Movie Inventory - Dvd 4/2/2019 Movie Title Rating
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Executive Producer)
PRODUCTION BIOGRAPHIES STEVEN SODERBERGH (Executive Producer) Steven Soderbergh has produced or executive-produced a wide range of projects, most recently Gregory Jacobs' Magic Mike XXL, as well as his own series "The Knick" on Cinemax, and the current Amazon Studios series "Red Oaks." Previously, he produced or executive-produced Jacobs' films Wind Chill and Criminal; Laura Poitras' Citizenfour; Marina Zenovich's Roman Polanski: Odd Man Out, Roman Polanski: Wanted and Desired, and Who Is Bernard Tapie?; Lynne Ramsay's We Need to Talk About Kevin; the HBO documentary His Way, directed by Douglas McGrath; Lodge Kerrigan's Rebecca H. (Return to the Dogs) and Keane; Brian Koppelman and David Levien's Solitary Man; Todd Haynes' I'm Not There and Far From Heaven; Tony Gilroy's Michael Clayton; George Clooney's Good Night and Good Luck and Confessions of a Dangerous Mind; Scott Z. Burns' Pu-239; Richard Linklater's A Scanner Darkly; Rob Reiner's Rumor Has It...; Stephen Gaghan'sSyriana; John Maybury's The Jacket; Christopher Nolan's Insomnia; Godfrey Reggio's Naqoyqatsi; Anthony and Joseph Russo's Welcome to Collinwood; Gary Ross' Pleasantville; and Greg Mottola's The Daytrippers. LODGE KERRIGAN (Co-Creator, Executive Producer, Writer, Director) Co-Creators and Executive Producers Lodge Kerrigan and Amy Seimetz wrote and directed all 13 episodes of “The Girlfriend Experience.” Prior to “The Girlfriend Experience,” Kerrigan wrote and directed the features Rebecca H. (Return to the Dogs), Keane, Claire Dolan and Clean, Shaven. His directorial credits also include episodes of “The Killing” (AMC / Netflix), “The Americans” (FX), “Bates Motel” (A&E) and “Homeland” (Showtime). -
Season Paul Rudd Talks Ant-Man and the Wasp
JULY 2018 | VOLUME 19 | NUMBER 6 Inside HENRY CAVILL NEVE CAMPBELL ANTOINE FUQUA BUG SEASON PAUL RUDD TALKS ANT-MAN AND THE WASP PUBLICATIONS MAIL AGREEMENT NO. 41619533 10 FUN FACTS ABOUT MAMMA MIA! HERE WE GO AGAIN, PAGE 24 CONTENTS JULY 2018 | VOL 19 | Nº6 COVER STORY 36 SUPERBUGS Feeling down after the events of Avengers: Infinity War? Paul Rudd, a.k.a. Ant-Man, LILLY. RUDD AND ’S EVANGELINE PAUL is here to lighten the load as he talks about his sequel, Ant-Man and the Wasp, which takes place before Infinity War. The affable actor keeps quiet PHOTO BY MICHAEL MULLER/MARCO GROB/©MARVEL STUDIOS PHOTO on the movie’s plot but opens AND THE ANT-MAN WASP up about working with co-star Evangeline Lilly and what makes Ant-Man so darn likable BY INGRID RANDOJA ON THE COVER: REGULARS 4 EDITOR’S NOTE 6 SNAPS 8 IN BRIEF 12 SPOTLIGHT CANADA 14 ALL DRESSED UP 16 IN THEATRES 40 CASTING CALL 44 RETURN ENGAGEMENT 46 CINEPLEX STORE 50 FINALLY… FEATURES 24 MORE 26 ON A MISSION 28 GOING UP 32 JUSTICE SERVED MAMMA MIA! Henry Cavill tells us about Skyscraper star Neve Campbell The Equalizer 2 director We count down 10 fascinating Mission: Impossible - Fallout says being a former dancer Antoine Fuqua talks about facts that set the stage for this and explains why doing stunts helped when it came to dealing with violence both month’s ABBA-riffic sequel on a Tom Cruise pic is such performing stunts in the on screen and in the real Mamma Mia! Here We Go Again good, scary fun Dwayne Johnson action pic communities where he films BY MARNI WEISZ BY MELISSA SHEASGREEN BY INGRID RANDOJA BY MARNI WEISZ JULY 2018 | CINEPLEX MAGAZINE | 3 EDITOR’S NOTE PUBLISHER SALAH BACHIR EDITOR MARNI WEISZ DEPUTY EDITOR INGRID RANDOJA CREATIVE DIRECTOR LUCINDA WALLACE GRAPHIC DESIGNER DARRYL MABEY VICE PRESIDENT, PRODUCTION SHEILA GREGORY CONTRIBUTORS MELISSA SHEASGREEN ADVERTISING SALES FOR CINEPLEX MAGAZINE IS HANDLED BY CINEPLEX MEDIA. -
