mula Kutuh 50 CD Track #13: Lagu Sang Jaya Warsa 54 CD Track #14 Nguyeg Kacang I 55 CD Track #15: Nguyeg Kacang II 58 Jangér of Abian Timbul, Denpasar CD Track #16: Ganda Pura 60 CD Track #17: Kladi Nguda CD Track #18: Kembang Rampé 65 CD Track #19: Pusuh Biu sung by Ni Lemon 66 CD Track #20: Durma Sudarsana sung by Ni