Design of a Power-Scalable Digital Least-Means-Square Adaptive
Design of A Power-Scalable Digital Least-Means-Square Adaptive Filter by Chee We Ng Submitted to the Department of Electrical Engineering and Computer Science in partial fulfillment of the requirements for the degree of Masters of Engineering in Electrical Engineering and Computer Science at the MASSACHUSETTS INSTITUTE OF TECHNOLOTSSACH USETTSINSTITUTE OF TECHNOLOGY_ February 2001 UL 112001 @ Chee We Ng, MMI. All rights reserved. LIBRARIES-- The author hereby grants to MIT permission to reproduce and distribute publicly paper and electronic copies of this thesis documentBARKER in whole or in part. A uthor ......................... Department of Electrical Engineering and CompiYter Science December, 2000 Certified by.............................. Anantha Chandrakasan Associate Professor -- egis Supeyisor A ccepted by ......... ... ... .. ..... Arthu C. Smith Chairman, Department Committee on Graduate Students Design of A Power-Scalable Digital Least-Means-Square Adaptive Filter by Chee We Ng Submitted to the Department of Electrical Engineering and Computer Science on December, 2000, in partial fulfillment of the requirements for the degree of Masters of Engineering in Electrical Engineering and Computer Science Abstract This thesis describes the design of power-scalable digital adaptive equalizer for pulse or quadrature amplitude modulation communication systems, using synthesis and place-and-route tools. DSP based modem applications such as gigabit Ethernet transceivers require channel equalization. Because of the high rate and computation complexity involved, adaptive equalization filters consume a lot of power. Currently, equalization is typically hardwired instead of using a digital signal processor. Yet, there is a need for the equalization filters to be scalable to different channel and bit rate requirements. Synthesis and place-and-route tools enables the designer to focus on higher-level aspects of the design instead of at the transistor level. -
OCT 0 3 2007 LIBRARIES a Design for an RGB LED Driver with Independent PWM Control and Fast Settling Time
A Design for an RGB LED Driver with Independent PWM Control and Fast Settling Time by Awo Dede 0. Ashiabor Submitted to the Department of Electrical Engineering and Computer Science in Partial Fulfillment of the Requirements for the Degree of Master of Engineering in Electrical Engineering and Computer Science at the Massachusetts Institute of Technology May, 2007 ©2007 Massachusetts Institute All rights reserve( Author Department of Electrical EL May 25, 2007 Certified bv [John ily, Seniojn- ign Engineer) VI-A Company Thesis Supervisor Certified by vid Perreault] ;is Supervisor Accepted by Arthur C. Smith Professor of Electrical Engineering Chairman, Department Committee on Graduate Theses MAS$ACHUSETTS INSTiTUTE, OF TECHNOLOGY BARKER OCT 0 3 2007 LIBRARIES A Design for an RGB LED Driver with Independent PWM Control and Fast Settling Time By Awo Dede 0. Ashiabor Submitted to the Department of Electrical Engineering and Computer Science on May 28, 2007, in partial fulfillment of the requirements for the degree of Master of Engineering in Electrical Science and Engineering. Abstract A small sized and efficient method to power RGB LEDs for use as backlights in flat panel displays is explored in this thesis. The proposed method is to drive a parallel switched connection of LEDs with a single Average Mode Controlled buck regulator. Specifications for the switching regulator and control circuitry are described. The application circuit demonstrates current settling times between 7ps and 30ps at a switching frequency of 290kHz. Current settling is improved at higher switching frequencies, with settling times approaching a 2ps to 4ps range at 1MHz switching. M.I.T. -
Logan Lucky- for Distribution in China
Beat: Miscellaneous American Director Steven Soderbergh Sold -Logan Lucky- for distribution in China By Shanghai-based Linmon Pictures PARIS - BEIJING - HOLLYWOOD, 15.05.2016, 08:40 Time USPA NEWS - Shanghai-based Linmon Pictures has acquired Steven Soderbergh's top-secret directorial project 'Logan Lucky' for distribution in China. Channing Tatum, Michael Shannon and Adam Driver are set to star in the film, which will mark Soderbergh's return to feature filmmaking.... Shanghai-based Linmon Pictures has acquired Steven Soderbergh's top-secret directorial project 'Logan Lucky' for distribution in China. Channing Tatum, Michael Shannon and Adam Driver are set to star in the film, which will mark Soderbergh's return to feature filmmaking. The deal was part of a trio of sales made by FilmNation to Linmon. The Chinese company also has acquired Michael Grandage's 'Genius', starring Colin Firth, Jude Law and Nicole Kidman, and forthcoming sci-fi 'Redivider', starring Dan Stevens and directed by Tim Smit. China release dates for the three films will be determined by the country's state regulators. Steven Soderbergh is an American film producer, director, screenwriter, cinematographer and editor. His indie drama 'Sex, Lies, and Videotape' (1989) won the Palme d'Or at the Cannes Film Festival, and became a worldwide commercial success, making the then-26-year-old Soderbergh the youngest director to win the festival's top award. He is best known for directing critically acclaimed commercial Hollywood films like : - Crime comedy 'Out of Sight' (1998), - The biographical film 'Erin Brockovich' (2000), - The crime drama film 'Traffic' (2000) - The 2001 remake of the comedy heist film 'Ocean's 11', - The comedy-drama 'Magic Mike' (2012) (...) Linmon Pictures was launched in 2014 by Zhou, former head of Shanghai Media Group, and fellow SMG albums Su Xiao, Chen Fei and Xu Xiao´ou. -
Part A– Standard Prize Draw Terms – Spiral: from the Book of Saw Entrants Who Find All Four (4) Letters with Each Letter Hi
Part A– Standard Prize Draw Terms – Spiral: From The Book of Saw Entrants who find all four (4) letters with each letter hidden within the four (4) Spiral: From The Book of Saw images on the Lionsgate UK Instagram main feed and comment the correct word these four (4) letters spell out on the competition post with the caption: ‘We want to play a game. The rules are simple: we’ve hidden 4 letters across our #Spiral Instagram feed posts. Find them all and comment below the word they create to be in with the chance of winning a Saw Blu-ray boxset and Saw 4K on Blu-ray. Win or lose, make your choice. T&Cs at link in bio, 18+ UK only’ could win (A) one (1) Saw: Legacy Collection 2021 edition, a Blu-ray boxset that contains eight (8) discs (Saw, Saw II, Saw III, Saw IV, Saw V, Saw VI, Saw: The Final Chapter and Jigsaw), and (B) one (1) Saw 4K on Blu-ray (the “Prize”). There are five (5) Prizes to be won by five (5) Entrants who follow the Entry Mechanics and are selected at random per clause 13 (the “Winners”). Each Winner will receive one (1) Prize. 1. Promoter: The Promoter is Lions Gate International (UK) Limited of registered office address 5th Floor 45 Mortimer Street, London, W1W 8HJ 2. Eligibility (a) To enter this Prize Draw you must be aged 18 years old or over with a registered Instagram account during the Opening and Closing Date; (b) By entering the Prize Draw, you confirm that you are 18 years old or over. -
Negotiating the Non-Narrative, Aesthetic and Erotic in New Extreme Gore
NEGOTIATING THE NON-NARRATIVE, AESTHETIC AND EROTIC IN NEW EXTREME GORE. A Thesis submitted to the Faculty of the Graduate School of Arts and Sciences of Georgetown University in partial fulfillment of the requirements for the degree of Master of Arts in Communication, Culture, and Technology By Colva Weissenstein, B.A. Washington, DC April 18, 2011 Copyright 2011 by Colva Weissenstein All Rights Reserved ii NEGOTIATING THE NON-NARRATIVE, AESTHETIC AND EROTIC IN NEW EXTREME GORE. Colva O. Weissenstein, B.A. Thesis Advisor: Garrison LeMasters, Ph.D. ABSTRACT This thesis is about the economic and aesthetic elements of New Extreme Gore films produced in the 2000s. The thesis seeks to evaluate film in terms of its aesthetic project rather than a traditional reading of horror as a cathartic genre. The aesthetic project of these films manifests in terms of an erotic and visually constructed affective experience. It examines the films from a thick descriptive and scene analysis methodology in order to express the aesthetic over narrative elements of the films. The thesis is organized in terms of the economic location of the New Extreme Gore films in terms of the film industry at large. It then negotiates a move to define and analyze the aesthetic and stylistic elements of the images of bodily destruction and gore present in these productions. Finally, to consider the erotic manifestations of New Extreme Gore it explores the relationship between the real and the artificial in horror and hardcore pornography. New Extreme Gore operates in terms of a kind of aesthetic, gore-driven pornography. Further, the films in question are inherently tied to their economic circumstances as a result of the significant visual effects technology and the unstable financial success of hyper- violent films. -
Short Synopsis a Young Woman Is
*** Please note: these production notes are for reference only and may contain spoilers. We would appreciate you not revealing the characters’ secrets in editorial or social postings without proper warning. The film is under embargo until Wednesday, February 21 at 10:30pm CET / 4:30pm EST / 1:30pm PST. Thank you. *** Short Synopsis A young woman is involuntarily committed to a mental institution where she is confronted by her greatest fear - but is it real or is it a product of her delusion? Long Synopsis Making a startling trip into thriller territory with Unsane, director Steven Soderbergh plunges audiences into the suspense and drama of a resilient woman’s (Claire Foy, The Crown) fight to reclaim her freedom even as she risks her own sanity. Scarred from the trauma of being stalked, quick-witted Sawyer Valentini (portrayed by Ms. Foy) has relocated from Boston to Pennsylvania for a new life. As her mother Angela (Academy Award nominee Amy Irving) misses her back home and her office job is hardly an ideal employment opportunity, Sawyer remains on edge following her two years of being terrorized. To consult with a therapist, she goes for follow-up treatment at the Highland Creek Behavioral Center. Sawyer’s initial therapy session at the suburban complex run by clinician Ashley Brighterhouse (Aimée Mullins, Stranger Things) progresses well — until she unwittingly signs herself in for voluntary 24-hour commitment. Unable to leave the premises, Sawyer finds herself in close quarters with previously committed hellion Violet (Juno Temple, The Dark Knight Rises) and savvy Nate (Jay Pharoah, Saturday Night Live), who is battling an opioid addiction. -
Entrepreneurship and Appropriation in the Magic Mike Series," Lateral 6.1 (2017)
Broderick Chow, "Every Little Thing He Does: Entrepreneurship and Appropriation in the Magic Mike Series," Lateral 6.1 (2017). https://doi.org/10.25158/L6.1.3 This content is licensed under a Creative Commons Attribution 4.0 International License. Copyright is retained by authors. Issue 6.1 (Spring 2017) Every Little Thing He Does: Entrepreneurship and Appropriation in the Magic Mike Series Broderick Chow ABSTRACT This essay analyses the theatricalized performance of stripping in the popular lms Magic Mike (2013; dir. Steven Soderbergh) and its sequel, Magic Mike XXL (2015; dir. Gregory Jacobs). Following a critical dance studies approach that attends to the intersection of body and gesture with socio-political, historical, and economic structures, I suggest theatricalized sexual labour in these lms reveals the racial exclusions from the ideology of entrepreneurship. Considering the appropriation of black aesthetics in Magic Mike XXL’s performances of striptease, the lm seeks to evaporate the spectre of race, that is, the way the white fantasy of the entrepreneurial subject is supported by the appropriation of racialized and especially black labour. The Magic Mike movies are all about work. In the rst lm, Magic Mike (2012), director Steven Soderbergh’s concern is the post-industrial service economy, and the way it obliges protagonist Mike Lane (Channing Tatum) to take on many insecure jobs. It is on a roong contract that Mike meets young Adam (Alex Pettyfer), who he quickly recruits to another job, stripping for women at a club called XQuisite. By aligning striptease with other precarious jobs Soderbergh overlaps the fantasy of unattainable masculinity with the fantasy of vocational labor, which made the lm fodder for internet think-pieces—the combination of pecs, pop-and-lock and pop-Marxism was irresistible.1 At the same time, the Magic Mike movies are all about sex, as shown by the sequel, Magic Mike XXL (2015, directed by Gregory Jacobs). -
Jigsaw: Torture Porn Rebooted? Steve Jones After a Seven-Year Hiatus
Originally published in: Bacon, S. (ed.) Horror: A Companion. Oxford: Peter Lang, 2019. This version © Steve Jones 2018 Jigsaw: Torture Porn Rebooted? Steve Jones After a seven-year hiatus, ‘just when you thought it was safe to go back to the cinema for Halloween’ (Croot 2017), the Saw franchise returned. Critics overwhelming disapproved of franchise’s reinvigoration, and much of that dissention centred around a label that is synonymous with Saw: ‘torture porn’. Numerous critics pegged the original Saw (2004) as torture porn’s prototype (see Lidz 2009, Canberra Times 2008). Accordingly, critics such as Lee (2017) characterised Jigsaw’s release as heralding an unwelcome ‘torture porn comeback’. This chapter will investigate the legitimacy of this concern in order to determine what ‘torture porn’ is and means in the Jigsaw era. ‘Torture porn’ originates in press discourse. The term was coined by David Edelstein (2006), but its implied meanings were entrenched by its proliferation within journalistic film criticism (for a detailed discussion of the label’s development and its implied meanings, see Jones 2013). On examining the films brought together within the press discourse, it becomes apparent that ‘torture porn’ is applied to narratives made after 2003 that centralise abduction, imprisonment, and torture. These films focus on protagonists’ fear and/or pain, encoding the latter in a manner that seeks to ‘inspire trepidation, tension, or revulsion for the audience’ (Jones 2013, 8). The press discourse was not principally designed to delineate a subgenre however. Rather, it allowed critics to disparage popular horror movies. Torture porn films – according to their detractors – are comprised of violence without sufficient narrative or character development (see McCartney 2007, Slotek 2009). -
New Elements Operative Surgery
NE W E LE ME NTS O P E R A T I V E S U R G E R Y ALF . A . L. M . V E LPE AU, L E THE FACULTY E D NE PARIS U GE N THE H T L HA E SURGICAL N P A LA. C RITR PROF SSOR OF C I IQ U OF OF M ICI OF , S R O OF OS I OF , YA ACADE MY OF M ED NE T T T T E BE THE L _ IE N E E TC . M M R OF RO ICI , OF I S I U , CARE FULLY RE VISED E NTIR LY RE M DE LLE D AND AUGME NTE D WITH , E O , A TRE A TI S E O N M I N O R S UR G E R Y ; ILLUS TRATE D B Y OV E R 200 E NGRAV INGS INCORPORATE D WITH THE TE X T ACC OMP ANIE D WITH AN ATLAS I N Q UARTO OF TWE NTY- TWO P LATE T N PA . PE ATI VE P E A T T EP E EN ING THE P L E G L IN EN S &o. R R S RI CI O R ROC SS S, SUR IC S RUM , ICAN FROM THE LAS ARI THIRD AME R , T P S E D ITION. TRANSLATE D B Y N E . T W P . S O S ND , M . D ’ L E P ICIAN O THE S E AM E N S RE RE I OR Y E LA NE W Y K. -
Blu-Ray Players May Play Either Dvrs Or Dvds. DVD Players Can Only Play Dvds
___ DVD 0101 - 2 Guns Rated R ___ DVD 0644 - 12 Strong Rated R ___ DVD 0100 - 12 Years A Slave Rated R ___ DVD 0645 - The 15:17 to Paris Rated PG-13 ___ DVD 0102 - 21 Jump Street Rated R ___ DVD 0314 - 22 Jump Street Rated R ___ DVR 0315 - 22 Jump Street Rated R ___ DVD 0316 - 23 Blast Rated PG-13 ___ DVD 0577 - The 33 Rated PG-13 ___ DVD 0103 - 42: The Jackie Robinson Story PG-13 ___ DVD 0964 - 101 Dalmations Rated G ___ DVR 0965 - 101 Dalmations Rated G ___ DVR 0966 - 2001: A Space Odyssey (Blu-Ray) Rated G ___ DVD 0108 - About Time Rated R ___ DVD 0107 - Abraham Lincoln: Vampire Hunter R ___ DVD 0242 - The Adjustment Bureau Rated PG-13 ___ DVD 0646 - Adrift (Based on the a True Story) PG-13 ___ DVD 0243 - The Adventures Of Tintin Rated PG ___ DVD 0706 - The Aftermath Rated R ___ DVD 0319 - Age Of Adaline Rated PG-13 Blu-Ray players may play either DVRs or DVDs. DVD players can only play DVDs. 1 | SD BTBL Descriptive Video Order Form: 2020 Catalog ___ DVR 0320 - Age Of Adaline Rated PG-13 ___ DVD 0995 - Aladdin (Animated) Rated G ___ DVR 0996 - Aladdin (Animated) Rated G ___ DVD 0997 - Aladdin (live action) Rated PG ___ DVR 0998 - Aladdin (live action) Rated PG ___ DVD 0321 - Alexander And The Terrible, Horrible, No Good, Very Bad Day Rated PG ___ DVD 0109 - Alice In Wonderland Rated PG ___ DVD 0723 - Alita: Battle Angel Rated PG-13 ___ DVR 0724 - Alita: Battle Angel Rated PG-13 ___ DVD 0725 - All Is True Rated PG-13 ___ DVD 0473 - Almost Christmas Rated PG-13 ___ DVR 0322 - Aloha (Blu-Ray) Rated PG-13 ___ DVD 0726 - Alpha Rated PG-13 ___ DVD 0111 - Alvin And The Chipmunks: The Squeakquel Rated PG ___ DVD 0110 - Alvin And The Chipmunks: Chipwrecked Rated G ___ DVD 0474 - Alvin And The Chipmunks: The Road Chip Rated PG ___ DVD 0244 - The Amazing Spider-Man Rated PG-13 Blu-Ray players may play either DVRs or DVDs.